Sex and Liberation: the 1970S Spring 2020
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Sexual Controversies in the Women's and Lesbian/Gay Liberation Movements
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1985 Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements. Lisa J. Orlando University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orlando, Lisa J., "Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements." (1985). Masters Theses 1911 - February 2014. 2489. Retrieved from https://scholarworks.umass.edu/theses/2489 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POLITICS AND PLEASURES: SEXUAL CONTROVERSIES IN THE WOMEN'S AND LESBIAN/GAY LIBERATION MOVEMENTS A Thesis Presented By LISA J. ORLANDO Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1985 Political Science Department Politics and Pleasures: Sexual Controversies in the Uomen's and Lesbian/Gay Liberation Movements" A MASTERS THESIS by Lisa J. Orlando Approved by: Sheldon Goldman, Member Philosophy \ hi (UV .CVvAj June 21, 19S4 Dean Alfange, Jj' Graduate P ogram Department of Political Science Lisa J. Orlando © 1982, 1983, 1984, 1985 All Rights Reserved iii ACKNOWLEDGEMENTS I would like to thank the following friends who, in long and often difficult discussion, helped me to work through the ideas presented in this thesis: John Levin, Sheila Walsh, Christine Di Stefano, Tom Keenan, Judy Butler, Adela Pinch, Gayle Rubin, Betsy Duren, Ellen Willis, Ellen Cantarow, and Pam Mitchell. -
Lesbian Jurisprudence?
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY School of Law 1990 Lesbian Jurisprudence? Ruthann Robson CUNY School of Law How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cl_pubs/324 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Lesbian Jurisprudence? Ruthann Robson* 'The inquiry is lesbian jurisprudence. Does it exist? Can it exist? How is it different from recent "attempts" at feminist juris- prudence,' if at all? How is it different from jurisprudential at- tempts to ground homosexuality, 2 if at all? And if lesbian jurisprudence exists, what are its characteristics, its concerns, its methodologies? And if lesbian jurisprudence is being created, what should be its characteristics, its concerns, its methodologies? This article poses the question of lesbian jurisprudence. In order to understand the complexity of the question, this article first offers some preliminary definitions for lesbianism as well as a brief explication of jurisprudence. Combining lesbian and juris- prudence into a question, this article limits the question by re- jecting two possible answers: that lesbian jurisprudence is feminist jurisprudence and that lesbian jurisprudence is a paradigm capable of universal application. The article then seeks to give present im- aginative content to the question by drawing upon mythical meta- phors from our collective past and by surveying science fiction conceptions of the future. The mythical metaphors serve a pur- pose similar to that served by the common embodiment of justice as a woman blindfolded and holding a scale. -
De Vuelta a "El Mito Del Orgasmo Vaginal": El
De vuelta a "El mito del orgasmo vaginal" : el orgasmo femenino en el pensamiento sexual estadounidense y el feminismo de la segunda ola* Jane Gerhard** n 1968, Anne Koedt publicó "El mito del orgasmo vaginal" en Notes from the First Year (Notas del primer año), una revista mimeografiada de veintinueve páginas publicada por New York RadicalE Women . I Para cuando apareció una versión más extensa en Notes from the Second Year (Notas del segundo año), el artículo de Koedt ya se había convertido en un clásico del feminismo .' Koedt planteó lo que serían preocupaciones fundamentales para el movimiento emer- gente: el significado de la libertad sexual, el significado político del placer sexual y las raíces psicológicas de la dominación masculina y la subordinación femenina .' El orgasmo vaginal, alcanzado exclusiva- » Este artículo se publicó originalmente en FEMINIST STUDIES, vol . 26, núm . 2 (verano 2000) . Se reproduce con el permiso de la editorial, FEMINIST STUDIES, Inc . ** La autora agradece a Ruth Feldstein, Elizabeth Francis, Melanie McAlister, Donna Penn y Jessica Shulbow la invaluable ayuda que le prestaron para la escritura de este artículo . I Anne Koedt, "The Myth of the Vaginal Orgasm", Notes from the First Year, New York Radical Feminists, Nueva York, 1968, p . 11 . 2 Anne Koedt, "The Myth of the Vaginal Orgasm", Notes from the Second Year, New York Radical Feminists, Nueva York, 1970, pp . 37-41 . El artículo de Koedt tam- bién apareció en Radical Feminism, eds . Anne Koedt, Ellen Levine y Anita Rapone, Quadrangle Books, Nueva York, 1973, pp . 198-207 . Las citas que aparecen a continua- ción pertenecen a la versión publicada en Radical Feminism. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Book Review: Ratna Kapur's Erotic Justice: Law and the New Politics of Postcolonialism London: Glasshouse, 2005
Book Review: Ratna Kapur's Erotic Justice: Law and the New Politics of Postcolonialism London: GlassHouse, 2005. Pp. vi, 219. Ryan Charles Gagliot Nietzsche observed that the commonest stupidity consists of forgetting what one is trying to do.' As Ratna Kapur argues in Erotic Justice: Law and the New Politics of Postcolonialism, political activism's continued reliance on liberal and Western feminist agendas evinces an absence of deep thinking, in turn unwittingly reinforcing the hegemony and subordination it means to challenge. In this collection of essays, Kapur draws from postcolonial feminist legal theory to critique the misguided causal logic of liberalism, which mistakenly assumes that "more rights lead to more freedom and greater equality." 2 Examining law and political activism, Kapur concludes that, unless modem postcolonial society is understood as the site of an historical, discursive struggle informed by the colonial past, steadfast allegiance to the rights project of liberalism risks perpetuating the subordination of oppressed subaltern groups under the illusive panacea of universal rights.3 Kapur uses her analysis of the condition of Indian women, transnational migrants, and sexual subalterns- groups marginally situated in and subordinate to hegemonic Indian culture-to interrogate the broader agenda of liberalism and Western feminism. This agenda ostensibly endeavors to protect third-world "victims," but, instead, Kapur argues, it tends to offer legal protection on terms that paradoxically reinforce normative and essentialist assumptions of gender, culture, and agency-thus perpetuating the very subordination and victimization it seeks to remedy. But Erotic Justice not only challenges the politics of liberalism and Western feminism by exposing the limitations of the rights project; Kapur's collection of essays goes a step further and asks what the basis of political activism should be without the comfort of liberalism's clear yet misguided Yale Law School, J.D. -
Susan Faludi How Shulamith Firestone Shaped Feminism The
AMERICAN CHRONICLES DEATH OF A REVOLUTIONARY Shulamith Firestone helped to create a new society. But she couldn’t live in it. by Susan Faludi APRIL 15, 2013 Print More Share Close Reddit Linked In Email StumbleUpon hen Shulamith Firestone’s body was found Wlate last August, in her studio apartment on the fifth floor of a tenement walkup on East Tenth Street, she had been dead for some days. She was sixtyseven, and she had battled schizophrenia for decades, surviving on public assistance. There was no food in the apartment, and one theory is that Firestone starved, though no autopsy was conducted, by preference of her Orthodox Jewish family. Such a solitary demise would have been unimaginable to anyone who knew Firestone in the late nineteensixties, when she was at the epicenter of the radicalfeminist movement, Firestone, top left, in 1970, at the beach, surrounded by some of the same women who, a reading “The Second Sex”; center left, with month after her death, gathered in St. Mark’s Gloria Steinem, in 2000; and bottom right, Church IntheBowery, to pay their respects. in 1997. Best known for her writings, Firestone also launched the first major The memorial service verged on radical radicalfeminist groups in the country, feminist revival. Women distributed flyers on which made headlines in the late nineteen consciousnessraising, and displayed copies of sixties and early seventies with confrontational protests and street theatre. texts published by the Redstockings, a New York group that Firestone cofounded. The WBAI radio host Fran Luck called for the Tenth Street studio to be named the Shulamith Firestone Memorial Apartment, and rented “in perpetuity” to “an older and meaningful feminist.” Kathie Sarachild, who had pioneered consciousnessraising and coined the slogan “Sisterhood Is Powerful,” in 1968, proposed convening a Shulamith Firestone Women’s Liberation Memorial Conference on What Is to Be Done. -
GOV 1029 Feminist Political Thought
GOV 1029 Feminist Political Thought Tuesday, Thursday 12-1.15 Fall Semester 2018 Professor Katrina Forrester Office Hours: Tuesday, Thursday 2-3 Office: CGIS K437 E-mail: [email protected] Teaching Fellow: Leah Downey E-mail: [email protected] Course Description: What is feminism? What is patriarchy? What and who is a woman? How does gender relate to sexuality, and to class and race? Should housework be waged, should sex be for sale, and should feminists trust the state? This course is an introduction to feminist political thought since the mid-twentieth century. It introduces students to classic texts of late twentieth-century feminism, explores the key arguments that have preoccupied radical, socialist, liberal, Black, postcolonial and queer feminists, examines how these arguments have changed over time, and asks how debates about equality, work, and identity matter today. We will proceed chronologically, reading texts mostly written during feminism’s so-called ‘second wave’, by a range of influential thinkers including Simone de Beauvoir, Shulamith Firestone, bell hooks and Catharine MacKinnon. We will examine how feminists theorized patriarchy, capitalism, labor, property and the state; the relationship of claims of sex, gender, race, and class; the development of contemporary ideas about sexuality, identity, and gender; and how and whether these ideas change how fundamental problems in political theory are understood. 1 Course Requirements: Participation (25%) includes (a) active participation in discussion (15%); and (b) weekly responses: each week you will send 2-3 brief questions/ comments about the reading to your TF by 5pm the day before section (10%) Paper 1 (25%) 5-6 pages due October 18 4pm. -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
TOWARD a FEMINIST THEORY of the STATE Catharine A. Mackinnon
TOWARD A FEMINIST THEORY OF THE STATE Catharine A. MacKinnon Harvard University Press Cambridge, Massachusetts London, England K 644 M33 1989 ---- -- scoTT--- -- Copyright© 1989 Catharine A. MacKinnon All rights reserved Printed in the United States of America IO 9 8 7 6 5 4 3 First Harvard University Press paperback edition, 1991 Library of Congress Cataloging-in-Publication Data MacKinnon, Catharine A. Toward a fe minist theory of the state I Catharine. A. MacKinnon. p. em. Bibliography: p. Includes index. ISBN o-674-89645-9 (alk. paper) (cloth) ISBN o-674-89646-7 (paper) I. Women-Legal status, laws, etc. 2. Women and socialism. I. Title. K644.M33 1989 346.0I I 34--dC20 [342.6134} 89-7540 CIP For Kent Harvey l I Contents Preface 1x I. Feminism and Marxism I I . The Problem of Marxism and Feminism 3 2. A Feminist Critique of Marx and Engels I 3 3· A Marxist Critique of Feminism 37 4· Attempts at Synthesis 6o II. Method 8 I - --t:i\Consciousness Raising �83 .r � Method and Politics - 106 -7. Sexuality 126 • III. The State I 55 -8. The Liberal State r 57 Rape: On Coercion and Consent I7 I Abortion: On Public and Private I 84 Pornography: On Morality and Politics I95 _I2. Sex Equality: Q .J:.diff�_re11c::e and Dominance 2I 5 !l ·- ····-' -� &3· · Toward Feminist Jurisprudence 237 ' Notes 25I Credits 32I Index 323 I I 'li Preface. Writing a book over an eighteen-year period becomes, eventually, much like coauthoring it with one's previous selves. The results in this case are at once a collaborative intellectual odyssey and a sustained theoretical argument. -
I. This Term Is Borrowed from the Title of Betty Friedan's Book, First
Notes POST·WAR CONSERVATISM AND THE FEMININE MYSTIQUE I. This term is borrowed from the title of Betty Friedan's book, first published in 1963, in order not to confuse the post-Second World War ideology of women's role and place with such nineteenth-century terms as 'woman's sphere'. Although this volume owes to Freidan's book far more than its title, it does not necessarily agree with either its emphasis or its solutions. 2. Quoted in Sandra Dijkstra, 'Simone de Beauvoir and Betty Friedan: The Politics of Omission', Feminist Studies, VI, 2 (Summer 1980), 290. 3. Barbara Ehrenreich and Deirdre English, For Her Own Good: 150 Years of the Experts' Advice to Women (Garden City, New York: Anchor Press/Doubleday, 1978), pp. 216-17. 4. Richard J. Barnet, Roots of War (Baltimore: Penguin Books, 1973), pp 48-9, 118, 109. First published by Atheneum Publishers, New York, 1972. 5. Quoted in William H. Chafe, The American Woman: Her Changing Social, Economic, and Political Roles, 1920-1970 (New York: Oxford University Press, 1972), p. 187. 6. Mary P. Ryan, Womanhood in America: From Colonial Times to the Present, 2nd edn (New York and London: New Viewpoints/A division of Franklin Watts, 1979), p. 173. 7. Ferdinand Lundberg and Marynia F. Farnham, MD, Modern Woman: The Lost Sex (New York and London: Harper & Brothers Publishers, 1947), p. 319. 8. Lillian Hellman, An Unfinished Woman: A Memoir (Boston: Little, Brown and Company, 1969), pp. 5-6. 9. Barbara Charlesworth Gelpi and Albert Gelpi (eds), Adrienne Rich's Poetry (New York: W.W. -
Suburban Captivity Narratives: Feminism, Domesticity and the Liberation of the American Housewife
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2019 Suburban Captivity Narratives: Feminism, Domesticity and the Liberation of the American Housewife Megan Behrent CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/569 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Suburban Captivity Narratives: Feminism, Domesticity, and the Liberation of the American Housewife Megan Behrent On February 4, 1974, the heiress Patricia Hearst—granddaughter of the media mogul William Randolph Hearst—was kidnapped from her home in Berkeley, California. 1 In reporting the story, the media reproduced a trope even older than the U.S. itself: a captivity narrative. To do so, they con - jured an image of racially other captors defiling a white woman’s body. The New York Times describes Hearst being carried off “half naked” by “two black men” (W. Turner), despite the fact that only one of the abduc - tors was African-American. From the earliest recounting of the story, Hearst was sexualized and her captors racialized. The abduction was por - trayed as an intrusion into the domestic space, with Hearst’s fiancé brutal - ized as she was removed from their home. The most widely used image of Hearst was one of idyllic bourgeois domesticity, cropped from the an - nouncement of her engagement in the media—which, ironically, provided her would-be captors with the address to the couple’s Berkeley home. -
Sexual Liberation and Feminist Discourse in 1960S Playboy and Cosmopolitan
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 Sexually Explicit, Socially Empowered: Sexual Liberation and Feminist Discourse in 1960s Playboy and Cosmopolitan Lina Salete Chaves University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Sociology Commons Scholar Commons Citation Chaves, Lina Salete, "Sexually Explicit, Socially Empowered: Sexual Liberation and Feminist Discourse in 1960s Playboy and Cosmopolitan" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3041 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Sexually Explicit, Socially Empowered: Sexual Liberation and Feminist Discourse in 1960s Playboy and Cosmopolitan by Lina Salete Chaves A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Daniel M. Belgrad Ph.D. Robert E. Snyder Ph.D. Laurel Graham Ph.D. Date of Approval: September 22, 2011 Keywords: individualism, consumerism, careerism, sexuality, feminism Copyright © 2011, Lina Salete Chaves Table