Visual and Performing Arts Panelist Biographies
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Definitive Collection of Stax Records' Singles to Be
FOR IMMEDIATE RELEASE: DEFINITIVE COLLECTION OF STAX RECORDS’ SINGLES TO BE REISSUED Two volumes, due out December 16, 2014 and Spring 2015, cover 1968-1975. Volumes to be made available digitally for first time. LOS ANGELES, Calif. — Concord Music Group and Stax Records are proud to announce the digital release and physical reissue of two comprehensive box set titles: The Complete Stax/Volt Soul Singles, Vol. 2: 1968-1971 and The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975. Originally released in 1993 and 1994, respectively, these two compilations will be re-released back into the physical market in compact and sleek new packaging. Each set includes full-color booklets with in-depth essays by Stax historian and compilations co- producer Rob Bowman. The volumes feature stalwart Stax R&B artists including Isaac Hayes, the Staple Singers, Rufus Thomas, Johnnie Taylor, Carla Thomas, the Bar-Kays and William Bell, as well as bluesmen Little Milton, Albert King and Little Sonny, and “second generation” Stax hitmakers like Jean Knight, the Soul Children, Kim Weston, the Temprees, and Mel & Tim. Many of the tracks included in these collections will be made available digitally for the very first time. The story of the great Memphis soul label Stax/Volt can be divided into two distinct eras: the period from 1959 through the beginning of 1968, when the company was distributed by Atlantic and was developing its influential sound and image (chronicled in acclaimed 9-CD box set The Complete Stax/Volt Singles 1959-1968, released by Atlantic in 1991); and the post-Atlantic years, from May 1968 through the end of 1975, when Stax/Volt began its transition from a small, down-home enterprise to a corporate soul powerhouse. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
Out of Control
FREE a nnewspapewspaper for the rest of uuss wwww.lansingcitypulse.com.lansingcitypulse.com January 4-10, 2017 OUT OF CONTROL JANUARY 10-15 | MSU’s Wharton Center | OPENS TUESDAY! AMAZING!— THE WALL STREET JOURNAL WHARTONCENTER.COM 1-800-WHARTON East Lansing engagement welcomed by Auto-Owners Insurance; Delta Dental of Michigan; Farm Bureau Insurance Company; Honigman Miller Swartz & Cohn; and Retailers Insurance Company. Photo by Joan Marcus. 2 www.lansingcitypulse.com City Pulse • January 4, 2017 Hannah Community Center, 819 Abbot Rd. East Lansing id-Win M ter 15th Annual Fri-Sat, January 13-14 Singing & Friday Community Sing Saturday Night Concert January 13, 7:30pm January 14, 7:30pm Folk Festival a Friday Community Sing Where great songs are sung by the song leader on stage and the people in the audience. Saturday night concert Dan Chouinard new this year! Three Acts - One Evening Community Sing Song Leader Lyric sheets provided 10 Saturday workshops Jay Ungar & Molly Mason (9:30 pm) Children’s Concert by Mark Dvorak The Sweet Water Warblers (8:30 pm) “Pete Seeger:The Power Saturday, 11 am, FREE! (Rachael Davis, May Erlewine, Lindsay Lou) of Song” Film James Keelaghan (7:30 pm) Ten Saturday Afternoon FREE Children’s Workshops For complete schedule and tickets, visit Pete Seeger Film - all For $20 concert Students FREE! singingfestival.com Bringing the best of Folk, Roots & Dance to the Greater Lansing Area since 1975. 2017 CONCERT SEASON 1/20/17 Sally Rogers & Claudia Schmidt - CD Release 3/22/17 Jayme Stone’s 1/27/17 John McCutcheon Lomax Project 2/3/17 James Hill and Anne Janelle (Wednesday) 2/10/17 Ten Strings and a Goat Skin 3/31/17 The Ragbirds The 15th Annual Mid-Winter 2/17/17 May Erlewine 4/7/17 Melissa Ferrick 2/24/17 Run Boy Run Singing and Folk Festival 4/21/17 The Chenille Sisters 3/3/17 The Times They Are a Changin’ 1/13/17 Dan Chouinard - Community Celebrating the Songs of Bob Dylan Concerts begin at 7:30pm. -
Normanwhitfieldblog.Pdf
2 He was a brilliant composer and record producer, one of the best to come out of Motown. He was born on May12th 1940 in Harlem, New York, and passed away on September 16th 2008 in Los Angeles, at the age of 68. He founded Whitfield Records in Los Angeles after his departure from Motown Records. He was known as the father of the “Psychedelic Funk” sound. Longer songs, a heavy bass line, distorted guitars, multi-tracked drums and inventive vocal arrangements became the trademarks of Norman’s production output, mainly with The Temptations. According to Dave Laing (Journalist for the Guardian Newspaper; Thursday 18th September 2008) stated that Norman Whitfield’s first actual job at Motown Records was as a member of staff for which he got paid $15 a week to lend a critical ear to new recordings by Motown staff, a job he said "consisted of being totally honest about what records you were listening to". He graded the tracks for Gordy's monthly staff meeting, where decisions were made on which should be released. Soon dissatisfied with quality control, Whitfield fought to be allowed to create records himself. This involved competing with such established figures as Smokey Robinson, but he got his first 3 opportunities in 1964 with lesser Motown The Temptations’ songs, during the first ten groups, co-writing and producing “Needle years of the label’s operation. Such songs as in a Haystack” by the Velvelettes and “Too “Just My Imagination (Running Away with Many Fish in the Sea” by the Marvelettes. Me)”, “Ball Confusion”, “Papa Was a Rollin’ These records brought him the chance to Stone” and “I Can’t Get Next To You” all work with the Temptations, already one of achieved platinum certification in America for Motown's elite groups. -
October 14, 2020 for Correct Answers, Watch
Name that Tune Play-Along Copy: October 14, 2020 For correct answers, watch the stream on our website or twitch channel OR check back here next week. Please note: answers may be read by our online hosts in a different order than below because our software randomizes the answers. Part 1: Motown 1. Who is singing, "Please Mr. Postman?" a. The Marvelettes b. The Velvelettes c. The Shirelles d. Martha and the Vandellas 2. The Supremes were originally known as… a. The Primettes b. The Dixie Cups c. The Ronettes d. The Flirtations 3. What Motown group is singing this song? a. The Temptations b. The Commodores c. The Jackson Five d. The Four Tops 4. What is true about Stevie Wonder? a. He has recorded for only one record label b. He received an honorary Doctorate in Fine Arts from Princeton c. With all his success, he never hosted SNL d. He performed, "I Just Called to Say I Love You" on Sesame Street 5. Who made the pivotal call that got this group a contract with Motown? a. Diana Ross b. Tina Turner c. Gladys Knight d. Lionel Richie 6. Which fun fact about this song is NOT true? a. It was inducted into the Grammy Hall of Fame b. Delta Airlines used it in a TV campaign c. Farrah Fawcett inspired the lyrics d. It was featured in the "The Deer Hunter" 7. This group was originally called "The Elgins." Who are they? a. The Spinners b. The Fantastic Four c. The Temptations d. The Satintones 8. -
Regional Books Catalog
2013 REGIONAL BOOKS CATALOG WAYNE STATE UNIVERSITY PRESS WAYNE STATE UNIVERSITY PRESS 2013 REGIONAL BOOKS CATALOG TABLE OF CONTENTS Art and Architecture . 3–8 Michigan and Regional History . 9–13 Upper Peninsula . 14–15 Great Lakes and Maritime History . 16–17 Military History . 18–20 Detroit History . 21–24 Detroit People . 25–27 Detroit Sports History . 28 Detroit Arts and Culture . 29–30 Automotive History . 31–34 Young Readers . 35–36 Poetry and Literature . 37–45 Ecology and the Environment . 46–48 Index . 49–54 Sales Information . 55–56 Ordering Information . Inside back cover E-BOOKS Many of our books are available as e-books! You can find our titles for sale with these vendors: Amazon.com • Apple iBooks • kobo • Nook by Barnes & Noble Google ebooks • EBSCO Publishing • Ebrary • Project Muse e This symbol denotes books in this catalog that are also published in electronic format. GREAT LAKES BOOKS SERIES ADVISORY BOARD Charles K. Hyde, Editor Joe Grimm Dennis Moore Wayne State University Bloomfield Hills, Michigan Consulate General of Canada Jeffrey Abt Richard H. Harms Erik Nordberg Wayne State University Calvin College Michigan Technological University Fredric C. Bohm Laurie Harris Deborah Smith Pollard Michigan State University Pleasant Ridge, Michigan University of Michigan–Dearborn Sandra Sageser Clark Thomas Klug Michael O. Smith Michigan Historical Center Marygrove College Wayne State University Brian Leigh Dunnigan Philip P. Mason, Editor Joseph M. Turrini University of Michigan Prescott, Arizona and Eagle Harbor, Michigan Wayne State University De Witt Dykes Susan Larsen Arthur M. Woodford Oakland University Detroit Institute of Arts Harsens Island, Michigan ON THE COVER Biking from Midtown to the eastern district (photo by Sandra Yu). -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
Biographical Description for the Historymakers® Video Oral History with Norma Fairhurst
Biographical Description for The HistoryMakers® Video Oral History with Norma Fairhurst PERSON Fairhurst, Norma, 1943- Alternative Names: Norma Fairhurst; Life Dates: October 24, 1943- Place of Birth: Verona, Mississippi, USA Residence: Flint, MI Work: MI Occupations: Singer Biographical Note Singer and performer Norma Fairhurst was born in Verona, Mississippi and raised in Flint, Michigan. Fairhurst and her cousin, Bertha McNeal, first sang in a group with their uncle called the Barbees, where they recorded an album for the Stepp label in 1957. Following high school and the breakup of the Barbees, Fairhurst enrolled as a student at Flint Junior College. In 1961, while a freshman at Flint Junior College, Fairhurst was asked by her cousin to join a singing group at Western Michigan University with Mildred Arbor, Carolyn Street and Betty Kelley, which they named the Velvelettes. After the quintet won a talent contest at the University, fellow student and nephew of Berry Gordy, Robert Bullock, suggested they audition for Gordy’s Motown Records. The Velvelettes signed to Motown in late 1962 and started recording in January of 1963. They recorded two singles in 1963: "There He Goes," which was written by Fairhurst, and "That's The Reason Why." In 1964, the Velvelettes recorded and released the single "Needle In A Haystack" on Motown’s VIP Records, which peaked at #45 on the U.S. Billboard Hot 100. The group then recorded "He Was Really Sayin' Somethin',” which peaked at #64 on the U.S. Billboard Hot 100 and at #21 on the Billboard R&B Singles chart. In September of 1964, Betty Kelley left the Velvelettes to join Martha and the Vandellas. -
Tupac Shakur 29 Dr
EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast, -
Well You Need to Get an MBA Rob Bowman
Document généré le 29 sept. 2021 09:54 Canadian University Music Review Revue de musique des universités canadiennes --> Voir l’erratum concernant cet article So You Want to Be a Rock'n'Roll Scholar — Well You Need to Get an MBA Rob Bowman Crossing Borders: Interdisciplinary Studies by Canadian Scholars Résumé de l'article Franchir les frontières : études interdisciplinaires de chercheurs Stax Records was a record label based in Memphis, Tennessee from the late canadiens 1950s through December 1975, when it was forced into involuntary Volume 18, numéro 1, 1997 bankruptcy. "So You Want to Be a Rock and Roll Scholar — Well You Need to Get an MBA" uses Stax Records as a case study to problematize what has often URI : https://id.erudit.org/iderudit/1014820ar been a tendency within popular music scholarship to attempt to understand DOI : https://doi.org/10.7202/1014820ar the political economy of the record industry primarily via the mechanical application of Marxist theory on a macro level. In looking in detail at the relationship between CBS Records and Stax from 1972 through 1975, the Aller au sommaire du numéro author concludes that to fully understand the nature of the distribution agreement between the two companies, its ramifications, and the consequent subsequent actions of the various principals involved, all of which eventually Éditeur(s) led to Stax's bankruptcy, one needs to take into account on a micro level the different modi operandi of independent and major labels, differences in the Canadian University Music Society / Société de musique des universités retail world of black and white America, and individual agency. -
October 14, 2020 for the Hearing Impaired Or Unable to Watch the Stream
Name that Tune Play-Along Copy: October 14, 2020 For the Hearing Impaired or Unable to Watch the Stream For correct answers check back here next week. Part 1: Motown 1. Whose debut single was "Please Mr. Postman?" a. The Marvelettes b. The Velvelettes c. The Shirelles d. Martha and the Vandellas 2. The Supremes were originally known as… a. The Primettes b. The Dixie Cups c. The Ronettes d. The Flirtations 3. What Motown group sings “Reach Out (I’ll Be There)”? a. The Temptations b. The Commodores c. The Jackson Five d. The Four Tops 4. What is true about Stevie Wonder? a. He has recorded for only one record label b. He received an honorary Doctorate in Fine Arts from Princeton c. With all his success, he never hosted SNL d. He performed, "I Just Called to Say I Love You" on Sesame Street 5. Who made the pivotal call that got The Four Tops a contract with Motown? a. Diana Ross b. Tina Turner c. Gladys Knight d. Lionel Richie 6. Which fun fact about “Midnight Train to Georgia” is NOT true? a. It was inducted into the Grammy Hall of Fame b. Delta Airlines used it in a TV campaign c. Farrah Fawcett inspired the lyrics d. It was featured in the "The Deer Hunter" 7. This group who performed “Just my Imagination” was originally called "The Elgins." Who are they? a. The Spinners b. The Fantastic Four c. The Temptations d. The Satintones 8. What is NOT true about Smokey Robinson? a. He contributed two songs to Pippin b. -
Brand New Cd & Dvd Releases 2004 5,000+ Top Sellers
BRAND NEW CD & DVD RELEASES 2004 5,000+ TOP SELLERS COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, Videos, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2004 5,000+ titles listing are all of U.K. manufactured (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. 695 10,000 MANIACS campfire songs Double B9 14.00 713 ALARM in the poppy fields X4 12.00 793 ASHER D. street sibling X2 12.80 866 10,000 MANIACS time capsule DVD X1 13.70 859 ALARM live in the poppy fields CD/DVD X1 13.70 803 ASIA aqua *** A5 7.50 874 12 STONES potters field B2 10.50 707 ALARM raw E8 7.50 776 ASIA arena *** A5 7.50 891 13 SENSES the invitation B2 10.50 706 ALARM standards E8 7.50 819 ASIA aria A5 7.50 795 13 th FLOOR ELEVATORS bull of the woods A5 7.50 731 ALARM, THE eye of the hurricane *** E8 7.50 809 ASIA silent nation R4 13.40 932 13 TH FLOOR ELEVATORS going up-very best of A5 7.50 750 ALARM, THE in the poppyfields X3