Archaeology & Architecture in Ancient Greece
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AHEPA Delegation Meets with Al. Tsipras NFL's Chief Litigator
S O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of E ΑΠΟ ΤΟ 1915 The National Herald Greek- Americans N c v A wEEkLy GrEEk-AmEriCAN PuBLiCATiON www.thenationalherald.com VOL. 18, ISSUE 895 December 6-12, 2014 $1.50 AHEPA NFL’s Chief Litigator, Anastasia Danias, Speaks with TNH Delegation Top Concern is to Make Football as Meets With Safe as it Can Be Al. Tsipras By Constantine S. Sirigos TNH Staff Writer Officials Call NEW YORK – That a woman can command attention not only Diaspora “Best in the male-dominated legal Face” of Greece field but in one of the most po - tent arenas of maledom – pro - fessional football – speaks vol - TNH Staff umes for the energy, intelligence, and dedication of ATHENS – After attending Pope Anastasia Danias. Francis’ official visit with Patri - She is the Senior Vice Presi - arch Bartholomew in Constan - dent and Chief Litigation Officer tinople, members of an AHEPA at the National Football League delegation traveled to Athens, (NFL), where she manages an - where they met not only with titrust and other complex com - members of the Greek govern - mercial litigation for the League ment, but also with the leader and its teams. Among other of the opposition party. things, she told TNH her priority Headed by AHEPA’s Supreme is to make football as safe as it President Philip Frangos, the can be, particularly as it is visit included a meeting with poised to become an interna - Greek Prime Minister Antonis tional sport. Samaras, as well as SYRIZA “I was always interested in leader Alexis Tsipras. -
Athens, Central Greece & Peloponnese
Athens, Central Greece & Peloponnese Athens – Olympia – Delphi 6 Days / 5 Nights Day 1 – Arrival in Athens Upon arrival at Athens International Airport, you will be met by our representative and transferred to your hotel. Balance of the day at leisure. If time permits depending on your arrival time to Athens, you may enjoy one of our optional tours. (Cape Sounion or Athens By Night Tour with Traditional Greek show). Day 2 – Athens After breakfast at hotel, pick up for our Athens Sightseeing Tour. Our Athens Half Day Tour begins with a panoramic drive around Syntagma square, passing by many sightseeing hot spots such as National Garden, Hadrian’s Arch, St. Paul’s Church, Parliament, Tomb of the Unknown Soldier, Catholic Cathedral and Schliemann’s House. We will then drive past the Athens Trilogy which includes the University of Athens, the Academy of Athens, and the National Library. Our licensed guide will make you feel as if you are experiencing firsthand Athens’s old and new history as you look at these stately buildings. We continue for a photo stop at Panathenaic Stadium, otherwise known as Kallimarmaro Stadium, where the first Olympic Games took place in 1896. As we proceed, we pass by Zappeion and the Temple of Olympian Zeus. Last but not least, we make our way to the archaeological site of Acropolis, an UNESCO’S world heritage monument and we visit Propylae, as well as the small Temple of Athena Nike. Of course, our visit shall not be completed without the Parthenon and Erechtheion. The expert guided Athens sightseeing and museum tour continues with a pleasant short walk passing by Herodion and Dionysos Theater, in order to visit the New Acropolis Museum. -
Grand Tour of Greece
Grand Tour of Greece Day 1: Monday - Depart USA Depart the USA to Greece. Your flight includes meals, drinks and in-flight entertainment for your journey. Day 2: Tuesday - Arrive in Athens Arrive and transfer to your hotel. Balance of the day at leisure. Day 3: Wednesday - Tour Athens Your morning tour of Athens includes visits to the Tomb of the Unknown Soldier, Panathenian Stadium, the ruins of the Temple of Zeus and the Acropolis. Enjoy the afternoon at leisure in Athens. Day 4: Thursday - Olympia CORINTH Canal (short stop). Drive to EPIDAURUS (visit the archaeological site and the theatre famous for its remarkable acoustics) and then on to NAUPLIA (short stop). Drive to MYCENAE where you visit the archaeological site, then depart for OLYMPIA, through the central Peloponnese area passing the cities of MEGALOPOLIS and TRIPOLIS arrive in OLYMPIA. Dinner & Overnight. Day 5: Friday – Delphi In the morning visit the archaeological site and the museum of OLYMPIA. Drive via PATRAS to RION, cross the channel to ANTIRION on the "state of the art" new suspended bridge considered to be the longest and most modern in Europe. Arrive in NAFPAKTOS, then continue to DELPHI.. Dinner & Overnight. Day 6: Saturday – Delphi In the morning visit the archaeological site and the museum of Delphi. Rest of the day at leisure. Dinner & Overnight in DELPHI. Day 6: Sunday – Kalambaka In the morning, start the drive by the central Greece towns of AMPHISSA, LAMIA and TRIKALA to KALAMBAKA. Afternoon visit of the breathtaking METEORA. Dinner & Overnight in KALAMBAKA. Day 7: Monday - Thessaloniki Drive by TRIKALA and LARISSA to the famous, sacred Macedonian town of DION (visit).Then continue to THESSALONIKI, the largest town in Northern Greece. -
Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014
Updated Tuesday, December 31, 2013 | 1:38:43 PM Last updated Tuesday, December 31, 2013 Updated Tuesday, December 31, 2013 | 1:38:43 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Heaven and Earth: Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. Cat. No. 1A / File Name: 3514-117.jpg Statuette of Europa, 1st or early 2nd century marble height: 34.5 cm (13 9/16 in.) Archaeological Museum of Ancient Corinth Cat. No. 1B / File Name: 3514-118.jpg Head of Pan, 2nd century (?) marble height: 14.4 cm (5 11/16 in.) Archaeological Museum of Ancient Corinth Cat. -
Wave-Based Acoustic Modeling of the Epidaurus Theatre
Wave-based acoustic modeling of the Epidaurus theatre Konstantinos Kaleris, George Moiragias, Gavriil Kamaris and John Mourjopoulos Audio & Acoustic Technology Group, Electrical & Computer Engineering Department, University of Patras, Greece. Summary The acoustics of the ancient theatre of Epidaurus have been evaluated in the past via measurements and models. However, the topic still remains open especially with respect to the contributions of the specific architectural elements to the theatre's excellent acoustic performance. Here, the study focuses on 3 novel aspects for a better understanding of the theater's acoustics: (a) introduces a wave-based acoustics simulation of the Epidaurus theatre based on a flexible but simplified 3D geometric model (b) matches temporal and spectral features of measured and modeled responses, The wave model considers direct, reflected, diffracted and mixed reflection - diffraction sound paths for calculating the theatre's acoustic Impulse Response (IR) in several listening positions, from the front rows of the lower tier to the last rows of the upper tier. For exact tuning of the model, such simulated IR discrete temporal features due to the calculated sound paths are examined through time-distance matching, allowing thus direct comparison to the theatre's measured IRs and further interpretation of the effects of each of the architectural features of the theatre. In order to precisely match the simulation to measurements, the acoustic behavior of reflecting and diffracting surfaces/edges is incorporated in the model through application of special filters, developed according to the spectral characteristics of the reflection and diffraction features of the measured IRs. From the study it is deduced that sound diffraction plays a major role in the theatre's acoustics, assisting signal reception especially at the distant positions. -
Kynomartyrion)
DOG SACRIFICE IN ANCIENT AND MODERN GREECE: FROM THE SACRIFICE RITUAL TO DOG TORTURE (KYNOMARTYRION) Manolis G. Sergis Abstract: The article presents and discusses the custom of kynomartyrion (dog torture) which took place in the Greek lands until the 1980s. In many areas it stopped in the 1930s because of its cruelty. The author begins his discussion with the presentation of some elements that are related to the dog. More spe- cifically, the dog is an animal that entered the humanized environment long ago and belongs to the creatures whose nature is twofold because it is part of the human and the non-human worlds and it has been treated as twofold by at least the Indo-Europeans. It is also maintained that the liminal Hellenistic period was decisive for the formation of folk worship because of the religious syncre- tism and the invasion of demons that dominated in the Eastern Mediterranean. The author points out its remarkable similarities to ancient Greek and Roman (and Indo-European) fertile, cathartic and other sacrificial practices. Due to industrialization of agriculture and rationalization of the magical way of thought of the “traditional” peasant, performance of the custom was transformed into a folkloric, spectacular one with intensely violent and sadistic behaviour on the part of humans in the places where it still took place after 1960. The writer argues that violence was always an inherent characteristic of the custom. None- theless, the archaic, and later folk thinking ritualized the performance and attributed to it a different facet, devoid of any sacred elements, during the 20th century where its inherent violence was manifested in its raw essence. -
Nafpaktos Schräg Gegenüber Von Patras Liegt Ein Kleines Äußerst Malerisches Städtchen – Nafpaktos
Nafpaktos Schräg gegenüber von Patras liegt ein kleines äußerst malerisches Städtchen – Nafpaktos. Es hat einen winzigen Hafen, der durch eine Art Stadtmauer befestigt ist. Rechts und links der Hafeneinfahrt stehen kleine Türmchen auf der Mauer, ein sehr schönes Bild. Oberhalb des Städtchens liegt die Ruine einer ziemlich groß angelegten venezianischen Festung, deren Mauern bis hinunter zum Meer gehen. Und oberhalb gibt es eine wunderschöne Taverne, von der aus man einen einmaligen Blick auf die Stadt und den Golf von Patras hat. Und im Hafen gibt es ausgezeichnete Restaurants, man sitzt sozusagen auf der Stadtmauer und hat beim Essen einen wunderbaren Blick auf den kleinen Hafen. Was hat es auf sich mit Nafpaktos? Dazu muss man in die Geschichte zurückgehen – da hieß das Städtchen nicht Nafpaktos, sondern Lepanto. Nach der Eroberung Konstantinopels 1453 durch die Türken gab es ja immer wieder Versuche seitens der Türken/des Osmanischen Reiches, Griechenland und den Balkan – mit Ziel Europa insgesamt – zu erobern. Einer dieser Versuche endete am 7. Oktober 1571 in der Seeschlacht von Lepanto, unweit des heutigen Städtchens Nafpaktos. Es war die letzte Seeschlacht mit von Sklaven geruderten Galeeren. 212 Kriegsschiffe der „Heiligen Liga“ gegen 260 Kriegsschiffe der Osmanen; 68000 Spanier, Italiener, Österreicher, Venezianer und Soldaten des Papstes gegen 77000 Osmanen. Don Juan de Austria, ein Sohn des Habsburgerkaisers Karl V., führte die Koalition an. Diese hatte sich gebildet, weil die Osmanen Zypern erobert hatten, das bisher zu Venedig gehörte. Venedig wollte seinen Mittelmeerhandel erhalten und erweitern – der Papst hoffte auf eine Renaissance der Kreuzzüge gegen die „Ungläubigen“. Das Zweckbündnis hielt nicht lange, der Sieg festigte die europäische Vormachtstellung der Habsburger. -
Post-ADE FAM Tour Classical Tour of History, Culture and Gastronomy April 18 - 22, 2018
Post-ADE FAM Tour Classical Tour of History, Culture and Gastronomy April 18 - 22, 2018 WHERE: Athens – Argolis – Olympia – Meteora –Athens WHEN: April 18-22, 2018 ITINERARY AT A GLANCE: • Wednesday, April 18 o Athens - Corinth Canal - Argolis - Nafplio • Thursday, April 19 o Nafplio – Arcadia - Olympia • Friday, April 20 o Nafpaktos – Delphi - Arachova • Saturday, April 21 o Hosios Lukas – Meteora • Sunday, April 22 o Meteora Monasteries – Thermopylae - Athens COST: Occupancy Price* Double Occupancy $735 Single Occupancy $953 Reservations on this tour MUST be made by December 31, 2017. WHAT’S INCLUDED*: • Private Land Travel o 5-day excursion o Private vehicle o English speaking driver o Gas and toll costs o Fridge with water, refreshments and snacks • Private Guided tours o Mycenae (1.5hr) - State licensed guide o Epidaurus (1.5hr) - State licensed guide o Nafplio Orientation tour (1.5 hr) - State licensed guide o Olympia (2hrs) - State licensed guide o Augmented reality Ipads o Delphi (2hrs) - State licensed guide o Meteora (3.5hrs) – Sunset tour – Specialized local guide o Meteora (5 hrs) – Monasteries tour - State licensed guide Classical Tour of History, Culture and Gastronomy I April 18 - 22, 2018 I Page 1 of 6 WHAT’S INCLUDED (cont.)*: • Entry Fees o Mycenae o Epidaurus o Olympia o Delphi o Hosios Lukas o Meteora Monasteries • Activities o Winery Visit & Wine Tasting in Nemea o Winery Visit & Wine Tasting in Olympia o Olive oil and olives tasting in Delphi • Meals o Breakfast and lunch or dinner throughout the 5-day itinerary • Taxes o All legal taxes • Accommodations– Double room occupancy o Day 1– Nafplio 4* hotel o Day 2 – Olympia 4* hotel o Day 3 – Arachova 5* hotel o Day 4 – Meteora 4* Hotel ESSENTIAL INFORMATION: • A minimum of 2 persons is required to operate this tour. -
What Role and Perspectives for Africa's Social Economy to Cope with The
From Austerity to Growth and Recovery: Overcoming the Socio-Economic Consequences of Greece's Crisis SPEECH by Mr Luca JAHIER President of Group III 'Various Interests' of the European Economic and Social Committee INAUGURAL SESSION 20 March 2014 EN R - 1 - Your Excellencies Distinguished guests Dear friends and colleagues, It truly is a great pleasure, personally and for all members of the Various Interests Group of the European Economic and Social Committee, to be here with you today in Athens and in this exquisite building of the Zappeion Megaron. There are not many occasions in life where one can be so close to History: here we are looking out to the Parthenon, whilst standing in the Zappeion, this monument which represents the revival of those Athenian values in modern-time Greece. For the Zappeion Megaron was constructed in the 19th century to exhibit Greek art and industry during the modern Olympiads, a sort of precursor to the current Acropolis museum. The Zappeion was also the venue for the signature of the accession treaty of Greece to the EU in 1981. Hence the continuity. Indeed in Greece 'History' is inescapable, we are imbued with its memory, we are graced by its wisdom and we are humbled by its responsibility. And Mnemosyne, the Titan goddess of Memory and Remembrance is also the goddess who invented words and gave humans the skill of language: to always remember our common European history and our common aspirations. Did not the French President Valéry Giscard d'Estaing say in 1979 that "Europe without Greece is simply not Europe"? So today in the 6th year of the crisis, we are still united by our common quest for a sustainable, ambitious and cohesive Europe which responds to the needs of its citizens. -
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou 20 | MUSEUM international rsi Filippopoulou is an architect and a jurist, specialised in archaeological museums planning and programming. She served as Director Eof Museum Studies in the Greek Ministry of Culture, and was also responsible for the new Acropolis museum project over 18 years. She worked as Director of the Greek Managing Authority for the European Union, co-financed cultural projects for six years. She served as an adjunct faculty member at the Departments of Architecture of the Universities of Thessaloniki and Patras, Greece. She was elected chairperson of the ICOM International Committee for Architecture and Museum Techniques (ICAMT) twice on a three-year mandate. Since 2012, she has been working as an advisor on heritage issues to the Peloponnese Regional Governor. She recently published a book entitled Τo neo Mouseio tis Acropolis—dia Pyros kai Sidirou, which retraces the new Acropolis Museum’s tumultuous history from its inception to its inauguration (Papasotiriou Publishers 2011). Her current research project is a comparative approach to the Greek archaeological museum paradigm. MUSEUM international | 21 he visitor to the new Acropolis Museum in Athens, climbing to the up- per floor and passing through the exhibition gallery door to an all-glass space flooded with natural light, is suddenly awestruck by the breathtak- ing view of the Parthenon rising up above the surrounding city (Fig. 1). Enjoying the holistic experience inspired by the natural and cultural landscape, the viewer is unaware of past controversies about the mu- seum’s location, and is certain that is the right place to be for anyone wishing to admire the ancient monument together with its architectur- al sculptures. -
Ucruising Vacations Inc. Nafplion
郵 紛 輪 繽 UCruising Vacations Inc. WWW.UCRUISING.COM Email:[email protected] Nafplion Nafplion is a small european towns, byzantine and otto- town in Peloponnese man influences. Many of the old town’s (Greece). buildings are traced back one or two Nafplio was the hundred years ago. second capital of Attractions: newly formed Greece after Misologgi Vouleftikon, the first parliament of until the capital eventually became the Greek Nation. Athens. It is an historical city due to its Monastery. On Fotomara str, by the meaning to the Greek Revolution. foot of the Akronafplia castle, on the Nowadays, when taking a walk in south east of the old town. the picturesque alleys of the Old Town, Archeological Museum, in a Vene- visitors are drawn by the venetian bal- tian building of 1714 with impressive conies and the wonderful neoclassical stone arches. The most important ex- buildings and mansions, images that hibit of the museum is the impressive bring feelings of sweet nostalgia. Re- bronze armor suit dating back to the lax at the numerous cafés on the port 13th century B.C. and once worn by a Merarchias str, just opposite of “alevri whilst viewing the sea, and visit Pal- Mycenaean soldier. zahari”. Annex of the National Greek amidi fortress for a scenic view of the Komboloi Museum: the first Kom- Gallery. Argolic gulf. boloi (or worry-beads) Museum – said Palamidi: Standing like a crown over Travelers mix: Many Greeks come to be the only one worldwide – was Nafplio, Palamidi fortress (build by the here for weekends from Athens. -
NEW EOT-English:Layout 1
TOUR OF ATHENS, stage 10 FROM OMONIA SQUARE TO KYPSELI Tour of Athens, Stage 10: Papadiamantis Square), former- umental staircases lead to the 107. Bell-shaped FROM MONIA QUARE ly a garden city (with villas, Ionian style four-column propy- idol with O S two-storey blocks of flats, laea of the ground floor, a copy movable legs TO K YPSELI densely vegetated) devel- of the northern hall of the from Thebes, oped in the 1920’s - the Erechteion ( page 13). Boeotia (early 7th century suburban style has been B.C.), a model preserved notwithstanding 1.2 ¢ “Acropol Palace” of the mascot of subsequent development. Hotel (1925-1926) the Athens 2004 Olympic Games A five-story building (In the photo designed by the archi- THE SIGHTS: an exact copy tect I. Mayiasis, the of the idol. You may purchase 1.1 ¢Polytechnic Acropol Palace is a dis- tinctive example of one at the shops School (National Athens Art Nouveau ar- of the Metsovio Polytechnic) Archaeological chitecture. Designed by the ar- Resources Fund – T.A.P.). chitect L. Kaftan - 1.3 tzoglou, the ¢Tositsa Str Polytechnic was built A wide pedestrian zone, from 1861-1876. It is an flanked by the National archetype of the urban tra- Metsovio Polytechnic dition of Athens. It compris- and the garden of the 72 es of a central building and T- National Archaeological 73 shaped wings facing Patision Museum, with a row of trees in Str. It has two floors and the the middle, Tositsa Str is a development, entrance is elevated. Two mon- place to relax and stroll.