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Syllabus for Post Graduate Programme in Music
1 Appendix to U.O.No.Acad/C1/13058/2020, dated 10.12.2020 KANNUR UNIVERSITY SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: MA MUSIC DEPARTMENT OF MUSIC KANNUR UNIVERSITY SWAMI ANANDA THEERTHA CAMPUS EDAT PO, PAYYANUR PIN: 670327 2 SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: M A (MUSIC) ABOUT THE DEPARTMENT. The Department of Music, Kannur University was established in 2002. Department offers MA Music programme and PhD. So far 17 batches of students have passed out from this Department. This Department is the only institution offering PG programme in Music in Malabar area of Kerala. The Department is functioning at Swami Ananda Theertha Campus, Kannur University, Edat, Payyanur. The Department has a well-equipped library with more than 1800 books and subscription to over 10 Journals on Music. We have gooddigital collection of recordings of well-known musicians. The Department also possesses variety of musical instruments such as Tambura, Veena, Violin, Mridangam, Key board, Harmonium etc. The Department is active in the research of various facets of music. So far 7 scholars have been awarded Ph D and two Ph D thesis are under evaluation. Department of Music conducts Seminars, Lecture programmes and Music concerts. Department of Music has conducted seminars and workshops in collaboration with Indira Gandhi National Centre for the Arts-New Delhi, All India Radio, Zonal Cultural Centre under the Ministry of Culture, Government of India, and Folklore Academy, Kannur. -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B. -
University of Kerala Ba Music Faculty of Fine Arts Choice
UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABUS FOR BACHELOR OF ARTS DEGREE IN MUSIC BA MUSIC UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) Outcome Based Teaching, Learning and Evaluation (2021 Admission onwards) 1 Revised Scheme & Syllabus – 2021 First Degree Programme in Music Scheme of the courses Sem Course No. Course title Inst. Hrs Credit Total Total per week hours credits I EN 1111 Language course I (English I) 5 4 25 17 1111 Language course II (Additional 4 3 Language I) 1121 Foundation course I (English) 4 2 MU 1141 Core course I (Theory I) 6 4 Introduction to Indian Music MU 1131 Complementary I 3 2 (Veena) SK 1131.3 Complementary course II 3 2 II EN 1211 Language course III 5 4 25 20 (English III) EN1212 Language course IV 4 3 (English III) 1211 Language course V 4 3 (Additional Language II) MU1241 Core course II (Practical I) 6 4 Abhyasaganam & Sabhaganam MU1231 Complementary III 3 3 (Veena) SK1231.3 Complementary course IV 3 3 III EN 1311 Language course VI 5 4 25 21 (English IV) 1311 Language course VII 5 4 (Additional language III ) MU1321 Foundation course II 4 3 MU1341 Core course III (Theory II) 2 2 Ragam MU1342 Core course IV (Practical II) 3 2 Varnams and Kritis I MU1331 Complementary course V 3 3 (Veena) SK1331.3 Complementary course VI 3 3 IV EN 1411 Language course VIII 5 4 25 21 (English V) 1411 Language course IX 5 4 (Additional language IV) MU1441 Core course V (Theory III) 5 3 Ragam, Talam and Vaggeyakaras 2 MU1442 Core course VI (Practical III) 4 4 Varnams and Kritis II MU1431 Complementary -
A History of Indian Music by the Same Author
68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students. -
2008 President-Elect - S
52 SRUTI BOARD OF DIRECTORS SRUTI DAY President - C. Nataraj December 2008 President-elect - S. Vidyasankar Treasurer - Venkat Kilambi Director of Resources & Development - Ramaa Nathan Director of Publications & Outreach - Vijaya Viswanathan Director of Marketing & Publicity - Srinivas Pothukuchi Director 1 - Revathi Sivakumar Director 2 Seetha Ayyalasomayajula Resource Committee - Ramaa Nathan, Uma Prabhakar, C. Nataraj, Vidyashankar Sundaresan, and Venkat Kilambi Sruti web site managed by V V Raman S R U T I The India Music & Dance Society Philadelphia, PA 2 51 Editor’s Note Welcome to our year end event, Sruti Day. This is- sue of Sruti Ranjani carries articles by some of our young- Solution to Jumble sters, who have achieved certain significant milestones in their journeys as performing artists of classical music and dance. Apart from this, our adult members have contrib- uted interesting articles that you are certain to enjoy along C O P with some puzzles and a couple of reviews of past Sruti concerts. Again, many thanks to all for taking the time to V E R S E write for this issue. H A P P Y Thanks, O D O R D E M O N S Vijaya Viswanathan 610-640-5375 C O M P O S E R’S CONTENTS DAY 1. Program - 3 2. About the Artists 3 3. Articles by members of the community 4 4. Puzzles 48 50 3 PROGRAM 2:00 PM General Body Meeting and Elections to 2009- 2010 Board (open to Sruti members only) 3:30 PM Snack Break 4:00 PM Carnatic Flute Concert by Shri V. -
JETIR Research Journal
© 2019 JETIR May 2019, Volume 6, Issue 5 www.jetir.org (ISSN-2349-5162) Pithukkuli Murugadas’s Bhani of rendering Oothukadu Venkata Kavi’s ‘Krishna Ganam’ RasigaDeviprasadh Vocalist, 7/9, 3rd Street, Azad Nagar, Trichy, Tamilnadu, India Abstract :. ‘Krishna Ganam’ is one among the prominent operas composed by Oothukadu Venkata Kavi. Compositions like Taye Yashoda (Todi), Pal Vadiyum (Nattakurinji), AdathuAsangathu (Madhyamavathi), Madhura Madhura (Athana), Nada Murali (Hamir Kalyani) and so on are a part of this. PithukkuliMurugadas had his own Bhani (style) of rendering these compositions. The aim of this paper is to explore the uniqueness of his sangatis and other musical aspects in rendering these Krisha Ganams. We do this by studying the recordings of his Pal vadiyummukham (Nattakurinji) and AdathuAsangathu (Madhyamavathi). Index Terms–Krishna Ganam, Sangatis, Nattakurinji, Madyamavathi. I. INTRODUCTION Oothukadu Venkata Subbaiyyer (1700-c.1765) also known as Oothukadu Venkata Kavi was born in Tamilnadu and has composed Kritis, Tillanas, Javalis and Operas in Sanskrit and Tamil on almost all the Hindu deities. He was a pioneer to the Carnatic Music trinity. His Krishna Ganam was popularized by Needamangalam Krishna Murthy Bhagavathar, Pithukuli Murugadas and many artists of the 20th century. Among these artists Pithukkuli Murugadas had his own unique bhani or style of singing the songs of Krishna Ganam. The distinctive feature of his bhani is the clear pronunciation of the sahitya and the rendering of sangatis or improvisations or ornamentations to enhance the bhava of the composition. An analysis of his rendering of the following 2 compositions from Krishna Ganam is taken up to explain this. -
Bpa Music (Veena)
UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABI FOR BACHELOR OF PERFORMING ARTS DEGREE IN MUSIC (VEENA) BPA MUSIC (VEENA) Career related First Degree Programme UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) As per Schedule 2(a) of the CBCS Regulations Outcome Based Teaching, Learning and Evaluation (2021 Admissions onwards) Programme Outcome The scheme and syllabus covered will lead the learner to the essence of the subject in graduate level and also help them to acquire knowledge with the up- to-date demands of the field of music. This curriculum ensures the continuous training in the practical as well as the theoretical aspects of music. It also aims a strong foundation of music to the learners which enable them to apply it in the advanced mode of learning. After transacting various modules of the programme, the learner will be able to- Identify the outcome-oriented approach in the curriculum Observe the theoretical as well as practical areas of music which were included in the curriculum Adapt multi-cultural competence Acquire disciplinary knowledge in music Interpret music and musicology Apply the theoretical aspect in practical music Identify the structure of the musical forms Demonstrate ragas, talas and musical forms Differentiate ragas and apply improvisation Perform music with accompaniments 2 General Structure for the Career related Degree Programme of Bachelor of Performing Arts in Music – BPA Music (VEENA) BPA Music-Work and Credit Distribution Sem Course title Instructional Credit Ety. Evaluation Total . No hours/week Exam (in Marks) credit duration Internal Uty. P L Marks exam EN:1111.3 Eng Lang –I 5 3 3 hours 20 80 SK:1111.3 Additional Language – I (Sanskrit) 5 3 3 hours 20 80 VE:1121 Foundation Course-I (Core) (Theory) 5 3 3 hours 20 80 16 I VE:1171 Vocational Course-I 1hr/Can 5 3 80 (Practical) d 20 MU:1131. -
Alankar: First Year Coursepack
LEVEL ONE WORKSHEETS The activities of the worksheet must be completed by the students. They may refer to class notes and online resources. Completed worksheets should be submitted as part of the online theory exam in the last week of February. Unfinished worksheets may be submitted with the theory exam of the following year. 1. Concepts Mangalacharan: This is the very first item a student of Odissi learns. This is an invocatory item in which one pays tribute to Mother Earth, Lord Jagannath and other Gods, also with stanzas to welcome the audience and to thank one's Gurus. "Mangala" means goodness, and "charan" mean wishing. Mangalacharan's rhythmic sequence of steps forming the Bhumi Pranam (salutation to Mother Earth) and Trikhandi Pranam (three-fold salutation to God, the Guru, and the audience) will be completed. Bhumi Pranam: The lesson starts with an brief and respectful apology to the Earth, for we are about to spend the next hour stamping on her. Tribhanga: The dancer's body is divided into three bhangas along which deflections of the head, torso and hips can take place. The technique is built on the principle of an unequal division of weight and the shift of weight from one foot to the other. The movement of the head, the torso, the hips and the knees, are important. Hip deflection is the characteristic feature of this dance style. The tribhanga is one of the most typical poses of Odissi dancing. Chowka: In this stance, weight is equally distributed and altogether four right angles create a perfect geometrical motif. -
Calicut University MA Music Old Syllabus.Pdf
Y1 n Y1 ustc TTqIYBPSHTY CIF' CALICUT (Abstraci) Choice Based Credit Semester Svstem - MA I\4usic -syllabus - Irriplenrented . oi'drr.: i ssued. GENBRAL AND ACADEMIC BRANCH - I No.GAL4El /98t/03 Dated, Calicut University p.O, 22112/2OGg. il.;;, ; a,; r;o;i;;;i.;;;,;;;; ,;;;;;; 2 \{inutes of tlre meeting of Board of Studies in Music held on 5lg/200g. \linute.s -l' o1'the r\cadenric Councii meeting held on 7ll0/2008ltem No.I (i3). ORDER zis per Univers;ity Orcler read first above. Choice Based Credit Semester System ura; irnplentented ili Lhe i'eaching Departments/Schools oithe University from the academic;7rrar 2C08-0c onrr,ard:;. i'ire Boaril ot'studies irt l'vlusic at its rneeting held on 5/91200g has recommendei t. implemi:r.tt thc Schenre and Syilabus of IVA Mr-rsic rnd., choice Based credit Semester in Uriiversity Teaching systeir; Depaitnrent rvith effect "rom 200g-09 academic year. pei paper tltttd 'A's aboYe, the Acaden,ic council approveci the above decision o1'Studres. of Boarri Sa.r,.ction is thrreftirc accordeo for implementing the syllabus of MA Music trn.der Clroict: Based Credii Serncsie-,r S,,sfelr in University Teaching Department with effect 2008-09 onwards. from orders are issued accorciingiv and the s1'[abus appended herewith. sd/_ DEPUTY REGISTRAR (GAA_I) FOR REGISTRAR To 'fhe Director Schooi of Drama and Fine Arts fhrissur. Copy'to: i Ddan. Facultv of ljine Al,+q. 2. -ihe (lh:rirpersorr I}_iarcl olStudies in Music 3. SFiFC I.'orwarded,,By Orcier EC'IION OFFICER \i,:leBi0-l i::',iri(i,'r i'il Sl:('i'li)N\Or ()i Joc I I t t. -
Rtisalmar13.Pdf
March 2013 +‐‐‐‐‐‐‐‐‐‐‐‐‐+‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐+‐‐‐‐‐‐‐‐‐‐‐+ |empcode |empname |gross | +‐‐‐‐‐‐‐‐‐‐‐‐‐+‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐+‐‐‐‐‐‐‐‐‐‐‐+ | 15017|S.N. SINGH | 141384.000| | 15018|SUHAIL AHMED | 153065.000| | 15027|V.S. BISARIA | 141384.000| | 15028|G.P. AGARWAL | 142184.000| | 15031|SAROJ MISHRA | 141384.000| | 15032|P.K. ROYCHOUDHURY | 125491.000| | 15033|SUNIL NATH | 131150.000| | 15034|ASHOK KUMAR SRIVASTAVA | 131150.000| | 15038|SUDHIR CHANDRA | 138804.000| | 15039|RAJENDAR BAHL | 141384.000| | 15040|B.S. PANWAR | 137445.000| | 15041|SHIBAN KISHEN KOUL | 142384.000| | 15045|SUNEET TULI | 125698.000| | 15051|OM PRAKASH SHARMA | 138804.000| | 15053|U.C. MOHANTY | 156384.000| | 15055|MAITHILI SHARAN | 156384.000| | 15057|PRAMILA GOEL | 134246.000| | 15059|R.C. RAGHAVA | 120866.000| | 15060|H.C. UPADHYAYA | 113502.000| | 15061|A.D. RAO | 141384.000| | 15062|POORNIMA AGARWAL | 120866.000| | 15064|NIVEDITA KARMAKAR GOHIL | 116186.000| | 15065|MANJU MOHAN | 134246.000| | 15076|SUSHIL KUMAR DASH | 141384.000| | 15080|SNEH ANAND | 141384.000| | 15081|ALOK RANJAN RAY | 141384.000| | 15083|HARPAL SINGH | 138477.000| | 15084|S.M.K. RAHMAN | 104533.000| | 15090|M.N. GUPTA | 141384.000| | 15091|A.K. SINGH | 165084.000| | 15095|P.S. PANDEY | 125594.000| | 15103|H.M. CHAWLA | 141384.000| | 15104|RAM NATH RAM | 129155.000| | 15105|T.S.BHATTI | 134246.000| | 15107|SRIRAM HEGDE | 116186.000| | 15127|SURINDRA PRASAD | 156384.000| | 15136|VINOD CHANDRA | 141384.000| | 15139|BASABI BHAUMIK | 141384.000| | 15142|G.S. VISWESWARAN | 141384.000| | 15144|UMESH KUMAR | 120866.000| | 15145|P.R. BIJWE | 141384.000| | 15146|V.K. JAIN | 142284.000| | 15148|DEVI CHADHA | 141384.000| | 15152|S.D. JOSHI | 141384.000| | 15153|GEETAM TEWARI | 137672.000| | 15154|BHIM SINGH | 141384.000| | 15167|V. -
July 2012 Edition
leb efJeÐeeled ogëKemeb³eesieefJe³eesieb ³eesiemebef%eleced Vol.XXVIII No.7 July, 2012 SUBSCRIPTION CONTENTS RATES 8 ` 500/- $ 50/- Editorial 2 Annual (New) 8 ` 1400/- Three Division of Yoga-Spirituality Brahmasutram 3 Year Decennial Celebrations of S-VYASA 4 8 ` 4000/- $ 500/- Bhajan Sandhya by Padmashree Anup Jalota 6 Life (10 years) Srimad Bhagawata Saptaham by Pujya Prema Pandurang Ji 8 Ganarchana – Prof. Paradesi Rao 12 Subscription in favour Division of Yoga & Life Sciences of ‘Yoga Sudha’, Dimensions of Yoga practices in HIV Bangalore by MO/ – Dr. Hemant Bhargav 13 DD only MIRT 17 Impact of 1 week of IAYT on diabetes: GDV measure 21 ADVERTISEMENT Division of Yoga & Physical Sciences TARIFF: Complete Color Research on Jyotish Astology & associated Astrological Front Inner - ` 1,20,000/- Influences... - Prof. Alex Hankey & Ramesh Rao 22 Back Outer - ` 1,50,000/- Hi am ‘FAST’ing, how can I help you? Back Inner - ` 1,20,000/- – Dr. B. Raghavendraswamy 23 Where is God - Manjeet Singh 24 Front First Inner Page - ` 1,20,000/- Division of Yoga and Management Studies Back Last Inner Page - Reader’s Forum 25 ` 1,20,000/- Yoga for Children – Dr. Tikhe Sham Ganapat 26 Full Page - ` 60,000/- YIC & ONCG SMET group 27 Half Page - ` 30,000/- Page Sponsor - ` 1,000/- Division of Yoga and Humanities Feel Free – Prof. K. Subrahmanyam 29 Dance Karanas: Perfection of Bharatha Natya Printed at: through Yoga – Mrs. Karuna Nagarajan 30 Sharadh Enterprises, Car Street, Halasuru, News Room Bangalore - 560 008 Pratishtapana of Sri Munishwara @ Giddenahalli