Japanese Newsletter, Summer 2020
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Imagined Identity and Cross-Cultural Communication in Yuri!!! on ICE Tien-Yi Chao National Taiwan University
ISSN: 2519-1268 Issue 9 (Summer 2019), pp. 59-87 DOI: 10.6667/interface.9.2019.86 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE tien-yi chao National Taiwan University Abstract Yuri!!! on ICE (2016; 2017) is a Japanese TV anime featuring multinational figure skaters com- peting in the ISU Grand Prix of Figure Skating Series. The three protagonists, including two Russian skaters Victor Nikiforov, and Yuri Purisetsuki (Юрий Плисецкий), and one Japanese skater Yuri Katsuki (勝生勇利), engage in extensive cross-cultural discourses. This paper aims to explore the ways in which Russian cultures, life style, and people are ‘glocalised’ in the anime, not only for the Japanese audience but also for fans around the world. It is followed by a brief study of Russian fans’ response to YOI’s display of Russian memes and Taiwanese YOI fan books relating to Russia and Russians in YOI. My reading of the above materials suggests that the imagined Russian identity in both the official anime production and the fan works can be regarded as an intriguing case of cross-cultural communication and cultural hybridisation. Keywords: Yuri!!! on ICE, Japanese ACG (animation/anime, comics, games), anime, cross-cul- tural communication, cultural hybridisation © Tien-Yi Chao This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. http://interface.ntu.edu.tw/ 59 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE Yuri!!! on ICE (ユーリ!!! on ICE; hereinafter referred to as YOI)1 is a TV anime2 broadcast in Japan between 5 October and 21 December 2016, featuring male figure skaters of various nationalities. -
Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN Japanese Sacred Gagaku Court Music and Secular Art Music
The Institute for Japanese Cultural Heritage Initiatives (Formerly the Institute for Medieval Japanese Studies) and the Columbia Music Performance Program Present Our 8th Season Concert To Celebrate the Institute’s th 45 Anniversary Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN Japanese Sacred Gagaku Court Music and Secular Art Music Featuring renowned Japanese Gagaku musicians and New York-based Hōgaku artists With the Columbia Gagaku and Hōgaku Instrumental Ensembles of New York Friday, March 8, 2013 at 8 PM Miller Theatre, Columbia University (116th Street & Broadway) Join us tomorrow, too, at The New York Summit The Future of the Japanese Music Heritage Strategies for Nurturing Japanese Instrumental Genres in the 21st-Century Scandanavia House 58 Park Avenue (between 37th and 38th Streets) Doors open 10am Summit 10:30am-5:30pm Register at http://www.medievaljapanesestudies.org Hear panels of professional instrumentalists and composers discuss the challenges they face in the world of Japanese instrumental music in the current century. Keep up to date on plans to establish the first ever Tokyo Academy of Japanese Instrumental Music. Add your voice to support the bilingual global marketing of Japanese CD and DVD music masterpieces now available only to the Japanese market. Look inside the 19th-century cultural conflicts stirred by Westernization when Japanese instruments were banned from the schools in favor of the piano and violin. 3 The Institute for Medieval Japanese Studies takes on a new name: THE INSTITUTE FOR JAPANESE CULTURAL HERITAGE INITIATIVES The year 2013 marks the 45th year of the Institute’s founding in 1968. We mark it with a time-honored East Asian practice— ―a rectification of names.‖ The word ―medieval‖ served the Institute well during its first decades, when the most pressing research needs were in the most neglected of Japanese historical eras and disciplines— early 14th- to late 16th-century literary and cultural history, labeled ―medieval‖ by Japanese scholars. -
Hak Cipta Dan Penggunaan Kembali: Lisensi Ini Mengizinkan Setiap
Hak cipta dan penggunaan kembali: Lisensi ini mengizinkan setiap orang untuk menggubah, memperbaiki, dan membuat ciptaan turunan bukan untuk kepentingan komersial, selama anda mencantumkan nama penulis dan melisensikan ciptaan turunan dengan syarat yang serupa dengan ciptaan asli. Copyright and reuse: This license lets you remix, tweak, and build upon work non-commercially, as long as you credit the origin creator and license it on your new creations under the identical terms. Team project ©2017 Dony Pratidana S. Hum | Bima Agus Setyawan S. IIP BAB III METODOLOGI 3.1. Gambaran Umum Penulis melakukan studi literatur dan observasi sebagai metode perancangan komposisi shot motion comic “Halley’s Wishes”. Karya motion comic ini sendiri mengambil genre drama dengan unsur komedi dan memiliki tema harapan. Penulis adalah perancang motion comic “Halley’s Wishes” dimana penulis mengumpulkan data, menulis cerita, mendesain karakter dan environment, merancang aset visual dan animasi, serta melakukan proses editing dari aset tersebut untuk menghasilkan video dari motion comic yang berupa mp4 dengan rasio 1.78:1 (HDTV standard) resolusi 1280 x 720p. Keputusan ini diambil agar pembaca yang menggunakan smartphone dengan koneksi standar dalam mengakses motion comic “Halley’s Wishes” dapat menikmati motion comic tersebut pada kualitas yang sama dengan pembaca yang menggunakan device dan memiliki koneksi yang lebih baik, sesuai dengan studi Huwaei (2015). “Halley’s Wishes” adalah motion comic dengan target audience anak perempuan Indonesia, meski tidak menutupi kemungkinan bagi pembaca lainnya untuk turut menikmati karya ini. Oleh karena itu, “Gakuen Babysitter” yang merupakan sebuah shoujo manga dengan genre drama dipilih sebagai bahan observasi dan referensi atas transisi panel motion comic “Halley’s Wishes”. -
Asian-American Media Skills Handbook. INSTITUTION Montgomery County Public Schools, Rockville, Md
DOCUMENT RESUME ED 261 099 UD 024 382 AUTHOR Haines, Roberta M., Comp. TITLE Asian-American Media Skills Handbook. INSTITUTION Montgomery County Public Schools, Rockville, Md. PUB DATE 84 NOTE 107p. PUB TYPE Guides Classroom Use - Guides (For Teachers) (052) -- Guides Non-Classroom Use (055) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Asian Americans; Class Activities; Cultural Activities; *Cultural Education; Elementary Secondary Education; Evaluation Criteria; Geography Instruction; Information Sources; Learning Activities; Library Skills; Map Skills; *Skill Development IDENTIFIERS *Asia; Maryland (Montgomery County); *Media Skills ABSTRACT This handbook is for teachers to use in the classroom and as a reference source for information about Asia and Asian-Americans. The handbook uses information about geography and culture to teach skills such as almanac, atlas, and encyclopediause. Other student exercises include: how to sequence a Chinese fairy tale and present it to the class, how to research a Chinese holiday using various reference sources and how to plan its celebration, and how to give a slide presentation using Asian subject matter. The handbook includes a guide to evaluation of materials about Asian-Americans,a list of the countries included in the category "Asia," anda listing of Asian embassies, information services, and organizations in the United States. The handbook closes with listings of the artifacts contained in a "Chinese'Traveling Trunk" and a "New Americans Traveling Trunk," available on loan to district teachers foruse in enhancing understanding of Asian culture. There is alsoa 20 page bibliography arranged by country. (CG) *********************************************************************** Reproductions supplied by EDRS are the best thatcan be made from the original document. -
Universidade Regional Do Noroeste Do Estado Do Rio Grande Do Sul
UNIVERSIDADE REGIONAL DO NOROESTE DO ESTADO DO RIO GRANDE DO SUL MAUREEN LOUISE DE PAULI HEINRICH A ARTE DE SER UMA FANGIRL: YURI!!! ON ICE E A EXPERIÊNCIA DE FAZER PARTE DE UM FANDOM IJUÍ (RS) 2017 MAUREEN LOUISE DE PAULI HEINRICH A ARTE DE SER UMA FANGIRL: YURI!!! ON ICE E A EXPERIÊNCIA DE FAZER PARTE DE UM FANDOM Monografia apresentada ao Curso de Comunicação Social da Universidade Regional do Noroeste do Estado do Rio Grande do Sul – Unijuí, como requisito parcial à obtenção do título de bacharel em Publicidade e Propaganda. Orientadora: Márcia Regina Conceição de Almeida IJUÍ (RS) 2017 MAUREEN LOUISE DE PAULI HEINRICH A ARTE DE SER UMA FANGIRL: YURI!!! ON ICE E A EXPERIÊNCIA DE FAZER PARTE DE UM FANDOM Monografia apresentada ao Curso de Comunicação Social da Universidade Regional do Noroeste do Estado do Rio Grande do Sul – Unijuí, como requisito parcial à obtenção do título de bacharel em Publicidade e Propaganda. Aprovado em ___ de ______________ de 2017 BANCA EXAMINADORA ___________________________________________________________________ Márcia Regina Conceição de Almeida – Orientadora ___________________________________________________________________ Rúbia Beatriz Schwanke– Banca ___________________________________________________________________ Nilse Maria Maldaner – Banca Suplente Don't stop us now, the moment of truth We were born to make history We'll make it happen, we'll turn it around Yes, we were born to make history Dean Fujioka – History Maker AGRADECIMENTOS Ao finalmente enxergar este trabalho finalizado, a única coisa que se passa pela minha cabeça é “todo meu sangue, suor e lágrimas, e meu corpo, mente e alma, eu sei que eles pertencem a você.”1 Para um desavisado, não passa de um drama exagerado de uma autora cansada, mas a verdade, porém, é que esta é a prova definitiva de que metade de mim é fangirl, e a outra também. -
Looking East Subject: Theatre of Yugen Discipline: Theatre
EDUCATOR GUIDE Story Theme: Looking East Subject: Theatre of Yugen Discipline: Theatre SECTION I - OVERVIEW......................................................................................................................2 SECTION II – CONTENT/CONTEXT..................................................................................................3 SECTION III – RESOURCES.................................................................................................................5 SECTION IV – CLASSICAL JAPANESE PERFORMING ART FORMS.............................................7 SECTION V – VOCABULARY..............................................................................................................8 SECTION VI – ENGAGING WITH SPARK.........................................................................................9 Performance still from The Old Man and The Sea at Theatre of Yugen. Still image from SPARK story, 2005. SECTION I - OVERVIEW EPISODE THEME INSTRUCTIONAL OBJECTIVES Looking East To help students to: Understand the classical Japanese theatrical SUBJECT performance style of Noh theatre and the art of Theatre of Yugen fusion theatre Consider different philosophical and aesthetic GRADE RANGES approaches to theatrical performance and how K-12 & Post-secondary performing arts can articulate different cultural perspectives CURRICULUM CONNECTIONS Engage with the process of translating narrative Visual Arts & Language Arts into theatrical performance Develop in performance skills to develop self OBJECTIVE esteem, -
Kumoricon-2017-Program Book.Pdf
Start your 14-day free trial at funimation.com/subscribe TM Stream Anime. Anytime. Anywhere. TABLE OF CONTENTS Letter from the Chair . 4 Hours of Operation . 5 Guests of Honor . 6 Art Show and Charity Auction . 10 DJ Profi les . 12 Programming . 14 Main Events . 14 Guest Programming . ........................... 15 Industry Programmingg . .................... 20 Anime Music Videoseos . 21 Cosplay . ........................................................... .......................... ........... 22 Karaoke . ............................................................... ...................... .................. 22 Dance Lessons .................... ........................................................ ........................ 24 GeneralralProgramming...................................................... Programmingramming........... .......................... 25 Conventionntion MapsMaps........... ... ..................................... ..................... 30 Chibibi RRoomm . 39 Writing/Artting/Artt......... ................................................................ ....... ................................. 40 Craft s......................................................................s . ......... .......... .... ................................ 41 Videoeo Gaminging... .......................................................... ............... .... ................................ 41 Tabletopetop Gamingaming . .......................................................... .............. ..... ..................... 42 Board andCardGaming....................................................and -
The Bounded Embodiment of Fandom in China: Recovering Shifting Media Experiences and Fan Participation Through an Oral History of Animation-Comics-Games Lovers
International Journal of Communication 12(2018), 3317–3334 1932–8036/20180005 The Bounded Embodiment of Fandom in China: Recovering Shifting Media Experiences and Fan Participation Through an Oral History of Animation-Comics-Games Lovers YIN YIYI XIE ZHUOXIAO The Chinese University of Hong Kong, China The synchronic patterns and outcomes of relationship building between fans and fan objects have received much attention in fan studies. Instead of taking an overly presentist view, as historical research on fandom often has done, this research treats fan participation—the construction of fan–object relationships—as a sociohistorical practice, highlighting the longitudinal transformations of fandom in specific social contexts. Drawing on oral history and autobiography among animation-comics-games (ACG) lovers, we examine changes in media practices, participation, and identification since the 1990s in a Chinese context. We argue that in the evolution of ACG fandom, the significance of mass media has not resided in forming new fan practices or fan–object relationships. Rather, mass media have played a role in changing the forms and meanings of the embodiment of the imaginary and the affective relationships between fan and object. The shifting embodiments provide fans with hints of situated experiences and priority of meanings regarding being-in-the-fandom. Keywords: fan culture, fan participation, media practice, embodiment of object relation, ACG culture, fandom history, Chinese context Many studies have investigated the synchronic patterns -
National Museum & Cultural Centre
Nikkei NIKKEI national museum & cultural centre IMAGES Nikkei national museum Nikkei cultuParticipantsral of The Suitcasecen Projectt rbasede in Seattle, Washington, pose for a photo after a meet and greet on Saturday, July 14. Photo by Kayla Isomura. A publication of the Nikkei National Museum & Cultural Centre ISSN #1203-9017 Volume 23, No. 2 Contents Welcome to Nikkei Images Nikkei Images is a publication of the Nikkei Nikkei National Museum & Cultural national museum Centre dedicated to the preservation & cultural centre and sharing of Japanese Canadian Nikkei Images is published by the Stories since 1996. In 2018, the 30th Nikkei National Museum & Cultural Centre anniversary of Japanese Canadian Redress, we Copy Editor: Ellen Schwartz look to the next generations for the continuation of Design: John Endo Greenaway these stories. In this issue, whether the content is Subscription to Nikkei Images is free (with pre-paid postage) with your yearly membership to NNMCC: historic, contemporary, or creative, all of the authors Family $47.25 | Individual $36.75 are students, researchers, or individuals who are Senior Individual $26.25 | Non-profit $52.25 $2 per copy (plus postage)N for non-membersikkei themselves 4th/5th generation Japanese Canadian NNMCC national museum or yonsei adjacent. We welcome proposals for 6688 Southoaks Crescent Minidoka Pilgrimage The New Canadian’s Poetic Spirit JETsetting in Japan publication in future issues between 500 – 3500 Burnaby, B.C., V5E 4M7 Canada by a Canadian Yonsei Page 6 Page 9 words. Finished work should be accompanied by TEL: 604.777.7000 FAX: 604.777.7001 Page 4 www.nikkeiplace.org relevant high-resolution photographs with proper Disclaimer: photos credits. -
La Pulce Nell'orecchio” Augura a Tutti Voi Buone Vacanze E Un Po’ Di Serenità
LA PULCE NELL ’ ORECCHIO Giornale studentesco dell’Istituto statale “Don Milani” Montichiari dall’a.s. 1992/1993 LA PULCE NELL’ORECCHIO Numero 110 € 0,50 Instagram: @lapulcedonmilani Maggio 2021 1 LA PULCE NELL ’ ORECCHIO EDITORIALE Cari amici, eccoci finalmente quasi arrivati alla fine dell’anno scolastico. Essendo questo l’ulti- mo giornalino, ci teniamo a esultare in anticipo per l’arrivo delle vacanze. Dopo più di un anno in bilico tra la scuola in presenza o a distanza, tra zone più colorate del mio armadio d’estate e circondati da così tante varianti quante le torte cucinate in quarantena, possiamo finalmente affermare che è sempre più vicino il giorno più desiderato da tutti noi: l’8 giugno. Ognuno sta vivendo emozioni diverse in questo momento: chi prova ansia e stress per recuperi o esami, chi è esaltato al pensiero del mare e delle ragazze e ragazzi in costume o anche chi sta aspettando con en- tusiasmo le nuove uscite su Netflix. La sola eccezione che penso accomuni non so- lo tutti noi studenti, ma anche i professori o persino i bidelli, è l’imminente inizio del- le vacanze. Non parlo unicamente per quelli che non amano studiare o che non so- no particolarmente affezionati ai libri. Tutti noi abbiamo bisogno di staccare da qual- siasi cosa. Durante questo periodo abbiamo avuto fugaci attimi per goderci appie- no quest’anno che sembra durato invece un secondo. Non possiamo sapere se quest’estate avremo modo di farlo, ma anche il solo pensiero di potersi svegliare anche semplicemente alle 9 piuttosto che alle 6.30 e fare una bella colazione, o an- che direttamente il pranzo con tranquillità, penso renda più che felici la maggior parte di voi. -
Japanese Dance
Japanese Dance Roxanne Dian Types of Dance and Theatre Early Dance Noh Kyogen Bunraku Kabuki Modern Early Dance Kagura Gigaku Bugaku Dengaku Sarugaku Kagura The Sun Goddess Amaterasu hid in a cave to escape her storm god brother’s behavior. The goddess Uzume danced, and the laughter of the other gods lured Amaterasu out of her cave. This is the earliest mention of dance in Japanese literature. The Kagura dances are said to be directly descended from the dance performed by Uzume. Because of this, it has strong religious affiliations and is usually performed by priestesses attached to a Shinto shrine. Kagura Gigaku Gigaku was brought over by a Korean dancer around the 7th century. It began as simple dances performed in front of Indian Buddha images. The dance as it existed in Japan used large masks that covered the entire head, and was accompanied by a three-piece orchestra. While it is no longer performed, it has had some influence on Noh performance. Gigaku Bugaku There are two types of dances (and dancers) in Bugaku: left dances, from India, China, and Central Asia; and right dances, from Korea and Manchuria. Left dancers, dressed in red, would enter the stage from the left, and right dancers, in green, would enter from the right. The themes in Bugaku can be very abstract, and without narrative quality. Dancers wear a mask or show no facial expression. Bugaku Dengaku Dengaku grew out of traditional harvest dances. It later acquired some narrative features and became a fashionable pastime for the nobility. Dengaku Sarugaku Sarugaku began as court entertainment. -
NDK 2019 Program
WELCOME WELCOME TO THE 23RD YEAR OF NAN DESU KAN! Important s we enter our last year at the Notes Sheraton, we are reminded of how Afortunate we are. For the past Please note that our 23 years, we have been working to grow and Cosplay Café is a paid serve the anime community in Colorado and event. Please register surrounding states. We are proud to still be at our Merch room here, and stand for our fandom while still in Plaza Court 2. working to complete our mission statement as There are a handful a registered 501 c(4) Nonprofit Organization. of craft panels that require you to pay a For us, the love of anime and Japanese culture small materials fee. isn’t just a marketing tool or a nifty feature Please pay the amount on our schedule; it’s our purpose for existing indicated in the panel and a mandate of our Nonprofit Charter. We description directly to bring people together to further the knowledge the person running of Japanese Art, animation and culture, and the panel itself! welcome people from all over the region under Take a look at our our roof. We include people of all fandoms, Photography rules ethnicities and identities...and have been for for both cosplayers our whole existence. We choose charities that and photographers! mean something to the community both local Please note that our and nationwide. We actually care, and will Burlesque Show is continue to do so as long as we possibly can. a strict 18+ show, no exceptions! For our theme this year, are declaring 2019 as the Year of the Gamer! We have greatly expanded TABLE our Gaming community over the past few years to over 10,000 square feet of dedicated gaming OF CONTENTS space! We are proud to announce the opening the 4 Rules & Policies Senjo Gamer’s Market next to our ever-popular Gaming Dojo! As always, we are continually 6 Map increasing the quality and growing the number of 7 N.