Resume-Jennie-Marino

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Jennie Marino Creative design and production of custom crafted properties, CONTACT puppets, and effects. home: (845) 359-6262 ABOUT mobile: (845) 642-0158 Multi-disciplined artist with extensive [email protected] SKILLS knowledge of materials and techniques. www.jenniemarino.com Properties Puppets 30 years production Masks experience. Special Effects Life Casting Prosthetics Sewing EXPERIENCE Sculpting Mold Making 50+ Broadway productions: The Phantom of the Ephemera Opera, Groundhog Day, Anastasia, Les Misérables, Miss Graphics Saigon, The Producers, The Lion King, Legally Blonde, Photography Beauty and the Beast, & more. Production Off-Broadway: NY Shakespeare Festival; In Masks Outrageous and Austere, Tennessee Williams world premiere; American Theatre Wing Hewes Design Award nominee for noteworthy unusual prop effects, The Big Bang. Television: comedy props for various episodes of 30 EDUCATION Rock; FX dummies for Law and Order; large undersea inflatables for Google commercial; animated alphabet Dick Smith’s Special shorts for Sesame Street; character costumes and Effects Make Up puppets for WABU, Boston Children’s Television Training 1988 Workshop. SUNY Rockland, NY, Broadway Teachers Workshop: instructor; master A.A.S., Graphic Arts, classes in properties and special fx make up. Animation. 1979 Moonboots Productions Inc., est. 1982, owner. Produced over 2000 special projects and events for Fortune 500 companies, municipalities, studios, designers, and private commissions. -1- Jennie Marino (845) 359-6262 (845) 642-0158 www.jenniemarino.com BROADWAY HIGHLIGHTS ANASTASIA PROPS BROADHURST THEATRE GROUNDHOG DAY PUPPETS AUGUST WILSON THEATRE SIX DEGREES OF SEPARATION PROPS ETHEL BARRYMORE THEATRE CURIOUS INCIDENT OF THE DOG IN THE NIGHTTIME PROPS ETHEL BARRYMORE THEATRE THE PHANTOM OF THE OPERA PROPS MAJESTIC THEATRE LES MISÉRABLES PROPS BROADHURST , IMPERIAL THEATRES ALL THE WAY PROPS NEIL SIMON THEATRE THE TRIP TO BOUNTIFUL PROPS STEPHEN SONDHEIM THEATRE MARY POPPINS PROPS NEW AMSTERDAM THEATRE BRING IT ON PROPS ST. JAMES THEATRE LEAP OF FAITH PROPS ST. JAMES THEATRE WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN PROPS BELASCO THEATRE GYPSY PROPS ST. JAMES THEATRE SHREK THE MUSICAL PROPS BROADWAY THEATRE LEGALLY BLONDE PROPS PALACE THEATRE YOUNG FRANKENSTEIN PROPS HILTON THEATRE LITTLE WOMEN PROPS VIRGINIA THEATRE ALL SHOOK UP PROPS PALACE THEATRE CHITTY CHITTY BANG BANG PROPS HILTON THEATRE GOLDA’S BALCONY MAKE UP CONSULTANT HELEN HAYES THEATRE THE BOY FROM OZ PROPS IMPERIAL THEATRE TOPDOG / UNDERDOG PROPS AMBASSADOR THEATRE SWEET SMELL OF SUCCESS PROPS, PUPPETS, MAGIC MARTIN BECK THEATRE THE PRODUCERS PROPS ST. JAMES THEATRE THOU SHALT NOT PROPS PLYMOUTH THEATRE THE MUSIC MAN PROPS NEIL SIMON THEATRE SEUSSICAL PROPS RICHARD RODGERS THEATRE CONTACT PROPS VIVIAN BEAUMONT THEATRE FOSSE PROPS BROADHURST THEATRE ON THE TOWN PROPS, MASKS GERSHWIN THEATRE ‘ART’ PROPS ROYALE THEATRE CABARET PROPS STUDIO 54 THE LION KING PROPS NEW AMSTERDAM/MINSKOFF STEEL PIER PUPPETS RICHARD RODGERS THEATRE THE KING AND I PROPS, PUPPETS NEIL SIMON THEATRE ONCE UPON A MATTRESS PROPS BROADHURST THEATRE VICTOR / VICTORIA PROPS MARQUIS THEATRE PAUL ROBESON PROPS LONGACRE THEATRE THE TEMPEST PUPPETS BROADHURST THEATRE BEAUTY AND THE BEAST PROPS NEIL SIMON THEATRE SUNSET BOULEVARD PROPS MINSKOFF THEATRE MISS SAIGON PROPS BROADWAY THEATRE THE WHO’S TOMMY PROPS ST. JAMES THEATRE CYRANO THE MUSICAL PROPS NEIL SIMON THEATRE OFF-BROADWAY IN MASKS AUSTERE AND OUTRAGEOUS PROPS THE CULTURE PROJECT THE PRINCE & THE PAUPER PROPS LAMBS THEATRE THE BIG BANG PROPS DOUGLAS FAIRBANKS THEATRE ON THE TOWN MASKS THE PUBLIC THEATER NY SHAKESPEARE FESTIVAL BALLAD OF YACHIYO PROPS THE PUBLIC THEATER NY SHAKESPEARE FESTIVAL THE TEMPEST PUPPETS THE PUBLIC THEATER NY SHAKESPEARE FESTIVAL MERRY WIVES OF WINDSOR PUPPETS THE PUBLIC THEATER NY SHAKESPEARE FESTIVAL -2-.

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HOW the CAST of TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED on BROADWAY!

SHANDON TRAVEL | SPRING 2020 HOW THE CAST OF TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED ON BROADWAY! SPRING 2020 - BROADWAY SPOTLIGHT BOOK YOUR BROADWAY TICKETS before you fly! Online booking facility now available! Buy great value Broadway tickets before you fly. Enjoying a Broadway show has never been easier! Don’t waste your valuable sight-seeing time waiting in long queues in Times Square or on Broadway. Many shows sell out and you may be disappointed if you wait until the last minute. Book in advance to guarantee the seat of your choice. Check our current schedule for the shows you would like to see by visiting our website at https://www.shandontravel.ie/broadway-tickets You can also call us at 021 4277094 or email [email protected] for ticket information and reservations. Let us help you enjoy the perfect Broadway experience that only Broadway can offer! 021 427 7094 • www.shandontravel.ie/broadway-tickets 76 Grand Parade, Cork, T12 WPV2 Ireland HOW THE CAST OF TINA GETS INSPIRED BY THE LEGEND HERSELF WHAT'S LOVE GOT TO DO WITH IT? Well, everything! Since it opened on ... 2020 SPRING ISSUE 1 BROADWAY SPOTLIGHT Holli’ Conway (Ikette) HOW HAS TINA TURNER INSPIRED OR INFLUENCED YOU? Tina has inspired me because her ... story has no end. From her journey Broadway in November 2019, with Ike, her solo career, her works we’ve loved Tina – The Tina as an author, to this musical. She has Turner Musical. Full disclosure, taught me that as long as you’re alive we loved it when we got a sneak you have space to continue writing peek of it when the show was in your story.
Fences Study Guide

Pacific Conservatory Theatre Student Matinee Program Presents August Wilson’s Fences Generously sponsored by Franca Bongi-Lockard Nancy K. Johnson A Study Guide for Educators Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to PCPA at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. 2. Once seated in the theater, students may go to the bathroom in small groups and with the teacher's permission. Please chaperone younger students. Once the show is over, please remain seated until the House Manager dismisses your school. 3. Please remind your students that we do not permit: - food, gum, drinks, smoking, hats, backpacks or large purses - disruptive talking.
Great Offers for Your Employees

Email not displaying correctly? View it in your browser. SEPTEMBER 2017 Great offers for your employees SCHOOL OF ROCK From Only EXCLUSIVE OFFER: $79 ORCHESTRA SEATS New York, NY - The Winter Garden Theatre $59 Reg. Price: $79 - $155 FROZEN THE BROADWAY MUSICAL From Only GET ACCESS TO TICKETS New York, NY - St. James Theatre $93 BANDSTAND From Only FINAL WEEKS! LAST PERFORMANCE SEPTEMBER 17 - SAVE 30% $59 New York, NY - Bernard B Jacobs Theatre Reg. Price: $89 - $159 ALADDIN From Only TICKETS FROM $65.50 New York, NY - New Amsterdam Theatre $65.50 Reg. Price: $77 - $170 ANASTASIA From Only WEEKDAY OFFER: $94 ORCHESTRA SEATS New York, NY - Broadhurst Theatre $69 Reg. Price: $69 - $143 THE PHANTOM OF THE OPERA From Only SAVE OVER $45 New York, NY - The Majestic Theatre $69 Reg. Price: $89 - $135 BEAUTIFUL - THE CAROLE KING MUSICAL From Only SEE THE TONY WINNING MUSICAL AND SAVE $40 $60 New York, NY - Stephen Sondheim Theatre Reg. Price: $79 - $249 CATS From Only SAVE OVER 45% New York, NY - Neil Simon Theatre $61.50 TIME AND THE CONWAYS From Only SEE ELIZABETH MCGOVERN AND ANNA CAMP ON BROADWAY $59 New York, NY - American Airlines Theatre Reg. Price: $79 - $139 KINKY BOOTS From Only BILLY PORTER AND STARK SANDS RETURN 9/26 - SAVE OVER $45 $62 New York, NY - Al Hirschfeld Theatre Reg. Price: $79 - $137 Just a reminder that you're receiving this email because you subscribed via our website or provided your email during your last visit. You may Unsubscribe if you're no longer interested. *Prices and Offers are subject to availability and subject to change without notice.
Virtual Live Auction 5 Pm on Sunday, September 20

Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend.
Spirit of Ame Rica Chee Rle a D E Rs

*schedule subject to change SATURDAY SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY MORNING MORNING MORNING MORNING MORNING MORNING MORNING Arrive at New York Hilton 7 am 8 am 6 am 8 am 5:30 am Shuttle Service Midtown for Event Check-in Coupon Breakfast Coupon Breakfast TODAY Show Coupon Breakfast Uniform Check Assemble/Depart Final Run Through Rhinelander 10 am–5 pm 8–11 am 9 am 8:30 am 9 am Grand Ballroom Gallery Luggage Drop-off Rehearsal Spectators and Performers Check out with Dress Rehearsal Rhinelander Gallery America’s Hall I Assemble/Check-out Spectator America’s Hall I 6 am America’s Hall I America’s Hall I Depart Hilton for Parade Event Check-in Spectators Return to hotel by 10:30 am America’s Hall I 8 am • Statue of Liberty Room Check. Move to Grand Ballroom 9 am–12 pm Assemble in • Harbor Cruise 92nd Macy’s Thanksgiving • Orientation Rhinelander Gallery for • 9/11 Memorial 9 am Spectators Day Parade!® • Packet Pick-up Big Apple Tour • One World Observatory Coupon Breakfast 10:30 am • Hotel Check-in Tour ends in Times Square View from 4th Floor Balcony 10 am–12 pm at 11 am 12:30 pm • Times Square Check out with • Central Park Spectator Return to hotel by Room Check. AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON 10 am–5 pm 11:30 am Coupon Lunch 12 pm 1 pm 12 pm • If rooms are not available, Coupon Lunch Coupon Lunch Coupon Lunch Coupon Lunch Continue Activities Have a you may wait in safe America’s Hall II 1 pm 2 pm 2-6 pm TBD Aladdin journey Radio City Music Hall Macy’s / Empire State Building Check out with • Report to our New Amsterdam Theatre Christmas Spectacular Spectator home! Information Desk 214 W.
Belvoir Terrace Staff 2018

Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University
An Empirical Study of the Determinants of the Run-Times of Broadway Musicals

AN EMPIRICAL STUDY OF THE DETERMINANTS OF THE RUN-TIMES OF BROADWAY MUSICALS A THESIS Presented to The Faculty of the Department of Economics and Business The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Katie Ferguson May 2011 AN EMPIRICAL STUDY OF THE DETERMINANTS OF THE RUN-TIMES OF BROADWAY MUSICALS Katie Ferguson May 2011 Mathematical Economics Abstract With an economic impact of $9.8 billion in the 2008-09 season alone, Broadway as an industry which should be economically studied. Currently there is a large gap in scholarly literature about Broadway with only three quantitative studies having been performed. This thesis aims to help fill this gap by building off of these three studies to determine which factors influence the success- measured as total days on Broadway from opening to closing night- of a Broadway musical. This thesis focuses specifically on musicals as they have been shown in all three empirical studies to have longer runs and a larger economic impact than Broadway plays. The econometric analysis finds many variables- such as a movie version of the musical being released, and winning the Tony for Best Musical- that are predictive of loner run times. Revivals are found to have substantially shorter run times than original runs and over time, musicals are lasting longer. KEYWORDS: (Broadway, Musical, Theatre, Run-time) TABLE OF CONTENTS ABSTRACT 1 INTRODUCTION 1 2 LITERATURE REVIEW 5 Characteristics of the Film Industry..................................................... 5 Live Theatre................................................. ..................................... 7 Modern Day Broadway..................................................................................... 9 Empirical Studies................................................ ..................................... 12 18 3 THEORY 4 DATA & METHODOLOGY 32 5 RESULTS AND CONCLUSION 52 APPENDIX A 65 WORKS CONSULTED 67 CHAPTER I INTRODUCTION Broadway makes an enormous impact on the local economy of New York City.
A Career Overview 2019

ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
Judith Evelyn Collection (1913-1967) Inventory

Judith Evelyn Collection (1913-1967) Inventory 3 boxes; 185 items; 1.3 linear metres Scrapbooks, photographs, scripts and programs pertaining to the career of Canadian actress Judith Evelyn, concentrating on her years on the Broadway stage. Material on her early years in student productions at University of Manitoba and at Hart House Theatre is included in the Nancy Pyper Collection. Box 1 Env. #1: Photographs – 27 items Portraits of Judith Evelyn, including studies by Ashley & Crippen, Talbot and Maurice Seymour. Env. #2: Photographs, Student Productions – 4 items Hounded by Hate, Hart House Theatre, 1935 Once in a Lifetime, Hart House Theatre, 1935 Apache, Hart House Theatre, 1936 Magnanimous Lover, Dominion Drama Festival, 1936 (signed by Karsh) Env. #3: Photographs, Angel Street (1942) – 5 items Env. #4: Photographs, The Overtons (1945) – 2 items Env. #5: Photographs, Craig’s Wife (1947) – 1 item Env. #6: Photographs, A Streetcar Named Desire (1949) – 1 item Env. #6a: Photographs, The Shrike (1952) – 1 item Env. #7: Photographs, Radio and Television shows – 5 items Mrs. Miniver Macbeth They Called Her Blessed Judith Evelyn Collection Inventory Page 2 of 8 Env. #8: Photographs, War work (including Bond Appeals, etc.) – 4 items Env. #9: Photographs, Miscellaneous – 3 items Friends, Judith Evelyn’s dog “Elva” Env. #10: Photographs, The Rich Full Life (1945) – 2 items Marquee, John Golden Theatre, N.Y. Env. #11: Photographs, Craig’s Wife (1947) – 10 items Marquee and lobby display, Playhouse Theatre, N.Y. Env. #12: Photographs, The Ivy Green (1949) – 4 items Marquee and lobby display, Lyceum Theatre, N.Y. Env. #13: Photographs, The Shrike (1952) – 2 items Marquee, Cort Theatre, N.Y.
Save Century II Newsletter #6 - the Truth Comes Out!

Save Century II Newsletter #6 - The Truth Comes Out! The Wichita Eagle published a story on March 3 reporting that the Broadway musical, “Hamilton,” is coming to Wichita. Anyone questioning the Riverfront Legacy Plan to demolish Century II will recall that “Hamilton” has often been used as an example of a Broadway production that could not come to Wichita because of the physical limitations of Century II - the stage was 11 feet too shallow. According to the American Theater Guild, the performance will not leave pieces of the set in the trucks as feared. Rather, “the Hamilton production will be of the same size and quality as the one at the Richard Rodgers Theatre in New York and currently on tour” and will “100% be the full-sized tour seen in all other markets and equity [produced].” The Wichita Eagle clarified the actual reason for not getting Hamilton before the 2021-22 season was strictly related to ticket sales. Riverfront Legacy backers and the public relations firms they’ve hired to spread their propaganda have used the Hamilton excuse to convince Wichita citizens, Music Theatre Wichita staff, and City Council members that Century II should be destroyed. For too long, special interests have had their way with City Hall and we're still waiting on an Ethics Policy from City Council. We ask that you keep reading, listening, and thinking. We owe thanks to reporters and opinion writers at the Wichita Eagle, the Wichita Business Journal and reporters at local TV and radio stations for their investigative reporting. Check out three of the
Would You Believe L.A.? (Revisited)

WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes.
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble

SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).