Fri.Eimdl.Y., Festi.Ve

Total Page:16

File Type:pdf, Size:1020Kb

Fri.Eimdl.Y., Festi.Ve You 1ll Love Fri.eimdl.y., Festi.v-e.,<F the Pickin's '5 ~&A'ili!S Welcome to Fort Erie NIAGARA ANTIQUE PO\,ER As our visitor; we hope this guide will do just that- guide you Give ue; a call! through our warm and inviting town. take you on a journey throt"lgh ASSOCIATION history, or just give you the sunshine and relaxation you seek. E-mail us! The Greater Fort Erie Visitor's Guide is an annual publication pro­ \.,~\\~Ut~OW~RD~PL4t vided by the Economic Development Corporation of Fort Erie to help Find us you plan your visit. It has been made possible by the sponsors and advertisers whose messages appear inside. 'N~D,,WEEKEND J~~t ~~I ~~I J~I rn~r 'N~D,,WEEKEND ·on the internet! Enjoy your visit! AT CHECK OUT OUR DELI! There are many ways for you to • Deli Meats & Cheeses W.O. LEARN FARM find out more about Fort Erie! • Canadian Bacon SHERKSTON, ONTARIO Mayors Message 4 Golfing 20 21 KMWESTOFPEACEBRIDGE. IOKM Access Fort Erie's • Sausages & Burgers EAST OF PORT COLBORNE. 2 KM NORTH EDC Welcome 4 Windsurfing 20 Internet Home Page OF HWY l. ON WILHELM RD. 5,6 Aecom modations 21 Open Daily April through December http://www.tourismniagara.com/forterie Events Calendar Winterfest 22 FEATURING: SILVER KING TRACTORS or http://www.forterie.on.ca Fort Erie Race Track 9 AND 25 YEARS OF HISTORY Visitor Information 10, 11 Taste of Fort Erie 22 EVERYO. .. LCOME QOLINTRY 7YHES The Greater Fort Erie Bridgeburg Station 12 General Services 23 FOR ORDER······· Chamber of Commerce Doll's House Museum 12 Attractions/Sites/Parks 24,25 INFORMATION CALL HARK ET 427 Garrison Road, Fort Erie. ON Ridgeway Summerfest 13 Dining Guide 26-28 1127 Garrison Rd., Fort Erie L2A 1P1 13 Worship 29 Phone: (905) 871-3803 Antique Fire Engines 905-871-1457 871-8166 14 YMCA 29 FEATURE 1997: SILVER KING TRACTORS Fax: (905) 871-1561 Museums Native Culture 15 Recreation 30 Ontario Travel Information Centre Fishing 18, 19 Specialty Shopping 30 100 Goderich Street. Fort Erie, ON L2A 5X4 STEVEN ILLE Niagara P.rkway Phone: (905) 871-3505 MOiin Si FEATURE 1976: SAWYER FEATURE 1979: MASSEY STEAM ENGINE LOCOMOTIVE MODEL Fax: (905) 871-6461 & ""'""'" Decorate Save! •STEAM ENGINES The Economic Development Corporation ., We Ai:e Your One-Stop •ANTIQUE POPCORN MACHINE IJ.ecorq,ting Centre Tourism Department 1~~~~~~.,~-tt--~X • PETIING ZOO •SAW MILL 121 Garrison Road, Fort Erie, ON • pai:tJ.t & supplies •ANTIQUETRACTOR PULL •CRAFT TENT L2A 6G6 • wallpaper & borders Phone: (905) 87H332 HWY#3 • carpeting · •GAS ENGINES •BLACKSMITH SHOP Fax: (905) 87H077 .. wirtdow toppers • FLEA MARKET •ANTIQUE VEHICLES e-mail: [email protected] or • custom Window blinds f orterie@to u ri sm n iag a ra .com •OLD LOG CABIN-BARBER SHOP Anyone wishing to list in the calen­ ·-' •FOOD VENDORS dar of events, advertise or be N included in the contents, please Saturday, Sunday, Monday 9 a.m.-5 p.m. lake Erie LAKE ONTARIO Coiof'YOlll' WOIU submit written information no Church Service, Sunday 9 a.m. t Admission later than January 2, 1998 to the CANADA ~r~,;. ··.••····· Adults $4.00 I Children under 12 $1.00 Economic Development Pre·school lree wilh adult Corporation at the above address. 3 1233 Garrison Rd. FREE PARKING-PEOPLE MOVERS Fort Erie 871-5061 AU exhibits subject to cancel!ation due to weather or drcumslances beyond our control Flea Markets &Concessions General Information 905-356·8127 905·871-2893 2 - Greater Fort Erie Visitor's Guide eaadiy, Festi:ve,. Join us for. • • JULY Let our hospitality make your stay memorable dance. show & shine competition. July2-6 Leisureplex (905) 871-1600 ext. 260 Championship Horse Show June 1 An exceptional display of equestrian Dear Visitor: King George Ill Birthday , June 21 skill & horsemanship. attracting over King On behalf of the Municipality of Fort Erie and Council, it fhe fort Erie guard. celebrates Niagara Frontier Invitational Regatta 400 top riders and their horses. The Ill's birthday with George ceremonies Small boat regatta, 3 course5, several Grand Prix Event is on: July 6. is my pleasure to extend greetings to you. Whether you and customs of the War of 1812 peri­ classifications. Open to the public. West End Arena (800) 453-0903 or are here conducting business, visiting family and friends. od. Buffalo Canoe Club (905) 894-2750 (716) 774-8888 experiencing the excitement of our many festivals and Historic Fort Erie (905) 871-0540 events, or vacationing in the Niagara Region, we welcome June 21 July5&6 June 7 Ridgeway Summer Festival you. Loch Sloy Highland Games W.A. R.M. Golf Tournament Fund.raiser Highland dancing, pipe & drum compe· Community festival featuring a street Through this Visitors' Guide, we invite you to participate Rio Vista Golf Course (905) 871-9195 with entertainment, titions, heavy athletic events, sheep dance live local in all that Fort Erie has to offer. Whatever your inter­ sidewalk sales, arts & crafts. antiq.ue herding, cheer tent and Scottish June 7 car show & various children's events. ests are, you're sure to find the right combination of fares. Crystal Beach Community Yard Sale choices in Greater Fort Erie. Hiotoric Fort Erie (905) 871-7152 Downtown Ridgeway (905) 894-6212 Look for the balloons marking over 75 Let our hospitality make your stay with us truly memo­ July9 garage sales. June 22 rable. Crystal Beach (905) 894-1750 Garden Club Summer Show & Sale Crystal Beach HousP four Ridgeway & District Garden Club @ Featuring 10 unique homes in the core Memorial United Church. area of Crystal Beach. June 7 & 8 Ridgeway (905) 894-2518 r-~· Countrywide (905) 894-6149 Ridgeway Peace Festival Mayor Jahn Teal Reflecting the riches and diversity of July 12 June 23 Canadian culture through music. W.A. R.M. Landscape Tour Randy Burridge Celebrity Golf Classic songs, arts, crafts & food. Driving tour of Greater Fort Erie fea­ Bridgewater (905) 871-7789 The Peace Centre (905) 894-4082 turing a selection of private homes with spectacular gardens. (Rain date June 27 - July 1 June 8 July 19) (905) 871-9195 You can find it Friendship Festival Corporate Challenge '97 Fort Erie/Buffalo High spirited, inter-company competi­ July 13 Concerts, arts & crafts, rides, chil­ tion to promote community spirit and Lake Erie Crossing in Greater Fort Erie dren's festival, history in action, fund raising. Crossing of Lake Erie by wind-surfers Canada Day fireworks, community YMCA (905) 871-9622 from Thunder Bay Beach to Hamburg On behalf of the Economic Development Corporation of booths, food & lots more. Beach & back. Picnic lunch & awards. Friendship Festival (905) 871-6454 Fort Erie, 1 am pleased to extend to you our warmest June8 Thunder Bay Beach (905) 871-m9 welcome. Rods & Relics Antique Car Rally & June 28 & 29 Our quaint community, nestled on the shores of Lake 5how July 20 - 24 International Air Show Enjoy 50's & 60's music, swap meet, 5hark World's Regatta Erie and the mighty Niagara River is a friendly, festive Civilian & military aircraft thrill specta­ loads of awards and craft tables. 50160 boats from around the world and fun locale to visit and to call home with year-round tors as they perform over the Niagara Concession & Bertie St. (905) 871- compete in thie 4 day event. River. activities for every member of your family. From the 7100 Buffalo Canoe Club (905) 894-2750 Friendship Festival (905) 871-6454 excitement of live Thoroughbred Horse Racing at one of June 8 July25 - 28 North America's most beautiful race tracks, some of June 28 - July 1 Zonta Club of Fort Erie House Tour Prince of Wales Equine Art Exhil>it the finest windsurfing and seasonal festivals, to relaxed Craft Show A tour of interesting local homes. Exquisite work Including paintings. boating and fishing, to our museums featuring the rich County Fair Mall (905) 871-0218 Call Kathy (905) 871-1039 sculptures and pen & ink drawing<>. history of our area, natural beauty of the scenic Niagara Fort Erie Racetrack (905) 871-3200 June 29 Parkway and unique boutique shopping. You can find it in June 14- 16 faith and Heritage Conestoga Trek 100th Anniversary Celebration July 27 Greater Fort Erie. Dressed in period costume, travelling Fort Erie Racetrack (905) 871-3200 Prince of Wales S1'ake.s Whether yours is an extended stay or a shorter visit, 1 by horse drawn conestoga wagons, This prestigious er~t'.i_t;- -~lJ::x wish you a very enjoyable time in our Town, and hope you direct descendants of early settlers race in Canada'" 'Trlpfi>C: June 20 - 22 end their commemorative journey with will find this Guide of assistance in acquainting you with Challenging the Fire Service oughbred hor6'!' rs a fitting celebration. Fort Erie .~ the spectrum of friendly Greater Fort Erie businesses, At~ Beyond 2000 friendship festival (905) 871-6454 attractions and services ready to meet your needs. Renato Romanin, General Manager Fire Department Trade Show & Training Seminar, beef & beer garden, 4 - Greater Fort Erie Visitor's Guide ~~- Fr•endiy9 Fest•v-e9 Fu.n ---~~ - _,.,.~ v~ ---"~ . -' Ylf ' ~ FRIE DS 0 R STA BEA H AVGUST August 10 & 11 August 2 -10 Queen City Regatta (Mayor's Cup) NOVEMBER Living History Week 60170 boats participating in this 31st November 8 & 9 annual race, 20' minimum length Su R EVE TS: Come celebrate Fort Erie's heritage Fort Erie Arts & Crafts Guild Craft requirement. and culture! Native Pow Wow, parade, Show heritage craft workshops. Ridgeway Buffalo Yacht Club (716) 883-5900 Leisureplex (905) 871-4700 June 7th, 1997 "Village WIDE YARD SALE" in Crystal Beach look for merchants in period attire sell their pink balloons and address list available at the Crystal Beach wares in an open marketplace, August 30 November 15 - December 31 Summer's Eve Motel, Ridgeway Road, Crystal Beach call 894-1750 Underground Railroad river crossing A Victorian Christmas re-enactment 1812 Feast, 1812 re· Visit the cook in her open hearth At Mildred M.
Recommended publications
  • Bowling for Columbine 5
    Institut for Informations- og Medievidenskab Aarhus Universitet p.o.v. A Danish Journal of Film Studies Editor Richard Raskin Number 16 December 2003 Department of Information and Media Studies University of Aarhus 2 p.o.v. number 16 December 2003 Udgiver: Institut for Informations- og Medievidenskab Aarhus Universitet Helsingforsgade 14 DK-8200 Aarhus N Oplag: 350 eksemplarer Trykkested: Repro-Afdeling, Det Humanistiske Fakultet Aarhus Universitet ISSN-nr.: 1396-1160 Omslag: Jakob Elias Nielsen Articles Copyright © 2003 the authors. The publication of this issue of p.o.v. was made possible by a grant from the Aarhus University Research Foundation. All correspondence should be addressed to: Richard Raskin Department of Information and Media Studies Helsingforsgade 14 DK-8200 Aarhus N, Denmark e-mail: [email protected] telephone: +45 89 42 9223 All issues of p.o.v. can be found on the Internet at: http://imv.au.dk/publikationer/pov/POV.html The contents of this journal are indexed in the MLA International Bibliography, the Film Literature Index and the International Index of Film Periodicals. STATEMENT OF PURPOSE The principal purpose of p.o.v. is to provide a framework for collaborative publication for those of us who study and teach film at the Department of Information and Media Studies at the University of Aarhus. We will also invite contributions from colleagues in other departments and at other universities. Our emphasis is on collaborative projects, enabling us to combine our efforts, each bringing his or her own point of view to bear on a given film or genre or theoretical problem.
    [Show full text]
  • Documentary Film 3. Filmmakers' Theories Introduction
    Component 2 Global filmmaking perspectives Section B: Documentary Film 3. Filmmakers’ Theories Introduction (from the specification) The documentary film will be explored in relation to key filmmakers from the genre. The documentary film studied may either directly embody aspects of these theories or work in a way that strongly challenges these theories. In either case, the theories will provide a means of exploring different approaches to documentary film and filmmaking. Two of the following filmmakers' theories must be chosen for study: Peter Watkins Watkins established his reputation with two docu-dramas from the 1960s, Culloden and The War Game. Both document events from the past using actors and reconstruction. In asking questions of conventional documentary, Watkins reflects his deep concern with mainstream media, which he has called the ‘monoform’. Nick Broomfield Broomfield, like Michael Moore, has developed a participatory, performative mode of documentary filmmaking. Broomfield is an investigative documentarist with a distinctive interview technique which he uses to expose people's real views. Like Watson, he keeps the filmmaking presence to a minimum, normally with a crew of no more than three. He describes his films as 'like a rollercoaster ride. They’re like a diary into the future.' 1 Kim Longinotto Longinotto has said 'I don’t think of films as documents or records of things. I try to make them as like the experience of watching a fiction film as possible, though, of course, nothing is ever set up.' Her work is about finding characters that the audience will identify with – 'you can make this jump into someone else’s experience'.
    [Show full text]
  • Introduction Matthew H
    Michael Moore: Filmmaker, Newsmaker, Cultural Icon Matthew H. Bernstein, Editor http://press.umich.edu/titleDetailDesc.do?id=192221 The University of Michigan Press, 2010 Introduction matthew h. bernstein With the premiere of his popular debut ‹lm Roger & Me in late 1989, Michael Moore proved himself an astonishingly successful non‹ction ‹lmmaker. Thir- teen years later, Bowling for Columbine’s extraordinary box of‹ce performance and its Academy Award for Best Documentary con‹rmed Moore’s standing as a cultural commentator to be reckoned with. In the intervening years, Moore diversi‹ed his output: he became a best-selling book author, TV show pro- ducer, and media personality. When Fahrenheit 9/11 premiered in June 2004, following its winning the Palme D’Or at Cannes, Moore certi‹ed his status as a ‹lmmaker, newsmaker, icon, and political celebrity larger than any one of the ‹lms, books or TV shows he produced or the website established and main- tained in his name. For 20 years and counting, Moore has served as a comic, unof‹cial, har- ried, and harrying spokesperson for the disenfranchised working class and liberal and leftist Americans—a single-handed critic of corporate America and an answer to the rise of Fox News. He had also become a lightning rod for conservative criticism and personal attacks long before he attempted to in›uence the outcome of the 2004 American presidential election with Fahrenheit 9/11. And while 2007’s Sicko was not nearly so ambitious as the 2004 opus—and it’s worth recalling that no other theatrical non‹ction ‹lm has ever tried to dethrone a sitting American president—Moore’s 2007 movie inaugurated a more intensive phase in America’s ongoing efforts at healthcare reform that the Obama administration and Congress have begun to address through legislation.
    [Show full text]
  • Where to Invade Next Gala
    BERLINALE SPECIAL WHERE TO INVADE NEXT GALA Michael Moore Wo einmarschieren? Der oscarprämierte Dokumentarfilmer Michael USA 2015 Moore bietet dem Pentagon an, ab sofort das Einmarschieren in ferne 119 Min. · DCP · Farbe Länder als Ein-Mann-Armee zu übernehmen. Bei seinem Feldzug folgt der Regisseur drei Regeln: niemanden erschießen, kein Öl erbeuten Regie, Buch Michael Moore Kamera Richard Rowley, Jayme Roy und etwas nach Hause bringen, was den Amerikanern nutzt. Denn Schnitt Pablo Proenza, Woody Richman, seinem Recherche-Vorstoß liegt eine ganz eigene Agenda zugrunde, Tyler Walk er ist überzeugt, dass Lösungen für drängende soziale Probleme Ton Francisco Latorre, Hilary Stewart der USA woanders bereits existieren. So sammelt er Beispiele für Produzenten Tia Lessin, Carl Deal, bessere Lebens- und Arbeitsbedingungen: die Urlaubsregelung in Michael Moore 1954 in Flint, USA, geboren. Mit seinem Italien, das Schulessen in Frankreich, das Bildungssystem in Finnland, ersten Dokumentarfilm ROGER & ME (1989) Executive Producer Mark Shapiro, wurde er zum Wegbereiter für das moderne die Vergangenheitsbewältigung in Deutschland, die Gleichstellung Will Staeger Dokumentarfilmschaffen. Mit BOWLING FOR der Frauen in Island. Gewohnt subversiv, aber auch ausgelassen und Produktion COLUMBINE (Oscar 2003) und FAHRENHEIT fröhlich vertritt der Regisseur von FAHRENHEIT 9/11 und BOWLING Dog Eat Dog Films 9/11 (Goldene Palme in Cannes 2004) schuf er FOR COLUMBINE die Interessen seines Landes. Bei seiner ebenso New York, USA weitere Dokumentationen, die Kassenerfolge heiteren wie nachdenklichen globalen Invasion entstand ein Film tia@elsewherefilms.org wurden. Er ist auch als Sachbuchautor über die USA ohne eine einzige Einstellung auf US-amerikanischem erfolgreich. Michael Moore lebt in Traverse City, Boden. Weltvertrieb Michigan, wo er das Traverse City Film Festival Bloom Media gründete.
    [Show full text]
  • Where to Invade Next Discussion Guide
    www.influencefilmclub.com Where to Invade Next Discussion Guide Director: Michael Moore Year: 2015 Time: 120 min You might know this director from: Capitalism: A Love Story (2009) Slacker Uprising (2007) Sicko (2007) Fahrenheit 9/11 (2004) Bowling for Columbine (2002) The Big One (1997) Canadian Bacon (1995) Roger & Me (1989) FILM SUMMARY Michael Moore is known for his tendency to question the status quo, to poke a comical finger at the more questionable policies of his American homeland. Having tackled everything from handguns to heathcare, his work has primarily been directed inwards as he documents real people living real lives on U.S. soil. In WHERE TO INVADE NEXT, Moore leaves the North American continent, with flags in hand ready to plant them on foreign soil. He heads to Europe with a stop-over in North Africa, ready to stake claim to the great policies in action elsewhere as America’s own. Presented as an invasion on some of the most utopian examples of governance alive today, the film maintains a relatively upbeat tone. Never resting for too long on criticisms of American policy, Moore instead lets the happy examples elsewhere do the convincing. Rather than leaving the humanity of a Norwegian prison or the political potency of women in Iceland feeling resentful of his own nationality, Moore turns it on its head with a statement of patriotism: “These weren’t European ideas. These weren’t new ideas. These were our ideas.” Many of the interviewees point out that many of their own policies mirror the intentions of America’s founding fathers.
    [Show full text]
  • Fahrenheit 9/11: O Medo Como Arma De Guerra
    FAHRENHEIT 9/11: O MEDO COMO ARMA DE GUERRA Lilian VICTORINO1 “A democracia periga quando está sendo negligenciado o seu princípio essencial: o predomínio do bem comum sobre os interesses de indivíduos ou de grupos particulares.” Anatol Rosenfeld Resumo: Este artigo apresenta alguns aspectos do discurso fílmico construído no documentário Fahrenheit 9/11 do diretor Michael Moore. A partir dos principais grupos estabelecidos pelo filme e seus personagens principais são observadas as proposições de sentido entre o filme e a sua relação com a sociedade. O filme aponta para históricas relações entre empresários, americanos e sauditas, do setor petrolífero e de armamentos, que, aliados à influência política da família Bush e membros do partido republicano, encontraram nos ataques cometidos em 11 de setembro de 2001, o ponto de ebulição para uma lucrativa guerra contra o Iraque sob o pretexto de levar democracia e liberdade ao povo. Para a legitimação da guerra, o filme sugere a cultura do medo, ostensivamente cultivada entre os estadunidenses, como importante arma para mobilizar a opinião pública e os membros do Senado, a fim de aprovarem os orçamentos necessários para o ataque contra uma nação que, segundo o filme, nunca representou ameaça aos EUA. Palavras-chave: Cinema Documental. Estados Unidos. 11 de Setembro. Guerra. Medo 41 Estreando nos cinemas em 2004, Fahrenheit 9/11 é um documentário estadunidense cuja ácida crítica, aliada à “comedic license” que caracteriza a direção de Michael Moore, incide sobre o governo do republicano George
    [Show full text]
  • Activismo Antitrumpista: Ken Burns Y Michael Moore En La Trinchera Del Documental Estadounidense
    https://doi.org/10.29101/crcs.v27i0.13852 Activismo antitrumpista: Ken Burns y Michael Moore en la trinchera del documental estadounidense Activism against Donald Trump: Ken Burns and Michael Moore in the trench of the American documentary Liliana Cordero Marines http://orcid.org/0000-0001-6381-5010 Universidad Nacional Autónoma de México, México, [email protected] Abstract: Understanding the documentary as a tool that acquires an active role in the construction of political identities, shaping the history of communities, the goal is to analyze documentaries of two American filmmakers –Michael Moore and Ken Burns– and the relation Donald Trump’s candidacy and presidential management. By means of a qualitative interpretive methodology, it is discovered that the directors and their respective documentaries –Michael Moore in Trumpland (2016), Fahrenheit 11/9 (2018) and The Central Park Five (2012)–, participate in the current national debate. Concurring in a context they find dangerous and urgent, despite their profound differences and stark contrasts. It is concluded that in the United States, for nine decades, the documentary remains a necessary tool for dissent, opening discussions on issues that are considered of national relevance. Key words: documentary, political reshape, Donald Trump, dissent, national debate. Resumen: Al entender al documental como una herramienta que adquiere un papel activo en la construcción de identidades políticas y en la conformación de la historia de las comunidades, el objetivo del texto es analizar
    [Show full text]
  • Cómo Citar El Artículo Número Completo Más Información Del
    Convergencia ISSN: 1405-1435 ISSN: 2448-5799 Universidad Autónoma del Estado de México, Facultad de Ciencias Políticas y Administración Marines, Liliana Cordero Activismo antitrumpista: Ken Burns y Michael Moore en la trinchera del documental estadounidense Convergencia, vol. 27, e13852, 2020 Universidad Autónoma del Estado de México, Facultad de Ciencias Políticas y Administración DOI: https://doi.org/10.29101/crcs.v27i0.13852 Disponible en: https://www.redalyc.org/articulo.oa?id=10562755018 Cómo citar el artículo Número completo Sistema de Información Científica Redalyc Más información del artículo Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto https://doi.org/10.29101/crcs.v27i0.13852 Activismo antitrumpista: Ken Burns y Michael Moore en la trinchera del documental estadounidense Activism against Donald Trump: Ken Burns and Michael Moore in the trench of the American documentary Liliana Cordero Marines http://orcid.org/0000-0001-6381-5010 Universidad Nacional Autónoma de México, México, [email protected] Abstract: Understanding the documentary as a tool that acquires an active role in the construction of political identities, shaping the history of communities, the goal is to analyze documentaries of two American filmmakers –Michael Moore and Ken Burns– and the relation Donald Trump’s candidacy and presidential management. By means of a qualitative interpretive methodology, it is discovered that the directors and their respective documentaries –Michael Moore in Trumpland (2016), Fahrenheit 11/9 (2018) and The Central Park Five (2012)–, participate in the current national debate.
    [Show full text]
  • Canadian Bacon (1994)
    Canadian Bacon (1994) FILM REVIEW; America's Cold War With Canada. Just Kidding! By STEPHEN HOLDEN Published: September 22, 1995 Director: Michael Moore Writer: Michael Moore Stars: John Candy , Alan Alda and Rhea Perlman When the President of the United States decides that starting a cold war with Canada would be the most efficient way to boost his sagging popularity, the news media have a field day promoting a campaign called Operation Canadian Bacon: A Line in the Snow. Overnight the term "Canuck" acquires the same sinister connotations that were once attached to "Commie." A newscaster points to a map of the United States with maple syrup dripping over Montana and Minnesota and mutters darkly about the evil seeping across the border. Everything from Canada's use of the metric system to Neil Young and Anne Murray is identified as part of a conspiracy to destroy America. The notion of a phony war with Canada concocted to distract the United States from its economic woes is the amusing premise behind "Canadian Bacon," a satire of American yahooism that aspires to be the 90's answer to "Dr. Strangelove." The film, written and directed by Michael Moore, goes after the selling of the Persian Gulf war and similar adventures with the same freewheeling glee with which Mr. Moore ridiculed General Motors in his popular documentary "Roger and Me." While it's refreshing to find Hollywood producing a political satire with bite in these cautiously conservative times, "Canadian Bacon" is much sharper in its comic details than in its overall scheme. And along the way, the parody becomes so broad that the movie loses its edge and collapses into farce.
    [Show full text]
  • Activism Against Donald Trump: Ken Burns and Michael Moore in the Trench of the American Documentary
    https://doi.org/10.29101/crcs.v27i0.13852 Activism against Donald Trump: Ken Burns and Michael Moore in the trench of the American documentary Liliana Cordero Marines http://orcid.org/0000-0001-6381-5010 Universidad Nacional Autónoma de México, México, [email protected] Abstract: Understanding the documentary as a tool that acquires an active role in the construction of political identities, shaping the history of communities, the goal is to analyze documentaries of two American filmmakers –Michael Moore and Ken Burns– and the relation Donald Trump’s candidacy and presidential management. By means of a qualitative interpretive methodology, it is discovered that the directors and their respective documentaries –Michael Moore in Trumpland (2016), Fahrenheit 11/9 (2018) and The Central Park Five (2012)–, participate in the current national debate. Concurring in a context they find dangerous and urgent, despite their profound differences and stark contrasts. It is concluded that in the United States, for nine decades, the documentary remains a necessary tool for dissent, opening discussions on issues that are considered of national relevance. Key words: documentary, political reshape, Donald Trump, dissent, national debate. Resumen: Al entender al documental como una herramienta que adquiere un papel activo en la construcción de identidades políticas y Original article languaje: en la conformación de la historia de las comunidades, el objetivo del spanish texto es analizar los documentales de dos cineastas estadounidenses –Michael Moore y Ken Burns– en relación con la candidatura y Translated by Fátima Maris Hernández gestión presidencial de Donald Trump. A través de una metodología cualitativa de corte interpretativo, se descubre que los directores y sus respectivos documentales –Michael Moore in Trumpland (2016), Fahrenheit 11/9 (2018) y The Central Park Five (2012)– abonan y participan en el debate nacional actual, coincidiendo en un contexto que consideran peligroso y urgente, a pesar de sus profundas diferencias y matices.
    [Show full text]
  • The Power and Potential of Performative Documentary
    THE POWER AND POTENTIAL OF PERFORMATIVE DOCUMENTARY FILM by John Arthur Little A thesis essay submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2007 ©COPYRIGHT by John Arthur Little 2007 All Rights Reserved ii APPROVAL of a thesis essay submitted by John Arthur Little This thesis essay has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Ronald Tobias Approved for the Department of Media and Theatre Arts Dr. Walter Metz Approved for the Division of Graduate Education Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis essay in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis (paper) by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis (paper) in whole or in parts may be granted only by the copyright holder. John Arthur Little April 2007 iv TABLE OF CONTENTS ABSTRACT........................................................................................................................v
    [Show full text]
  • All Things Canada
    All Things Canada • Celebrated the 1st Canada day on July 1st, 1867 • The word Canada comes from the Huron- Iroquois word “kanata.” It means a village or settlements • The capital of Canada is Ottawa • The maple leaf is on our national flag • O Canada! Our home and native land! True patriot love in all thy sons command. • With glowing hearts we see thee rise, The True North strong and free! • From far and wide, O Canada, we stand on guard for thee. • God keep our land glorious and free! O Canada, we stand on guard for thee. • O Canada, we stand on guard for thee. https://www.youtube.com/watch?v=FSBRTR7m7-k Our Flag Our Flag • It was first raised on Parliament Hill on February 15, 1965 • After a long and heated debate in parliament, they finally voted on the type of flag we would use • Many in Canada wanted to keep the flag as the Royal Union Jack or the Red Ensign • Over 5,400 entries were submitted for consideration Our Flag The selection panel narrowed it down to these three flags. Which one do you like best? Some Canadian Animals Some Canadian Animals Some Canadian Animals Some Canadian Animals Some Canadian Animals Some Canadian Animals Some Canadian Animals Beavertails BeaverTails is a Canadian-based chain of pastry stands operated by BeaverTails Canada Inc. Its namesake products are fried dough pastries, individually hand-stretched to resemble beaver's tails. The chain originated in Killaloe, Ontario in 1978 and opened its first permanent store in Ottawa two years later.
    [Show full text]