DOCSLIB.ORG

No Love Allowed Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FREE NO LOVE ALLOWED PDF Kate Evangelista | 256 pages | 09 Jan 2017 | Swoon Reads | 9781250073907 | English | NY, United States BPM for No Love Allowed (Rihanna) - GetSongBPM Hand in the air as he wave me goodbye He said he care but no tears in his eyes And ask me if I'm alright Nigga, is you blind? Like a bullet your love me hit me to core I was No Love Allowed 'til you knocked me to the floor And it's so foolish of you keep me wanting more I'm screaming murderer, how could you murder us? I call it murder, no love allowed Yeah yeah yeah Boy, yeah yeah yeah Yeah yeah yeah. Fe fo fum like the sky is falling down on me Numb numb numb, he's so cold he doesn't feel a thing Broken heart was the case Gone and put him away He's the only one one one I ever let get the best of me. Usually I'm the one that they cry for But this man, he's the one that I'd die for Mama said there's no cause for a rebel Do you hear me now? No love, no love, no love allowed Like a bullet your love me hit me to core I was flying 'til you knocked me to the floor And it's so foolish of you keep No Love Allowed wanting more I'm No Love Allowed murderer, how could you murder us? I call it murder, no love allowed I'm screaming murderer, how could you murder us? I call it murder, no love allowed. Please click here if you are not redirected within a few seconds. Advisory - the following lyrics contain explicit language:it's a critical emergency, yeah Better run run run Come and charge him with theyeah yeah Told me this world was mine Such a beautiful lie Now he's done done No Love Allowed and his No Love Allowed is no more for me Hand in the air as he wave me goodbye He said he care but no tears in his eyes And ask me if I'm alright Nigga, No Love Allowed you blind? You gotta check out. Rihanna - No Love Allowed şarkı sözleri - TR Rihanna — Man down by Rihanna. Rihanna — Pose by Rihanna. Rihanna — Close To You by Rihanna. Rihanna — Higher by Rihanna. Rihanna — Never Ending by Rihanna. Rihanna — Needed Me by Rihanna. Rihanna — Woo by Rihanna. Rihanna — Desperado by Rihanna. Rihanna — James Joint by Rihanna. Rihanna — Kiss It Better by Rihanna. Rihanna — Rehab by Rihanna. Rihanna — Fool In Love by Rihanna. Rihanna — Do Ya Thang by Rihanna. Rihanna — Red Lipstick by Rihanna. Rihanna — Farewell by Rihanna. Rihanna — Roc Me Out by Rihanna. Rihanna — Drunk On Love by Rihanna. Rihanna — Birthday Cake by Rihanna. Rihanna — Cockiness Love It by Rihanna. Rihanna — Talk That Talk ft. Rihanna — Umbrella ft. Rihanna — We Found Love ft. Calvin Harris by Rihanna. Rihanna — You Da One by Rihanna. Rihanna — Skin by Rihanna. Rihanna — Complicated by Rihanna. Rihanna — California King Bed No Love Allowed Rihanna. Rihanna — Fading by Rihanna. Drake by DrakeRihanna. Rihanna — Lost In Paradise by Rihanna. Rihanna — What Now by Rihanna. Rihanna No Love Allowed Jump by Rihanna. Rihanna — Pour It Up by Rihanna. No Love Allowed Minaj — Fly ft. Rihanna by Nicki MinajRihanna. Rihanna by Kendrick LamarRihanna. DJ Khaled — Wild Thoughts ft. Rihanna — Goodnight Gotham by Rihanna. Rihanna by Rihanna. Drake — Too Good Ft. Rihanna by DrakeRihanna. Rihanna — Work ft. Eminem — The Monster ft. Rihanna by EminemRihanna. Rihanna — Stay ft. Mikky Ekko by Rihanna. Rihanna — Diamonds by Rihanna. Drake — Take Care ft. Rihanna — Man Down by Rihanna. Top Single. JuL — Santchelita by JuL. JuL — Tant pis pour toi by JuL. JuL — 6. JuL — Un casse by JuL. JuL — Crocodile by JuL. JuL — Vatos locos Feat. Morad by JuL. JuL — Mexico by JuL. JuL — Dans le club by JuL. JuL — Cremosso by JuL. Fally Ipupa — Message by Fally Ipupa. Dinos — Solaar pleure encore by Dinos. Dinos — Bad Wo by Dinos. Poupie No Love Allowed Feux Feat. Jul by JuL. Landy — Freestyle Booska-One by Landy. Ajebo Hustlers — Barawo Remix feat. Davido by Davido. Nipsey Hussle by Nipsey Hussle. Lil Gnar — Diamond Choker ft. Nicki No Love Allowed by Nicki Minaj. No Love Allowed Redd — Mood Feat. No Love Allowed Brown by Chris Brown. Mary J. Brandy — No Tomorrow, Pt. Drake by Drake. Yella Beezy — Solid ft. Daddy Mory — Belles Paroles No Love Allowed. Kenny G by The Weeknd. Create new Playlist title. Add to playlist Added. No Love Allowed - Wikipedia The song was included on the set list of Rihanna's concert tour, the Diamonds World Tour. Rihanna began "working on the new sound" for her seventh studio album in Marcheven though she had not yet begun recording. He further stated that that is inevitable since they are like family in Roc Nation. Tovar did the additional recording of the track at the Metropolis Studios in London. The guitar and bass were played by Steve Wyreman, while James No Love Allowed did the keys. Lyrically, it speaks about a love stronger than a gunshot, [17] and according to Stacy-Ann Ellis of Vibe magazine it is a "less violent version" of Rihanna's single " Man Down ". The track was met with critical acclaim from music critics. Dan Martin of NME No Love Allowed the sonic connection between "Man Down" and "No Love Allowed", however, according to him, the latter is "surrounded by an oppressively murky fug". It debuted on the French Singles Chart at number for the No Love Allowed dated December 1,and remained on the chart for one week. From Wikipedia, the free encyclopedia. Def Jam SRP. Kuk Harrell. A second sample of the chorus of "No Love Allowed", which has been characterized by critics as an electro - ragga and reggae song. It has an instrumentation consisted of bubbly, dubbed-out grooveCaribbean and dubstep beat, and loping drumless rhythm. Retrieved September 29, The Guardian. Retrieved January 5, Retrieved September 24, Capital FM. October 11, Retrieved November 23, Slant Magazine. Retrieved May 3, Entertainment Weekly. November 17, In GIFs! MTV Buzzworthy. The Boston Globe. Archived from the original on October 23, The Urban Daily. Edmonton Journal. BBC Music. Toronto Star. Digital Spy. USA Today. Archived from the original on September 27, Les Charts. Retrieved September 23, Official Charts Company. Retrieved December 1, No Love Allowed February No Love Allowed, Retrieved September 1, Mercury News. Retrieved May 2, Rihanna songs. Singles discography Songs recorded. Songs written by Eskeerdo Song recordings produced by No I. Namespaces Article Talk. No Love Allowed Read Edit View history. No Love Allowed Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Electro - ragga reggae. Problems playing No Love Allowed file? See media help..
Recommended publications
  • Robyn Rihanna Fenty and Others -V- Arcadia Group Brands Limited And

    Robyn Rihanna Fenty and Others -V- Arcadia Group Brands Limited And

    Neutral Citation Number: [2015] EWCA Civ 3 Case No: A3/2013/2087 & A3/2013/2955 IN THE COURT OF APPEAL (CIVIL DIVISION) ON APPEAL FROM THE HIGH COURT OF JUSTICE CHANCERY DIVISION INTELLECTUAL PROPERTY The Hon Mr Justice Birss [2013] EWHC 2310 (Ch) Royal Courts of Justice Strand, London, WC2A 2LL Date: 22/01/2015 Before: LORD JUSTICE RICHARDS LORD JUSTICE KITCHIN and LORD JUSTICE UNDERHILL - - - - - - - - - - - - - - - - - - - - - Between: (1) Robyn Rihanna Fenty Claimants/ (2) Roraj Trade LLC Respond- (3) Combermere Entertainment Properties, LLC ents - and - (1) Arcadia Group Brands Limited Defendants/ (2) Topshop/Topman Limited Appellants - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Martin Howe QC and Andrew Norris (instructed by Reed Smith) for the Claimants/Respondents Geoffrey Hobbs QC and Hugo Cuddigan (instructed by Mishcon de Reya) for the Defendants/Appellants Hearing dates: 18/19 November 2014 - - - - - - - - - - - - - - - - - - - - - Approved Judgment Judgment Approved by the court for handing down. Fenty & Ors v Arcadia & Anr Lord Justice Kitchin: Introduction 1. These proceedings concern a complaint by Rihanna, the world famous pop star, about the sale of fashion garments bearing her image. 2. The appellants (collectively “Topshop”) own and operate the well known Topshop retail fashion stores. In 2012 Topshop began to sell in its stores and through its website a fashion t-shirt displaying a clearly recognisable image of Rihanna. The image was derived from a photograph of Rihanna which was taken when she was on a video shoot for a single from her “Talk That Talk” album. Rihanna is looking directly at the camera with her hair tied above her head with a headscarf. It is, as the judge thought, a striking image and similar images had been used by Rihanna in connection with the Talk That Talk album.
  • Midnight Special Songlist

    Midnight Special Songlist

    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
  • Songs by Artist

    Songs by Artist

    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
  • The Jays Jay Brown NATION BUILDER

    The Jays Jay Brown NATION BUILDER

    The Jays Jay Brown NATION BUILDER oc Nation co-founder of the arts, having joined the and CEO Jay Brown Hammer Museum’s board of R has succeeded beyond directors in 2018, as well as his wildest dreams. He’s part of a champion of philanthropic Jay-Z’s inner circle, along with causes. In short, this avid fish- longtime righthand man Tyran erman keeps reeling in the big “Tata” Smith, Roc Nation ones. Brown is making his COO Desiree Perez and her mark, indelibly and with a deep- husband, Roc Nation Sports seated sense of purpose. President “OG” Juan Perez. “I think the legacy you He’s a dedicated supporter create…is built on the people RAINMAKERS TWO 71 you help,” Brown told CEO.com in “Pon de Replay,” L.A. told Jay-Z not to Tevin Campbell, The Winans, Patti 2018. “It’s not in how much money you let Rihanna leave the building until the Austin, Tamia, Tata Vega and Quincy make or what you buy or anything like contract was signed. Jay-Z and his team himself—when he was 19. “He mentored that. It’s about how many people you closed a seven-album deal, and since then, me and taught me the business,” Brown touch. It’s in how many jobs you help she’s sold nearly 25 million albums in the says of Quincy. “He made sure if I was people get and how many dreams you U.S. alone, while the biggest of her seven going to be in the business, I was going to help them achieve.” tours, 2013’s Diamonds World Tour, learn every part of the business.” By this definition, Brown’s legacy is grossed nearly $142 million on 90 dates.
  • P36 Layout 1

    P36 Layout 1

    lifestyle WEDNESDAY, DECEMBER 25, 2013 Gossip Rihanna to release two albums in 2014? ihanna is planning to release two albums in 2014. Spring/Summer 2014 collection advertising campaign RThe ‘Stay’ hitmaker has put out a new record every for the French fashion label and is expected to feature in year since 2009 and although this year she hasn’t magazines from January. The label’s creative director, released another she is hoping to have “big hits” in the Olivier Rousteing, previously said: “In front of the cam- future. A source told The Sun newspaper: “The plan is to era, she makes you feel like she is the only girl in put two records out. Rihanna wants big hits on both the the world. “When the woman that inspires you albums.” The Barbadian beauty’s last album wears your creations, your vision feels complete.” ‘Unapologetic’ hit shelves in November 2012 and she’s since been busy on her ‘Diamonds World Tour’, which kicked off in March this year, in support of her sev- enth studio album. Rihanna has had a successful year and was recently named the new face of Balmain where she will front the Scherzinger shares festive style tips icole Scherzinger loves sequins. The former She said: “When you’re on the go, throw on some NPussycat Dolls singer thinks a bit of sparkle good old shades and a hat. I didn’t realize how valu- can make any outfit look festive, and she is able sleep was until I got older. “I love really fresh, also a big fan of accessorizing.
  • 1 Court of Appeal Found No Love for Topshop Tank

    1 Court of Appeal Found No Love for Topshop Tank

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK Court of Appeal found no love for Topshop tank: theimage right that dare not speak its name Susan Fletcher Senior Lecturer in Law, University of Central Lancashire Justine Mitchell Associate Lecturer in Law, University of Central Lancashire Subject:Passing Off. Other related subjects: Torts. Image rights.Personalityrights.Publicityrights.Passing off. Tradeconnections.Intellectual property. Keywords:passing off, image rights, personality rights, publicity rights, trade marks, goodwill, misrepresentation, merchandising, endorsements, English law, comparative law, unfair competition, freeriding, unjust enrichment, dilution, monopoly, social media, photograph, Rihanna, Topshop, Fenty, Arcadia Abstract:This article contains an analysis of the first instance and appeal decisions of the “Rihanna case”.In particular, the authors consider the substantive law of passing off in the context of the unauthorised use of a celebrity's image on a Topshop tank vest top. This is followed by a discussionof the consequences of the caseforcelebrities, consumers and stakeholders in theentertainmentand fashion industries. Every time you see me it's a different colour, a different shape, a different style. ....because it really...I/we just go off of instinct. Whatever we feel that very moment, we just go for it. Creatively, fashion is another world for me to get my creativity out.12 1Rihanna quote from the Talk That Talk music video available at www.youtube.com/watch?v=cVTKxwO2UnU
  • Patrizia Sandretto Re Rebaudengo

    Patrizia Sandretto Re Rebaudengo

    April 2017 Dylan Lewis, Trans-Figure I Patron, collector and game-changer PATRIZIA SANDRETTO RE REBAUDENGO Mat Collishaw: THE TIME TRAVELLER’S ARTIST Shaking up Australia’s art scene with Danny Goldberg PLUS Classic Week at Christie’s New York APRIL 2017 Contents 062 Letters from Lisbon Take a typographical tour of a city that has stylish signwriting down to a ne art 072 Lit from within Helaine Blumenfeld creates monumental works that seem to glow with an inner life A selection of works and maquettes at Helaine Blumenfeld’s Cambridgeshire studio 082 Queen of Turin With a shrewd eye for emerging talent and a taste for the experimental, collector Patrizia Sandretto Re Rebaudengo has transformed the art scene in her native Italy and beyond 094 God is in the detail Northern Europe’s churches are treasure houses of spectacular limewood sculpture 100 Man on a mission Danny Goldberg wants as many people as possible to see his superb contemporary art collection 110 Nature writ large The South African wilderness is the ideal habitat for the sculptures of Dylan Lewis 120 I bought it at Christie’s Interior designer Edward Bulmer on his passion for an 18th-century religious painting 172 That was then Damien Hirst with Mother and Child (Divided) at the Venice Biennale, 1993 Photo: Nick Ballon. Artworks: © Helaine Blumenfeld, courtesy Artworks: Ballon. Blumenfeld, Nick of the artist © Helaine Photo: and Hignell Gallery [ 008 ] L I T F R O M W ITHIN Helaine Blumenfeld’s abstractions of the human form appear animated, as if by an inner soul.
  • NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O

    NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O

    THEORIZING BLACK WOMANHOOD IN ART: NTOZAKE SHANGE, JAMILA WOODS, AND NITTY SCOTT by Rachel O. Smith A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of English West Lafayette, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Marlo David, Chair Department of English Dr. Aparajita Sagar Department of English Dr. Paul Ryan Schneider Department of English Approved by: Dr. Dorsey Armstrong 2 This thesis is dedicated to my mother, Carol Jirik, who may not always understand why I do this work, but who supports me and loves me unconditionally anyway. 3 ACKNOWLEDGMENTS I would like to first thank Dr. Marlo David for her guidance and validation throughout this process. Her feedback has pushed me to investigate these ideas with more clarity and direction than I initially thought possible, and her mentorship throughout this first step in my graduate career has been invaluable. I would also like to thank the other members of my committee, Dr. Aparajita Sagar and Dr. Ryan Schneider, for helping me polish this piece of writing and for supporting me throughout this two-year program as I prepared to write this by participating in their seminars and working with them to prepare conference materials. Without these three individuals I would not have the confidence that I now have to continue on in my academic career. Additionally, I would like to thank my friends in the English Department at Purdue University and my friends back home in Minnesota who listened to my jumbled thoughts about popular culture and Black womanhood and asked me challenging questions that helped me to shape the argument that appears in this document.
  • The Song of the Lark I

    The Song of the Lark I

    HE ONG OF THE ARK T S L BY WILLA CATHER © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor This PDF eBook was produced in the year 2010 by Tantor Media, Incorporated, which holds the copyright thereto. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc.
  • Hip-Hop's Diversity and Misperceptions

    Hip-Hop's Diversity and Misperceptions

    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
  • Afrimerican Academy Town Hall 2 Summer Camp Start Dates: Arts Culture Arts (June 28Th - August 27Th 2021) May 15Th

    Afrimerican Academy Town Hall 2 Summer Camp Start Dates: Arts Culture Arts (June 28Th - August 27Th 2021) May 15Th

    KEY DATES Afrimerican Academy Town Hall 2 Summer Camp Start dates: Arts Culture Arts (June 28th - August 27th 2021) May 15th Creating Cultural Bridges Through Business Town Hall 3 Startups Cooking Virtual Online Classes In-Person Student Outings: June 5th Museums - Design Gardening Health & Application Dance S.T.E.A.M. Wellness and more… & Activism Deadline Located in Boston June 12th An Enriching Camp Designed to Educate and Empower Camp Start Who are we serving? The young POCs of Boston June 28th Email [email protected] for info Camp end REGISTER NOW! Aug 27th Welcome to ‘Afrimerican Academy: Community Town Hall & Info Session’ Please fill out polls and surveys. Ask your questions in the Q&A Section. Raise your hands to speak. 2 mins limit. Feel free to comment in the chat. ‘Building cultural bridges in the African diaspora through Education, Technology & Travel’ afrimericanone.org WATCH [email protected] AFRIMERICAN TV ON Afrimerican Academy Team Marlon Solomon - President Dapo Olagbaju - Vice President Kiara M. - Intern Uche O. - Intern Glorya Fernandez Cultural Nutrition Instructor/ Outreach Coordinator ‘Building cultural bridges in the African diaspora through Education, Technology & Travel’ Afrimerican Culture Initiative Inc. Afrimerican Culture Initiative Inc. founded in 2015 African Diaspora Cultural Education Consultancy African American, AfroLatinX, Afro-Carribean, African Immigrant and other community members. Develops Independent Research - Northeastern University Redline Sprawl - Nigerian Annuity Project (#Endsars) Social Justice Project Management Afrimerican Academy - BPCS Cultural Nutrition Program Educational Content Creator Afrimerican Academy - Cultural Events - ‘Lives in Me’ Challenge Afrimerican Academy Afrimerican Academy launched in 2020 African Diaspora Cultural Education Resource African Diaspora Cultural Competency (Community Unity & Understanding) Afterschool & Summer programming Free for low income youth in Boston, MA.
  • Recognizing Female Desire and Subjectivity in the Oedipus Complex

    Recognizing Female Desire and Subjectivity in the Oedipus Complex

    Jenna Davis 1 Beyond Castration: Recognizing Female Desire and Subjectivity in the Oedipus Complex Je=aDavis Critical Theory Swathmore College December 2011 Jenna Davis 2 CHAPTER 1 Argument and Methodology Psychoanalysis was developed by Austrian physician Sigmund Freud in the late nineteenth and early twentieth centuries. One of Freud's most celebrated theories was that of the Oedipus complex, which explores the psychic structures that underlie sexual development. In the following chapters I will be examining the Oedipal and preoedipal stages of psychosexual development, drawing out their implicit gendered assumptions with the help of modern feminist theorists and psychoanalysts. I am pursuing a Lacanian reading of Freud, in which the biological roles of mother and father are given structural importance, so that whomever actually occupies these roles is less important than their positional significance. After giving a brief history of the evolution of psychoanalytic theory in the first chapter, I move on in the second chapter to explicate Freud's conception of the Oedipus complex (including the preoedipal stage) and the role of the Oedipal myth, making use of theorist Teresa de Lauretis. In the third chapter, I look at several of Freud's texts on femininity and female sexuality. I will employ Simone de Beauvoir, Kaja Silverman and de Lauretis to discuss male and female investments in femininity and the identities that are open to women. After this, Jessica Benjamin takes the focus away from individuals and incorporates the other in her theory of intersubjectivity. I end chapter three with Helene Cixous, Julia Kristeva and Luce Irigaray, who all attest to the necessity of symbolic female representation--Cixous proposes a specifically female manner of writing called ecriture feminine, Kristeva introduces the semiotic realm to contend with Lacan's symbolic realm, and Irigaray believes in the need for corporeal Jenna Davis 3 representation for women within a female economy.