Control of Campus Media Hotly Contested

Total Page:16

File Type:pdf, Size:1020Kb

Control of Campus Media Hotly Contested ---- Communications Board Mediates communicatiort media at UCSD." The Communication Board con ists of two students appointed by each college government, two undergraduates appointed by the AS , two graduate students and two faculty memb rs, Control of Campus Media and one representative appointed by the Dean of Student Affairs. This is the third year that the Triton Times Hotly Contested has be n the only publication that the Communications Board has funded on a major scale. In its first year of operation the Time Steve Landau was funded equally with the Indicator, until the Contributing Editor Control over campus media is an issue over latter went bankrupt later that year. which many a college campus has had its share In its new constitution the Communications Editor's note : (This is the first of two ar­ of bitter struggles. UCSD, in its short history, ticles discussing campus media in the Board codifies what had already been a de has seen a procession of student publications, facto policy. A distinction is made between Un iversity of California and the force s that and much conflict over their nature and means control them. This article looks at the official and other student media . The of funding . The appearance of a third student Communications Board has formally as umed Communications Board and the three publication on the scene a few weeks ago makes UCSD student publications. On Friday the the role of owner and/or publisher of the three the field even more crowded. official media provided for- a newspaper, radio Regents and the Canaday resolution will be Up until now the battle over campus media station, and yearbook . This currently includes dflcu.•• d.) has been waged on a local level- between the Triton Time and KSDT ; the last yearbook competing staffs, between different factions on to be published was in 1967. the same staff, between the staff and college The official media get the lion's share of governments andL9r administrators. The title available funds. But they also are subjected to a of "campus newspaper" ha s been hotly far greater degree of control by the contested at times, as have the limited amount Communications Board than are the other Karl Keating of student funds available. media . Since they are official student meJia, the Board retains the authority to insure that body for complaint and could conceivably Regents Tbicke~ Plot they are fulfilling their service function to the censure newspaper policies or particular community. articles. For the most part, though , the editor­ Now the plot has thickened with the in-chief (or station manager ) is delegated appearance of the UC Board of Regents on the Control of Board is Slight responsibility in most areas, much as the scene. Their input into the student newspaper Chancellors are delegated powers by the scene has yet to be determined . This will be Regents. discussed further in the next article in this The Board has never exercised prior What about the oth r m dia ? Over the years series. censorship, and its control over day-ta-day the Triton Times alone ha n't seemed to sati fy For the time being it is the UCSD operations is light. However, it has always had the journali tic craving of the entire student Communications Board which continues to review power over chief executives of all body. The Indicator continued publishing for serve as a forum for the resolution of conflicts media , and this year will choose the editor-in­ quite some time after 10 ing its fund , but I regarding campus media. This body , advisory to chief of the Triton Times from applicants (as now defunct. Dimension popped up last year the Chancellor, was e tablished , according to well as tation manager of KDST ,. and , along with the Indicator, received minimal its constitution " to provide for the promotion, Beyond that its power re ts mainly with funds from the Board . Manuel de Jesus Hernandez maintenance, and regulation of campus critici m after the fact ; it serves as an appeal (continued on page 3) Volume rr, Numher rs University 01 Calilornia, San Diego TuesJay, Novemher 11, r910 Advi e to ucce or Chancellor Heynes to Step Heyne said he would advise hi uccessor "always to make Med School Explai~s decisions on the basis of what is right for the campus. You can never use as a compass what any group tells you and you Down Before June 30 cannot survive as a political organism ." The hancellor said he wa depressed with the shape of the Berkeley campu . ''I'm .Minority Program Craig Oren in pired by how sturdy and tough the campus i ." Assistant City Editor He warned that the campus could be jeopardized by budget I?obert Miller Daily Californian cuts. " I'm very very troubled about under support. We need Stoff Writer money to attract the best faculty and for experimental BERKELEY (U IPRESS) hancellor Roger Heynes programs." Heynes attributes budget cuts to " the negative announced Friday that he has resigned hi post at the image" of the campus and " the general public skepticism, University of California, Berkeley. His resignation will take about higheredu ation." effect when his successor is chosen, but no later than June 30. This problem isn't limited to California ,. he added: Heyne Heynes, who has b en Chancellor since 1965 , said he will accept denied charges that he ha s been "overly lenient" with campu an appointment at the University of Michigan. There he will be protesters here. " . think if you look at the kind of people who a profes or of Psychology and Education and will do research say I've been too lenient and the kind of p opl who say I'm too at the c nter for the tudy of higher education. The Chancellor tough , you'd probably conclude I ve don a good job" he said told a crowded news conference in California Hall that he wa rily. resigning " for a variety of personal, family , and professional Formal Announcement reasons . Health wa a factor , but not a primary one," Heynes Heynes made the formal ~nnouncment after informing his who suffered a mil h art attack last January said . " A campu staff which filed omberly out of the room after heanng the such as B rkeley places many demands on one, demands that news. Heyn himself seemed more relaxed than during past cannot b d legated no matter how competant your staff is. "I appearances in the usual lines of worry appeared absent from find I can no longer meet the demands," he ontinu d. hi face . U President Charle Hitch said he accpeted th He empha iz d that ". am not mad at anyone, anybody. I am resignation "with a deep feeling of sad ne , for he !Heynes ) nota casualty, I'm nota martyr." has m ant much to me and even more to th University. He has No Pre sure from Regents presided over the Berkeley campus duril)g on of the mo t ". find I can work a 10 hour day, I can no longer work a 16 difficult time in its history and the academic communty and hour day ." Heyn al 0 denied reports that pressure from the the state are deeply in his debt. " UC Board of Regent was the cause of the resignation. "There William French Smith, th Conservative chairman of th hasn 't b en the slightest pressure from th Regents." Heyne R gents, al 0 greet d the news with "regret". We are grateful said. "Th re hasn 't b en any concerted effort to my knowledge to him for his dedicated ervice to the University." to remove m ." "Roger Heynes' departure will b a great loss to Berkeley" In a brief statem nt to 52-year old Chancellor said,"Taking said Mark hristianson, Chairman of th Academic enate. " I many consideration into account, I've decided to continue my believe in year to come he will b en a having been a greal career in higher education in a different capacity. In particular chancellor ... "Th faculty owes Roger He nes a great debt of • hav wanted the time to tudy the organizational problems of gratitud ." the univ r ity today and to teach in that area. One of Heyn s predece ors, Edward trong, aid " I'm very "For this has b en a diffi ult deci ion ," Heyne read in a orry h feels the need to re ign. He has done very fine rving calm steady voic . " ... even in it mo t difficult mom nts a a chanc llor and. a urn that h an't carry n I'm sorry Mrs. IJeyn sand • have not regr tt d our decision to com here ... " Oeci ion Made With Relu ctan e "My d cision to I ave ha s b en mad with th greatest rcluctan e." lIeyne expres ed confidenc that th Regent would ppoint a hi ucc s or " a man who ha worked with the faculty and th campu community. I'd be very surpri d if my suc sor did not have the kind of upport I'v r ceiv d. I don 't think the Board of Reg nts will mak a politi al appointm nt. " H yn s said he had d cid d la t April, before last pring' r con titution and hi hart atta k last July, to begin to think about accepting opportuniti I wh r . When. came to Berkeley ix year ago, I told my taff that. thought one could u up hi s energy and credit within fivp to ven year .
Recommended publications
  • Insight Cool Hand Luke Meets Attics
    Insight—077 Cool Hand Luke Meets Attics environments and the freezing pipe issues associated with sprinkler systems. Insight The bad implications are that we can accumulate moisture in the attic and attic assemblies if we don’t have a means of removing the moisture. Cool Hand In what has become an amazing turn of events folks are figuring out how to construct tight ducts—even when Luke Meets they are located “inside”. Mastic rules (Photograph 1). All of this is good. The only place air should exit a duct or enter a duct is at a grille or register. So what is the Attics problem? “What we’ve got here is failure to communicate . .”1 An edited version of this Insight first appeared in the ASHRAE Journal. By Joseph W. Lstiburek, Ph.D., P.Eng., Fellow ASHRAE In what is turning out to be an unfortunate turn of phrase the terms “unvented attics” and “unvented roofs” have entered the lexicon. A lot of the blame for that goes to me and for that I am sorry. The “right” terms should have been “conditioned attics” and “conditioned roofs”2. When we move insulation to the underside of a roof deck3 the space below the insulation is now within the “conditioned space”. This has all kinds of implications…some good…some not so good. The good implications are that if we locate ductwork and air handlers and sprinklers in the attic space we don’t have to worry about the thermal penalties associated with duct leakage and the moisture penalties associated with induced negative pressures and the durability issues associated with locating equipment in hostile 1 This classic line comes from the 1967 movie Cool Hand Luke.
    [Show full text]
  • "COOL HAND LUKE" Screenplay by Donn Pearce and Frank Pierson
    "COOL HAND LUKE" Screenplay by Donn Pearce and Frank Pierson Based on the novel by Donn Pearce SHOOTING DRAFT FADE IN: EXT. SOUTHERN CITY STREET EXTREME CLOSEUP PARKING METER (NIGHT) Its irritating head opens a glaring red eye: the red flag pops across the entire screen: VIOLATION INSERT: PARKING METER SUPPORT (NIGHT) CLOSEUP of a pipe cutter attached to the meter neck, metal slivers curling out. From o.s. we HEAR -- LUCAS JACKSON cheerfully humming and mumbling Auld Lang Syne and then: LUKE Okay, Mister General, you son of a bitch. Sir. Think you can put things right with a piece of tin with a ribbon hangin' on it? Gonna put you right. CLOSEUP PARKING METER (NIGHT) as the meter head falls out of FRAME. NEW ANGLE ON METER (NIGHT) as it falls to the ground amidst a forest of meter stands and Luke's hand comes into the FRAME to pick it up and we SEE him in CLOSEUP for the first time. He is cheerful, drunk, wearing a faded GI Field jacket. A bottle opener hangs on a silver chain around his neck. He addresses the next meter. LUKE All right. Helen, honey. I lost my head over you. Now its your turn. Suddenly the beam of headlights crashes in, FLARING the SCREEN. ANGLE ON PROWL CAR (NIGHT) sliding up to us, headlights glaring, red toplight revolving menacingly. TWO OFFICERS, black shapes, get out and start warily toward Luke. ON LUKE (NIGHT) illuminated by the headlights. He grins as the Officers approach, lifts a bottle of beer, opens it and drinks, smiling.
    [Show full text]
  • Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A
    A2_RAPPING.DOCX (DO NOT DELETE) 6/5/2014 6:09 AM Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A. Rapping “There can be no equal justice where the kind of trial a man gets depends on the amount of money he has.”1 Justice Hugo Black wrote this in Griffin v. Illinois, seven years before he authored his groundbreaking opinion in Gideon v. Wainwright, establishing a Sixth Amendment right to counsel in state court prosecutions.2 In Gideon, the Court recognized that a lawyer is essential to ensuring a fair trial.3 While the Gideon Court did not lay out a standard for the type of lawyer to which a poor person is entitled, read in conjunction with the Court’s pronouncement in Griffin, the answer is obvious. He is entitled to a lawyer with the time, resources, experience, training, and commitment for which a person with means would pay. For if a poor defendant requires a comparable trial to his wealthier counterpart to ensure equal justice, and the quality of the lawyer dictates the quality of the trial, equal justice can only be guaranteed where the poor person has access to the same level of representation as the person who can afford to hire counsel. But, while Gideon made clear that counsel is the engine necessary to ensure equal justice, for fifty years lawyers for the poor have been deprived the fuel needed to drive this lofty aspiration. Over these five decades we have unfortunately come to accept an embarrassingly low standard of justice for poor people accused of crimes.
    [Show full text]
  • NOTICE of MEETING School Admissions Forum Tuesday 8 December 2009, 6.00 Pm Function Room, Fifth Floor, Easthampstead House, Town Square, Bracknell
    NOTICE OF MEETING School Admissions Forum Tuesday 8 December 2009, 6.00 pm Function Room, Fifth Floor, Easthampstead House, Town Square, Bracknell To: School Admissions Forum Schools (Community & Voluntary Controlled): Robert Elsey, Headteacher, Edgbarrow School Alan Harding, Headteacher, Birch Hill Primary School Schools (Voluntary Aided): Church of England Diocesan Board Gordon Anderson Representative: Roman Catholic Diocese Representative: Parent Governor Representative: Representatives of the Local Community: Olivia Denson, Chlidren's Education Advisory Service Local Authority Representatives: Councillor Alan Kendall, Executive Member for Education & Libraries David Watkins, Chief Officer: Performance & Resources (Social Care & Learning) ALISON SANDERS Director of Corporate Services EMERGENCY EVACUATION INSTRUCTIONS 1 If you hear the alarm, leave the building immediately. 2 Follow the green signs. 3 Use the stairs not the lifts. 4 Do not re-enter the building until told to do so. If you require further information, please contact: Liz Sanneh Telephone: (01344) 352233 Email: [email protected] Published: 1 December 2009 School Admissions Forum Tuesday 8 December 2009, 6.00 pm Function Room, Fifth Floor, Easthampstead House, Town Square, Bracknell AGENDA Page No 1. Welcome and Apologies 2. Minutes of Previous Meeting To approve as a correct record the minutes of the meeting held on 5 1 - 2 May 2009. 3. Matters Arising 4. School Admission Appeals Report To receive a report on School Admission Appeals (papers to follow). 5. Annual Admissions Arrangements Consultation 2011/2012 3 - 48 6. School Admissions Forum Constitution To receive a report and recommendations on the School Admissions 49 - 58 Forum Constitution. 7. Special Educational Needs To receive a report 59 - 60 8.
    [Show full text]
  • The Messianic Figure in Film: Christology Beyond the Biblical Epic
    Journal of Religion & Film Volume 2 Issue 2 October 1998 Article 3 10-1-1998 The Messianic Figure in Film: Christology Beyond the Biblical Epic Matthew McEver Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation McEver, Matthew (1998) "The Messianic Figure in Film: Christology Beyond the Biblical Epic," Journal of Religion & Film: Vol. 2 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol2/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Messianic Figure in Film: Christology Beyond the Biblical Epic Abstract With the decline and fall of the religious epic, christology (the study of the person of Christ) in film has moved into genres outside of the biblical spectacular. Deliberate attempts to harmonize the Gospels and offer a literal rendition of the life of Jesus have proven mediocre to some and offensive to others. What has proven more successful is the Messianic Figure: a formula in which the central character is a non- conformist or unlikely redeemer who transforms lives and ultimately undergoes martyrdom. Four films offer the prototype of such a character: Cool Hand Luke (1967), One Flew Over the Cuckoo's Nest (1975), Dead Poets Society (1989), and most recently Sling Blade (1997). This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol2/iss2/3 McEver: The Messianic Figure in Film As a general rule, motion pictures which attempt to offer a literal rendition of the life of Jesus typically fall short of cinematic excellence.
    [Show full text]
  • The Messianic Figure in Film
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 2 Article 3 Issue 2 October 1998 12-18-2016 The esM sianic Figure in Film: Christology Beyond the Biblical Epic Matthew cEM ver McEver Road United Methodist Church, [email protected] Recommended Citation McEver, Matthew (2016) "The eM ssianic Figure in Film: Christology Beyond the Biblical Epic," Journal of Religion & Film: Vol. 2 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol2/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The esM sianic Figure in Film: Christology Beyond the Biblical Epic Abstract With the decline and fall of the religious epic, christology (the study of the person of Christ) in film has moved into genres outside of the biblical spectacular. Deliberate attempts to harmonize the Gospels and offer a literal rendition of the life of Jesus have proven mediocre to some and offensive to others. What has proven more successful is the Messianic Figure: a formula in which the central character is a non-conformist or unlikely redeemer who transforms lives and ultimately undergoes martyrdom. Four films offer the prototype of such a character: Cool Hand Luke (1967), One Flew Over the Cuckoo's Nest (1975), Dead Poets Society (1989), and most recently Sling Blade (1997).
    [Show full text]
  • 2013 Annual Report
    2013 ANNUAL REPORT SYDNEY UNI SPORT & FITNESS 2013 ANNUAL REPORT Contents PRESIDENT’S EXECUTIVE DIRECTOR’S 2 REPORT 3 REPORT BLUES ASSOCIATION ‘BLUE & GOLD’ 6 REPORT 8 REPORT COMMERCIAL & REGULATORY HIGH PERFORMANCE & CLUB 12 REPORT 14 DEVELOPMENT REPORT MARKETING & MEMBERSHIP OPERATIONS 18 REPORT 20 REPORT PROGRAMS & PARTICIPATION PROJECT & PROPERTY 22 REPORT 26 REPORT STAKEHOLDER CLUB 28 CHART 31 REPORTS 10 YEAR OFFICE 78 ANNIVERSARY 82 BEARERS HONOURS & 83 TRADITIONS 84 SCHOLARSHIPS 2 PRESIDENT’S Report 2013 will probably be looked back on as the a very short period of time, thanks to the generosity of our sporting alumni, clubs, sponsors and staff. start of Sydney Uni Sport & Fitness’ era of The successful completion of the SUSAC extension and its associated infrastructure. As detailed throughout this fundraising sets the stage for a period when our major focus will annual report, our clubs and athletes have be very much on new infrastructure development. During 2013 preparations were completed for the transformation of Oval No. 2 achieved spectacular advances in performance into a purpose-built field for rugby and soccer, complete with a large grandstand, function room, elite athlete gym and indoor cricket nets/ but the standard of the facilities in which they training space. The basic build of the project is being co-funded by the train and perform have lagged behind. University and SUSF, but in order to fully fit out this major facility we will be undertaking a fundraising campaign many orders of magnitude greater than the Finishing Touches Fund. Our University’s demolition of the unpleasant looking but still serviceable H.K.
    [Show full text]
  • 'In Times of War, the Law Falls Silent'
    Open Research Online The Open University’s repository of research publications and other research outputs ‘In Times of War, the Law Falls Silent’. The Impact of the Emergency Powers (Defence) Act 1939 on the Police and Policing in Norwich During the Second World War Student Dissertation How to cite: Bylett, Robert (2020). ‘In Times of War, the Law Falls Silent’. The Impact of the Emergency Powers (Defence) Act 1939 on the Police and Policing in Norwich During the Second World War. Student dissertation for The Open University module A826 MA History part 2. For guidance on citations see FAQs. c 2020 Robert Bylett https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Redacted Version of Record Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk ‘In Times of War, the Law Falls Silent’ The Impact of the Emergency Powers (Defence) Act 1939 on the Police and Policing in Norwich During the Second World War Robert Bylett BA Hons (Open) A Dissertation Submitted to the Open University for the Degree of MA in History January 2020 WORD COUNT: 15457 Dissertation Robert Bylett Abstract The Emergency Powers (Defence) Act 1939 significantly expanded the role of the police during the Second World War intruding into public life and limiting traditional freedoms. The overall aim of this dissertation is to advance the understanding of the changes in the role, responsibilities, organisation and structure of Norwich City Police from 1939 to 1945.
    [Show full text]
  • “He'll Just Be Paul Newman Anyway”: Cinematic Continuity and the Star
    University of Kentucky UKnowledge Theses and Dissertations--English English 2018 “HE’LL JUST BE PAUL NEWMAN ANYWAY”: CINEMATIC CONTINUITY AND THE STAR IMAGE William Guy Spriggs University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-0913-3382 Digital Object Identifier: https://doi.org/10.13023/etd.2018.423 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spriggs, William Guy, "“HE’LL JUST BE PAUL NEWMAN ANYWAY”: CINEMATIC CONTINUITY AND THE STAR IMAGE" (2018). Theses and Dissertations--English. 82. https://uknowledge.uky.edu/english_etds/82 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • The Reel Prison Experience
    SMU Law Review Volume 55 Issue 4 Article 7 2002 "Failure to Communicate" - The Reel Prison Experience Melvin Gutterman Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation Melvin Gutterman, "Failure to Communicate" - The Reel Prison Experience, 55 SMU L. REV. 1515 (2002) https://scholar.smu.edu/smulr/vol55/iss4/7 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. "FAILURE To COMMUNICATE ' t THE REEL PRISON EXPERIENCE Melvin Gutterman* I. INTRODUCTION HE academic legal community has failed to appropriately recog- nize the images of law depicted by Hollywood as a legitimate and important subject for scholarly review.' Movies have the capacity to "open up" the discussion of contemporary legal issues that conven- tional legal sources ignore. 2 Although different from the normative legal theory of study, movies provide a rich portrait of popular jurisprudence of legal values.3 A fundamental paradox of many notable films is their inability to simultaneously achieve both scholastic acceptance and artistic achievement, at least equal to other media. 4 Movies are very powerful and can, through the use of provocative images, explore controversial themes and evoke passions that can affect even the most tightly closed minds. 5 The exclusion of films' celebrated images from academic study has its cost. There is, for example, a prevalent belief that life in prison is too t In the most celebrated colloquy in the movie Cool Hand Luke, the Captain as he stands over the defiant convict Luke asserts, "[w]hat we've got here is failure to communicate." What the Captain actually demands is that Luke totally capitulate to the contemptible prison system he embodies.
    [Show full text]
  • The Imaginary Life of Nineteenth-Century Virtuosity
    The Imaginary Life of Nineteenth-Century Virtuosity By LucrA RUPRECHT (Cambridge) ABSTRACT Nineteenth-century virtuosity can be understood as a form of subjection under a musical law whose power could only be broken by hyperbolic responses of self-anni­ hilating over-fulfilment of this law's relentless demands. Such excesses of the Roman­ tic imagination (Hoffmann, Heine, Lyser, Andersen) had to be domesticated in Rea­ lism's responses to virtuosity (Stifter, Grillparzer). Virtuosit3t kann im neunzehnten Jahrhundert als Unterwerfung unter ein musika­ lisches Gesetz begriffen werden, <lessen Macht our in zu SelbstauslOschung fiihrender Obererfiillung zu beechen ist. Das fiir solch exzessive Visionen verantwortliche romantische Imagin3re {Hoffmann, Heine, Lyser, Andersen) musste geradezu in Vir­ tuositatserzahlungen des Realismus (Stifter, Grillparzer) domestiziert werden. Paganini: N'accordait jamais son violon. celebre par la longueur de ses doigts. 1 »Unsere Beziehung zum Virtuosen ist ambivalent«, writes Vladimir Jankele­ vitch. The virtuoso begniigt sich nicht nur damit, das Werk zu interpretieren, er schafft es neu, unter solchen Bedingungen, die manchmal iibernati.irlich scheinen. Wahrend der Dauer einer Sonate sind der Interpret und der SchOpfer nur noch einer. Daher empfinden wir zugleich Bewunderung und Groll: [... ] wir werfen uns selbst unsere eigene Bewunde­ rung vor; vielleicht ist der Virtuose ein Scharlatan, der uns zum Narren halt, ein Akrobat, der uns mystifiziert? Wir bewundern die Gro.Stat und wollen keinen Sand in den' Augen. Diese Ambivalenz resi.imiert im Grunde unsere Beziehungen zur Musik: wir werden <lurch sie in ihren Bann geschlagen und wir werfen dies ihr vor, beides zusammen.2 Nineteenth-century discourses on musical virtuosity can be characterised by their concern with the virtuoso as a false artist.
    [Show full text]
  • Student Caught After Selling Dozens of Fake
    1 %}• Vol. XCI, Issue No. 3 SINCE 1916 Frid? r, September 5, 2003 Student caught after selling dozens of fake IDs RUPD encourages students who bought the fake Texas driver licenses to turn in IDs or possibly face criminal charges by Mark Berenson and Jenny Rees The Thresher is withholding the ter and this semester, Taylor said. identified as having purchased IDs, already destroyed their IDs should THRESHER EDITORIAL STAFF student's name because at press time Taylor said the Harris County Dis- Taylor said. He urged students with keep the pieces and turn them over no charges had been filed against him. trict Attorney issued a warrant for the IDs to come forward. to RUPD. He said students who have A Rice student will face criminal The student was taken to the individual's arrest based on evidence "We are encouraging anyone who lost or disposed of their IDs should charges in Harris County after sell- RUPD station, where Taylor said he RUPD gave the DA before interview- has an ID card like that to get it still come forward to avoid criminal ing fake Texas driver licenses to confessed to the crimes. ing the individual, and the individual turned in to us," Taylor said. "We charges. dozens of students. The students "He basically said, 'Yup, I've been turned himself in after the interview. need the card, and we need a state- Assistant Dean for Student Judi- who purchased the IDs also face doing it,' and he rattled off 30- He could face a felony charge for each ment from them on how they ob- cial Programs Don Ostdiek said he disciplinary actions.
    [Show full text]