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Following the recent renovation of the Æolian-Skinner organ by R.A. Colby, Inc. Trinity Cathedral presents its

JUBILEE ORGAN RECITAL SERIES Sunday January 26th – Thursday May 29th 2014

January 26th: MATTHEW STEYNOR (Trinity Cathedral, Miami, FL)

February 27th: SIMON JOHNSON (St Paul’s Cathedral, London, UK)

March 27th: JONATHAN DIMMOCK (San Francisco, CA)

April 24th: JEREMY FILSELL (Washington National Cathedral)

May 29th (service): RICHARD SPOTTS (Doylestown, PA)

THE ORGAN AT TRINITY CATHEDRAL Æolian-Skinner Op. 471

The organ was installed at the time of Trinity’s construction in the mid-1920s, built by Ernest M. Skinner and Company with an initial specification of four manuals (keyboards), forty-three stops, thirty-six ranks and 2,497 pipes, including an Echo chamber in the rear gallery containing four ranks of pipes (removed in 2001 to undergo repairs, and returned in 2014).

When the Diocese of South Florida split in 1969 and Trinity became the cathedral of the new Diocese of Southeast Florida, Dean McCormick spearheaded a drive to improve the organ. A donation from The Richards Foundation was received covering the cost of both a new console and the installation of a Trompette-en-Chamade. The contract went to Æolian-Skinner, but the timing was such that the company was unable to fulfill the obligation. Following Æolian-Skinner’s bankruptcy in 1972, the contract was transferred to Kinsey-Angerstein (Allen Kinsey had been Æolian-Skinner’s Head Engineer) and the sixty-one pipes of the Chamade were heard for the first time in May 1974.

In addition to the Chamade rank, over one thousand other pipes have been added to the organ since the 1920s, made clear in the specification on pages 8-9 of this program. In 2002 many digital stops, enhancing both the organ’s power and versatility, were added to the organ. This was Phase One of a two part phase to overhaul the organ. The Second Phase of the renovations, completed over the last two and a half years, has involved the upkeep of the pipework already in existence, since much of the leatherwork needed replacing in order to ensure the organ's ability to function reliably for decades to come.

In September, 2011, as part of Trinity's restoration and re-certification project, the organ's pipes, windchests, and mechanical components were moved to the factory of R.A.Colby. The pipes were removed both to protect the instrument while construction takes place in the sanctuary and chancel areas, and also for the Second Phase of the renovations to take place. During this renovation, the organ console remained in place with the complete specification playable as a digital instrument. The manual keyboards and pedalboard were replaced in October 2013, and all of the chests and pipes were reinstalled by the end of November 2013.

For the final three weeks of the reinstallation in January 2014, the voicing and tuning of the pipes took place under the supervision of Roger Colby, president of the Colby company. Charles Callahan was present the second week and Bob Walker for some of the third.

The Æolian-Skinner Organ Company

In the 1920s Ernest M. Skinner and company had developed a national reputation for building large organs for some of the most prestigious churches, concert halls, colleges, and auditoriums in the country. These include The Cathedral of St. John the Divine (op. 150, 1906); Carnegie Music Hall, Pittsburgh (op. 180, 1910) and St Thomas Episcopal Church, Fifth Avenue, (op. 205, 1913).

In 1932 the Skinner company merged with the Æolian Company, resulting in the name Æolian-Skinner. Skinner’s reputation continued with the new name well into the sixties with instruments built or rebuilt at locations including Grace Cathedral in San Francisco (1933), the Mormon Tabernacle in Salt Lake City (1948) and St Philip’s Cathedral in Atlanta (1962). The company however ceased operations in 1972.

In the Tri-County area there are only three Æolian-Skinner organs remaining; the other two (according to the Organ Historical Society) are in West Palm Beach and have two manuals. Trinity Cathedral’s organ is certainly a unique South Florida treasure.

R.A. Colby Organ Builders

Based in Johnson City, Tennessee, R.A. Colby has enjoyed a rich and diverse history. Begun in 1974 as an adjunct to a major Builder, the firm began under the name of Kimber-Allen, Inc. as a supplier of specialized electrical components to the trade. Relocation to Tennessee in 1979 saw the growth of the supply endeavors and expansion of the product line to include component construction for the organ building trade.

By 1984, the main focus of the company had become the design and construction of custom components for the pipe organ industry. As a result, the company transitioned to the present name of R.A. Colby, Inc. As the offerings of the company grew, a dedicated floor space was constructed in 2001 to house a new, state of the art, large format computer controlled router along with our existing smaller format CNC router, computer controlled lathe, and computer controlled laser.

Currently the R.A. Colby team numbers nineteen including President, Vice-President and Secretary. Not counting regular tuning jobs, The Colby company completed around a dozen projects in 2013, including some new pipes at First Presbyterian Church in Pompano Beach, a phase of the organ project at the US Naval Academy and the touring organ for legendary virtuoso organist Cameron Carpenter. Projects for this year include The Cathedral Basilica of St. Augustine (America's First Parish), Christ Church Methodist Church in Fort Lauderdale and the largest console ever built for the seven manual instrument at the Castro Theater in San Francisco.

RECITAL 1: Sunday January 26th at 4:00pm

Matthew Steynor Trinity Cathedral, Miami

Sonata Eroïca, Op. 94 Joseph Jongen (1873 – 1953)

Adagio for Strings Samuel Barber (1910 – 1981) arr. William Strickland (1914 – 1991)

L’adorazione dei Magi Ottorino Respighi (1879 – 1936) (Trittico Botticelliano) arr. Matthew Steynor (b. 1979)

Canonic Variations on Johann Sebastian Bach “Vom Himmel Hoch”, BWV 769a (1685 – 1750) 1. Canon at the octave 2. Canon at the fifth 3. Canon at the seventh 4. Canon in augmentation 5. Cantus firmus in canons

Wedding Graham Fitkin (b. 1963)

Orison Frederick J. Kent (b. 1928)

Sonata Op. 28 Edward Elgar (1857 – 1934) I – Allegro maestoso II – Allegretto III – Andante espressivo IV – Presto (comodo)

You are invited to a reception in Cathedral Hall after the recital sponsored by the Miami Chapter of the American Guild of Organists.

Matthew Steynor, a native of Britain, has been Director of Music at Trinity Cathedral since Fall 2007. As Director of Music he directs and accompanies the Cathedral Choir, as well the Anglican Chorale of Southeast Florida, which he co-founded to introduce the service of Evensong to Trinity Cathedral on a regular basis. He has played all the major instruments in the area in solo recitals, liturgies, conventions and workshops for organizations such as the Church Music Association of America and the American Guild of Organists. Prior to coming to Trinity Cathedral Mr Steynor worked at Great St Mary's in Cambridge, UK, St Thomas Episcopal Parish in Coral Gables, FL and Christ Church Cathedral in Nassau, Bahamas. He was recently honored with the "Spirit of Absalom Jones Award" from the Miami Chapter of the Union of Black Episcopalians.

He is a graduate of Cambridge University (U.K.), where he earned a Master of Arts degree and a Postgraduate Certificate of Education. He was an at Queens’ College, where he was jointly responsible for the music in the college chapel for three years. Four recordings were made during this tenure, which received outstanding reviews in highly respected music journals and are still available on iTunes.

In addition to his duties at Trinity Cathedral, Mr Steynor worked reguarly with the Master Chorale of South Florida and Florida’s Singing Sons Boychoir for six seasons. He has been heard on the nationally syndicated Minnesota Public Radio show Pipedreams, and in 2008 was one of fifty choirmasters selected to participate in BBC Music Magazine’s worldwide “Fifty Greatest Carols” survey.

RECITAL 2: Thursday February 27th at 7:30pm

Simon Johnson St Paul’s Cathedral, London

Marche Héroïque A. Herbert Brewer (1865-1928) from Sonata in A minor William Harris (1883-1973) Adagio espressivo

Allegro, Chorale and Fugue in D Felix Mendelssohn (1809-47)

Herzlich tut mich verlangen (Op. post.122, No 10) Johannes Brahms (1833-97)

Prelude and Fugue in C major, BWV 547 Johann S. Bach (1685-1750)

A fancie from My Ladye Nevell’s Book William Byrd (c.1542-1623)

Symphony No 6 in G minor (Op. 42) Charles-Marie Widor (1844-1937) I – Allegro II – Adagio III – Intermezzo IV – Cantabile V – Finale

Simon Johnson is the Organist and Assistant Director of Music at St Paul’s Cathedral, where he presides over the five-manual Willis/Mander organ, one of the finest musical instruments in the world. He held organ scholarships at Rochester, Norwich and St Paul’s Cathedrals, before becoming Director of Music at All Saints’ Church, Northampton and then Assistant Master of Music and Director of the Abbey Girls’ Choir at St Albans Cathedral. He took up his present position in 2008.

In addition to the daily round of services at St Paul’s, Simon also plays for all the important national services and events that take place there, most recently at the funeral service of Baroness Thatcher. Last year he played for the national service of thanksgiving to celebrate the diamond jubilee of Her Majesty the Queen, for which he also arranged some of the music. He directed the music at the national service commemorating the withdrawal of British armed forces from Iraq, and also performed when the Dalai Lama received the Templeton Prize at St Paul’s.

Simon has worked as soloist and continuo player with the London Symphony Orchestra, Royal Philharmonic Orchestra, London Mozart Players, City of London Sinfonia, London Baroque and The Cardinall’s Musick. In 2008 he gave a performance of Messiaen’s La Nativité as part of the ’s centenary celebrations by the Southbank Centre. Earlier this year he conducted Bach’s St John Passion at St Paul’s with the London Mozart Players and the Cathedral Choir.

Ever eager to bring his enthusiasm for the organ to wider audience, Simon’s yearly extravaganzas for the Lord Mayor’s Show in London have seen the premiere of Guy Bovet’s Dick Whittington in 2008, collaborations with Jo Brand (in Simon’s own arrangement of Prokofiev’s Peter and the Wolf, 2010) and Brian Blessed (Farrington Animal Parade, 2011).

The last year has seen the release of the Cathedral Choir’s new Mozart CD, on which Simon is featured as soloist, and a solo recording of his transcription Franck’s Symphony in D minor (both on Hyperion), a tour of the Western United States, recitals in Holland and at the International Festivals of Mallorca, Montserrat and Edinburgh, Fagerborg (Oslo) and at Frankfurt, Fredrikstad, Salisbury, Durham, St Albans and Wells Cathedrals, Westminster Abbey (Summer Organ Festival) and Huddersfield Town Hall.

RECITAL 3: Thursday March 27th at 7:30pm

Jonathan Dimmock San Francisco, CA

Chorale in A minor César Franck (1822-90)

Largo (from Harpsichord Johann S. Bach (1685-1750) in A minor, BWV 1052) arr. Jonathan Dimmock (b. 1957)

Prelude and Fugue in E minor, BWV 548 J. S. Bach

Master Tallis’ Testament Herbert Howells (1892-1983)

Sonata in B flat, Op. 65 no. 4 Felix Mendelssohn (1809-47) I – Allegro con brio II – Andante religioso III – Allegretto IV – Allegro maestoso e vivace

Serenade for an Occasion Derek Bourgeois (b. 1941)

Fanfare for the Common Man Aaron Copland (1900-91) arr. Jonathan Dimmock

Pastorale and Toccata David Conte (b. 1955) from Rubrics (A Liturgical Suite for Organ) Dan Locklair (b. 1949) 4. The peace is exchanged 5. The people respond: ‘Amen’

Jonathan Dimmock is well-known internationally as a recitalist, choral conductor, accompanist, continuo player, ensemble musician, writer, and church organist. A graduate of Oberlin Conservatory and , he has held musical posts at Westminster Abbey (London), and three American cathedrals: St John the Divine (New York), St Mark’s (Minneapolis), and Grace (San Francisco). He is currently the organist for the San Francisco Symphony, and Organist and Choir Director at Congregation Sherith Israel (San Francisco).

A Grammy Award winner for his work with the San Francisco Symphony, he has recorded more than 35 CDs and toured widely on five continents. He has been interviewed and featured on numerous radio and television stations including National Public Radio, Radio France, BBC3, ABC (Australia), MTV2 (Budapest), BCC (Barbados), and SABC (South Africa).

His teachers and mentors include Gillian Weir, Simon Preston, Jean Langlais, Peter Hallock, Haskell Thomson, William Porter, Thomas Murray, Harald Vogel, J. Franklin Clark, Paul Halley, Naji Hakim, and Frédéric Blanc. He is co- founder of the highly acclaimed American Bach Soloists, founding director of Artists’ Vocal Ensemble (AVE), and founding President of RESONANCE, using music in international conflict resolution. He is deeply committed to healing our broken world through the beauty of music, and talks eagerly on the subjects of spirituality, psychology, aesthetics, and the Arts. For more information visit www.jonathandimmock.com.

RECITAL 4: Thursday April 24th at 7:30pm

Jeremy Filsell Artist-in-Residence, Washington National Cathedral

Prelude and Fugue in B major, Op. 7 no. 1 Marcel Dupré (1886-1971)

Passacaglia and Fugue in C minor, BWV 582 Johann S. Bach (1685-1750)

Prelude and Fugue in F minor, Op. 7 no. 2 Marcel Dupré (1886-1971)

Variations on ‘Palm Beach’ Gerre Hancock (1934-2012)

Prelude and Fugue in G minor, Op. 7 no. 3 Marcel Dupré (1886-1971)

from Les Corps Glorieux (1939) Olivier Messiæn (1908-1992) Combat de la mort et de la vie from Trois Préludes Hambourgeois Guy Bovet (b. 1942) Sarasota

Sonata Eroïca, Op. 94 Joseph Jongen (1873-1953)

Jeremy Filsell is represented by Phillip Truckenbrod Concert Artists

www.concertartists.com

Jeremy Filsell is acknowledged as one of only a few virtuoso performers on both and organ. He has appeared as a solo pianist in Russia, Scandinavia, the USA, and throughout the UK. His concerto repertoire encompasses Mozart and Beethoven through to Shostakovich, John Ireland, and Rachmaninov (1st, 2nd and 3rd ). He has recorded the solo piano music of Herbert Howells, Bernard Stevens, Eugene Goossens, and Johann Eschmann for Guild. Recently released were discs of Rachmaninovs piano music for Signum and two of French Mélodies accompanying Michael Bundy (baritone) for Naxos.

Jeremy Filsell has recorded for BBC Radio 3, USA, and Scandinavian radio networks in solo and concerto roles and his discography comprises more than 25 solo recordings. Gramophone magazine commented on the series of 12 CDs comprising the premiere recordings of Marcel Dupré’s complete organ works for Guild in 2000 that it was "one of the greatest achievements in organ recording." In 2005, Signum released a 3-disc set of the six organ symphonies of , recorded on the 1890 Cavaillé-Coll organ in St. Ouen Rouen. This was BBC Radio 3's Disc of the Week in September of that year. He has taught at universities, summer schools, and conventions in both the UK and USA and has served twice on international organ competition juries. Recent solo recital engagements have taken him across the USA and UK and to Germany, France, Finland, and Norway. In North America, he concertizes under the auspices of Philip Truckenbrod Concert Artists.

Jeremy Filsell studied as an organ scholar at Oxford University (Keble College) before completing graduate studies in piano performance at the in London. He was awarded his PhD at Birmingham Conservatoire/BCU for research into aesthetic and interpretative issues in the music of Marcel Dupré. Before leaving the UK in 2008, he held lectureships at the in London and the Royal Northern College of Music in Manchester and was a in the Queen's choir at St. George's Windsor Castle. He currently serves as artist-in-residence at Washington National Cathedral, director of music at the Church of the Epiphany in downtown Washington, D.C., and is Professor of Organ at the Catholic University of America. For more information visit www.jeremyfilsell.com.

SERVICE WITH RECITAL PRELUDE: Thursday May 29th at 7:30pm

Prelude: Richard Spotts Doylestown, PA

From l’Orgue Mystique, op. 55-57 Charles Tournemire (1870–1939)

from In Ascensione Domini, No. 23 Pièce Terminale: Paraphrase sur un Choral

from Dominica infra Octavam Ascensionis, No. 24 Offertoire: Ascendit Deus

from Dominica VII post Pentecosten, No. 32 Pièce Terminale: Alléluia No IV

from Sabbato Sancto, No. 16 Communion: Alleluia (Mode VIII)

from Dominica V post Pascha, No. 22 Pièce Terminale: Grave, Fugue Libre et Postlude

Holy Eucharist: The Ascension of our Lord Sung by the Cathedral Choir and the Anglican Chorale of Southeast Florida Matthew Steynor, director; Christopher Harrell, organist The Very Rev. Douglas Wm McCaleb, celebrant

The service includes the following selections from L’Orgue Mystique by Charles Tournemire, performed by Richard Spotts:

from In Ascensione Domini, No. 23 Prélude à l’Introit: Viri Galilæi Offertoire: Ascendit Deus Elévation: Ascendens Christus in altum Communion: Psallite Domino

from Dominica infra Octavam Ascensionis, No. 24 Pièce Terminale: Postlude

Richard Spotts is a native of Bucks County, Pennsylvania, and has his undergraduate and graduate degrees in Sacred Music from Westminster Choir College in Princeton, New Jersey where he studied organ under the tutelage of Eugene Roan, chair of the Keyboard Department. Dedicated to cultivating the music of the Church, he has had the privilege of serving such institutions as Trinity Church, Moorestown NJ; Trinity Episcopal Cathedral, Trenton NJ; Saint Paul’s Lutheran Church, Doylestown PA; Church of the Messiah, Gwynedd PA; First Presbyterian Church, Germantown PA; Washington Memorial Chapel at the Valley Forge National Park, and Saint Paul’s Episcopal Church in Doylestown, PA.

Richard is currently undertaking the herculean task of learning all 253 movements of Charles Tournemire’s L’Orgue Mystique, with the aim to play the entire work, lasting fifteen hours, in a recital series over a period of ten days. In the meantime Richard is performing movements of L’Orgue Mystique as part of recitals, lecture recitals, and masterclasses at various churches and institutions in the United States and Canada. He has presented workshops on L’Orgue Mystique for organizations such as the Church Music Association of America and the American Guild of Organists and written articles on the subject for international organ journals. Cathedrals that have hosted this monumental project so far include those of St Philip (Atlanta), St John in the Wilderness (Denver), St John the Divine (New York City), Grace (San Francisco), St James (Toronto) and Washington National Cathedral.

The Organ of Trinity Cathedral, Miami 4 manuals; 56 ranks

GREAT (digital encl.) – Manual II SWELL (encl.) – Manual III 16' Violone4 61 pipes 16' Bourdon1 73 pipes 16' Bourdon1 73 8' Diapason1 73 8' Diapason1 73 8' Gedeckt1 73 8' Spitz Principal5 8' Salicional1 73 8' Violone4 12 8' Voix Celeste1 73 8' Claribel Flute1 73 8' Erzahler Celeste5 5 2 8' Rohrflote 4' Prestant 73 8' Erzahler1 73 4' Flute1 73 1 2 2 4' Octave 73 2 /3' Nazard 73 4' Spitz Octave5 2' Piccolo1 73 5 3 2 4' Koppelflote 1 /5' Tierce 73 4' Flute1 73 IV Mixture2 244 2 2 2 /3' Twelfth 73 16' Contre Hautbois 12 2' Fifteenth 73 8' Trompette2 73 2' Blockflote5 8' Petite Trompette5 IV Foumiture2 244 8' Hautbois2 73 V Chorus Mixture5 8' Flugel Horn5 V Cornet5 4' Clairon1 73 16' Double Trumpet5 8' Vox Humana1 73 5 8' Tromba Tremulant 4' Clarion5 Swell Sub 8' Trompette Heroique6 Swell Unison Off Great Sub6 Swell Super Great Unison Off Swell MIDI Great Super 8' Trompette-en-Chamade3 (ANT.) Chimes5 Blank Drawstop 5 Great MIDI Cymbelstern Solo Melody on Great Echo on Swell Echo on Great 8 divisional pistons; Swell cancel piston 8 divisional pistons; Great cancel piston

SOLO (encl.) – Manual IV 5 ECHO (encl.) – Manual IV 16' Flute Conique 8' Diapason1 73 8' Gamba1 73 1 1 8' Dulciana 73 8' Gamba Celeste 73 8' Chimney Flute1 73 8' Flute Harmonique5 5 5 8' Silver Flute Celeste 4' Flute Octaviante 4' Orchestral Flute5 8' English Horn5 5 5 4' Unda Maris II 8' Orchestral Oboe 8' Chorus Trumpet5 8' French Horn1 73 5 1 8' Corno d' Amore 8' †Tuba Mirabilis 73 8' Vox Humana1 73 Tremulant Tremulant Solo Unison Off Echo Unison Off Solo Sub Echo Super Solo Super 5 divisional pistons; Echo cancel piston Solo MIDI 8 divisional pistons; Solo cancel piston PEDAL (encl.) CHOIR (encl.) – Manual I 32' Contra Geigen5 16' Quintaten5 32' Untersatz5 8' Diapason5 16' Open Wood1 32 pipes 8' Viola5 16' Contrebasse5 8' Viola Celeste5 16' Violone (GR) 8' Concert Flute1 61 pipes 16' Flute Conique5 (SO) 8' Gedeckt Pommer5 16' Bourdon1 (GR) 8' Flauto Dolce1 61 1 1 16' Echo Lieblich (SW) 8' Flute Celeste 61 16' Quintaten5 (CH) 4' Principal2 61 8' Principal4 32 4' Flute 61 8' Octave Wood1 12 2' Flachflote2 61 8' Violone (GR) 1 1/3' Larigot2 61 8' Gemshorn5 (SO) III Petite Foumiture3 8' Bourdon1 (GR) III Cymbale2 183 8' Gedeckt (SW) 16' Dulzian5 4' Choralbass4 12 8' Krummhom5 4' Solo Flute5 4' Rohr Schalmei5 IV Mixture5 8' Clarinet1 61 32' Bombarde4 32 Tremulant 32' Fagotto5 8' Tuba5 4 4 16' Bombarde (Tromp. Her.) 12 128' Trompette Heroique (GR) 16' Trombone1 32 Harp5 16' Double Trumpet5 (GR) Celesta5 16' Contre Hautbois (SW) Choir Sub 8' Bombarde (Tromp. Her.) 32 Choir Unison Off 8' Tromba 12 Choir Super 8' Hautbois (SW) Choir MIDI 4' Clarion 12 8' Trompette-en-Chamade3 (ANT.) Cathedral Chimes5 8 divisional pistons; Choir cancel piston Blank Drawstop 9 divisional toe pistons Notes: 1 E. M. Skinner, 1926, Opus 471 ANTIPHONAL (encl.) – Manual IV (8' Second Open Diapason on Great, 16' Posaune, 8' Principal5 8' Cornopean, 8' Flugel Horn on Swell all 8' Violoncello5 removed; 8' Dulciana moved from Choir to Echo, 8' Celeste5 5 8' Flauto Dolce and Celeste moved from Swell to 8' Bourdon Choir, all by Æolian-Skinner) 5 4' Octave 2 Additions by Æolian-Skinner during 1960s 5 3 4' Spillflote Addition by Kinsey-Angerstein, 1974 2' Super Octave5 4 Additions by Guzowski & Steppe, 1991 Plein Jeu III-IV5 (8' Tromba removed from Great, still playing in 3 Pedal; replaced by an 8' Trompette and a 16' 8' Trompette-en-Chamade 61 Echo Chimes Bombarde from Pedal) 5 Additions (digital) by Walker Technical Antiphonal Unison Off 5 Company, 2001 16' Principal (Great reeds replaced by digital; Bombarde 5 16' Subbass extension playing at 8' on Choir), 2001 5 divisional pistons; Antiph. cancel piston 6 Console improvements by R.A.Colby, Inc, 2014

Trinity Cathedral Organ Donors

Achieving Academic Excellence Judith Dorman Advanced Structural Construction John Draughon

All Angels Church Elaine Duncan Maureen and Alison Allen Margaret Duval Alma Jennings Foundation Rev. Richard Effinger

Rev. Jerry Anderson Jill Elisofon Peter Armstrong Wayne Erfling Carlos and Alison Baez Susan Ervin John Bagg III and Virginia Bagg Joan Ezra Julia Bagg Rev. Priscilla Felisky Whitehead Ted Baker Lori Ferrell Philip Balbi Frances Fitzgerald Paul Barkett Rt. Rev. Leo and Diana Frade John Barrow Wendy Freedman Carter Beck Dennis Fruitt and Brian Foss Elizabeth Bell Lydia Gluss Robert Bell Randall Gluss Rev. Richard Benedict Leslie Gomez and Family Helen Bhagwandin Claudio Gonzalez Eric and Marie Blechman Taffy Gould Samuel Boldrick Robert K. Gray Bruce Bolton Ruth Greenfield Malcolm Bone Priscilla Greenfield-Manning Luigi and Susan Bove Margaret and Lauren Grell Mary Bredemeier Gioanna Grieco Ellen Briggs Margaret and Willie Griffin Susan Briggs Janet Guthrie Ronald and Jeanne Brokaw Terry and Louise Harms-Moore Sen. Edward and Anne Brooke Richard and Donna Heisenbottle Anthony Brooks Margaret Hernandez John Brumbaugh James Herrera Phillip and Gloria Buhler Ivo Heuberger and Martha Dominguez Henry Burnett Martha High and Jack High Jr. Suzetta Burrows Archdeacon Bryan and Annabel Hobbs Henry and Patricia Bush Dorothy Holmes Lina Bustillo Hernandez Jessica Hoppe Domingo Casado Holy Comforter Church Susanne Casey House of Houston Foundation CGL International Inc. Rev. Charles Humphries and A. Richard Direnzo Church of Bethesda by the Sea Virginia Jackson Church of the Resurrection Sally James Church of Saint Hugh Thoral Jansen Church of Saint Mark Joseph Jennings Church Restoration Group Susan Johnson Anthony Ciaffoni and Phil Tremo Thomas Jones Jr. Albert Clark Laura Keith Vivian Clark Kelly Benson Electric Company Audrey Clarke Frederick Kent Community Alliance Against AIDS Richard Kiszonas and Jack Olson Joanne Connolly Donald and Elizabeth Kress Cristina Corral Elizabeth Kristin John and Mary Cox Olufemi and Olabimpe Lalude James Crowder Jr. and Eleanor Crowder John and Barbara Lane Sandra Cummings and Joseph Cummings Jr. Law Office of Marilyn Cesarano Mark Denham and Jeremy Evans Mario Leon & Gilles Prod’homme Beatriz de Nogales Donald and Jennifer Lutton Walter Denning III Richard and Nancy Leslie Paul and Myrna Dexter Andrea Lewis-Pearson Alberto Diaz Marian Link

Trinity Cathedral Organ Donors

Judy Loiseau-Myers German Romero and William Van Erem Elizabeth Lotspeich Virgina Rosen Stephen and Joan Lutton Audrey Ross Abigail MacBain Florence Safford Rev. Grey and Monica Maggiano Frederick Sake John Mahannah Carolyn Sakolsky Liegh Marion Julian Dan Sandlin Minnette Massey Mercedes Sandoval The Very Rev. Douglas Wm McCaleb Israel and Sylvia Schiller Patricia MacLeod Paul and Lilliam Schlacter David Mactye Paul and Juanita Schwab Bruce Matheson Ceci Seitz Gail McShane Rev. Thomas Shepherd Mary Meade Thomas Shirk and Felipe Lara Valentine Medina Rev. Mark Sims and Gail Haldeman Lilliam Mena Donald and Amanda Smith Marguerite Merrill Vernon Smith Roxie Merrill Gary Snider Charles Michael and Subha Xavier Lorraine Solomon Martha Middleton South Beach Public Relations Ed Miller Joy and Jeff Spragens Gordon Miller St. Benedict’s Church Laurence and Carole Miller St. Joseph’s Church Canon Richard and Juanita Miller St. Margaret’s Church Michael Milligan St. Stephen’s Church Margaret Montella Chuck Stanley Edward and Ann Montouri-Forgotson Rev. John and Nora Stanton Katherine Morgan and William Rothman Mr. and Mrs. Peter Pindar Stearns Priscilla Moss Greenfield Christopher Stetser Barbara Moyer Richard and Ann Stewart Edward Moylan Sr. and Lena Moylan Col. Robert Stewart and Marianne Finizio William and Hon. Celeste Muir Matthew Steynor Brian Neal Eugene Sulzberger David Nelson and William McManus Rev. Donald Sullivan Deborah Nicol Mary Taintor Canon James Nolan and Richard Williams Joseph Talleda Canon Thomas O’Brien III Ted Eastwick and Associates Catherine O’Connell David and Alison Treleaven Winfield Ogden Charles Twyford Jr. Organiste, LLC Sara Tyburski Jean Paul Maria Valdes Gail Payne Ana Valerio George Pearson Harlan James Vann Dayle Peck and Rev. Lesley Northup Vivian Velazquez Ana and Stephen Pereira Gerry Vergason Alejandro Perez and Jennifer Cummings Kathryn Villand Chris and Julie Petricone Robert Villano and Family Russell Pfost Mary Wagner Pamela Pohling-Brown Elyta Watkins Trevor Potter Jocelyn Watkins Professional Day Care Service David Webb and W. McLaughlin R. Wright and G. Forrest Foundation Rev. Marta Weeks-Wulf and Karl Wulf Rev. James and Carolanne Reho Lynn and Charles Wheeler Benjamine and Rev. Jennie Lou Reid Julie Williamson Rt. Rev. David and Helen Richards Dave Samber and Darrell Windle Louis and Martha Richards Laura Wright Nestor Rodriguez Xiomara Zapata Victoria Rogers Col. Roger and Helen Zebarth Martha Rogers Haas John Zimmerman and Leslie King

464 N.E. 16th Street E-mail: [email protected] Tel: (305) 374-3372 Miami, FL 33132-1222 www.trinitymiami.org Fax: (305) 373-6155