November Organ Recital Series

Total Page:16

File Type:pdf, Size:1020Kb

November Organ Recital Series IPC NOVEMBER ORGAN RECITALISTS (1965-2019) ORGAN RECITALISTS (continued) ANNOUNCEMENTS Marie-Claire Alain Richard Heschke Peter Planyavsky Herndon Spillman WE ARE EXTREMELY GRATEFUL to the many people Robert Anderson David Higgs Eric Plutz Damin Spritzer George Baker Heather Hinton Robert Poovey Ronald Stalford who have financially supported the Music and Fine Arts David Baskeyfield Edith Ho Michael Radulescu Frederick Swann programs through the past years, and we look forward to Robert Bates Frederick Hohman Raúl Prieto Ramírez Peter Sykes continued support as we strive to offer the finest in music Independent Presbyterian Church Diane Meredith Belcher Christopher Houlihan Robert Rayfield William Teague and the arts as our gift to the community of Birmingham Joby Bell David Hurd Cherry Rhodes Carole Terry to the glory of God. Gifts given to the endowment funds Jonathan Biggers Peter Hurford George Ritchie Maxine Thévenot in E. Power Biggs Warren Hutton Caroline Robinson Edward Tibbs mentioned in this brochure directly support the many Guy Bovet Gunnar Idenstam McNeil Robinson Charles Tompkins aspects of the presentation, promotion, and creation of the City of Birmingham David Bowman Paul Jacobs Schuyler Robinson Tom Trenney music and fine art at IPC. David Briggs Marie-Louise Jaquet Catherine Rodland Thomas Trotter presents Chelsea Chen Martin Jean John Rose John Tuttle THE USE of recording devices during these concerts is Ji-Yoen Choi Wilma Jensen Daniel Roth James Walker Douglas Cleveland Simon Johnson Wolfgang Rübsam John Walker strictly prohibited. James Cook Joyce Jones Jonathan Ryan John Weaver The Fifty-Fifth Annual Robert Clark Marilyn Keiser Joseph Schreiber Marianne Webb THE IPC CHOIR, under the leadership of Dr. Jeff R. Michael Corzine Dexter Kennedy John Scott Gillian Weir McLelland, currently has 3 CDs available for purchase: Ken Cowan George Kent Keith Shafer Bradley Welch A Christmas CD, A Babe is Born, was recorded in the November Organ Recital Series Craig Cramer James Kibbie Thomas Sheehan William Whitehead Matt Curlee Robert Burns King Morgan Simmons Gordon Wilson sanctuary in 2010 and includes many of the carols and David Craighead Jens Korndörfer Larry Smith Todd Wilson organ pieces sung and played over the past several Lynne Davis Jan Kraybill Rollin Smith Scott Withrow years as part of the annual Service of Nine Lessons Robert Delcamp Otto Krämer Ann Elise Smoot Wim van der Panne and Carols. A second CD, The Lord is My Light, was Isabelle Demers Marek Kudlicki Sandra Soderlund Johann Vexo recorded in 2007 and includes favorite anthems sung by James Diaz Susan Landale Martin Souter Christopher Young Scott Dettra Jean Langlais the choir. The choir released a third CD, O Clap Your Matthew Dirst Olivier Latry The November Organ Recital Series is partially funded by Hands, in December of 2016. All CDs are $20.00 each; Delbert Disselhorst Mark Laubach the Myrtle Jones Steele Endowment Fund. Since its inception in $3.00 shipping. Additionally there are five different James Dorroh Nathan Laube 1965, the series has distinguished itself world wide by bringing replicas of stained glass roundels from various windows Clive Driskill-Smith Dongho Lee over 150 artists of the highest caliber to Birmingham from the throughout the church available for purchase. The cost Peter DuBois Paul Lee United States and Europe. While all recitals are free, donations are is $45.00 each or 3 for $120.00. CDs and roundels are Vincent Dubois Jean-Pierre Leguay always accepted to the endowment fund to cover the increasing Donald Dumler Huw Lewis available for purchase at www.ipc-usa.org or from Maurice and Joan Lippincott costs of world class artists and to ensure the continued success the music office at the church. For questions or more Madeleine Duruflé Heinz Lohmann and quality of this most prestigious series. details, please call the Music Office at 205-933-3700, The Religious Arts Festival Endowment Fund, established in Stefan Engels Ludger Lohmann or e-mail [email protected]. Richard Enright Kenneth Lowenberg January of 2001, is a means of endowing the Festival and helps Thierry Escaich Andrew Lumsden ensure its continued presence in our church and community. The Jesse Eschbach Donald McDonald Festival is a faith enriching program sponsored by the Fine Arts THE IPC CHOIR CHRISTMAS CONCERT will be on Michael Farris Jeff R. McLelland Committee to glorify God through the rich spectrum of the arts. Sunday, December 8, at 4:00 p.m. Under the direction of Laszlo Fassang George McPhee For over 38 years, guest speakers and artists with expertise in Dr. Jeff McLelland, the concert will feature McLelland’s Ray Ferguson Marilyn Mason drama, music, dance, architecture, sculpture, literature, and art GLORIA for organ and choir. Susan Ingrid Ferré Jack Mitchener have been brought to the city for an annual week long program. Jeremy Filsell James Moeser Patricia Fitzsimmons Richard Morris The Joseph W. Schreiber Performance Fund was established ON CHRISTMAS EVE the Service of Nine Lessons and Stewart Wayne Foster Alan Morrison in 1998 to assure support for future sacred music presentations. Carols will be presented at 4:00 p.m. and 6:00 p.m. Faythe Freese Amanda Mole We hope that you will keep this fund in mind, especially when Sundays at four o'clock Alexander Frey Michael Murray you would like to honor or memorialize some person who has Jean-Louis Gil Thomas Murray shared your love of sacred music or who perhaps worked with Mr. Robert Glasgow Martin Neary Schreiber in establishing the wonderful tradition of sacred music. David Goode Bruce Neswick The Stayer Choral Music Fund was established in 1984 in Eileen Guenther Simon Nieminski loving memory of Mrs. Caroline Nissly Stayer. This endowment 2019 Stephen Hamilton John Obetz fund has as its purpose the nurture and continued growth of the WILLIAM J. CARL III, Senior Pastor Gerre Hancock Sam Batt Owens choral music library of Independent Presbyterian Church. JEFF R. McLELLAND, Director of Music and Fine Arts Judith Hancock Jane Parker-Smith Martin Haselböck Richard Peek Additional donations are gladly accepted to ensure the BETH MIDDLETON, Music and Worship Coordinator David Heller Flor Peeters continuation of these programs and may be made payable to the ROSALYNN FAIRLESS, Music Administrator IPC Foundation and sent to the church at 3100 Highland Avenue, Christopher Herrick Gregory Peterson MARK HAYES, Curator of Instruments Jonathan Hehn Pierre Pincemaille Birmingham, 35205. November 3, 2019 November 10, 2019 November 17, 2019 November 24, 2019 JOHANN VEXO CHARLES TOMPKINS AMANDA MOLE TODD WILSON Paris, France Greenville, South Carolina Rochester, New York Cleveland, Ohio PROGRAM PROGRAM PROGRAM PROGRAM Toccata in E minor, BWV 566 Johann Sebastian Bach Fanfare John Cook Overture to St. Paul Felix Mendelssohn Passacaglia in C minor, BWV 582 (1685-1750) (1918-1984) (1809-1847) Johann Sebastian Bach transc. W. T. Best (1685-1750) Allein Gott in der Höh sei Ehr, BWV 664 J. S. Bach A Meditation on Brother James’s Air Harold Darke (1888-1976) Deuxième fantaisie Jehan Alain Three Cincinnati Improvisations Gerre Hancock (1911-1940) (1934-2012) Variations sérieuses Felix Mendelssohn transcr. Todd Wilson (1809-1847) Prelude and Fugue in G major, BWV 541 Lobe den Herren (Praise to the Lord) transc. Reitze Smits Johann Sebastian Bach Fantasia in F minor, K 608 Wolfgang Amadeus Mozart Grand Isle (I sing a song of the saints of God) (1685-1750) (1756-1791) Ar Hyd Y Nos (God, that madest earth and heaven) transc. Martin Haselböck Allegro from Symphony No. 2, Op. 20 Louis Vierne (1870-1937) Sweet Sixteenths (A Concert Rag for Organ) The Hands of Time Jean-Baptiste Robin William Albright Prelude and Fugue in D Major, BWV 532 (b. 1976) (1944-1998) Johann Sebastian Bach from Douze Pièces Gaston Litaize (1685-1750) Lied and Scherzo (1909-1991) Soliloquy David Conte Sonata Eroica, Opus 94 Joseph Jongen (b. 1955) (1873-1953) The Revd Mustard his Installation Prelude Nico Muhly Suite, Op. 5 Maurice Duruflé (b. 1981) Prélude (1902-1986) Sonata on the 94th Psalm Julius Reubke Sicilienne Introduction – Grave (1834-1858) Toccata from Sonata No. 8 in E minor Josef Rheinberger Larghetto – Allegro con fuoco 1. Introduction (1839-1901) Adagio 4. Passacaglia Allegro – Allegro assai Improvisation on a submitted theme * * * * * * * * * * * * * * * * * * * * Immediately following the recital there will be a reception Immediately following the recital there will be a reception Immediately following the recital there will be a reception Immediately following the recital there will be a reception in the church parlor honoring Mr. Vexo. in the church parlor honoring Dr. Tompkins. in the church parlor honoring Ms. Mole. in the church parlor honoring Dr. Wilson. Audio or video recording of this recital by any electronic device, Kindly disable electronic devices during the recital. Kindly disable electronic devices during the recital. Kindly disable electronic devices during the recital. without prior written consent, is strictly prohibited. Furman University Karen McFarlane Artists, Inc. Karen McFarlane Artists, Inc. Phillip Truckenbrod Concert Artists www.furman.edu www.concertorganists.com www.concertorganists.com www.concertartists.com www.towerhill-recordings.com.
Recommended publications
  • PIPEDREAMS Programs, May 2021 Spring Quarter
    PIPEDREAMS Programs, May 2021 Spring Quarter: The following listings detail complete contents for the May 2021 Spring Quarter PIPEDREAMS broadcasts. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information in "short form". For more information, contact your American Public Media station relations representative at 651-290-1225/877- 276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>). For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone). * * * * * * * PIPEDREAMS Program No. 2118 – May Flowers (distribution on 5/3/2021) Maytime Flowers . in hopes that April showers have done their work, we offer up this melodious musical bouquet. [Hour 1] AARON DAVID MILLER: A Flower Opens –Aaron David Miller (1979 Fisk/House of Hope Presbyterian Church, Saint Paul, MN) Pipedreams Archive (r. 3/18/12) SIR FREDERICK BRIDGE: Flowers of the Forest –Simon Nieminski (1913 Brindley & Foster/Freemasons Hall, Edinburgh) Pro Organo 7240) LEONARD DANEK: Flowers –Leonard Danek (1979 Sipe/Hennepin Avenue United Methodist Church,
    [Show full text]
  • Orgelbuch Mozart ·Haydn
    02118_Titel.qxp 16.07.2010 14:12 Seite 1 Orgelbuch Mozart · Haydn Organ book Mozart · Haydn Musik für Tasteninstrumente Music for keyboard instruments Leopold Mozart Wolfgang Amadeus Mozart Joseph Haydn Johann Michael Haydn herausgegeben von /edited by Armin Kircher Orgelbuch MozartOrgelbuch · Haydn Carus 2.118 02118 inh_vwt.qxp 13.07.2010 15:37 Seite II Inhalt Wolfgang Amadeus Mozart KV Nr. Klavierstück in B. KV 9b (5b). Horn (c) . 1 Andante . KV 10,2. 2 Sonate in B . KV 15 . 3 Praeludium und Fuge. nach KV 15g . Faulstich (b) . 4 Kirchensonate in Es . KV 67 . 5 Fuge in Es . KV 153 (375f) . Sechter (c) . 6 Fuge in g . KV 154 (385k) . Sechter (c) . 7 Zwei kleine Fugen (Versetten) . KV 154a (Anh. A 61/62) . 8 Andantino in Es . KV 236 (588b) . 9 Adagio in C für Glasharmonika . KV 356 (617a) . 10 Solfeggio in F. KV 393,2 (385b) . 11 Ouverture und Allegro . KV 399,1 (385i) . Kraus (a) . 12 Fuge in g . KV 401 (375e) . Stadler (c) . 13 Adagio in F . KV 410 (484d) . 14 Andante . KV 421 (417b). Holmes (a) . 15 Fuge (Triosonate) in G . KV 443 (404b). Stadler (c) . 16 Kleiner Trauermarsch (Marche funèbre) . KV 453a . 17 Neun kleine Praeludien . KV 453b . Kraus (a) . 18 Allegro. nach KV 484e . Firlinger (b) . 19 Motive aus der Oper „Don Juan“ . nach KV 527 . Lickl (b) . 20 Fuga über ein Motiv aus „Don Juan“ . nach KV 527 . Sechter (b) . 21 Ein Stück für ein Orgelwerk in einer Uhr. KV 594 . Kraus (a) . 22 Ein Andante für eine Walze in eine kl.
    [Show full text]
  • PIERRE COCHEREAU: a LEGACY of IMPROVISATION at NOTRE DAME DE PARIS By
    PIERRE COCHEREAU: A LEGACY OF IMPROVISATION AT NOTRE DAME DE PARIS By ©2019 Matt Gender Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ______________________________ Chairperson: Michael Bauer ______________________________ James Higdon ______________________________ Colin Roust ______________________________ David Alan Street ______________________________ Martin Bergee Date Defended: 05/15/19 The Dissertation Committee for Matt Gender certifies that this is the approved version of the following dissertation: PIERRE COCHEREAU: A LEGACY OF IMPROVISATION AT NOTRE DAME DE PARIS _____________________________ Chairperson: Michael Bauer Date Approved: 05/15/19 ii ABSTRACT Pierre Cochereau (1924–84) was the organist of Notre Dame Cathedral in Paris and an improviser of organ music in both concert and liturgical settings. He transformed the already established practices of improvising in the church into a modern artform. He was influenced by the teachers with whom he studied, including Marcel Dupré, Maurice Duruflé, and André Fleury. The legacy of modern organ improvisation that he established at Notre Dame in Paris, his synthesis of influences from significant figures in the French organ world, and his development of a personal and highly distinctive style make Cochereau’s recorded improvisations musically significant and worthy of transcription. The transcription of Cochereau’s recorded improvisations is a task that is seldom undertaken by organists or scholars. Thus, the published improvisations that have been transcribed are musically significant in their own way because of their relative scarcity in print and in concert performances. This project seeks to add to this published collection, giving organists another glimpse into the vast career of this colorful organist and composer.
    [Show full text]
  • JANUARY, 2010 Cathedral Church of St. Peter Regensburg, Germany
    THE DIAPASON JANUARY, 2010 photo credit: Michael Vogl, Regensburg Cathedral Church of St. Peter Regensburg, Germany Cover feature on pages 28–29 Jan 2010 Cover.indd 1 12/14/09 7:25:20 AM Jan 2010 pp. 2-18.indd 2 12/14/09 7:27:04 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred First Year: No. 1, Whole No. 1202 JANUARY, 2010 Gavin Black: On Teaching the fi fties to hear Myra Hess, Burt Lan- Established in 1909 ISSN 0012-2378 I’ve been enjoying Gavin Black’s col- caster walked right past my wife and me, An International Monthly Devoted to the Organ, umn “On Teaching” in The Diapason. big deal! the Harpsichord, Carillon, and Church Music Although I don’t have organ students, And Bovard Auditorium (I am a USC I’m learning a lot from the articles. Be- alumnus, grad school, as well as UCLA sides being an organist, I’m also a piano grad)—what memories! I remember the technician. The article about tuning original console well, and Mr. Lewis has CONTENTS Editor & Publisher JEROME BUTERA [email protected] systems (September) is, by far, the best it all correct. This was a major loss, which 847/391-1045 description of tuning and tuning systems should not have happened, and I am not FEATURES that I’ve ever read! I’m going to save this alone in my opinion. It was a powerful Poulenc and Durufl é ‘premieres’ in Woolsey Hall Associate Editor JOYCE ROBINSON issue in case I have to give a talk about and impressive instrument.
    [Show full text]
  • SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12Th Century, Paris, Bibl
    SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12th century, Paris, Bibl. Nat., ms . lat. 17,328) SACRED MUSIC Volume 99, Number 1 , Spring 1972 BERNSTEIN'S MASS 3 Herman Berlinski TU FELIX AUSTRIA 9 Reverend Robert Skeris MUSICAL SUPPLEMENT 13 REVIEWS 20 FROM THE EDITOR 25 NEWS 26 SACRED MUSIC Continuation of Caeci/ia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne­ sota 55103. Editorial office: Route 2, Box I, Irving, Texas 75062. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Msgr. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75062 News: Rev. Msgr. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 AdvertisinR: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I.
    [Show full text]
  • March & April 2006
    march/april 2006 vol xiv · no 6 music · worship · arts Prismyale institute of sacred music common ground for scholarship and practice Christ’s Passion in Context Theological, Historical, and Artistic Considerations of the Passion Honoring the memory of J. Irwin Miller Courtesy Jaime Lara Courtesy Fray Diego Valadés, Rhetorica christiana : ad concionandi et orandi vsvm accommodata, vtrivsq facvltatis exemplis svo loco insertis; qvae qvidem ex Indorvm maximedeprompta svnt historiis. Perugia, 1579. Beinecke Rare Book and Manuscript Library. In April the Institute is producing 2-week, multi-part event dedicated to the memory of one of the ISM’s founding benefactors, J. Irwin Miller. Entitled Christ’s Passion in Context: Theological, Historical, and Artistic Considerations of the Passion, it will consist of three performances and a symposium. The Yale Schola Cantorum and Yale Camerata will perform Bach’s St. John and St. Matthew Passions; Martin Jean will perform Marcel Dupré’s Le chemin de la croix; Professors Markus Rathey of Yale and Daniel Melamed of Indiana University School of Music will give preconcert talks before the two Bach performances; and professors Adela Yarbro Collins and Jaime Lara of Yale, and Guy Erwin of California Lutheran University will address the topic in different lights in a symposium. Members of the Miller family will be in attendance, and honored at a lunch before the April 9 performance of the St. Matthew Passion. continued on page 4 Courtesy OMSC Courtesy Courtesy OMSC Courtesy Peace Be Still Mary Magdalene He Qi Exhibition at ISM March 6- April 26 Look Toward the Heavens: The Art of He Qi is on OMSC Courtesy display through April 26 in New Haven at the Yale Institute of Sacred Music, 409 Prospect St.
    [Show full text]
  • The Tuesday Concert Series at Tuesday Maintain Epiphany’S Artistic Profile the Church of the Epiphany and Its Instruments
    the HOW YOU CAN CONSIDER HELPING THE TUESDAY CONCERT SERIES AT TUESDAY MAINTAIN EPIPHANY’S ARTISTIC PROFILE THE CHURCH OF THE EPIPHANY AND ITS INSTRUMENTS CONCERT The Tuesday Concert Series reaches out to the entire metropolitan Washington community 52 weeks of the year, and Since the Church of the Epiphany was founded in brings both national and international artists here to 1842, music has played a vital role in the life of the parish. The Tuesday Concert Series reaches out to the SERIES Washington, DC. The series enjoys partnerships with many entire metropolitan Washington community and runs artistic groups in the area, too, most keenly with the Washington throughout the year. No other concert series follows July - December Bach Consort, the Levine School of Music, and the Avanti such a pattern and, as such, it is unique in the 2017 Orchestra. Washington, DC area. There is no admission charge to the concerts, and visitors and Epiphany houses three fine musical instruments: The regular concert-goers are invited to make a freewill offering to Steinway D concert grand piano was a gift to the support our artists. This freewill offering has been the primary church in 1984, in memory of vestry member Paul source of revenue from which our performers have been Shinkman, and the 4-manual, 64-rank, 3,467-pipe remunerated, and a small portion of this helps to defray costs of Æolian-Skinner pipe organ (1968) is one of the most the church’s administration, advertising and instrument upkeep. versatile in the city. The 3-stop chamber organ (2014), Today, maintaining the artistic quality of Epiphany’s series with commissioned in memory of Albert and Frances this source of revenue is challenging.
    [Show full text]
  • PETER PLANYAVSKY Biography
    PETER PLANYAVSKY Biography Peter Planyavsky was born in Vienna in 1947 and became a student of Anton Heiller at the University for Music and Drama when he was 12. He graduated with the Master’s Diploma in Organ (1966) and the Diploma in Church Music (1967). He then worked for one year in the workshop of a major Austrian organ builder, and for another year he served as Abbey Organist at Schlägl, Austria. In 1969, Mr. Planyavsky was appointed Cathedral Organist at St. Stephan’s Cathedral, Vienna. From 1983 until 1990 he was the Cathedral’s Music Director with responsibility for choral and organ programs, which in Austria are traditionally held as two separate positions. In 2004, he decided to terminate his affiliation with the Cathedral. Since 1980, Mr. Planyavsky has been Professor for Organ and Improvisation at the University for Music and Drama in Vienna, also functioning as Head of the Church Music Department from 1996 to 2003. Peter Planyavsky also undertakes a full schedule as a recitalist, a coach in workshops and master classes, and a member of juries. He has toured North America, Japan, Australia, South Africa and most of Europe, and has recorded many CDs and records. Mr. Planyavsky has won several prizes and awards, most recently the Federal Austrian Prize for Music, awarded to him for his collected compositions. He has composed extensively for choir, organ and orchestra, with primary emphasis on liturgical works. As a conductor, Peter Planyavsky has performed the Bach Mass in B Minor, the Duruflè Requiem, the great Haydn masses, and other major sacred works.
    [Show full text]
  • May 19 Nat.Pdf
    PIPEDREAMS Programs, May 2019 Spring Quarter: The following listings detail complete contents for the May 2019 Spring Quarter of broadcasts of PIPEDREAMS. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information in "short form". For more information, contact your American Public Media station relations representative at 651-290-1225/877- 276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>). For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone). * * * * * * * PIPEDREAMS Program No. 1918 (distribution on 5/6/2019) On Stage . concert and competition performances feature ‘live’ music made vivid in the moment. [Hour 1] PAUL MANZ: Praise to the Lord, the Almighty. MARIUS MONNIKENDAM: Toccata. GUILLAUME DUFAY: Alma redemptoris mater. PIETER CORNET: Fantasy on the 8th Tone. J.-B. LOEILLET: Aria. FRANZ SCHMIDT: 2 Chorale-preludes (O Ewigkeit, du Donnerwort; Nun danket alle Gott) –John Schwandt (1966 Schlidker/Mount Olive Lutheran Church, Minneapolis, MN) PD Archive (r. 10/2/16). This repertoire was played by Paul Manz during the inaugural concert on this instrument fifty years ago. McNEIL ROBINSON: Soave e delicato, fr Sonata (1990).
    [Show full text]
  • The TUESDAY CONCERT SERIES
    the HOW YOU CAN CONSIDER HELPING THE TUESDAY CONCERT SERIES AT TUESDAY MAINTAIN EPIPHANY’S ARTISTIC PROFILE THE CHURCH OF THE EPIPHANY AND ITS INSTRUMENTS CONCERT Since the Church of the Epiphany was founded in The Tuesday Concert Series reaches out to the entire 1842, music has played a vital role in the life of the metropolitan Washington community 52 weeks of the year, parish. The Tuesday Concert Series reaches out to SERIES and brings both national and international artists here to the entire metropolitan Washington community and Washington, DC. The series enjoys partnerships with many runs throughout the year. No other concert series July - December artistic groups in the area too, most keenly with the follows such a pattern and, as such, it is unique in 2016 Washington Bach Consort, the Levine School of Music, and the Washington, DC area. the AVANTI Orchestra. Epiphany houses three fine musical instruments: There is no admission charge to the concerts and visitors and The Steinway D concert grand piano was a gift to the regular concert-goers are invited to make a freewill offering to church in 1984, in memory of vestry member Paul support our artists. This freewill offering has been the primary Shinkman, and the 4-manual, 64-rank, 3,467-pipe source of revenue from which our performers have been Æolian-Skinner pipe organ (1968) is one of the most remunerated and a small portion of this helps to defray costs of versatile in the city. The 3-stop chamber organ the church’s administration, advertising and instrument (2014), commissioned in memory of Albert and upkeep.
    [Show full text]
  • Spread the Word. Promote the Show. Support Public Radio
    A radio program for the king of instruments SPREAD THE WORD. PROMOTE THE SHOW. SUPPORT PUBLIC RADIO PROGRAM NO. 0736 9/03/2007 NAJI HAKIM: Mariales (1993). LARRY KING: J. S. BACH: Contrapunctus No. 14 (incomplete), Imaginary Beings…reading notes from a Fanfare to the Tongues of Fire (1978) -James from The Art of Fugue, S. 1080 -Regis Allard page is one thing, but improvising something Hildreth (recorded 2/18/07) (2004 Aubertin/ Saint-Louis en l’Isle, Paris, France) Editions Hortus CD-039 new, ‘out of thin air’, is a remarkable skill. CALVIN HAMPTON: Fanfares, from Suite No. 1 (1977) -Timothy Edward Smith (1972 BERNARD ZWEERS: Prelude and Double Fugue SIETZE de VRIES: 3 Versets on Psalm 101 Beckerathy/ 1st Congregational Church, -Herman van Vliet (1845 Naber/ Joriskerk, -Consortium Locale/ Fokko Oldenhuis, Columbus, OH). SETH BINGHAM: Amersfoort, Netherlands) Festivo CD-139 director; Sietze de Vries (1727 Müller/ St. Overture, from Baroques Suite. H. LEROY Jacobi Church, Leeuwarden, Netherlands) JSB BAUMGARTNER: Idyl, Op. 5, no. 2-Timothy PROGRAM NO. 0739 9/24/07 Records JSBR010113 Edward Smith (1931 Kimball/ 1st Congregational In An Autumn Mood…we gauge the shift TOM TRENNY: Variations on “Immortal, Church, Columbus, OH) Raven CD-900 of seasons with a curious collection of Invisible” ( St. Denio) -Tom Treny (2005 Murphy/ GASTON LITAIZE: Cortege for Organ and Brass compositions in changing harmonic colors. St. Mark’s Lutheran Church, Baltimore, MD) -Cathedral Brass; Paul Thornock, (r. 1/28/07) Raven OAR870 Performances at St. Joseph Cathedral were record- LEO SOWERBY: Pageant of Autumn -Robert PETER PLANYAVSKY: Missa Improvisata ed during concerts from the new organ’s inaugural Glasgow (1955 Aeolian-Skinner/ Hill (Introit; Kyrie; Gloria) -Peter Planyavsky (1980 series.
    [Show full text]
  • Alan Hovhaness Across the Ages Troy1805 Albany Records U.S
    ALAN HOVHANESS ACROSS THE AGES WWW.ALBANYRECORDS.COM TROY1805 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 christina gullans, cello ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD jeremy filsell, piano TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD sowne ensemble WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Gullans_1805_book.indd 1-2 1/29/20 8:29 AM THE RECORDING the Indian jhala rhythmic pattern akin to a Western toccata. The third movement, Intermezzo, Across the Ages features cello works written by the prolific American composer Alan Hovhaness begins with a light-hearted dialog that gradually evolves into an exuberant celebration while (1911-2000). Inspired by elements of ancient Armenian, Japanese, and Indian music, the collec- the next movement, Tremolando glissando, creates a haunting, wintery atmosphere, present tion of works reflects Hovhaness’ renowned ability to synthesize different musical traditions. in many of Yakamochi’s poems. The Suite ends with the Requiem movement, which is a somber Utilizing the cello’s rich and expressive nature, Hovhaness’ music reveals the timeless connec- reflection ultimately closing on a philosophical note. The movement brings to mind the follow- tion we have to past civilizations, to nature, and to one another. ing poem written by Yakamochi: THE MUSIC This world Alan Hovhaness’ music is universal and spiritually uplifting. His profound understanding of Does not go on forever- Western and non-Western musical traditions came from having an early mentorship under Men know it, yet Jean Sibelius (Finland), from being a student of Frederick Converse (England Conservatory), With the chilly autumn wind from being a long-time organist for St.
    [Show full text]