W. H. Auden's Wisdom, Faith, and Humor
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An Index to Alan Ansen's the Table Talk of W. H. Auden Edited By
An Index to Alan Ansen’s The Table Talk of W. H. Auden Edited by Nicholas Jenkins Index Compiled by Jacek Niecko A Supplement to The W. H. Auden Society Newsletter Number 20 • June 2000 Jacek Niecko is at work on a volume of conversations and interviews with W. H. Auden. Adams, Donald James 68, 115 Christmas Day 1941 letter to Aeschylus Chester Kallman 105 Oresteia 74 Collected Poems (1976) 103, 105, Akenside, Mark 53 106, 108, 109, 110, 111, 112, Amiel, Henri-Frédéric 25 114, 116, 118 Andrewes, Lancelot 75 Collected Poetry 108 Meditations 75 Dark Valley, The 104 Sermons 75 Dog Beneath the Skin, The 51, 112 Aneirin Dyer’s Hand, The xiii, 100, 109, 111 Y Gododdin 108 “Easily, my dear, you move, easily Ann Arbor, Michigan 20, 107 your head” 106 Ansen, Alan ix-xiv, 103, 105, 112, 115, Enemies of a Bishop, The 22, 107 117 English Auden, The 103, 106, 108, Aquinas, Saint Thomas 33, 36 110, 112, 115, 118 Argo 54 Forewords and Afterwords 116 Aristophanes For the Time Being 3, 104 Birds, The 74 Fronny, The 51, 112 Clouds, The 74 “Greeks and Us, The” 116 Frogs, The 74 “Guilty Vicarage, The” 111 Aristotle 33, 75, 84 “Hammerfest” 106 Metaphysics 74 “Happy New Year, A” 118 Physics 74 “I Like It Cold” 115 Arnason Jon “In Memory of W.B. Yeats” xv, 70 Icelandic Legends 1 “In Search of Dracula” 106 Arnold, Matthew xv, 20, 107 “In Sickness and In Health” 106 Asquith, Herbert Henry 108 “In the Year of My Youth” 112 Athens, Greece 100 “Ironic Hero, The” 118 Atlantic 95 Journey to a War 105 Auden, Constance Rosalie Bicknell “Law Like Love” 70, 115 (Auden’s mother) 3, 104 Letter to Lord Byron 55, 103, 106, Auden, Wystan Hugh ix-xv, 19, 51, 99, 112 100, 103-119 “Malverns, The” 52, 112 “A.E. -
Sharpe, Tony, 1952– Editor of Compilation
more information - www.cambridge.org/9780521196574 W. H. AUDen IN COnteXT W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century’s shifting cultural terrain affect him and his work? Written by distinguished poets and schol- ars, these brief but authoritative essays offer a varied set of coor- dinates by which to chart Auden’s continuously evolving career, examining key aspects of his environmental, cultural, political, and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between him- self, his time, and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers, and students of English literature, cultural studies, and creative writing. Tony Sharpe is Senior Lecturer in English and Creative Writing at Lancaster University. He is the author of critically acclaimed books on W. H. Auden, T. S. Eliot, Vladimir Nabokov, and Wallace Stevens. His essays on modernist writing and poetry have appeared in journals such as Critical Survey and Literature and Theology, as well as in various edited collections. W. H. AUDen IN COnteXT edited by TONY SharPE Lancaster University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521196574 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
Copyright by Jonathon N. Anderson 2019
Copyright by Jonathon N. Anderson 2019 GENRE AND AUDIENCE RECEPTION IN THE RAKE’S PROGRESS by Jonathon N. Anderson, BM THESIS Presented to the Faculty of The University of Houston-Clear Lake In Partial Fulfillment Of the Requirements For the Degree MASTER OF ARTS in Literature THE UNIVERSITY OF HOUSTON-CLEAR LAKE MAY, 2019 GENRE AND AUDIENCE RECEPTION IN THE RAKE’S PROGRESS by Jonathon N. Anderson APPROVED BY __________________________________________ David D. Day, J.D., Ph.D., Chair __________________________________________ Craig H. White, Ph.D., Committee Member RECEIVED/APPROVED BY THE COLLEGE OF HUMAN SCIENCES AND HUMANITIES: Samuel Gladden, Ph.D., Associate Dean __________________________________________ Rick J. Short, Ph.D., Dean Acknowledgements To Drs. White and Day, I offer my gratitude for your willingness to let me follow tangents and guesses throughout my graduate career. Dr. White, your generous indulgence, encouragement, and patient guidance helped me refine my fuzzy hunches to clearly articulated ideas. Dr. Day, your depth of knowledge on, enthusiasm for, and sense of humor with medieval works brings them to life and illuminates their continued relevance. I appreciate the priority both of you place on the excitement conjured by texts ancient and modern. To my parents, I offer my gratitude for maintaining a house strewn with interesting books waiting to be discovered. Mom, I appreciate all our late-night conversations about whatever random volume I happened to be curious about at the time. Dad, I hope I’m making good on the lifetime of blind confidence in my abilities you’ve given me. To Peg and Ed, the best in-laws anybody could ask for, thank you for your inspiration and advice. -
First Name Initial Last Name
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Sarah E. Fass. An Analysis of the Holdings of W.H. Auden Monographs at the University of North Carolina at Chapel Hill’s Rare Book Collection. A Master’s Paper for the M.S. in L.S. degree. April, 2006. 56 pages. Advisor: Charles B. McNamara This paper is an analysis of the monographic works by noted twentieth-century poet W.H. Auden held by the Rare Book Collection (RBC) at the University of North Carolina at Chapel Hill. It includes a biographical sketch as well as information about a substantial gift of Auden materials made to the RBC by Robert P. Rushmore in 1998. The bulk of the paper is a bibliographical list that has been annotated with in-depth condition reports for all Auden monographs held by the RBC. The paper concludes with a detailed desiderata list and recommendations for the future development of the RBC’s Auden collection. Headings: Auden, W. H. (Wystan Hugh), 1907-1973 – Bibliography Special collections – Collection development University of North Carolina at Chapel Hill. Rare Book Collection. AN ANALYSIS OF THE HOLDINGS OF W.H. AUDEN MONOGRAPHS AT THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL’S RARE BOOK COLLECTION by Sarah E. Fass A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. -
Auden and Religion.', in the Cambridge Companion to W
Durham Research Online Deposited in DRO: 13 November 2008 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Reeves, G. (2004) 'Auden and religion.', in The Cambridge companion to W. H. Auden. Cambridge: Cambridge University Press, pp. 188-199. Cambridge companions to literature. Further information on publisher's website: http://dx.doi.org/10.2277/0521829623 Publisher's copyright statement: c Cambridge University Press 2004. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk GARETH REEVES Auden and religion Auden liked systems. He liked to categorize and pigeon-hole, but invariably with the awareness that all systems and categories only work on their own terms, that the systematizer is implicated in his creations, that consciousness, while freeing us to explain ourselves to ourselves and to each other, also imprisons us in the explanations we have framed. -
Newsletter 24
Editor’s Notes The Society apologizes for the long delay between the last issue of the Newsletter and this one. All memberships will be extended for at least an additional year in partial compensation. The Memberships and Subscriptions Annual memberships include a subscription to the Newsletter: W. H. Auden Society Individual members £ 9 $15 Newsletter Students £ 5 $8 Institutions £ 18 $30 New members of the Society and members wishing to renew should Number 24 ● July 2004 send sterling cheques or checks in US dollars payable to “The W. H. Auden Society” to Katherine Bucknell, 78 Clarendon Road, London W11 2HW. Receipts available on request. Payment may also be made by credit card through the Society’s web site at: http://audensociety.org/membership.html The W. H. Auden Society is registered with the Charity Commission for England and Wales as Charity No. 1104496. Submissions to the Newsletter may be sent in care of Katherine Bucknell, 78 Clarendon Road, London W11 2HW, or by e-mail to: [email protected] All writings by W. H. Auden in this issue are copyright 2004 by The Estate of W. H. Auden. 32 the world. The reproduction of the film is far better than any earlier reissue on video cassette. To order this DVD, visit the publisher’s web site at: http://www.panamint.co.uk/railway.html Two important biographies of Auden’s friends appeared in the spring of 2004: Peter Parker’s Isherwood: A Life, published in London by Picador (scheduled for American publication by Random House in the autumn of 2004), and John Sutherland’s Stephen Spender: The Au- thorized Biography, published in London by Viking. -
Literature for Composition Reading and Writing Arguments About Essays, Stories, Poems, and Plays
BARN.2138.bkfm.i-xxvi_BARN.2138.bkfm.i-xxvi 2/27/13 1:27 PM Page i INSTRUCTOR’S HANDBOOK TO ACCOMPANY Literature for Composition Reading and Writing Arguments About Essays, Stories, Poems, and Plays TENTH EDITION Edited by Sylvan Barnet Tufts University William Burto University of Massachusetts at Lowell William E. Cain Wellesley College Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City São Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo BARN.2138.bkfm.i-xxvi_BARN.2138.bkfm.i-xxvi 2/27/13 1:27 PM Page ii Vice President and Editor in Chief: Joseph P. Terry Senior Supplements Editor: Donna Campion Electronic Page Makeup: Grapevine Publishing Services, Inc. Instructor’s Handbook to Accompany Literature for Composition: Essays, Stories, Poems, and Plays, Tenth Edition, by Sylvan Barnet, William Burto, and William E. Cain. Copyright © 2014, 2011, 2007 Pearson Education, Inc. All rights reserved. Printed in the United States of America. Instructors may re- produce portions of this book for classroom use only. All other reproductions are strictly prohibited without prior permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. 1 2 3 4 5 6 7 8 9 10–online–15 14 13 12 ISBN 10: 0-321-84213-8 www.pearsonhighered.com ISBN 13: 978-0-321-84213-8 BARN.2138.bkfm.i-xxvi_BARN.2138.bkfm.i-xxvi 2/27/13 1:27 PM Page iii Contents Preface xv Using the “Short Views” and the “Overviews” xvii Guide to MyLiteratureLabTM xix The First Day 1 PART I Getting Started: From Response to Argument CHAPTER 1 How to Write an Effective Essay: A Crash Course 4 CHAPTER 2 The Writer as Reader 5 KATE CHOPIN Ripe Figs 5 LYDIA DAVIS City People 6 RAY BRADBURY August 2026: There Will Come Soft Rains 7 MICHELE SERROS Senior Picture Day 8 GUY DE MAUPASSANT The Necklace 9 GUY DE MAUPASSANT Hautot and Son 13 T. -
Anti-Romantic Elements in the Biographical-Critical Poems of W. H. Auden's Another Time
RICE UNIVERSITY ANTI-ROMANTIC ELBiENTS IN THE BIOGRAPHICAL-CRITICAL . POEMS OF W. H. AUDEN’S ANOTHER TIME by Sarah Lilly Terrell A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director’s signature* l/tyk&bjL /Al. — Houston, Texas June 1966 ABSTRACT ANTI-ROMANTIC ELEMENTS IN THE BIOGRAPHICAL-CRITICAL POEMS OF W. H. AUDEN’S ANOTHER TIME by Sarah Lilly Terrell W. H. Auden first published the volume of poems entitled Another Time on February 7, 1940. There has been no study of the volume as an artistic entity, and only a few of the poems have received detailed commentary. This thesis will consider a selected group of poems from Another Time, the biographical-critical poems, in some detail. They have been selected for major emphasis because they reflect the dominant concerns of the volume. Furthermore, because each biographical portrait is based on an informed knowledge of the life and work of the writer it depicts, the reader must be similarly informed before he can appreciate the richness of reference and astuteness of judgment which characterize those poems. The poems will be viewed from two perspectives: that sug¬ gested by Auden's prose writings on Romanticism and that provided by the context of the volume as a whole. The second chapter of this thesis surveys the wealth of primary sources in prose available to the critic interested in Auden's attitude towards Romanticism. The prose written from 1937-1941 is pervaded by Auden's concern with the implications of Romanticism. The address given at Smith College in 1940 contains Auden's most explicit statement of the ABSTRACT (Cont'd.) relationship of Romanticism to the then current political situation* The urgency of his preoccupation results from his conviction that the Romantics1 failure to grasp the proper relationship of freedom to nec¬ essity has an immediate and direct bearing on the rise of fascism* This preoccupation appears repeatedly in the many book reviews Auden wrote during this period. -
Modern Poetry—Yeats, Eliot, Auden
English W3220: Modern Poetry—Yeats, Eliot, Auden Edward Mendelson Office: Philosophy 614, Mon 4-6, Wed 11-12 Hamilton 603, MW 9:10-10:25 [email protected], x46417 Book list: W. B. Yeats, The Yeats Reader (Scribner) T. S. Eliot, The Waste Land and Other Poems (Penguin); Four Quartets (Harcourt); a PDF download from Courseworks W. H. Auden, Selected Poems (Vintage); a PDF download from Courseworks Jan 21 Introductory 26, 28 Yeats: The Stolen Child; Down by the Salley Gardens; To the Rose upon the Rood of Time; Fergus and the Druid; The Lake Isle of Innisfree; When You are Old; Who goes with Fergus?; The Man who dreamed of Faeryland; The Two Trees; To Ireland in the Coming Times; The Hosting of the Sidhe; The Song of Wandering Aengus; He remembers forgotten Beauty; The Cap and Bells; He wishes his Beloved were Dead; In the Seven Woods; The Folly of Being Comforted; Never give all the Heart; Adam’s Curse; A Woman Homer sung; Words; No Second Troy; Reconciliation; The Fascination of What’s Difficult; A Drinking Song; The Mask; Upon a House shaken by the Land Agitation; All Things can Tempt Me; also the prose essay The Symbolism of Poetry” (pp. 374-81) Feb 02, 4 Yeats: [Introductory rhymes:] Pardon, old fathers… ; September 1913; To a Friend whose Work has come to Nothing; Paudeen; The Three Beggars; Beggar to Beggar cried; A Memory of Youth; The Cold Heaven; The Magi; The Dolls; A Coat; The Wild Swans at Coole; In Memory of Major Robert Gregory; An Irish Airman foresees his Death; The Scholars; On Woman; The Fisherman; The People; On Being Asked for a War Poem; Ego Dominus Tuus; The Phases of the Moon (handout); Michael Robartes and the Dancer; Easter, 1916; Sixteen Dead Men; The Second Coming; A Prayer for my Daughter; also the prose essay Ireland and the Arts (pp. -
ABSTRACT Augustinian Auden: the Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin
ABSTRACT Augustinian Auden: The Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin Russell, Ph.D. It is widely acknowledged that W. H. Auden became a Christian in about 1940, but relatively little critical attention has been paid to Auden‟s theology, much less to the particular theological sources of Auden‟s faith. Auden read widely in theology, and one of his earliest and most important theological influences on his poetry and prose is Saint Augustine of Hippo. This dissertation explains the Augustinian origin of several crucial but often misunderstood features of Auden‟s work. They are, briefly, the nature of evil as privation of good; the affirmation of all existence, and especially the physical world and the human body, as intrinsically good; the difficult aspiration to the fusion of eros and agape in the concept of Christian charity; and the status of poetry as subject to both aesthetic and moral criteria. Auden had already been attracted to similar ideas in Lawrence, Blake, Freud, and Marx, but those thinkers‟ common insistence on the importance of physical existence took on new significance with Auden‟s acceptance of the Incarnation as an historical reality. For both Auden and Augustine, the Incarnation was proof that the physical world is redeemable. Auden recognized that if neither the physical world nor the human body are intrinsically evil, then the physical desires of the body, such as eros, the self-interested survival instinct, cannot in themselves be intrinsically evil. The conflict between eros and agape, or altruistic love, is not a Manichean struggle of darkness against light, but a struggle for appropriate placement in a hierarchy of values, and Auden derived several ideas about Christian charity from Augustine. -
Comedy of Redemption in Three Southern Writers. Carolyn Patricia Gardner Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 Comedy of Redemption in Three Southern Writers. Carolyn Patricia Gardner Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Gardner, Carolyn Patricia, "Comedy of Redemption in Three Southern Writers." (1994). LSU Historical Dissertations and Theses. 5796. https://digitalcommons.lsu.edu/gradschool_disstheses/5796 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Notes Toward Three Recitals by Daniel R. Mcgrew a Dissertation
Notes Toward Three Recitals by Daniel R. McGrew A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2020 Doctoral Committee: Professor Freda Herseth, Chair Professor Colleen Conway Professor Martin Katz Associate Professor Scott Piper Associate Professor Gregory Wakefield Daniel R. McGrew [email protected] ORCID iD: 0000-0002-6985-8027 © Daniel R. McGrew 2020 DEDICATION For my grandmother, Marie Trenschel, who taught me how to listen. And how not to. ii ACKNOWLEDGMENTS I am hugely indebted to the members of my doctoral committee for their support and inexhaustible patience throughout this extended process. My committee chair and voice teacher, Professor Freda Herseth, has been an important source of encouragement and guidance; the earnest curiosity she brings to her teaching is, unmistakably, an extension of her own imaginative musicianship and artistic integrity—hers is an example to which I have and will continue to aspire. My dear mentor, Professor Martin Katz, has been a singular source of advocacy and inspiration—I am grateful to consider him partner, teacher, and friend. Each of my collaborators has given so generously (even bravely) of their time and talent. Unending thanks to: John Etsell, in whom intelligence and creativity are uncommonly matched; Evan Hines, who wields more musical warmth and purity than I could ever properly complement; Professor Katz, a poet at the keyboard, whose collaboration makes me more the musician I hope to be; and Eric Sedgwick whose musical depth and poise have set for me an important precedent.