Animation Nation (Feb 11)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Id, the Ego and the Superego of the Simpsons
Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character. -
We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
Programový Formát Stanice Prima COOL (The Programme Structure of Prima COOL Channel)
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA DIVADELNÍCH, FILMOVÝCH A MEDIÁLNÍCH STUDIÍ Programový formát stanice Prima COOL (The programme structure of Prima COOL channel) Bakalářská diplomová práce Jan Tomšů (Teorie a dějiny dramatických umění) Vedoucí práce: Mgr. Jakub Korda, Ph.D. Olomouc 2012 Prohlášení: Prohlašuji, ţe jsem tuto práci vypracoval samostatně s pouţitím uvedených pramenů a literatury. V Olomouci 4. prosince 2012 ……………………… Jan Tomšů 1 Děkuji Mgr. Jakubu Kordovi, Ph.D. za odbornou pomoc, podnětné vedení a připomínky při zpracování mé diplomové bakalářské práce. 2 Obsah 1 Úvod ......................................................................................................................... 6 2 Teoretická část ......................................................................................................... 7 2.1 Programový formát ........................................................................................... 7 2.1.1 Program ....................................................................................................... 7 2.1.2 Programování .............................................................................................. 9 2.1.3 Formát ......................................................................................................... 9 2.1.3.1 Programový formát jako cílené programování média ....................... 10 2.1.3.2 Počátky formátování .......................................................................... 10 2.1.4 Programovací techniky ............................................................................ -
This Is Not a Library! This Is Not a Kwik-E-Mart! the Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, UNL Libraries Libraries at University of Nebraska-Lincoln 2019 This Is Not a Library! This Is Not a Kwik-E-Mart! The Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables Casey D. Hoeve University of Nebraska–Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libraryscience Part of the Library and Information Science Commons Hoeve, Casey D., "This Is Not a Library! This Is Not a Kwik-E-Mart! The Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables" (2019). Faculty Publications, UNL Libraries. 406. https://digitalcommons.unl.edu/libraryscience/406 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, UNL Libraries by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. digitalcommons.unl.edu This Is Not a Library! This Is Not a Kwik-E-Mart! The Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables Casey D. Hoeve Introduction Librarians are obsessed with stereotypes. Sometimes even so much so that, according to Gretchen Keer and Andrew Carlos, the fixation has become a stereotype within itself (63). The complexity of the library places the profession in a constant state of transition. Maintaining traditional organization systems while addressing new information trends distorts our image to the outside observer and leaves us vul- nerable to mislabeling and stereotypes. Perhaps our greatest fear in recognizing stereotypes is not that we appear invariable but that the public does not fully understand what services we can provide. -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
H-Wpl Readers Book Discussion Group
H-WPL READERS BOOK DISCUSSION GROUP September 2015 (Please note day and time for each discussion) Monday, September 21, 2015, at 1:00 P.M. Casebook, by Mona Simpson. Discussion Leader: Candace Plotsker-Herman Spying and eavesdropping on his separating parents at the side of his best friend, young Miles wonders about a stranger's role in his parents' lives before acquiring knowledge that has consequences for the whole family. (NovelistPlus) Tuesday, October 13, 2015, at 11:00 A.M. We Have Always Lived in the Castle, by Shirley Jackson. Discussion Leader: Ellen Getreu Constance and Mary Katherine (“Merricat”) Blackwood are two odd sisters who hide themselves away from the villagers in their old family mansion. We soon learn that they, along with their frail, Uncle Julian, are the only survivors of a notorious poisoning . This short novel by the author of The Lottery is a gothic masterpiece. 'Casebook,' by Mona Simpson By Lisa Zeidner, The Washington Post , April 22, 2014. If "The Catcher in the Rye" were written today, the publishing insider's joke goes, it would be categorized as a young adult novel. The YA market -- along with that of its publishing twin, "New Adult" -- is burgeoning. To officially qualify as YA, a book only needs a kid narrating and some hardship to overcome: bullying, gender confusion, maybe a vampire loose in the neighborhood. Mona Simpson's captivating sixth novel, "Casebook," does have a child as its focus, but it is most decidedly adult fiction in its approach. As in previous works, Simpson's aim is to lyrically capture the time between childhood and adulthood, as fleeting and delicate as the golden-hour light that filmmakers chase. -
Attorneys and Other Volunteers Do to Ensure That Kids Angeles for the Last 10 Years
Spring 2012 Then & Now... This year marks our 20th anniversary serving LA County’s most vulnerable children. To celebrate, we have taken a moment to revisit a few of our inspiring clients to see where they are today. Angela n 2006, Angela Villegas Iwas a 19-year-old attending community The Villegas family celebrates Danny’s graduation from college when tragedy struck her family. Her mother lost her high school and acceptance to college in June 2011 battle with cancer, leaving Angela to care for her five siblings ranging in age from five to fifteen, including Fernando who has Down Syndrome. Angela called The therapy. We also advocated for Fernando to obtain special Alliance for Children's education services. Through the years, we have linked the family Rights terrified the with an array of services and have introduced Angela to caring children were going volunteers who have provided ongoing assistance and friendship to be split up and sent to her family. into various foster As the “parent” of five children, Angela has never stopped homes. Despite the emphasizing the importance of education. After several years of drastic changes this struggling to care for 5 children and putting her own life on hold, meant in her life and Angela was able to transfer to Cal State Los Angeles. Her brother the need to postpone Danny is now a freshman at Loyola Marymount University. Her her own goals, Angela younger siblings are doing well in school, including Fernando was determined who is thriving in a special private school suited to his needs. -
The Show of Cleveland
The show of cleveland The Cleveland Show is an American animated sitcom created by Seth MacFarlane, Richard Appel, and Mike Henry for the Fox Broadcasting Company as a List of The Cleveland Show · He's Bla-ack! · Reagan Gomez-Preston · Season 3. T-Pain as Theodore Carl Reiner as Murray as Bernard. Episode chronology. ← Previous "Back to Cool", Next → "Hot Cocoa Bang Bang". Animation · The adventures of the Family Guy () neighbor and former deli owner, Cleveland Brown.Episodes · Full Cast & Crew · Episodes cast · Photo Gallery. Comedy · Three something best friends from Los Angeles are flying to Paris when their plane . Show detailed company contact information on IMDbPro». Welcome to The Cleveland Show Wiki, an encyclopedia of all things presented in the television show The Cleveland Show created by Seth MacFarlane, Mike. General References Notes/Trivia QuotesGoofs The Show of the Shows Your Show of Shows Cleveland. Cleveland Brown moves to his hometown of Stoolbend, Va., where he marries his high school sweetheart in this "Family Guy" spinoff. Watch trailers & learn. Watch full episodes of The Cleveland Show and get the latest breaking news, exclusive videos and pictures, episode recaps and much more at. I And will show you some amazing SEAFOOD and BREATHTAKING SCENERY. I will also take you back home with a local Hispanic entrepreneur who is a. Series Nav. The Cleveland Show. Weekday Afternoons. PRESENTED BY. The Cleveland Show. AVAILABLE NOW. The Cleveland Show. S2 | E2 Fat and Wet. CLEVELAND, Ohio -- The Cleveland National Air Show roars back to life over Labor Day weekend on Saturday, Sunday and Monday at. -
The Whiteness of Practicality.” in Topographies of Whiteness: Mapping Whiteness in Library and Information Studies, Edited by Gina Schlesselman-Tarango, 203-234
Note This essay is an unformatted postprint. The formatted version was published as Hudson, David James. “The Whiteness of Practicality.” In Topographies of Whiteness: Mapping Whiteness in Library and Information Studies, edited by Gina Schlesselman-Tarango, 203-234. Sacramento: Library Juice Press, 2017. Those who wish to purchase the entire anthology (which is great, by the way! Do it! Do it!) can do so at the following link: http://libraryjuicepress.com/whiteness.php. Author contact: David James Hudson, McLaughlin Library, University of Guelph, Guelph, Ontario, Canada, N1E 4T4, (519)824-4120 ext. 58221, [email protected]. [START PAGE 203] The Whiteness of Practicality David James Hudson1 We must focus less on ideas and more on action — getting things done. -James G. Neal, American Library Association president-elect (2017-18)2 From age eleven until I left for university, I lived three blocKs down a quiet street from a small branch of the Ottawa Public Library. The first few years of my visits to the branch mostly resulted in piles of Asterix and Tintin comics, alongside hocKey magazines, National Geographic, various editions of the Guinness Book of World Records, and the occasional copy of Rolling Stone (my mom often recounts that she and my dad were worried that I was not reading anything more substantial, even as the rest [START PAGE 204] of the family were voracious readers). As I started to develop political consciousness through my mid to late teens, I gravitated towards more serious texts, including booKs on blacK liberation movements — Henry 1 Parts of this chapter are based on a Keynote address given at the Critical Librarianship and Pedagogy Symposium on February 25th, 2016, at the University of Arizona.