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6 Telegraph Road — for Me It's Nearly 4,000
Telegraph Road — for me it’s nearly 4,000 mile long By Rick Astley Telegraph Road is certainly known to every member on the US side of the border and probably also by most who live in Canada . Although I didn’t know it at the time, long before I could reliably point to Detroit on a map, I was somewhat familiar with the road too. Back in the mid-80s, like most parents of teenagers, I would often have to ferry my eldest son to and from some activity or other, in our case, from our home in a small English village to the nearest town about 14 minutes away. Those 14 minutes are significant because it happened to be the same length as a track my son and I would love to play on the car’s cassette player, he on air guitar, me on dashboard drums, at a volume his mother wouldn’t have approved of. The track was called Telegraph Road and it was written and played by Dire Straits. The song’s length meant that it was never heard on the radio and the fact that it would often change mood, volume and tempo, made it impossible to dance to, so it was never played in clubs, or rather, discotheques as they were then known. The track, and Dire Straits’ music in general, became part of our father-son bonding. In fact years later, when my son was in college in Montreal, he bought tickets for my birthday to see the group at the Forum (at that time the Canadiens’ hockey arena). -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
The Uk's Top 200 Most Requested Songs in 1980'S
The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37. -
Trouser Press
ARTIST TITLE SECTION ISSUE A Band America Underground 50 ABBA article 45 incl (power pop) 27 Voulez-Vous Hit and Run 42 Super Trouper Hit and Run 59 The Visitors Hit and Run 71 ABC article 82, 96 Lexicon of Love 78 Beauty Stab 95 Fax n Rumours 90 Green Circles 72, 75, 78 A Blind Dog Stares America Underground 75 Mick Abrahams incl 11 Abwarts Der Westen Ist Einsam 77 incl (Germany) 78 Accelerators America Underground 44 AC/DC article 23, 57 incl 16, 17, 63 High Voltage 17 Powerage 32 Highway to Hell Hit and Run 43 Back in Black 56 For Those About to Rock Hit and Run 71 Fax n Rumours 50 A Certain Ratio The Graveyard and the Ballroom 60 To Each… 65 Sextet 75 I’d Like to See You Hit and Run 85 Green Circles 65 Acid Casualties Panic Station Hit and Run 79 Acrylix America Underground 84 Act Too Late at 20 Hit and Run 72 Action America Underground 34, 48 Green Circles 82 Action Faction America Underground 92 Action Memos America Underground 80 Actor America Underground 41 Actuel America Underground 87 Adam and the Ants cover story 69 article 63 family tree 65 live 64 Green Circles 65, 68 Kings of the Wild Frontier 60 Prince Charming 70 Fax n Rumours 62 See also Adam Ant Andy Adams One of the Boys Hit and Run 51 Bryan Adams Bryan Adams Hit and Run 50 You Want It, You Got It Hit and Run 67 King Sunny Adé live 92 Juju Music 80 Synchro System 91 Surface Noise 80 Adicts Green Circles 82 AD 1984 Green Circles 47 Adolescents America Underground 66 Adults America Underground 86 Advertising Jingles 32 Green Circles 27, 31 Adverts incl 55 Crossing the -
Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular -
The Chronicle 78Th Year, No
The Chronicle 78th Year, No. 112 Duke University, Durham, North Carolina Friday, March 4, 1983 Eight arrested at protest By Jenny Labalme . ed citizens said they have not Many Warren County WARREN COUNTY - Eight been adequately represented by citizens are concerned that the . people were arrested Thursday some of their county commiss state will not follow the proper in Warren County protesting ioners, their health director and precautions for pumping out the the state's handling of the by the president of the NAACP estimated 600,000 gallons of removal of large quantities in Warren County. water. State officials say this of PCB-contamingted water at Legal action has been futile figure is too high though they the landfill. and Wednesday evening the are unsure of how much water is citizens voted unanimously to in the landfill. The dumping of PCB, which drop their lawsuit and protest. Bill Phillips, the project causes cancer in laboratory The eight demonstrators were director ofthe landfill, said "the animals, sparked numerous arrested Thursday for trying to state has dealt with this protests last fall when more block engineers from entering responsibly from the beginning." than 500 people were arrested. the landfill. In spite of such assurances, in Protesters contend that the After PCB was illegally a publication issued by the state chose Warren County dumped -along 210 miles of EPA, several agencies because it is largely black. North Carolina roadways in including the Sierra Club "If this isn't the major civil 1978, the state built an EPA- criticized the procedures the PHOTO BY STEVE FELDMAN rights issue in the nation, approved landfill for the agency used to build the New R&S manager Sherwood Van Campen examines there's never going to be one," containment of PCB. -
Airwaves (1984-02 And
AIRWAVES A S.rvlc• of Continuing Education & Ext8nslon Unlv.rslty of Minnesota Duluth VolulM 5 NumlMr 1 F.bruary-March .1984 Eddie Williams stars in Northland Hoedown Concert, · Tuesday, March 27, 8 p.m., Orpheum Cafe kumd 103.3 fm Station Manager • Tom Livingston Program Director • John Ziegler Public Affairs Directot • Paul Schmitz Producer/ Outreach • Jean Johnson Engineer • Kirk Kersten Re orf to the Listener Volunteer Staff Bill Agnew, Kath Anderson, Mark Anderson, Bob Andresen, Leo Babeu, By Tom Livingston, Station Manager Chris Baker, Kent Barnard, Jim Boeder, Dave Brygger, Jan Cohen, Christopher WXPR Qualitied for Funding by CPB able to add two more channels, when we their impressions of the event at press Devaney, Bruce Eckland, Pat Eller, Phil installed our own dish. This increased time. Enke, Doug Fifield, Susanna Frenkel, Congratulations to Pete Nordgren and the number of programs available to us (rewritten from "Don Ness Blows His . Matt Fust, Bev Garberg, Stan Goltz, the crew at the WXPR for their (Jazz Alive and NPR Playhouse), but Cool," a chapter of the upcoming Doug Greenwood, Jim Gruba, Bill qualification by CPB. Nordgren, a still left us unable to use channels which blockbuster "The Memories of Don Hansen, Paul Hanson, Gordon Harris, former student at UWS and stat.ion carry independent product.ions, which Ness" on Ness records and tapes) Dean Hauge, Gerry Henkel, Lew manager of KBSB in Bemidji, has been have included live jazz, blues, bluegrass Hudson, Tim Jenkins, Dave Johnson, working for some three years to establish and folk music concerts, ·radio dramas, Comings and Goings Bob King, Andy Livingston, Dean the station, which went on the air last and public affairs programs. -
Record-Business-1983
MATURE Britain'son top the world than to thenew music It's been a very ton -John has become a big star in South successful year America, selling 25,000 albums in Mex- for Virgin. Their ico alone, and the days of the jibe 'Big in new, trend -setting Japan' are long gone. acts notched up Paul McCartney's Tug Of War album bighitsabroad sold 150,000 in Norway - an enormous while old favourite percentage of the population - while Mike Oldfield EMI outsells Elektra with Queen pro- (left) achieved one duct three to one without having North of the highest -ever America, Japan or Australasia. grossing tours of "EMI's great strength is its interna- tional delivery power. At EMI we are America. involved right from the start and get LET THE message ring out The The US industry is in a real mess andbehind the band. UK acts today realise "Dance clubs started the popularity British are coming' - or perhaps itexecutives and radio stations must bethe enormous potentialof overseasof New Music and MTV is beginning to should be 'We've arrived' because inthinking that anything is worth a try. business and are keen to get involved,"help break acts. One advantage is that 1982 home-grown acts flew the flag Another reason much suggested is thesaid Lyttelton. British videos are so much better than overseas in a way unseen since 1965. influence of the cable TV channel Music Europe is still the major launchingUS ones but the big reason for the A British invasion of the US may seemTV which uses a lot of UK videos. -
Jamming As a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2015 Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World Mike Czech Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Art Education Commons, and the Curriculum and Instruction Commons Recommended Citation Czech, Mike, "Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World" (2015). Electronic Theses and Dissertations. 1270. https://digitalcommons.georgiasouthern.edu/etd/1270 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. JAMMING AS A CURRICULUM OF RESISTANCE: POPULAR MUSIC, SHARED INTUITIVE HEADSPACES, AND ROCKING IN THE “FREE” WORLD by MICHAEL R. CZECH (Under the Direction of John Weaver) ABSTRACT This project opens space for looking at the world in a musical way where “jamming” with music through playing and listening to it helps one resist a more standardized and dualistic way of seeing the world. Instead of having a traditional dissertation, this project is organized like a record album where each chapter is a Track that contains an original song that parallels and plays off the subject matter being discussed to make a more encompassing, multidimensional, holistic, improvisational, and critical statement as the songs and riffs move along together to tell why an arts-based musical way of being can be a choice and alternative in our lives. -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes -
Sultanes Del Ritmo
SULTANES DEL RITMO principios de 1980, Dire Straits fue nominado a dos premios Grammys en la categoría Mejor Nuevo Artista y Mejor Performance Vocal Rock, Dúo o A Grupo por “Sultans Of Swing”. Tras el largo descanso, en julio volvieron al estudio para darle forma a su tercer álbum con producción de Jimmy Iovine y Mark Knopfler. El tiempo lejos de los escenarios les dio a los músicos otra pers- pectiva de las cosas y Dire Straits se encaminó hacia un destino de mayor com- plejidad musical. Making Movies se graba entre el 27 de junio y el 14 de agosto de 1980. Durante las sesiones, las tensiones entre los hermanos Knop- fler finalmente explotan y David deja la banda 15 por diferencias creativas con su hermano; el 25 de julio se anuncia a la prensa especializada del quiebre. Sid McGinnis en guitarra y Roy Bittan en teclados, ambos de E Street Band de Bruce Springteen, se suman a la banda para comple- tar la grabación del álbum. Por cuestiones nun- ca aclaradas, McGinnis, Bittan y David Knopfler no aparecen acreditados en el álbum. En el plano musical, Dire Straits refina su sonido y recupera buena par- te de la contundencia de la que álbum anterior carecía, volviendo nuevamente al sonido rockero nutrido de vitalidad y buenos arreglos. “Tunnel Of Love”, que abre la placa, es un buen ejemplo de ello. Mark Knopfler se muestra como un muy inspirado compositor, cantante y guitarrista en una época la que la músi- ca empezaba a enrarecerse por tantos ritmos bailables, sonidos artificiales y letras insulsas que solo iba a derivar en la decadencia de la música pop tal co- mo se la conocía hasta ese momento. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.