Emperor Qin Shi Huang Biography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Qin Dynasty Laura Santos
Level 6 - 10 China’s First Empire: The Qin Dynasty Laura Santos Summary This book is about the Qin Dynasty—both the good and the bad. Contents Before Reading Think Ahead ........................................................... 2 Vocabulary .............................................................. 3 During Reading Comprehension ...................................................... 5 After Reading Think About It ........................................................ 8 Before Reading Think Ahead Look at the pictures and answer the questions. watchtower The Great Wall of China underground sightseeing statues 1. What did guards along the Great Wall use to see invaders? 2. What are most people doing when they visit the Great Wall today? 3. What are the people and horses in the second picture called? 4. Where were these people and horses found? 2 World History Readers Before Reading Vocabulary A Read and match. 1. a. fake 2. b. mercury 3. c. jewels 4. d. wagon 5. e. scholar 6. f. statue 7. g. sightseeing 8. h. chariot China’s First Empire: The Qin Dynasty 3 Before Reading B Write the word for each definition. evidence messenger ban tomb suicide 1. the act of taking one’s own life 2. a person who carries news or information from one person to another 3. a place or building to keep a dead person 4. one or more reasons for believing that something is or is not true 5. to forbid; to refuse to allow C Choose the word that means about the same as the underlined words. 1. The emperor sent many soldiers up the Yellow River to watch for foreign enemies. a. invaders b. scholars c. chariots d. messengers 2. The emperor built a fancy tomb for himself. -
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people. -
Foreigners and Propaganda War and Peace in the Imperial Images of Augustus and Qin Shi Huangdi
Foreigners and Propaganda War and Peace in the Imperial Images of Augustus and Qin Shi Huangdi This thesis is presented by Dan Qing Zhao (317884) to the School of Historical and Philosophical Studies in total fulfilment of the requirements for the degree of Master of Arts in the field of Classics in the School of Historical and Philosophical Studies Faculty of Arts University of Melbourne Principal Supervisor: Dr Hyun Jin Kim Secondary Supervisor: Associate Professor Frederik J. Vervaet Submission Date: 20/07/2018 Word Count: 37,371 TABLE OF CONTENTS Acknowledgements i Translations and Transliterations ii Introduction 1 Current Scholarship 2 Methodology 7 Sources 13 Contention 19 Chapter One: Pre-Imperial Attitudes towards Foreigners, Expansion, and Peace in Early China 21 Western Zhou Dynasty and Early Spring and Autumn Period (11th – 6th century BCE) 22 Late Spring and Autumn Period (6th century – 476 BCE) 27 Warring States Period (476 – 221 BCE) 33 Conclusion 38 Chapter Two: Pre-Imperial Attitudes towards Foreigners, Expansion, and Peace in Rome 41 Early Rome (Regal Period to the First Punic War, 753 – 264 BCE) 42 Mid-Republic (First Punic War to the End of the Macedonian Wars, 264 – 148 BCE) 46 Late Republic (End of the Macedonian Wars to the Second Triumvirate, 148 – 43 BCE) 53 Conclusion 60 Chapter Three: Peace through Warfare 63 Qin Shi Huangdi 63 Augustus 69 Conclusion 80 Chapter Four: Morality, Just War, and Universal Consensus 82 Qin Shi Huangdi 82 Augustus 90 Conclusion 104 Chapter Five: Victory and Divine Support 106 Qin Shi Huangdi 108 Augustus 116 Conclusion 130 Conclusion 132 Bibliography 137 ACKNOWLEDGEMENTS I would like to offer my sincerest thanks to Dr Hyun Jin Kim. -
Manufacturing Techniques of Armor Strips Excavated from Emperor Qin Shi Huang’S Mausoleum, China
Manufacturing techniques of armor strips excavated from Emperor Qin Shi Huang’s mausoleum, China LIAO Ling-min(廖灵敏)1, PAN Chun-xu(潘春旭)1,2, MA Yu(马 宇)3 1. Department of Physics, Wuhan University, Wuhan 430072, China; 2. Center for Archaeometry, Wuhan University, Wuhan 430072, China; 3. Museum of the Terra-cotta Warriors and Horses of Qin Shi Huang, Xi’an 710600, China Received 17 February 2009; accepted 17 June 2009 Abstract: The chemical compositions and microstructures of the armor strips excavated from the Emperor Qin Shi Huang’s mausoleum were examined systematically by using optical microscopy and electron microscopy. It was found that the armor strips were made of pure copper. Based on the morphology of α-Cu recrystal grain and copper sulphide (Cu2S) inclusions in the armor strips, the manufacturing techniques were proposed as follows: smelting pure copper, casting a lamellar plate, forming the cast ingots into sheets through repeated cold forging combined with annealing heat treatment, and finally cutting the sheets into filaments. Furthermore, through the deformation of copper sulphide (Cu2S) inclusions in the strips, the work rate during forging was evaluated and calculated to be close to 75%. Key words: Qin Shi Huang’s mausoleum; armor strips; copper; manufacturing techniques; cold forging; annealing complex techniques were employed. However, the 1 Introduction ancient technicians could not manufacture such slender armor strips with the same process in the productive In 1998, the stone armors were excavated in the condition over 2 000 years ago. As a matter of fact, accessory pit K9801 of the Emperor Qin Shi Huang’s following the flourishing period for bronze, Spring and mausoleum[1]. -
2015 Sample Topic Ideas
2015 Sample Topics List • Benjamin Franklin and the Library Company of • The Three Leaders: Mazzini, Garibaldi, Cavour and the Philadelphia: A New Intellectual Nation • Charlemagne’s Conquest and its Impact on European • TheUnification International of Italy Space Station: Leading an International Architecture Effort to Unite Space • Mikhail Gorbechev: Leading a Struggling Nation out of the • Cold War Presidency The Iran Hostage Crisis: Defining the Leadership of a • The Euro: How the European Union Led the Movement for • Thomas Paine’s Revolutionary Writings Economic Integration • Bacon’s Rebellion and the Growth of Slavery in Colonial • William Howard Taft and Dollar Diplomacy • The World Health Organization: Leading the Fight to • TheVirginia Bloodless Revolution of 1800: John Adams, Thomas Eradicate Communicable Disease Jefferson, and the Legacy of a Peaceful Transition of Power • Yoga Bonita: How Brazil Led a Soccer Revolution • Andrew Jackson: The Legacy of the People’s President • Globalization of McDonalds: American Corporations • Invoking the Power of the Federal Government: Grover Leading the World’s Economy Cleveland and the Pullman Strike of 1894 • Ronald Reagan and Mikhail Gorbachev: Leading the World • Alice Paul: Leading the Movement for Equal Rights Out of the Cold War • Leading the Charge to Legislate Equality: Lyndon B. • • ThePierre Legacy de Coubertin of King Leopold’s and the Rebirth Vision ofin the InternationalCongo • A.Johnson Philip andRandolph: the Voting Leading Rights the Act Way to Integrate America’s Olympic -
THE INDIVIDUAL and the STATE: STORIES of ASSASSINS in EARLY IMPERIAL CHINA by Fangzhi Xu
THE INDIVIDUAL AND THE STATE: STORIES OF ASSASSINS IN EARLY IMPERIAL CHINA by Fangzhi Xu ____________________________ Copyright © Fangzhi Xu 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 Xu 2 Xu 3 Contents Abstract ...................................................................................................................................... 4 Introduction ................................................................................................................................ 5 Chapter 1: Concepts Related to Assassins ............................................................................... 12 Chapter 2: Zhuan Zhu .............................................................................................................. 17 Chapter 3: Jing Ke ................................................................................................................... 42 Chapter 4: Assassins as Exempla ............................................................................................. 88 Conclusion ............................................................................................................................... 96 Bibliography .......................................................................................................................... 100 Xu 4 Abstract In my thesis I try to give a new reading about the stories of assassins in the -
Timeline of Confucianism in China, Korea, and Japan
Timeline of Confucianism in China, Korea, and Japan 1045 – 771 B.C.E. Western Zhou Dynasty 1043 B.C.E. Duke of Zhou (Zhou Gong Dan) becomes the Regent to the King of Zhou 771 – 256 B.C.E. Eastern Zhou Dynasty 722 – 476 B.C.E. Spring and Autumn Period 551 B.C.E. Confucius is born in Qufu 549 B.C.E. Confucius’s father died 535 B.C.E. Confucius’s mother died 533 B.C.E. Confucius got married and appointed the manager of the state of Lu’s granary. (Grain was used as money then) 532 B.C.E. Birth of Confucius’s son, named Li. Confucius appointed the state of Lu’s Husbandry Manager. 522 B.C.E. Confucius starts his own private school. 518 B.C.E. Legendary meeting between Confucius and Lao-Tzu (founder of Taoism) 501 B.C.E. Appointed the Chief Magistrate (Mayor) of Zhongdu 500 B.C.E. Appointed the Minister of Justice for the Kingdom of Lu 497 B.C.E. Leaves the state of Lu and heads to Wei to try to promote his ideas. 484 B.C.E. Confucius returns home to Qufu in Lu and focuses on teaching. 479 B.C.E. Confucius died. 221 – 206 B.C.E. Qin Dynasty Emperor orders the burning of Confucian texts and kills many Confucian scholars. Qin Shi Huang Di favored Legalism. 206 B.C.E. – 220 C.E. Han Dynasty honors Confucian ideals. Civil Service Examination s ystem is introduced. Local officials would select candidates to take part in examination system of the Confucian Classics. -
The Stage Art of Ng Kwan Lai
A Synthesis of Lyrical Excellence & Martial Agility – The Stage Art of Ng Kwan Lai Learning From Great Masters Born Ng Wan, a native of Zhongshan in the province of Guangdong, Ng Kwan Lai grew up in Shanghai, and it was while she was being educated there that she became fascinated by traditional dramatic performances. Arriving in Hong Kong with her family in 1952, she enrolled at the Hong Kong Academy of Cantonese Opera the following year to study under the renowned performer Chan Fei Nung. A hard-working student who realized that the martial arts and acrobatic performances of Beijing Opera held a greater appeal, she went on to learn stage martial arts under the father-and-son team of Kay Choi Fun and Kay Yuk Kun, the well-known Beijing Opera masters. Her concentrated efforts quickly bore fruit as her performances gained in skill and credibility. To improve her vocal presentation, she turned to Cantonese Opera singing coaches Wan Chi Chung and Lam Siu Lau and then took lessons in ancient melodies from Lui Man Shing. The tutelage of these famous musicians introduced her to the art of singing, and her voice began to take on a memorable brilliance and resonance. Guided by these great masters, Ng received balanced training in stylistic and vocal performance, and this paved the way for her success in the roles of the dou ma dan (the female martial role), the tsing yi (the gentle young woman who suffers a distressing fate and ends up destitute) and the kwei mun dan (the girl from an affluent and respectable family). -
Cover Page the Handle Holds
Cover Page The handle http://hdl.handle.net/1887/37048 holds various files of this Leiden University dissertation Author: Zhongxiao Wang Title: World views and military policies in the Early Roman and Western Han empires Issue Date: 2015-12-17 Chapter 6 The Son of Heaven: from the Great Unifier to the Wise Monarch 1. The roles of the Chinese emperors of the Qin and Han dynasties Unlike Rome, China had a long-standing tradition of monarchy before the Empire emerged. Although Qin Shi Huang is seen as the first emperor in Chinese history, in many respects the duties he was expected to fulfill and the roles he was expected to play were determined by the monarchic traditions of the pre-Qin period. One century before the unification of China in 221 BC, Qin had attained great power as a result of Shang Yang’s reforms. These reforms significantly weakened the influence of the hereditary aristocratic families and helped to centralize power in the hands of the Qin rulers. Benefiting from this strong basis, Qin Shi Huang managed to incorporate all Chinese states within a unified empire. As noted in Chapter Two, he changed the title of the Qin monarch from king to “August Thearch” to underline the fact that his power exceeded that of all previous overlords and kings. Interestingly, when Liu Bang and his followers established a new dynasty in 202, he decided to keep the title of “August Thearch”, despite the fact that Qin Shi Huang had been deeply detested by many of his subjects.1 The roles that the early Chinese emperors played reflected the long- standing traditions of Chinese monarchy and kingship. -
The China's Rise According to Realist Theories
POWER AND INFLUENCE: IDEATIONAL AND MATERIAL FACTORS IN THE INTERNATIONAL POSTURE OF CHINA RISING AS A GREAT POWER A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Doctor of Liberal Studies By Massimo Ambrosetti, LLM Georgetown University Washington, D.C. May 1st 2012 ii Copyright 2012 by Massimo Ambrosetti All Rights Reserved iii POWER AND INFLUENCE: IDEATIONAL AND MATERIAL FACTORS IN THE INTERNATIONAL POSTURE OF CHINA RISING AS A GREAT POWER Massimo Ambrosetti LLM DLS Co-Chairs: Francis J. Ambrosio, Ph.D; Michael C. Wall, Ph.D. ABSTRACT The thesis tries to assess the possible “transformative impact” of the rise of China on the international system by analyzing material and ideational elements which shape this process and are reflected in the revisionist and status quo components of the PRC’s international behavior. On the basis of a post-positivist epistemological approach which underscores the necessity of connecting theory to its practical implications - in a logic of hermeneutical rediscovery of the dimension of “phronesis” - the thesis deconstructs neo- realist and neo-liberal paradigms which have examined the rise of China through analytical approaches mainly centered on hegemonic transition and interdependence theories. By arguing that the rise of China is a multifaceted process influenced by domestic and international factors, the thesis analyzes the possible structural transformation of the international system linked to the relative but significant shift of hard and soft power driven not only by the ascendancy of China on the world’s scene but also by other emerging powers. -
The Family of Chinese Character-Type Scripts (Twenty Members and Four Stages of Development)
SINO-PLATONIC PAPERS Number 28 September, 1991 The Family of Chinese Character-Type Scripts (Twenty Members and Four Stages of Development) by ZHOU Youguang Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. -
The Hundred Surnames: a Pinyin Index
names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 12:59 Page 3 The hundred surnames: a Pinyin index Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Ai Ai Ai Zidong Cong Ts’ung Zong Cong Zhen Ai Ai Ai Songgu Cui Ts’ui Cui Jian, Cui Yanhui An An An Lushan Da Ta Da Zhongguang Ao Ao Ao Taosun, Ao Jigong Dai Tai Dai De, Dai Zhen Ba Pa Ba Su Dang Tang Dang Jin, Dang Huaiying Bai Pai Bai Juyi, Bai Yunqian Deng Teng Tang, Deng Xiaoping, Bai Pai Bai Qian, Bai Ziting Thien Deng Shiru Baili Paili Baili Song Di Ti Di Xi Ban Pan Ban Gu, Ban Chao Diao Tiao Diao Baoming, Bao Pao Bao Zheng, Bao Shichen Diao Daigao Bao Pao Bao Jingyan, Bao Zhao Ding Ting Ding Yunpeng, Ding Qian Bao Pao Bao Xian Diwu Tiwu Diwu Tai, Diwu Juren Bei Pei Bei Yiyuan, Bei Qiong Dong Tung Dong Lianghui Ben Pen Ben Sheng Dong Tung Dong Zhongshu, Bi Pi Bi Sheng, Bi Ruan, Bi Zhu Dong Jianhua Bian Pien Bian Hua, Bian Wenyu Dongfang Tungfang Dongfang Shuo Bian Pien Bian Gong Dongguo Tungkuo Dongguo Yannian Bie Pieh Bie Zhijie Dongmen Tungmen Dongmen Guifu Bing Ping Bing Yu, Bing Yuan Dou Tou Dou Tao Bo Po Bo Lin Dou Tou Dou Wei, Dou Mo, Bo Po Bo Yu, Bo Shaozhi Dou Xian Bu Pu Bu Tianzhang, Bu Shang Du Tu Du Shi, Du Fu, Du Mu Bu Pu Bu Liang Du Tu Du Yu Cai Ts’ai Chai, Cai Lun, Cai Wenji, Cai Ze Du Tu Du Xia Chua, Du Tu Du Qiong Choy Duan Tuan Duan Yucai Cang Ts’ang Cang Xie Duangan Tuankan Duangan Tong Cao Ts’ao Tso, Tow Cao Cao, Cao Xueqin, Duanmu Tuanmu Duanmu Guohu Cao Kun E O E