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2017-04-02 Messiah
OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Margaret Hallam Patrons’ Sec.: Sylvia Andrew Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Gerard Marsden Promotions Group: David Baird, Edna Gill, Margaret Hood, Fred Jones, Maggs Martin, Sue Morris, June O’Grady, Brenda Roberts, LIFE MEMBERS Eva Dale, Fred Jones, Margaret Hood, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR One of the joys of being in a choir is that from time to time you get to sing your favourite work. That is my pleasure this evening. I have loved the "Messiah" for many years (not saying how many!). To my mind it is a pity that it is usually confined to the busy period of Christmas, so I am particularly pleased to have a Lenten performance. The emotion and drama of the Easter story are something quite special, and deserve to be savoured. Our wonderful soloists and the East Lancs Sinfonia will, I am sure, join with the choir to produce a magical musical experience. We will not be having our usual lighter-themed concert at Middleton Arena this year. Instead we will be holding a Choir "At Home" evening on Friday, 16th June in our regular rehearsal venue - the beautiful Ballroom of Chadderton Town Hall, from 7.30 to 10.30pm. You are invited to join us for a short concert, followed by some time for social and fund-raising activities. -
2014-05-04 Faure + Durufle
OLDHAM CHORAL SOCIETY PRESENT “MUSIQUE DE CONFORT ET DE CONSOLATION” Manchester Cathedral Sunday May 4 th 2014 at 7.00pm Sacred music by Gabriel Fauré and Maurice Duruflé (inc. their celebrated “Requiems”) Conductor: Nigel P. Wilkinson Organist: Jeffrey Makinson OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Alison Coates Ticket Sec.: Lionel Dossett / Margaret Hallam Patrons’ Sec.: Sylvia Andrew Membership Sec.: Brenda Buckley Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Fred Jones Promotions Group: Sue Howard, (Chair), David Baird, Margaret Hood, Fred Jones, Ken Lewis, Maggs Martin, Helen Taylor. LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Hilda Rosebury, Eric Youd A MESSAGE FROM OUR CHAIRMAN A MESSAGE FROM OUR CHAIRMAN It is very good to be back in Manchester Cathedral for tonight’s concert. Our previous visits were truly great occasions, and I can’t imagine a more splendid and appropriate setting for the two wonderful main works to be performed this evening. The Fauré Requiem is a marvellously lyrical work, full of memorable tunes and deep emotion. It is well-known by choirs and audiences. Less well-known, and very different, is the Duruflé Requiem, with its marvellous use of themes based on Plainsong Chants. Very few of the choir knew this piece, and working on it has proved fascinating and challenging. If it is new to you, then I believe it will prove an enjoyable experience. -
A Night at the Opera
Altrincham Choral Society A Night at the Opera Steven Roberts Conductor Lydia Bryan Piano Janet Fischer Soprano John Pierce Tenor Royal Northern College of Music Saturday 3 rd July 2010 Altrincham Choral Society Altrincham Choral Society is a large mixed voice choir that offers amateur singers in the South Manchester/North Cheshire area the opportunity to learn and perform a range of music including major choral works. There is a high standard of performance and concerts are well attended. The society is directed by an ambitious and inspirational conductor. Altrincham Choral Society prides itself on offering a diverse, innovative and challenging programme of concerts, alongside many choral favourites. This forward thinking is complemented with a commitment to choral training and standards which provides its members with the knowledge and confidence to thoroughly enjoy their music-making. Rehearsals are on Monday evenings at Altrincham Methodist Church, Springfield Road, Altrincham – off Woodlands Road (opposite the Cresta Court Hotel). We are only 5 minutes walk from the train/metro station. Rehearsals are from 7.45 – 10.00 pm For more information you can contact us in a variety of ways: E-mail: [email protected] Telephone: P Arnold (Secretary) 01270 764335 Or log onto our web-site www.altrincham-choral.co.uk where you can find more information about the choir, future plans and photographs from previous concerts including Verona and Florence. You can also add your name to our mailing list and keep up to date with forthcoming -
Composer Brochure
MACMILLAN James macmillan_2008_07_11.indb 2 15/08/2008 16:49:04 James MacMillan Biography 2 Introduction 7 English 7 French 9 German 11 Abbreviations 13 Works 14 Stageworks 14 Full Orchestra 16 Chamber Orchestra 20 TABLE OF CONTENTS OF TABLE Solo Instrument and Orchestra 22 Voices and Orchestra 27 Chorus and Orchestra 28 Ensemble and Chamber without Voice(s) 30 Ensemble and Chamber with Voice(s) 36 Piano(s) 37 Instrumental 40 Vocal 43 Choral (Accompanied) 45 Choral (Unaccompanied) 52 Band 60 Discography 61 Chronological List of Works 65 Boosey & Hawkes addresses 70 Cover photo: Eric Richmond/ArenaPAL macmillan_2008_07_11.indb 3 15/08/2008 16:49:05 1959 Born 16 July at Kilwinning in Ayrshire, Scotland, son of a joiner and a teacher (later social worker) 1963 The family moves to Cumnock where he attends the local Roman Catholic School 1969 Tuition in piano and trumpet soon leads to earliest compositions, including a small piano piece and some orchestral music BIOGRAPHY 1973 Attends secondary school at Cumnock Academy where his musical activities embrace Renaissance church music. Meets future wife Lynne. 1977 Studies music at Edinburgh University where Rita McAllister introduces him to Stravinsky, Webern, Messiaen and 20th century Russian music 1981 Begins postgraduate composition studies at Durham University with John Casken, and through ethnomusicology develops interest in gamelan 1983 Returns to Ayrshire working as a part-time teacher. Starts playing and singing Scottish and Irish folk music. 1984 Sets yThe Tryst b William Soutar in the style of an old Scots ballad; the melody is to be a source of inspiration in many future works 1986 Takes up a lecturing post at Manchester University 1987 Awarded doctorate from Durham University. -
A Musical Reflection for Remembrance Sunday
Greater Love.. A Musical Reflection For Remembrance Sunday Presented by OLDHAM CHORAL SOCIETY SUNDAY NOV 12th 2017 at 7.00pm at the RNCM Including The Regional Premier of Dan Forrest's "Requiem for the Living" And "The Spirit of England" (Elgar) Soprano: Camilla Roberts The East Lancs Sinfonia Leader: Sally Robinson Conductor: Nigel P Wilkinson This concert has been generously supported by the Elgar Society OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Concert Manager: Gerard Marsden Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Sheila Tolley / Margaret Hallam Uniform Co-ordination: Val Dawson Patrons’ Sec.: Sylvia Andrew Press Secretary: Brenda Roberts Webmaster: David Baird LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR Welcome once again to the R.N.C.M for this evening’s concert. The events of the First World War are commemorated in tonight’s programme on this Remembrance Sunday. “The Spirit of England” by Sir Edward Elgar, was completed in 1916 and first performed in Birmingham in 1917. It was dedicated principally to the men of the Worcestershire Regiment, but to all the fallen, and is regarded as his “War Requiem”. It is not performed very often, but thanks to the generous support of the Elgar Society, we are able to include it in tonight’s programme. Alongside this, in contrast, is a modern work, “Requiem for the Living”, composed by Dan Forrest in 2013. -
The Restoration of Long Street Methodist School
The restoration of long street methodist former schoolS 2018 INTRODUCTION The Long Street Methodist Church and Schools designed by the renowned local 20th century architect, Edgar Wood and built in 1900 was purchased from the Methodist Church in 2010 by the Heritage Trust North West (HTNW) and the Greater Manchester Building Preservation Trust (GMBPT). Over the last 8 years the GMBPT have been working in conjunction with Rochdale Council and the Heritage Trust North West to secure Heritage Lottery Funding for the restoration of the Former Schools to bring them back into use and to ensure there long term protection. In 2010 Rochdale Metropolitan Borough Council secured a £2m Heritage Lottery Fund grant for the restoration of a selection of important buildings, including a number of Edgar Wood buildings which, upon completion, would put Middleton on the heritage map. The restoration of the former Schools at Long Street are the final piece in the Townscape Heritage Initiative and in November 2017 a £590,806 Townscape Heritage Initiative grant which, along with funding support from Viridor and the local community, enabled the Phase 1 works to be completed in September 2018 to safeguard the building fabric and to bring historic floorspace back into use as a community, conference and events venue. This book documents the condition of the building prior to the works, the works during restoration and the completed works to record this period in the life of the building. Christine Grime Greater Manchester Building Preservation Trust Existing windows -
The Gondoliers and Ruddigore
OLDHAM CHORAL SOCIETY Conductor: Nigel P Wilkinson Another great Evening of G & S Concert versions of The Gondoliers and Ruddigore Presented by Donald Maxwell With the National Festival Orchestra SUNDAY May 31st 2015 at 7.30pm AT THE MIDDLETON ARENA OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Acting Accompanist: Sam Ali Conductor Emeritus: John Bethell MBE Librarian: Sue Howard Ticket Sec.: Lionel Dossett / Margaret Hallam Patrons’ Sec.: Sylvia Andrew Membership Sec.: Brenda Buckley Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Fred Jones Promotions Group: Sue Howard, (Chair), David Baird, Margaret Hood, Fred Jones, Maggs Martin. LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Hilda Rosebury, Eric Youd A MESSAGE FROM THE CHAIR Following last year’s highly successful pairing of the much loved Mikado and the less well known Patience, we repeat the format tonight with The Gondoliers – possibly the most popular of Gilbert and Sullivan’s works, with Ruddigore - again less well known, but full of lovely tunes, sharp humour and the inevitable twists and turns of plot which mark all the G&S operettas. Many of the choir look forward to this “end of term treat”, mainly because of the wonderful soloists and Donald Maxwell’s terrific narration – it’s like a “night out” for us as well as the audience. With the Festival Orchestra and the choir in brilliant voice, you are sure of an evening to remember, so sit back and enjoy! During the break (on Sunday, June 21st) we will be holding a Jazz and Strawberry afternoon in Denshaw. -
2015-03-29 Behold the Sea!
OLDHAM CHORAL SOCIETY East Lancs Sinfonia Cond: Nigel P. Wilkinson “BEHOLD THE SEA!” British music depicting the sea, ships and sailors “The Sea Symphony” by Ralph Vaughan Williams Soloists: Linda Richardson and Dean Robinson “Sea Pictures” by Edward Elgar Soloist: Kathleen Wilkinson and Sir Henry Wood’s “Fantasia on British Sea Songs th Sunday March 29 2015 @ 7.30pm In the Concert Hall of the Royal Northern College of Music OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Sue Howard Ticket Sec.: Lionel Dossett / Margaret Hallam Patrons’ Sec.: Sylvia Andrew Membership Sec.: Brenda Buckley Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Fred Jones Promotions Group: Sue Howard, (Chair), David Baird, Margaret Hood, Fred Jones, Maggs Martin. LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Hilda Rosebury, Eric Youd A MESSAGE FROM THE CHAIR Welcome once again to the Royal Northern College of Music for tonight's concert. Whether it's a day on the beach or a luxury cruise on the Brittania, we British have always had a strong affinity with the sea in all its moods. Tonight's concert celebrates this with a varied programme of music by Vaughan Williams, Elgar and Sir Henry Wood. The East Lancs Sinfonia and our wonderful soloists will help to make this an evening to remember, so – ‘Kwells’ at the ready - sit back and enjoy!. Our next concert will be at the Middleton Arena with another fabulous Gilbert & Sullivan programme - "The Gondoliers" and "Ruddigore", on Sunday May 31st, with the inimitable Donald Maxwell leading proceedings as usual. -
4903668-64Dea5-809478080060.Pdf
Otello Opera in four acts Music Giuseppe Verdi (1813–1901) Libretto Arrigo Boito after William Shakespeare Recorded at the Royal Opera House, Covent Garden, 19 October 1955 Conductor Rafael Kubelík Producer Peter Potter Set and costume designs George Wakhevitch The Covent Garden Opera Chorus Chorus Master Douglas Robinson The Covent Garden Orchestra Leader Charles Taylor Cast Otello Ramón Vinay Desdemona Gré Brouwenstijn Iago Otakar Kraus Cassio John Lanigan Emilia Noreen Berry Roderigo Raymond Nilsson Lodovico Marian Nowakowski Montano Michael Langdon A Herald Forbes Robinson Thanks to Lord Harewood, David Patmore and Roger Beardsley for their help with this project. Special thanks to Joseph Hackmey Sound recording Ꭿ1955 BBC. Digital remastering: Re:Sound UK Ltd. ൿ2006 Royal Opera House Covent Garden Ltd. 2 Tosca Melodramma in three acts Music Giacomo Puccini (1858–1924) Libretto Giuseppe Giacosa and Luigi Illica Recorded at the Royal Opera House, Covent Garden, 1 July 1957 Conductor Alexander Gibson Producer Christopher West Set and costume designs Isabel Lambert Revival rehearsed by Ande Anderson The Covent Garden Opera Chorus Chorus Master Douglas Robinson The Covent Garden Orchestra Leader Charles Taylor Cast Floria Tosca Zinka Milanov Mario Cavaradossi Franco Corelli Baron Scarpia Giangiacomo Guelfi Cesare Angelotti Michael Langdon Spoletta David Tree Sacristan Forbes Robinson Sciarrone Ronald Lewis Gaoler Rhydderch Davies Shepherd Boy Noreen Berry Thanks to David Patmore and the British Library Sound Archive for their help with -
James Macmillan
the massive orchestral trilogy _Triduum_ (1995-97) that this kind of spiritual James MacMillan journey in music, as exemplified by Beethoven in his symphonies and Bach in his great ‘Passions’, can be recreated in terms which speak both to sophisticated musical intelligences and ordinary music lovers – MacMillan’s more recent large-scale works include his own very personal response to the classic _St John Passion_ narrative. His choral-orchestral _Quickening_ (1998) brought a potent reminder that compelling contemporary music can be inspired by the most common human experiences: in this case the conception and birth of a child. In an age when populism and modernism seem like irreconcilable poles, James MacMillan’s music continues to hold out the hope of integration, the healing of painful divisions, of transcendence. _© Stephen James MacMillan photo © Marc Marnie Johnson, 2008_ Writer and broadcaster, author of books on Bruckner (Faber), Wagner and Mahler (Naxos), and regular presenter on BBC Radio __Introduction to the music of James MacMillan__ _by Stephen Johnson_ 3’s _Discovering Music_. When James MacMillan began to make the musical headlines at the beginning of the 1990s it was clear this was a composer who had cast his net wide in terms of influences: from Celtic folk music to the hard-edged modernism of Harrison Birtwistle; from the radically experimental mysticism of Olivier Messiaen to the darkly humanist symphonic narratives of Dmitri Shostakovich. Of course there were some who grumbled about ‘eclecticism’; but to many others who were stirred by such early masterpieces as the orchestral _The Confession of Isobel Gowdie_ (1990) and the percussion concerto _Veni, Veni, Emmanuel_ (1992), it was clear that this was a composer whose inclusiveness was natural, unforced – as much a reflection of a coherent vision as any narrow ideology. -
Richard Strauss's Der Rosenkavalier
Richard Strauss’s Der Rosenkavalier: A survey of all ten studio recordings and selected live performances by Ralph Moore Der Rosenkavalier is Strauss’ most popular opera by far, regularly performed worldwide and maintaining a secure place in the repertoire since its premiere in 1911. Nonetheless, many of its most dedicated admirers will admit that it has its longueurs and tolerate a few judicious cuts, as long as the lollipops remain intact. Given that there are over a hundred recordings in the catalogue, it is surprising that there have been only ten studio accounts made since the first, abridged recording under Robert Heger in 1933 and the last of those was made as long as nearly thirty years ago by Haitink. Since then, a number of live, digital recordings have been issued, but, just as we are experiencing a dearth of great voices, the age of studio recordings is largely over, so many of my preferred versions are now quite venerable. The three leading female roles are among the most attractive in the repertoire. Although the roles of the Marschallin and Sophie are for dramatic and lyric soprano respectively and technically the part of Octavian is for a mezzo-soprano, many singers have performed both the soprano parts at different stages of their career and some have even sung all three. The other great role is Baron Ochs, written for a basso profondo – or at least a basso cantante with good low notes, and, as is so often the case with Strauss given his disdain for tenors, the Italian Singer is given the merest cameo in a demanding, but mockingly ironic, aria which lasts only a few minutes. -
2011-04-16 Elijah RNCM
OLDHAM CHORAL SOCIETY Conductor: Nigel Wilkinson Accompanist: Angela Lloyd-Mostyn Saturday April 16th 2011 [7.30pm] “Elijah” in the Royal Northern College of Music Concert Hall With Darren Jeffery (Bass) as Elijah Rita Cullis (Soprano) Ann Taylor (Mezzo) Sipho Fubesi (Tenor) Thomas Medley (Treble) Students of the RNCM The East Lancs. Sinfonia OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: Christine Grime Music Director: Nigel Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Alison Coates Ticket Sec.: Margaret Hallam Patrons‟ Sec.: Sylvia Andrew Membership Sec.: Brenda Buckley Uniform Co-ordination: Val Dawson Society Archivist: Philip Johnson Concert Manager: Fred Jones Promotions Group: Sue Howard, (Chair), Jo Dewhurst, Margaret Hood, Philip Johnson, Fred Jones, Ken Lewis, Judith Longley, Stuart Longley, Maggs Morgan, Ray Smith, Helen Taylor. LIFE MEMBERS Vera Craig, Eva Dale, Alan Mellor, Nancy Murphy, Joyce Ogden, Peter Quan, Hilda Rosebury, Eric Youd A MESSAGE FROM THE CHAIR It is a great pleasure to be singing in the wonderful Concert Hall here at the RNCM. Many of our members have sung here before, but it is a long time since we sang here as Oldham Choral Society. It is a privilege to be in a College which has such a great reputation in the world of music, and has produced so many outstanding musicians over the years. Tonight’s performance features soloists with RNCM connections, and we welcome the opportunity to share the stage with them. “Elijah” is very much in our minds at the moment, since we will be going to Ireland in June to sing the work in the famous Wexford Opera House, and also in Waterford.