The Tabloid Ballad
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THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH SIX IMPOSSIBLE THINGS BEFORE BREAKFAST: THE LIFE AND MIND OF LEWIS CARROLL IN THE AGE OF ALICE’S ADVENTURES IN WONDERLAND MARY ALLEN SPRING 2020 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Kate Rosenberg Assistant Teaching Professor of English Thesis Supervisor Christopher Reed Distinguished Professor of English, Visual Culture, and Women’s, Gender, and Sexuality Studies Honors Adviser * Electronic approvals are on file. i ABSTRACT This thesis analyzes and offers connections between esteemed children’s literature author Lewis Carroll and the quality of mental state in which he was perceived by the public. Due to the imaginative nature of Alice’s Adventures in Wonderland, it has been commonplace among scholars, students, readers, and most individuals familiar with the novel to wonder about the motive behind the unique perspective, or if the motive was ever intentional. This thesis explores the intentionality, or lack thereof, of the motives behind the novel along with elements of a close reading of Alice’s Adventures in Wonderland. It additionally explores the origins of the concept of childhood along with the qualifications in relation to time period, culture, location, and age. It identifies common stereotypes and presumptions within the subject of mental illness. It aims to achieve a connection between the contents of Carroll’s novel with -
THE LAND BEYOND the MAGIC MIRROR by E
GREYHAWK CASTLE DUNGEON MODULE EX2 THE LAND BEYOND THE MAGIC MIRROR by E. Gary Gygax AN ADVENTURE IN A WONDROUS PLACE FOR CHARACTER LEVELS 9-12 No matter the skill and experience of your party, they will find themselves dazed and challenged when they pass into The Land Beyond the Magic Mirror! Distributed to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada Ltd. Distributed to the toy and hobby trade by regional distributors. Distributed in the United Kingdom by TSR Hobbies (UK) Ltd. AD&D and WORLD OF GREYHAWK are registered trademarks owned by TSR Hobbies, Inc. ©1983 TSR Hobbies, Inc. All Rights Reserved. TSR Hobbies, Inc. TSR Hobbies (UK) Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD United Kingdom Printed in U.S.A. WI 53147 ISBN O 88038-025-X 9073 TABLE OF CONTENTS This module is the companion to Dungeonland and was originally part of the Greyhawk Castle dungeon complex. lt is designed so that it can be added to Dungeonland, used alone, or made part of virtually any campaign. It has an “EX” DUNGEON MASTERS PREFACE ...................... 2 designation to indicate that it is an extension of a regular THE LAND BEYOND THE MAGIC MIRROR ............. 4 dungeon level—in the case of this module, a far-removed .................... extension where all adventuring takes place on another plane The Magic Mirror House First Floor 4 of existence that is quite unusual, even for a typical AD&D™ The Cellar ......................................... 6 Second Floor ...................................... 7 universe. This particular scenario has been a consistent ......................................... -
The Songs of the Beggar's Opera
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1966 The onS gs of The Beggar's Opera Carolyn Anfinson Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Anfinson, Carolyn, "The onS gs of The Beggar's Opera" (1966). Masters Theses. 4265. https://thekeep.eiu.edu/theses/4265 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institutionts library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author THE SONGS OF THE BEGGAR'S OPERA (TITLE) BY Carolyn Anfinson THESIS SUBMIITTD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.S. -
The Ballads of the Southern Mountains and the Escape from Old Europe
B AR B ARA C HING Happily Ever After in the Marketplace: The Ballads of the Southern Mountains and the Escape from Old Europe Between 1882 and 1898, Harvard English Professor Francis J. Child published The English and Scottish Popular Ballads, a five volume col- lection of ballad lyrics that he believed to pre-date the printing press. While ballad collections had been published before, the scope and pur- ported antiquity of Child’s project captured the public imagination; within a decade, folklorists and amateur folk song collectors excitedly reported finding versions of the ballads in the Appalachians. Many enthused about the ‘purity’ of their discoveries – due to the supposed isolation of the British immigrants from the corrupting influences of modernization. When Englishman Cecil Sharp visited the mountains in search of English ballads, he described the people he encountered as “just English peasant folk [who] do not seem to me to have taken on any distinctive American traits” (cited in Whisnant 116). Even during the mid-century folk revival, Kentuckian Jean Thomas, founder of the American Folk Song Festival, wrote in the liner notes to a 1960 Folk- ways album featuring highlights from the festival that at the close of the Elizabethan era, English, Scotch, and Scotch Irish wearied of the tyranny of their kings and spurred by undaunted courage and love of inde- pendence they braved the perils of uncharted seas to seek freedom in a new world. Some tarried in the colonies but the braver, bolder, more venturesome of spirit pressed deep into the Appalachians bringing with them – hope in their hearts, song on their lips – the song their Anglo-Saxon forbears had gathered from the wander- ing minstrels of Shakespeare’s time. -
Orecchio Acerbo Rights List Spring 2021
orecchio acerbo editore Foreign rights catalog Winner of the BoP · Best Children’s PuBlisher of the Year 2017, euroPe Spring 2021 picture books daybrEak NEW by Daniel Fehr illustrations Elena Rotondo for children 4 years and older pp. 28 | cm. 23 x 21 ISBN 9788832070651 | July 2021 today NEW by Daniel Fehr big quEstioNs | grEat advENturEs illustrations Simone Rea WaitiNg for Walt for children 4 years and older by Daniel Fehr The story is about a young boy and his father. pp. 64 | cm. 17 x 24 illustrations Maja Celjia In the middle of the night they leave their house. ISBN 9788832070590 | April 2021 for children 5 years and older For the boy it is the first time that he leaves home pp. 32 | cm. 24 x 32 | May 2020 at this time of the night when normally uNdEr thE gazE of timE | rEcouNtiNg thE prEsENt he is asleep. As they walk through the forest storiEs of thE visioNary aNd thE absurd laughtEr aNd smilEs the flashlight of the boy “turns on” part A father who is leaving. Two brothers. A long wait. of the vegetation and at the same time the rest But together it is easier, together it is easy disappear. He turns off the flashlight and “turns on” to be strong. The older brother reads books Two kids are waiting for Walt. But who is Walt? all his senses: he experiences the darkness, to the younger one who can’t read yet but can And, if Walt was there with them, what would the sounds of the forest, the sound of his father, at least choose the book; then they go together they all do together? They would have a lot the roughness of the ground, the smells… on a secret mission: is every mission of spies of fun, because when he is there he always He dares not ask for the space and time secret? Then one goes to play football, the other has crazy ideas. -
Barbara Allen
120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow ledged that there are enough resemblances between the two to allow both to be called by the same name. -
Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’S Jabberwocky
Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’s Jabberwocky Alice in Wonderland seems to beg for a morbid interpretation. Whether it's Marilyn Manson's "Eat Me, Drink Me," the video game "American McGee's Alice," or Svankmajer's "Alice" and "Jabberwocky," artists love bringing out the darker elements of Alice’s adventures as she wanders among creepy creatures. The 2010 Tim Burton film is the latest twisted adaptation, featuring an older Alice that slays the Jabberwocky. However, unlike the other adaptations, Burton’s adaptation draws most of its grim outlook by gutting Alice in Wonderland of its fundamental core - its nonsense. Alice in Wonderland uses nonsense to liberate, offering frightening amounts of freedom through its playful use of nonsense. However, Burton turns this whimsy into menacing machinations - he pretends to use nonsense for its original liberating purpose but actually uses it for adult plots and preset paths. Burton takes the destructive power of Alice’s insistence for order and amplifies it dramatically, completely removing its original subversive release from societal constraints. Under the façade of paying tribute to Carroll’s whimsical nonsense verse, Burton directly removes nonsense’s anarchic freedom and replaces it with a destructive commitment to sense. This brutal change to both plot and structure turns Alice into a mindless juggernaut, slaying not only the Jabberwock, but also the realm of nonsense, non-linear narrative and real world empires. At first, nonsense in Lewis Carroll’s books seems to just a light-hearted play with language. Even before we come into Wonderland, the idea of nonsense as just a simple child’s diversion is given by the epigraph. -
Rikki-Tikki-Tavi by Rudyard Kipling (From the Jungle Book)
Rikki-tikki-tavi by Rudyard Kipling (from The Jungle Book) At the hole where he went in Red-Eye called to Wrinkle-Skin. Hear what little Red-Eye saith: "Nag, come up and dance with death!" Eye to eye and head to head, (Keep the measure, Nag.) This shall end when one is dead; (At thy pleasure, Nag.) Turn for turn and twist for twist-- ( Run and hide thee, Nag.) Hah! The hooded Death has missed! (Woe betide thee, Nag!) This is the story of the great war that Rikki- him. Perhaps he isn't really dead." tikki-tavi fought single-handed, through the They took him into the house, and a big man bath-rooms of the big bungalow in Segowlee picked him up between his finger and thumb cantonment. Darzee, the Tailorbird, helped him, and said he was not dead but half choked. So and Chuchundra, the musk-rat, who never they wrapped him in cotton wool, and warmed comes out into the middle of the floor, but him over a little fire, and he opened his eyes and always creeps round by the wall, gave him sneezed. advice, but Rikki-tikki did the real fighting. "Now," said the big man (he was an Englishman He was a mongoose, rather like a little cat in his who had just moved into the bungalow), "don't fur and his tail, but quite like a weasel in his frighten him, and we'll see what he'll do." head and his habits. His eyes and the end of his restless nose were pink. -
The Female Rebel in Pan's Labyrinth, Alice's Adventures in Wonderland and Through the Looking Glass
GOTHIC AGENTS OF REVOLT: THE FEMALE REBEL IN PAN'S LABYRINTH, ALICE'S ADVENTURES IN WONDERLAND AND THROUGH THE LOOKING GLASS Michail-Chrysovalantis Markodimitrakis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Committee: Piya-Pal Lapinski, Advisor Kimberly Coates © 2016 Michail-Chrysovalantis Markodimitrakis All Rights Reserved iii ABSTRACT Piya Pal-Lapinski, Advisor The Gothic has become a mode of transforming reality according to the writers’ and the audiences’ imagination through the reproduction of hellish landscapes and nightmarish characters and occurrences. It has also been used though to address concerns and criticize authoritarian and power relations between citizens and the State. Lewis Carroll’sAlice’s Adventures in Wonderland and its sequel Through the Looking Glass are stories written during the second part of the 19th century and use distinct Gothic elements to comment on the political situation in England as well as the power of language from a child’s perspective. Guillermo Del Toro’s Pan’s Labyrinth on the other hand uses Gothic horror and escapism to demonstrate the monstrosities of fascism and underline the importance of revolt and resistance against State oppression. This thesis will be primarily concerned with Alice and Ophelia as Gothic protagonists that become agents of revolt against their respective states of oppression through the lens of Giorgio Agamben and Hannah Arendt. I will examine how language and escapism are used as tools by the literary creators to depict resistance against the Law and societal pressure; I also aim to demonstratehow the young protagonists themselves refuse to comply with the authoritarian methods used against them byadult the representatives of Power. -
51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA
Northeast Modern Language Association 51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA Local Host: Boston University Administrative Sponsor: University at Buffalo SUNY 1 BOARD OF DIRECTORS President Carole Salmon | University of Massachusetts Lowell First Vice President Brandi So | Department of Online Learning, Touro College and University System Second Vice President Bernadette Wegenstein | Johns Hopkins University Past President Simona Wright | The College of New Jersey American and Anglophone Studies Director Benjamin Railton | Fitchburg State University British and Anglophone Studies Director Elaine Savory | The New School Comparative Literature Director Katherine Sugg | Central Connecticut State University Creative Writing, Publishing, and Editing Director Abby Bardi | Prince George’s Community College Cultural Studies and Media Studies Director Maria Matz | University of Massachusetts Lowell French and Francophone Studies Director Olivier Le Blond | University of North Georgia German Studies Director Alexander Pichugin | Rutgers, State University of New Jersey Italian Studies Director Emanuela Pecchioli | University at Buffalo, SUNY Pedagogy and Professionalism Director Maria Plochocki | City University of New York Spanish and Portuguese Studies Director Victoria L. Ketz | La Salle University CAITY Caucus President and Representative Francisco Delgado | Borough of Manhattan Community College, CUNY Diversity Caucus Representative Susmita Roye | Delaware State University Graduate Student Caucus Representative Christian Ylagan | University -
Identifying the Real Alice: the Replacement of Feminine
Identifying the Real Alice: The Replacement of Feminine Innocence with Masculine Anxiety Amy Horvat This thesis is submitted in partial fulfillment of the requirements of the Research Honors Program in the Department of English Marietta College Marietta, Ohio April 18, 2011 This Research Honors thesis has been approved for the Department of English and the Honors and Investigative Studies Committee by Dr. Carolyn Hares-Stryker April 18, 2011 Faculty thesis advisor Date Dr. Joseph Sullivan April 18, 2011 Thesis committee member Date Dr. Ihor Pidhainy April 18, 2011 Thesis committee member Date Acknowledgements Many thanks to Dr. Carolyn Hares-Stryker for providing guidance, feedback and inspiration, for saying what I meant but did not know how to express, and for understanding about a flexible timeline; Thanks to Dr. Joseph Sullivan for the constant support, both in this project and in everything else, for the reassurance about „growing pains‟ and offering advice about how to fix them, and also for ensuring I was not eaten by sharks and thrown from mountain-sides before completing my project; Thanks to Dr. Ihor Pidhainy for his continued interest and for the epiphany regarding the cantankerous Disney chapter; Thanks also goes to Casey Mercer for proofreading and offering advice about titles, to name the least of it; to Kelly Park for being a willing commiserator; to Diana Horvat for managing the library snafu; and, last but not least, to Chelsea Broderick, James Houck, Amber Vance and Will Vance for listening to one very impassioned late-night lecture on Alice in Cartoonland. Table of Contents Introduction: Constructing Characters and Public Personas …..…………..….…. -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp.