Critical Regionalism: Tracing the Work and Inspiration of Jørn Utzon
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CAN LIS La Huella De La Arquitectura De Jørn Utzon a Través De Esta Obra
UNIVERSIDAD POLITÉCNICA DE MADRID Escuela Técnica Superior de Arquitectura CAN LIS La huella de la arquitectura de Jørn Utzon a través de esta obra AUTOR Manuel de Lara Ruiz Arquitecto 2015 Departamento de Proyectos Arquitectónicos Escuela Técnica Superior de Arquitectura UNIVERSIDAD POLITÉCNICA DE MADRID CAN LIS La huella de la arquitectura de Jørn Utzon a través de esta obra AUTOR Manuel de Lara Ruiz Arquitecto DIRECTOR Alberto Morell Sixto Profesor Títular 2015 AGRADECIMIENTOS Esta Tesis comenzó ya hace más de diez años, así que la cantidad de personas que se han visto envueltas en ella es bastante considerable. Si uno vuelve la vista atrás, a esos inicios cuando miraba con devoción las imágenes de Can Lis, y no había más para empezar que esas fotos, el tan publicado plano habitual y las propias reflexiones, y recorre con la mirada el camino hasta hoy, es cuando ve todo lo que se ha avanzado, y se da cuenta de lo mucho que le debe a todas esas personas que han hecho posible este camino tan largo. Con tan escasa semilla inicial, el proceso ha sido lento, pero el árbol ya ha crecido y es fuerte. Los frutos se han ido desgranado lentamente; ahora son maduros y plenos. El proceso fue tan lento, y yo pensaba que había tiempo; Jørn Utzon se me murió en el camino y esa es mi pena y es el destino. Por dos veces programé, inconsistentemente, ir a visitarle y hasta me compré una vieja grabadora para poderle registrar; ahí sigue la grabadora, cerca de mi mesa de trabajo. -
The Utzon Paradigm
THE UTZON PARADIGM Roger Tyrrell Co-Director of the Jørn Utzon Research Network (JURN) and Adrian Carter Co- Director of the Jørn Utzon Research Network (JURN), Director of the Utzon Research Center, Aalborg University. RE-CONSIDERING UTZON “Comparable in subtle ways to the protean achievements of Le Corbusier, Utzon’s architecture emerges today as paradigmatic at many levels not least of which is the manner in which, from the beginning of his career, he would challenge the assumed superiority of Eurocentric culture.” (Frampton. K. 2003 p 6) This Paper strives to address three objectives. The first is to discuss the Utzon’s oeuvre from a paradigmatic perspective, the second to layer that paradigm within two distinct but interconnected frameworks. The third objective is to explore the fusion of this dichotomous paradigm through the concept of ‘poetic conjunction’. Jørn Utzon (1918-2008) is now internationally recognised as one of the most original, innovative and socially concerned of modern architects, perhaps the last great exponent of the humanistic Nordic tradition within modern architecture. He is the architect of what is still widely considered the most noble and humane housing built in Denmark, a simple, yet poetic modern church at Bagsværd and the most iconic and popular building of the 20th Century, his great unfinished masterpiece, the Sydney Opera House. (Fig 1) The Opera House has become the symbol of not just Sydney, but also Australia; that owes it origins to the maritime environment of Aalborg, where Jørn Utzon spent his youth, and the inspiration of his father Aage Utzon, an esteemed yacht designer. -
Dwelling, Landscape, Place and Making
DWELLING, LANDSCAPE, PLACE AND MAKING Jørn Utzon Anthology Lars Botin, Adrian Carter and Roger Tyrrell Copyright © 2013 by Adrian Carter, Lars Botion and Roger Tyrrell / Jørn Utzon Research Network / Utzon Research Center, Aalborg University Title: Dwelling, Landscape, Place and Making Print: Aalborg University Press Graphics and Layout: Line Nørskov Eriksen ISBN: xxx-xx-xxxx-xxx-x 1st Edition, Printed in Denmark 2013 Published with the kind support of Department of Architectural Design and Mediatechnology, Aalborg University Portsmouth School of Architecture, University of Portsmouth FORMTEXT FORMTEXT FORMTEXT CONTENTS xx Introduction Part 1 Foundation xx The Utzon Paradigm – Tyrrell, R. and Carter, A. xx Jørn Utzon: Influences and Reinterpretation – Carter, A. xx Thrills, Wiews and Shelter at Majorca – Roberts, J. xx Architecture and Camping – Taylor, P. and Hinds, M. Part 2 Influence xx Jan Utzon’s Symposium Presentation xx Rick Leplastrier’s Symposium Presentation Part 3 Reflection xx Making the World: Space, Place and Time in Architecture – Pallasmaa, J. xx Landscape and Dwelling – Botin, L. xx The Nature of Dwelling – Tyrrell, R. INTRODUCTION Background and acknowledgments This anthology is based on the Proceedings of the Third International Utzon Symposium held on 1st April 2012 in the Dar el Bacha palace, Marrakech, Morocco. The Symposium was a further development of the previous two Symposia held by the Utzon Research Center in Aalborg, Denmark and represents a collaboration between the Jørn Utzon Research Network (JURN), The Utzon Research Center and L’ Ecole Nationale d’Architecture (ENA) of Morocco. Morocco was chosen as the location for the event in recognition of the significant influence it had upon Utzon’s canon after his visit in 1949. -
The Role of Jørn Utzon's 1958 Study Trip to China in His Architectural Maturity
$UFKLWHFWXUDO Chiu, C-Y 2016 China Receives Utzon: The Role of Jørn Utzon’s 1958 Study Trip to China in His Architectural Maturity. Architectural Histories, 4(1): 12, +LVWRULHV pp. 1–25, DOI: http://dx.doi.org/10.5334/ah.182 RESEARCH ARTICLE China Receives Utzon: The Role of Jørn Utzon’s 1958 Study Trip to China in His Architectural Maturity Chen-Yu Chiu Both before and after his study trip to China in 1958, Danish architect Jørn Utzon (1918–2008) consistently cited dynastic Chinese architecture as one of his essential design ideals. This article commences with a reconstruction, using archival and anecdotal evidence, of Jørn Utzon’s 1958 study trip to China with his close friend, the noted Norwegian architect Geir Grung (1926–89). The investigation seeks to explain both why, as a student, Utzon was so interested in the civilisation of China and how his carefully planned journey yielded Utzon both an intuitive grasp of ideas of Chinese architecture, and, most importantly, a continuing interest in China’s traditional systems of building construction. The answers could add to a methodological and theoretical framework for understanding Utzon’s work. Introduction This article then establishes built-form analogies Both before and after his study trip to China in 1958, the between Utzon’s 1958 study of Chinese architecture in situ Danish architect Jørn Utzon (1918–2008) consistently and his design proposals over the three decades following cited dynastic Chinese architecture as one of his essential the trip, with a view to retracing the path of Utzon’s grow- design ideas and ideals (Faber and Utzon, 1947; Utzon ing understanding of Chinese architecture during this 1962; 1970). -
Reader Botin, L
Reader Botin, L. Carter, A. Crowson, N. Palasmma, J, Roberts, J. Tyrrell, R. & other contributors. Published by: Jørn Utzon Research Network Funded by: Jørn Utzon Research Network Supported by: Portsmouth School of Architecture, UK & Aalborg University, Denamrk Photography by: Roger Tyrrell, Simon Batcheler, Nicola Crowson & Adrian Carter Cover image by: Created by Nicola Crowson from and photograph by Roger Tyrrell Copyright © 2012 Jørn Utzon Research Network.. All rights reserved. No images may be reprinted or reproduced or utilised in any form or media including photocopying without prior permission from the authors. www.utzonresearchnetwork.org A copy of this book is available from the British Library in London and the University Library in Portsmouth. ISBN 978 1 86137 629 9 FREE TO REGISTERED JURN MEMBERS Thanks to the following partners for their support, contribution and friendship: Dwelling, Landscape, Place & Making. Jørn Utzon Research Network Reader Contributions from: Juhani Pallasmaa John Roberts Adrian Carter Roger Tyrrell Dr Lars Botin Nicola Crowson Mathew Hindes Poppy Taylor Created for those attending the Inaugural JURN Workshop and the Third Utzon Symposium held in Morocco in April 2012. Shadows , Ben Youssef Medersa by S . Batcheler 2012 FOREWORD Welcome to the inaugural Jørn Utzon Research Network (JURN) Spring Workshop and the Third International Utzon Symposium; a tri-partite collaboration between the Utzon Research Center (Aalborg Denmark), l’Ecole Nationale d’Architecture of Rabat, Morocco and JURN. Jørn Utzon, the architect of the world renowned Sydney Opera House, is considered to be of unique international significance as an exemplar of a tectonic and humane modern architecture that is grounded in place, culture, community and that is, in the fullest sense of the term, sustainable. -
Libro ZARCH 10.Indb
Bond University Research Repository Utzon: The defining light of the Third Generation Carter, Adrian; Sarvimaki, Marja Published in: ZARCH DOI: 10.26754/ojs_zarch/zarch.2018102933 Published: 01/06/2018 Document Version: Publisher's PDF, also known as Version of record Link to publication in Bond University research repository. Recommended citation(APA): Carter, A., & Sarvimaki, M. (2018). Utzon: The defining light of the Third Generation. ZARCH, (10), 88-99. https://doi.org/10.26754/ojs_zarch/zarch.2018102933 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. For more information, or if you believe that this document breaches copyright, please contact the Bond University research repository coordinator. Download date: 02 Aug 2019 TítuloUtzon: The defining light of the Third TítuloGeneration Utzon: La luz definidora de la Tercera Generación AUTOR ADRIAN CARTER Débora Domingo-Calabuig “A single strategy: Southeastern Massachusetts Technological Institute by Paul Rudolph” ZARCH 10 (Junio 2018): 114- 124 MARJA SARVIMÄKI ISSN: 2341-0531. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792263 Recibido: 20-2-2018 Aceptado: 8-5-2018 Adrian Carter y Marja Sarvimäki, “Utzon: The defining light of the Third Generation”, ZARCH 10 (Junio 2018): 88-99 Abstract ISSN: 2341-0531. https://doi.org/10.26754/ojs_zarch/zarch.2018102933 Recibido:Paul. 6-2-2018 Aceptado: 18-5-2018 AbstractKeywords InPaul Space, Time, and Architecture, Sigfried Giedion identified Jørn Utzon as one of the proponents and leaders of what Giedion regarded as the Third Generation of modern architecture in the 20th century. -
Ekskurzija Danska, Nemčija Seminar Zorec 09
ekskurzija Danska, Nemčija seminar Zorec 09 "My laboratory is the beach, the forest, the sea and seashore..". "The true innermost being of architecture can be compared with that of nature’s seed, and something of inevitability of nature’s prin- ciple of growth ought to be a fundamental concept in architecture." “On the road from the first idea - the first sketch - to the final build- ing, a host of possibilities arise for the architect and the team of engineers, contractors and artisans. Only when the foundation for the choice between the various solutions derives from the aware- ness that the building must provide the people who are to live in it with delight and inspiration do the correct solutions to the problems fall like ripe fruits.” Jørn Utzon 2 DANSKA Dansko kraljestvo (krajše le Danska) je najstarejša in najmanjša nor- dijska država, ki se nahaja v Skandinaviji v severni Evropi na polotoku vzhodno od Baltskega morja in jugozahodno od Severnega morja. Vključuje tudi številne otoke severno od Nemčije, na katero meji tudi po kopnem, in Poljske, poleg teh pa še ozemlja na Grenlandiji in Fer- skih otokih, ki so združena pod dansko krono, čeprav uživajo samou- pravo. Le četrtina teh otokov je naseljena. Danska je izrazito položna dežela. Najvišji vrh je Ejer Bavnehoj, z 173 metri nadmorske višine. Največja reka je Gudena. zanimivosti: - Danska je mati Lego kock. Njihova zgodba se je začela leta 1932 in v več kot 60. letih so prodali čez 320 bilijonov kock, kar pomeni povprečno 56 kock na vsakega prebivalca na svetu. Zabaviščni park Legoland se nahaja v mestu Billund, kjer so zgrajene različne fingure in modeli iz več kot 25 milijonov lego kock. -
Aalborg Universitet Introduction to Utzon(X) 2013: Tetraleaf Andersson
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by VBN Aalborg Universitet Introduction to Utzon(x) 2013: Tetraleaf Andersson, Lasse Published in: Utzon(x) 2013: Tetraleaf Publication date: 2013 Document Version Accepted author manuscript, peer reviewed version Link to publication from Aalborg University Citation for published version (APA): Andersson, L. (2013). Introduction to Utzon(x) 2013: Tetraleaf. In L. Andersson, & I. Worre Foged (Eds.), Utzon(x) 2013: Tetraleaf (Vol. 78, pp. 1-1). Department of Architecture, Design & Media Technology, Aalborg University. AD Files Vol. 78 http://www.utzonx.org General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: December 26, 2020 Department of Architecture and Media Technology, Aalborg University Department of Civil Engineering, Aalborg University with Adjunct Professor Daniel Bosia, Aalborg University and AKT II Guest lectures Christian Veddeler, UN Studio and Kasper Guldager Jørgensen, GXN/3XN UTZON(x) 2013: TETRALEAF EXHIBITION CATALOGUE The UTZON (x) Architecture Summer School Project September 14th-November 24th 2013 / Utzon Center / Aalborg / Denmark 1 UTZOn(x) 2013:TETRALEAF “A&D FILES” VOLUMEN 78, ISSN NR. -
Utzon: the Defining Light of the Third Generation”, ZARCH 10 (Junio 2018): 88-99 Abstract ISSN: 2341-0531
TítuloUtzon: The defining light of the Third TítuloGeneration Utzon: La luz definidora de la Tercera Generación AUTOR ADRIAN CARTER Débora Domingo-Calabuig “A single strategy: Southeastern Massachusetts Technological Institute by Paul Rudolph” ZARCH 10 (Junio 2018): 114- 124 MARJA SARVIMÄKI ISSN: 2341-0531. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792263 Recibido: 20-2-2018 Aceptado: 8-5-2018 Adrian Carter y Marja Sarvimäki, “Utzon: The defining light of the Third Generation”, ZARCH 10 (Junio 2018): 88-99 Abstract ISSN: 2341-0531. https://doi.org/10.26754/ojs_zarch/zarch.2018102933 Recibido:Paul. 6-2-2018 Aceptado: 18-5-2018 AbstractKeywords InPaul Space, Time, and Architecture, Sigfried Giedion identified Jørn Utzon as one of the proponents and leaders of what Giedion regarded as the Third Generation of modern architecture in the 20th century. This article considers how Utzon subsequently further exemplified in later Resumen works the principles Giedion had identified as essential to that Third Generation and discusses, as Giedion did not explicitly, the significance ofPaul light in Utzon’s architecture, which plays a key role in underpinning and articulating these defining principles. This article addresses how the principles Giedion attributed to Utzon and his defining consideration of light, derived from his interpretations of his many transcultural sources ofPalabras inspiration, clave notably including from, China, Iran, Japan, Hawaii, Mexico, and Morocco, as well as from his own Nordic realm and Europe, Paulas can be seen in the Sydney Opera House, Can Lis in Mallorca, Melli Bank in Tehran, Kuwait National Assembly, and Bagsværd Church in Denmark, among others. Keywords Utzon, Giedion, Bagsværd, Can Lis, Kuwait National Assembly, Melli Bank, Sydney Opera House. -
Sydney Opera House
Table of Contents Sydney Opera House Slide/s Part Description 1N/ATitle 2 N/A Table of Contents 3~35 1 The Spirit of Tubowgule 36~151 2 The Competition 152~196 3 The Vikings 197~284 4 The Red Book 285~331 5 The Gold Book 332~381 6 The Platform 382~477 7 The Spherical Solution 478~537 8 Phantom of the Opera House 538~621 9 Shell Game 622~705 10 Fenestration 706~786 11 Problems & Solutions 787~813 12 Making Things Right 814~831 13 Liebestraum 832~879 14 Colors of the Night Splendid Geometry 1 880~900 15 Legacy 2 Part 1 First Fleet The Spirit of Tubowgule 3 4 On January 25th 1788, Captain Arthur Phillip (left) of His Majesty’s Ship (HMS) Supply entered a vast, undiscovered and secure harbor extending inland for many miles. The next day - with the indigenous (Aboriginal) Gadigal people watching intently (from a distance), Captain Phillip went ashore and planted the Union Jack on the new found land claiming it for God, King (George III)and country. Over the next few days, the rest of the First Fleet arrived with its cargo of 730 prisoners, most convicted of petty crimes or as dbtdebtors. UdUnder armed guard, theprisoners commenced unloading provisions, clearing land and building shelters. Though prisoners in a strange, distant land of the southern oceans, the prisoners were relieved that their long sea voyage from England was at its end. A pre-fabricated canvas “Government House” was established and the convicts were housed in an area along the harbor’s shore A period oil painting of Captain Phillip’s First Fleet arriving in Sydney which came to be known as “The Rocks.” By Cove (a.k.a. -
WORKSHOP - CAN LIS PORTO PETRO « REGARDE – REGARDE LES NUAGES » JORN UTZON 7-12 SEPTEMBRE 2014 Couverture : KOEBERLE Maurine
WORKSHOP - CAN LIS PORTO PETRO « REGARDE – REGARDE LES NUAGES » JORN UTZON 7-12 SEPTEMBRE 2014 Couverture : KOEBERLE Maurine • 2 • MIMOUNI Hugo • 3 • • 4 • TABLE DES MATIERES INTRODUCTION page 7 REGARDER page 15 Découverte Photos page 17 Textes (poème) page 19 Croquis page 23 OBSERVER page 25 approche page 27 Croquis page 28 Détails page 32 Jeux d’ombres • course du soleil page 34 ANALYSER et COMPRENDRE page 39 Circulations • articulations page 44 Cadrage page 46 Proportions page 48 Relevé page 52 Matérialité page 64 Témoignage page 66 INTERPRETER et ECRIRE A la manière de …. page 71 CONCLUSIONS page 82 REMERCIEMENTS page 85 PARTICIPANTS page 87 • 5 • • 6 • INTRODUCTION • 7 • • 8 • 15 futurs étudiants B2-B3 de la Faculté d’Architecture de l’ULg ont l’opportunité excep- tionnelle de participer à un Workshop dans la maison de l’architecte danois Jorn Utzon à Can Lis (Iles Baléares-Mallorca) du 7 au 12 septembre 2014. Jorn Utzon (1918-2008), architecte danois, est l’auteur de l’emblématique Opéra de Syd- ney (1956), monument inscrit depuis 2007 au patrimoine mondial de l’UNESCO. Grand voyageur, Utzon découvre la diversité de l’architecture des lieux qu’il visite dans les différents continents ; elle sera source d’inspiration dans le processus d’élaboration de ses projets. Utzon construit essentiellement en Scandinavie mais aussi au Moyen-Orient. La démarche architecturale, originale et novatrice, accorde une place privilégiée à la no- tion de nature et de bien-être. Prolongement des traditions constructives, modulation, fluidité des espaces intérieurs, conception libre, basée sur les modèles de la croissance dans la nature, sont des guides qui lui permettent de concrétiser des projets architecturaux au savoir-faire technique exceptionnel. -
Sources of Architectural Inspiration and Form in the Work of Jørn Utzon
Aalborg Universitet Between Earth and Sky The work of Jørn Utzon, as an exemplary phenomenologicalapproach to modern architecture made concrete. Carter, Adrian Published in: Architecture and Phenomenology Publication date: 2009 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Carter, A. (2009). Between Earth and Sky: The work of Jørn Utzon, as an exemplary phenomenologicalapproach to modern architecture made concrete. In J. Baek (Ed.), Architecture and Phenomenology: Second International Architecture and Phenomenology Conference Ecole francaise d’Extreme- Orient. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Between Earth and Sky: The work of Jørn Utzon, as an exemplary phenomenological approach to modern architecture made concrete. Adrian Carter. Architect, maa Associate Professor, Institute for Architecture and Design, Aalborg University, Denmark Hon. Assoc. Prof.