DOCSLIB.ORG

Reader Botin, L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reader Botin, L Reader Botin, L. Carter, A. Crowson, N. Palasmma, J, Roberts, J. Tyrrell, R. & other contributors. Published by: Jørn Utzon Research Network Funded by: Jørn Utzon Research Network Supported by: Portsmouth School of Architecture, UK & Aalborg University, Denamrk Photography by: Roger Tyrrell, Simon Batcheler, Nicola Crowson & Adrian Carter Cover image by: Created by Nicola Crowson from and photograph by Roger Tyrrell Copyright © 2012 Jørn Utzon Research Network.. All rights reserved. No images may be reprinted or reproduced or utilised in any form or media including photocopying without prior permission from the authors. www.utzonresearchnetwork.org A copy of this book is available from the British Library in London and the University Library in Portsmouth. ISBN 978 1 86137 629 9 FREE TO REGISTERED JURN MEMBERS Thanks to the following partners for their support, contribution and friendship: Dwelling, Landscape, Place & Making. Jørn Utzon Research Network Reader Contributions from: Juhani Pallasmaa John Roberts Adrian Carter Roger Tyrrell Dr Lars Botin Nicola Crowson Mathew Hindes Poppy Taylor Created for those attending the Inaugural JURN Workshop and the Third Utzon Symposium held in Morocco in April 2012. Shadows , Ben Youssef Medersa by S . Batcheler 2012 FOREWORD Welcome to the inaugural Jørn Utzon Research Network (JURN) Spring Workshop and the Third International Utzon Symposium; a tri-partite collaboration between the Utzon Research Center (Aalborg Denmark), l’Ecole Nationale d’Architecture of Rabat, Morocco and JURN. Jørn Utzon, the architect of the world renowned Sydney Opera House, is considered to be of unique international significance as an exemplar of a tectonic and humane modern architecture that is grounded in place, culture, community and that is, in the fullest sense of the term, sustainable. His particular design methodology holds significant potential to inform contemporary theory and practice. The aim of JURN is to instigate and develop a network of corresponding scholars, practitioners and students in diverse geographical locations that either Utzon drew inspiration from, or made projects in. The objective is to develop a range of research questions that will inform and underpin future research projects relating to Utzon’s archive and oeuvre. Utzon designed projects across the international stage; Denmark, Australia, Sweden, Finland, Norway, Morocco, Kuwait, Spain and the UK, provided locations through which his paradigm developed. These diverse locations are represented within the ambitions and structure of JURN. The Third International Symposium will provide a forum for discussion of Utzon’s paradigm led by academics and practitioners providing a diverse perspective of the oeuvre. The inaugural JURN Workshop will provide participants with the opportunity to test Utzon’s approach to making place within the rich and complex cultural and physical context of Morocco, from which Utzon drew significant inspiration. The outputs from each event will be published as a contribution to the understanding of Utzon’s work and the potential held by such understanding of potential influence upon contemporary architectural discourse. Adrian Carter Roger Tyrrell Co-Director Jørn Utzon Co-Director Jørn Utzon Research Network Research Network Central Pool , Ben Youssef Medersa by A. Carter 2012 INTRODUCTION This ‘Reader’ is designed to inform and provide a sense of expectation and anticipation for those attending the Inaugural JURN Workshop and the Third Utzon Symposium held in Morocco in April 2012. Within, are tastes of what is to come; a series of abstracts of Symposium contributions focused upon the theme of ‘Dwelling, Landscape, Place and Making’. These texts will be interspersed with readings of Morocco by others; writers, artists, photographers. The material combines to provide an insight of another world that inspired Utzon and resonated strongly within his work. The Reader represents a ‘drawing’ from and of Morocco, in the sense (as Richard Leplastrier describes) of drawing from a well or indeed any other source. In many ways Morocco still represents a source of all that sits at the core of Architecture. After the event, the Reader will be developed further using transcripts of Symposium contributions and process and outputs from the Workshop participants. This will provide not only a coherent record of the events, but also exemplars of architectural responses to that unique source. LANDSCAPE Ait Benhaddou : A Carter : 2011 THRILLS, VIEWS AND SHELTER: LANDSCAPE AESTHETICS IN UTZON’S ARCHITECTURE John Roberts University of Newcastle NSW Consider, if possible, three of Jørn Utzon’s buildings: the monumental Sydney Opera House, and his two Majorca houses, Can Lis and the later Can Feliz. Richard Weston calls the 1971 Can Lis house ‘one of the finest houses built in the twentieth century’, while observing in the ‘breathtaking’ 1992 Can Feliz house a ‘unique, almost religious, intensity’. The considerable repute of the Sydney Opera House is well established. An investigation of a few aspects of these buildings might help explain something of their high renown. In his 2003 Pritzker Laureate essay on Jørn Utzon, Kenneth Frampton observes the ‘irreducible grounding’ of Utzon’s architecture ‘in the opposition of earthwork versus roofwork’, and cites Aldo van Eyck’s interest in ‘the unchanging condition of man’. Thus we can infer in Utzon’s work central questions of human accommodation, involving a triad of humankind, earth and sky. This ‘grounding’ might be a question of landscape as much as architecture, of negotiating ‘the ground plane of everyday life’, as Brit Andresen puts it in her 2003 essay ‘Ancient Gathering Forms’; it may also be part of a universal human problem, of shelter, survival, and symbolism or significance, faced by many cultures across many millennia. Frampton observes that Utzon ‘would challenge the assumed superiority of Eurocentric culture’; it could also be said, complementarily, that aspects of Utzon’s work challenge an assumed superiority of culture over nature, at least in architecture. This paper investigates aspects of Utzon’s buildings in Sydney and Majorca, and considers the significance of landscape-symbolic elements in his work. In The Experience of Landscape (1975) geographer Jay Appleton proposed his ‘prospect-refuge theory’ as a part answer to his own question, ‘what is it that we like about landscape, and why do we like it?’ Prospect-refuge theory has a diverse parentage, including geography, landscape painting, art history, literature, landscape architecture, landscape aesthetics, evolutionary biology and evolutionary psychology. Prospect-refuge theory has been acknowledged and used in architecture to consider architectural aesthetics in landscape terms, in particular Grant Hildebrand, in The Wright Space (1991) used prospect-refuge theory to comment on the aesthetic appeal of Frank Lloyd Wright’s houses. Wright’s enduring popular appeal is partly due, Hildebrand argues, to architectural elements symbolizing landscape features which once had survival value for archaic Homo sapiens: our ancestors made decisions, when choosing places to camp or raise families, and while hunting (and being hunted), which influenced where they lived, whether they ate, and how they survived against ‘hostile conspecifics’. Hildebrand uses Appleton’s theories to argue that the basis of architectural appeal in landscape is emotional, instinctual, heritable, and ultimately biological: the survival- related responses of early human ancestors to natural environments underpin how contemporary architectural elements can be perceived and evaluated as landscape South of the Atlas Mountains : A Carter: 2011 elements – good, beautiful, and beneficial, or menacing, frightening and dangerous. Early in his life Utzon, a hunter like his mentor Alvar Aalto, observed landform and vegetation, and the effects of winds, clouds and light on animals and people. These landscape insights guided Utzon’s creative decisions throughout his life, framing a larger sense of how fellow humans might respond to his architecture – itself formed of elements gathered across cultures and times. Appleton’s thinking on landscape aesthetics offers concepts and terms to open a landscape-based discussion as to why people like Utzon’s architecture. Appleton’s thinking includes his prospect-refuge theory – balancing (real and apparent) security and enclosure with (real and apparent) views and access – and his broader ‘habitat theory’ of aesthetics of site and setting. Appleton also proposed ‘hazard symbolism’, the thrilling sensation of being close to, but safe from, physical danger – cliffs and cliff edges, wild water or weather, animate danger, exposure to heat or cold – which people enjoy in both natural and built conditions, including exposed open spaces, steep walls, and high ledges and platforms. Appleton wrote in The Experience of Landscape: ‘Exposure to the hazard is matched by perception of the hazard and followed by refuge from it’, indicating the mix of action, perception and reaction to landscape implicit in his theoretical formations. Utzon’s Sydney Opera House seems to exhibit strong and significant quantities of hazard symbolism in its open outdoor terraces, its steep, shining roofs, and its precipitous artificial headland. By contrast, his Majorca houses, on their separate sites, balance symbolism of prospect – elevated platforms, terraces, viewing windows, and finely tuned relationships with ground, horizon and sky – with that
Load more

Recommended publications
  • CAN LIS La Huella De La Arquitectura De Jørn Utzon a Través De Esta Obra
    UNIVERSIDAD POLITÉCNICA DE MADRID Escuela Técnica Superior de Arquitectura CAN LIS La huella de la arquitectura de Jørn Utzon a través de esta obra AUTOR Manuel de Lara Ruiz Arquitecto 2015 Departamento de Proyectos Arquitectónicos Escuela Técnica Superior de Arquitectura UNIVERSIDAD POLITÉCNICA DE MADRID CAN LIS La huella de la arquitectura de Jørn Utzon a través de esta obra AUTOR Manuel de Lara Ruiz Arquitecto DIRECTOR Alberto Morell Sixto Profesor Títular 2015 AGRADECIMIENTOS Esta Tesis comenzó ya hace más de diez años, así que la cantidad de personas que se han visto envueltas en ella es bastante considerable. Si uno vuelve la vista atrás, a esos inicios cuando miraba con devoción las imágenes de Can Lis, y no había más para empezar que esas fotos, el tan publicado plano habitual y las propias reflexiones, y recorre con la mirada el camino hasta hoy, es cuando ve todo lo que se ha avanzado, y se da cuenta de lo mucho que le debe a todas esas personas que han hecho posible este camino tan largo. Con tan escasa semilla inicial, el proceso ha sido lento, pero el árbol ya ha crecido y es fuerte. Los frutos se han ido desgranado lentamente; ahora son maduros y plenos. El proceso fue tan lento, y yo pensaba que había tiempo; Jørn Utzon se me murió en el camino y esa es mi pena y es el destino. Por dos veces programé, inconsistentemente, ir a visitarle y hasta me compré una vieja grabadora para poderle registrar; ahí sigue la grabadora, cerca de mi mesa de trabajo.
    [Show full text]
  • The Utzon Paradigm
    THE UTZON PARADIGM Roger Tyrrell Co-Director of the Jørn Utzon Research Network (JURN) and Adrian Carter Co- Director of the Jørn Utzon Research Network (JURN), Director of the Utzon Research Center, Aalborg University. RE-CONSIDERING UTZON “Comparable in subtle ways to the protean achievements of Le Corbusier, Utzon’s architecture emerges today as paradigmatic at many levels not least of which is the manner in which, from the beginning of his career, he would challenge the assumed superiority of Eurocentric culture.” (Frampton. K. 2003 p 6) This Paper strives to address three objectives. The first is to discuss the Utzon’s oeuvre from a paradigmatic perspective, the second to layer that paradigm within two distinct but interconnected frameworks. The third objective is to explore the fusion of this dichotomous paradigm through the concept of ‘poetic conjunction’. Jørn Utzon (1918-2008) is now internationally recognised as one of the most original, innovative and socially concerned of modern architects, perhaps the last great exponent of the humanistic Nordic tradition within modern architecture. He is the architect of what is still widely considered the most noble and humane housing built in Denmark, a simple, yet poetic modern church at Bagsværd and the most iconic and popular building of the 20th Century, his great unfinished masterpiece, the Sydney Opera House. (Fig 1) The Opera House has become the symbol of not just Sydney, but also Australia; that owes it origins to the maritime environment of Aalborg, where Jørn Utzon spent his youth, and the inspiration of his father Aage Utzon, an esteemed yacht designer.
    [Show full text]
  • Utzon's Beautiful Ideas: an Antidote to “The Australian Ugliness”?
    FOURTH INTERNATIONAL UTZON SYMPOSIUM – SYDNEY AUSTRALIA WHAT WOULD UTZON DO NOW? Utzon’s Beautiful Ideas: An Antidote to “The Australian Ugliness”? Adrian Carter Utzon Research Center, Department of Architecture, Design and Media Technology, Aalborg University There is no doubting that with the realisation of the As Gadamer notes, Alexander Gottlieb Baumgarten Sydney Opera House, Jørn Utzon created what is both (1714-1762), the German philosopher from whom we popularly and critically acclaimed to be one of the most have the origins of our contemporary understanding of beautiful works of architecture not only of its own era a sense of beauty, defined aesthetics as the art of and location, but that transcends time and place to thinking beautifully (Gadamer p.17). It was Hegel who achieve universal appreciation. What is the beautiful went further than Baugarten in the philosophical though? What was Utzon’s understanding of the consideration of the significance of the shared beautiful and where did the beautiful come from in his experience of the beautiful, and as Gadamer expresses work, not only at the monumental scale of the Sydney it determined that” the kind of truth that we encounter in Opera House, but also within his approach to domestic the experience of the beautiful does unambiguously make a architecture to which he was equally dedicated and claim to more than merely subjective validity” (Gadamer, adept; and how could his work, particularly his housing p.18) provide beautiful models for now and the future. Juhani Pallasmaa goes further and cites the Russian As Richard Leplastrier talking of his time with Utzon Nobel prize winning poet Joseph Brodsky’s belief that recounts, “Quite often in the office he would say something “the purpose of evolution is beauty” as underpinning his like “ah, that is such a beautiful idea” (Botin, Carter and own understanding and writings on architecture.
    [Show full text]
  • Dwelling, Landscape, Place and Making
    DWELLING, LANDSCAPE, PLACE AND MAKING Jørn Utzon Anthology Lars Botin, Adrian Carter and Roger Tyrrell Copyright © 2013 by Adrian Carter, Lars Botion and Roger Tyrrell / Jørn Utzon Research Network / Utzon Research Center, Aalborg University Title: Dwelling, Landscape, Place and Making Print: Aalborg University Press Graphics and Layout: Line Nørskov Eriksen ISBN: xxx-xx-xxxx-xxx-x 1st Edition, Printed in Denmark 2013 Published with the kind support of Department of Architectural Design and Mediatechnology, Aalborg University Portsmouth School of Architecture, University of Portsmouth FORMTEXT FORMTEXT FORMTEXT CONTENTS xx Introduction Part 1 Foundation xx The Utzon Paradigm – Tyrrell, R. and Carter, A. xx Jørn Utzon: Influences and Reinterpretation – Carter, A. xx Thrills, Wiews and Shelter at Majorca – Roberts, J. xx Architecture and Camping – Taylor, P. and Hinds, M. Part 2 Influence xx Jan Utzon’s Symposium Presentation xx Rick Leplastrier’s Symposium Presentation Part 3 Reflection xx Making the World: Space, Place and Time in Architecture – Pallasmaa, J. xx Landscape and Dwelling – Botin, L. xx The Nature of Dwelling – Tyrrell, R. INTRODUCTION Background and acknowledgments This anthology is based on the Proceedings of the Third International Utzon Symposium held on 1st April 2012 in the Dar el Bacha palace, Marrakech, Morocco. The Symposium was a further development of the previous two Symposia held by the Utzon Research Center in Aalborg, Denmark and represents a collaboration between the Jørn Utzon Research Network (JURN), The Utzon Research Center and L’ Ecole Nationale d’Architecture (ENA) of Morocco. Morocco was chosen as the location for the event in recognition of the significant influence it had upon Utzon’s canon after his visit in 1949.
    [Show full text]
  • The Role of Jørn Utzon's 1958 Study Trip to China in His Architectural Maturity
    $UFKLWHFWXUDO Chiu, C-Y 2016 China Receives Utzon: The Role of Jørn Utzon’s 1958 Study Trip to China in His Architectural Maturity. Architectural Histories, 4(1): 12, +LVWRULHV pp. 1–25, DOI: http://dx.doi.org/10.5334/ah.182 RESEARCH ARTICLE China Receives Utzon: The Role of Jørn Utzon’s 1958 Study Trip to China in His Architectural Maturity Chen-Yu Chiu Both before and after his study trip to China in 1958, Danish architect Jørn Utzon (1918–2008) consistently cited dynastic Chinese architecture as one of his essential design ideals. This article commences with a reconstruction, using archival and anecdotal evidence, of Jørn Utzon’s 1958 study trip to China with his close friend, the noted Norwegian architect Geir Grung (1926–89). The investigation seeks to explain both why, as a student, Utzon was so interested in the civilisation of China and how his carefully planned journey yielded Utzon both an intuitive grasp of ideas of Chinese architecture, and, most importantly, a continuing interest in China’s traditional systems of building construction. The answers could add to a methodological and theoretical framework for understanding Utzon’s work. Introduction This article then establishes built-form analogies Both before and after his study trip to China in 1958, the between Utzon’s 1958 study of Chinese architecture in situ Danish architect Jørn Utzon (1918–2008) consistently and his design proposals over the three decades following cited dynastic Chinese architecture as one of his essential the trip, with a view to retracing the path of Utzon’s grow- design ideas and ideals (Faber and Utzon, 1947; Utzon ing understanding of Chinese architecture during this 1962; 1970).
    [Show full text]
  • The Role of Alvar Aalto in Developing the Maturity of Jørn Utzon's Work
    Alvar Aalto Researchers’ Network Seminar – Why Aalto? 9-10 June 2017, Jyväskylä, Finland Aalto through young Utzon’s eyes: The role of Alvar Aalto in developing the maturity of Jørn Utzon’s work Chiu Chen-Yu Assistant Professor Department of Architecture, Bilkent University +90 5316 146 326 +90 312 290 2590 [email protected] FF 206, Department of Architecture Bilkent University, 06800 Ankara, TURKEY Aalto through young Utzon’s eyes: The role of Alvar Aalto in developing the maturity of Jørn Utzon’s work CHIU Chen-Yu, Bilkent University Helyaneh Aboutalebi Tabrizi, Bilkent University Introduction There is no doubt that the work of Alvar Aalto (1898-1976) played an important role in the maturity of architectural design of Jørn Utzon (1918-2008). Despite Utzon openly and repeatedly admitted his learning from Aalto, what was the interrelationship between these two master architects, what was Utzon’s perception of Aalto’s work and how Utzon interpreted the ideas and ideals received from Aalto’s work, are all unknown and unheard. By surveying the architectural collection both of Aalto and Utzon, this article reconstructs their communications in-between and reviews Utzon’s study on Aalto’s work through his own photography images and book collection, as well as building excursions. In addition, it constructs a series of analytical comparisons between the studied work of Aalto and Utzon’s architectural creation. The found analogies in-between are served as the rationale for arguing Utzon’s learning from Aalto. However, Utzon did not simply imitate the manners of Aalto, and Utzon seemed to interpret the received concepts from Aalto with his own beliefs and interests, as well as with other influences.
    [Show full text]
  • Download Bogen Om Romerhuset
    Romerhuset – Baggesensvej 3 i – Baggesensvej Romerhuset Romerhuset Indhold – Baggesensvej 3 i Helsingør FORORD ........................... 5 RomerHUSENE – en inspirerende klassiker i dansk bolighistorie Arne Jacobsens eget hus i Charlottenlund Af sociolog Hans Kristensen ........... 7 RomerHUSENE Vil du se flere spændende huse? H – mesterværkets naturlighed elsingør Af restaureringsarkitekt Lise Juel ....... 35 Realdania Byg Klubben åbner dørene til Bygninger er en del af vores kulturarv. Et håndgribeligt rundvisninger, foredrag og oplevelser i SUMMARY ......................... 58 enestående arkitektur over hele landet. levn, som vores forfædre har givet videre, og som vi er forpligtet til at værne om. LITTERATUR OG KILDER ................ 60 Som medlem kommer du helt tæt på Realdania Bygs arbejde med ny arkitektur og Realdania Byg er et ejendomsselskab for udvikling historiske huse. og bevaring. Selskabets formål er at opbygge og formidle en samling af gode eksempler på byggestil og arkitektur Meld dig ind på www.realdaniabyg.dk fra forskellige tidsperioder og egne i Danmark samt at investere i udviklingen af eksperimenterende nybyggeri. Det koster kun kr. 199,- for et år. Realdania Byg er et helejet Realdaniaselskab. I velkomstgave får du et valgfrit hæfte fra serien “Arkitekternes egne huse”. Læs mere på www.realdaniabyg.dk Realdania Byg Realdania ISBN: 978-87-92230-47-8 Udgivet af Realdania Byg Romerhuset – Baggesensvej 3 i Helsingør Romerhuset – Baggesensvej 3 i Helsingør © Realdania Byg A/S 2013 Romerhuset ISBN 978-87-92230-47-8
    [Show full text]
  • Aalborg Universitet Introduction to Utzon(X) 2013: Tetraleaf Andersson
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by VBN Aalborg Universitet Introduction to Utzon(x) 2013: Tetraleaf Andersson, Lasse Published in: Utzon(x) 2013: Tetraleaf Publication date: 2013 Document Version Accepted author manuscript, peer reviewed version Link to publication from Aalborg University Citation for published version (APA): Andersson, L. (2013). Introduction to Utzon(x) 2013: Tetraleaf. In L. Andersson, & I. Worre Foged (Eds.), Utzon(x) 2013: Tetraleaf (Vol. 78, pp. 1-1). Department of Architecture, Design & Media Technology, Aalborg University. AD Files Vol. 78 http://www.utzonx.org General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: December 26, 2020 Department of Architecture and Media Technology, Aalborg University Department of Civil Engineering, Aalborg University with Adjunct Professor Daniel Bosia, Aalborg University and AKT II Guest lectures Christian Veddeler, UN Studio and Kasper Guldager Jørgensen, GXN/3XN UTZON(x) 2013: TETRALEAF EXHIBITION CATALOGUE The UTZON (x) Architecture Summer School Project September 14th-November 24th 2013 / Utzon Center / Aalborg / Denmark 1 UTZOn(x) 2013:TETRALEAF “A&D FILES” VOLUMEN 78, ISSN NR.
    [Show full text]
  • Sydney Opera House
    Table of Contents Sydney Opera House Slide/s Part Description 1N/ATitle 2 N/A Table of Contents 3~35 1 The Spirit of Tubowgule 36~151 2 The Competition 152~196 3 The Vikings 197~284 4 The Red Book 285~331 5 The Gold Book 332~381 6 The Platform 382~477 7 The Spherical Solution 478~537 8 Phantom of the Opera House 538~621 9 Shell Game 622~705 10 Fenestration 706~786 11 Problems & Solutions 787~813 12 Making Things Right 814~831 13 Liebestraum 832~879 14 Colors of the Night Splendid Geometry 1 880~900 15 Legacy 2 Part 1 First Fleet The Spirit of Tubowgule 3 4 On January 25th 1788, Captain Arthur Phillip (left) of His Majesty’s Ship (HMS) Supply entered a vast, undiscovered and secure harbor extending inland for many miles. The next day - with the indigenous (Aboriginal) Gadigal people watching intently (from a distance), Captain Phillip went ashore and planted the Union Jack on the new found land claiming it for God, King (George III)and country. Over the next few days, the rest of the First Fleet arrived with its cargo of 730 prisoners, most convicted of petty crimes or as dbtdebtors. UdUnder armed guard, theprisoners commenced unloading provisions, clearing land and building shelters. Though prisoners in a strange, distant land of the southern oceans, the prisoners were relieved that their long sea voyage from England was at its end. A pre-fabricated canvas “Government House” was established and the convicts were housed in an area along the harbor’s shore A period oil painting of Captain Phillip’s First Fleet arriving in Sydney which came to be known as “The Rocks.” By Cove (a.k.a.
    [Show full text]
  • WORKSHOP - CAN LIS PORTO PETRO « REGARDE – REGARDE LES NUAGES » JORN UTZON 7-12 SEPTEMBRE 2014 Couverture : KOEBERLE Maurine
    WORKSHOP - CAN LIS PORTO PETRO « REGARDE – REGARDE LES NUAGES » JORN UTZON 7-12 SEPTEMBRE 2014 Couverture : KOEBERLE Maurine • 2 • MIMOUNI Hugo • 3 • • 4 • TABLE DES MATIERES INTRODUCTION page 7 REGARDER page 15 Découverte Photos page 17 Textes (poème) page 19 Croquis page 23 OBSERVER page 25 approche page 27 Croquis page 28 Détails page 32 Jeux d’ombres • course du soleil page 34 ANALYSER et COMPRENDRE page 39 Circulations • articulations page 44 Cadrage page 46 Proportions page 48 Relevé page 52 Matérialité page 64 Témoignage page 66 INTERPRETER et ECRIRE A la manière de …. page 71 CONCLUSIONS page 82 REMERCIEMENTS page 85 PARTICIPANTS page 87 • 5 • • 6 • INTRODUCTION • 7 • • 8 • 15 futurs étudiants B2-B3 de la Faculté d’Architecture de l’ULg ont l’opportunité excep- tionnelle de participer à un Workshop dans la maison de l’architecte danois Jorn Utzon à Can Lis (Iles Baléares-Mallorca) du 7 au 12 septembre 2014. Jorn Utzon (1918-2008), architecte danois, est l’auteur de l’emblématique Opéra de Syd- ney (1956), monument inscrit depuis 2007 au patrimoine mondial de l’UNESCO. Grand voyageur, Utzon découvre la diversité de l’architecture des lieux qu’il visite dans les différents continents ; elle sera source d’inspiration dans le processus d’élaboration de ses projets. Utzon construit essentiellement en Scandinavie mais aussi au Moyen-Orient. La démarche architecturale, originale et novatrice, accorde une place privilégiée à la no- tion de nature et de bien-être. Prolongement des traditions constructives, modulation, fluidité des espaces intérieurs, conception libre, basée sur les modèles de la croissance dans la nature, sont des guides qui lui permettent de concrétiser des projets architecturaux au savoir-faire technique exceptionnel.
    [Show full text]
  • Octobre – Décembre)
    LISTE DES NOUVELLES ACQUISITIONS DES BIBLIOTHÈQUES DU SITE UNI BASTIONS N° 4, 2011 (octobre – décembre) BIBLIOTHÈQUE D’ALLEMAND 3 ALLEMAND G-MED+KOM*Kom dm Die Kommunikation der Medien / hrsg. von Jürgen Fohrmann und Erhard Schüttpelz. - Tübingen : M. Niemeyer, 2004. - VI, 299 S. : Ill. ; 23 cm. - (Studien und Texte zur Sozialgeschichte der Literatur ; Bd. 97). - ISBN 3-484-35097-0. R003676955 GE FL/ALL : salle lecture * Classif.: G-MED+KOM*Kom dm * Cote: BFLA 230162 G-MED+KOM*Med t Mediale Transkodierungen : Metamorphosen zwischen Sprache, Bild und Ton / hrsg. von Hartmut Stöckl ; unter Mitarb. von Christian Grösslinger. - Heidelberg : Winter, 2010. - VIII, 270 S. : Ill. ; 24 cm. - (Wissenschaft und Kunst ; Bd. 17). - ISBN 9783825358310. R006052957 GE FL/ALL : salle lecture * Classif.: G-MED+KOM*Med t * Cote: BFLA 229666 G-PSYCHO*STAR Ges dmv Starobinski, Jean, 1920-. - Geschichte der Melancholiebehandlung von den Anfägnen bis 1900 / Jean Starobinski ; in überarb. Übers. neu hrsg. und mit einem Vorw. von Cornelia Wild. - Berlin : August-Verlag, cop. 2011. - 209 S. ; 18 cm. - Register. Übers. von: Histoire du traitement de la mélancolie des origines à 1900. - Literaturverz. - ISBN 9783941360099. R006315990 GE FL/ALL : salle lecture * Classif.: G-PSYCHO*STAR Ges dmv * Cote: BFLA 228900 G-R-BIBLIOGR*Stu b (L) Rothstein, Björn. - Tempus / Björn Rothstein. - Tübingen : Julius Groos, 2011. - 50 S. - (Studienbibliographien Sprachwissenschaft ; Bd. 39). - ISBN 9783872768742. R006328862 GE FL/ALL : salle lecture * Classif.: G-R-BIBLIOGR*Stu b (L) * Cote: BFLP 946/39 G-R-BIBLIOGR*Stu b (L) Storjohann, Petra. - Kollokationen / Petra Storjohann. - Tübingen : J. Groos, 2011. - 51 p. ; 22 cm. - (Studienbibliografien Sprachwissenschaft ; Bd.
    [Show full text]
  • II the Kuwait National Assembly Kuwait by Jorn Utzon
    Architecture Beyond Cultural Politics: Western Practice in the Arabian Peninsula by Tarek Beshir Bachelor of Architecture Cairo University Cairo, Egypt June 1981 Submitted to the Department of Architecture in partial fulfillment of the requirements for the degree Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 1993 @ Tarek Beshir 1993. All rights reserved. The author hereby grants to M.I.T. permission to repro- duce and to distribute publicly copies of this thesis docu- ment in whole or in part. Signature of Author: Tarek Beshir Department of Architecture May 7, 1993 Certified by: Sibel Bozdogan Assistant Professor of Architecture Thesis Supervisor Accepted by: Julian Beinart Chairman Departmental Committee for Graduate Students Rofch, MASSACHUSETTS INSTITUTE OF TFCI4inI nrv MAY 0 2 1993 2 Architecture Beyond Cultural Politics: Western Practice in the Arabian Peninsula. by Tarek Beshir Submitted to the Department of Architecture on May 7, 1993 in partial fulfillment of the requirements for the Degree of Master of Science in Architecture Studies ABSTRACT Much of the recent architectural discourse in the Gulf States is permeated by a passionate preoccupation with narratives of identity and self-definition. During the last two decades, these states invited an overwhelming num- ber of western architects to participate in development projects. The work of these architects appears to involve a multitude of interpretations. At one end is the architect's own theoretical position and autonomous architectural discourse, while at the other end is the cultural and ideological circumstances by which the architect's work and ideas are received and understood. This study is focused on two institutional buildings de- signed by two western architects: the Ministry of Foreign Affairs in Riyadh by Henning Larsen, and the National Assembly in Kuwait by Jorn Utzon.
    [Show full text]