Library Resources—Musicals
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Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Celebrations Press PO BOX 584 Uwchland, PA 19480
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40 -
Toy Story: How Pixar Reinvented the Animated Feature
Brown, Noel. " An Interview with Steve Segal." Toy Story: How Pixar Reinvented the Animated Feature. By Susan Smith, Noel Brown and Sam Summers. London: Bloomsbury Academic, 2017. 197–214. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781501324949.ch-013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 03:24 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 97 Chapter 13 A N INTERVIEW WITH STEVE SEGAL N o e l B r o w n Production histories of Toy Story tend to focus on ‘big names’ such as John Lasseter and Pete Docter. In this book, we also want to convey a sense of the animator’s place in the making of the fi lm and their perspective on what hap- pened, along with their professional journey leading up to that point. Steve Segal was born in Richmond, Virginia, in 1949. He made his fi rst animated fi lms as a high school student before studying Art at Virginia Commonwealth University, where he continued to produce award- winning, independent ani- mated shorts. Aft er graduating, Segal opened a traditional animation studio in Richmond, making commercials and educational fi lms for ten years. Aft er completing the cult animated fi lm Futuropolis (1984), which he co- directed with Phil Trumbo, Segal moved to Hollywood and became interested in com- puter animation. -
Peggy Holmes Film
Peggy Holmes Film: Tinkerbell: The Pirate Fairy Director Walt Disney Animation Tinkerbell: Secret of the Director Walt Disney Animation Wings Tinkerbell: A Winter Movie Director Walt Disney Animation Little Mermaid 3 Director Walt Disney Animation Mickey's Twice Upon A Xmas Segment Director Walt Disney Animation Freaky Friday Choreographer Walt Disney Pictures / Casual Friday Prods. The Country Bears Co-Choreographer Walt Disney Pictures Heartbreakers Choreographer MGM / Dir. David Mirkin Beautiful Choreographer Destination Films / Dir. Sally Field Rock Star Choreographer Mark Wahlberg / Dir. Steve Harrick Deep End Of The Ocean Choreographer Michelle Pfeiffer / Mandalay Ent. A Very Brady Sequel Choreographer Paramount Father of the Bride II Choreographer Touchstone I Love Trouble Choreographer Caravan Pictures Hocus Pocus Co-Choreographer Co-Chor. Kenny Ortega / Walt Disney Pictures Wayne's World Choreographer Paramount Pictures Newsies Co-Choreographer Co-Chor. Kenny Ortega / Walt Disney Pictures The Fabulous Baker Boys Choreographer Michelle Pfeiffer / 20th Century Fox Cinderella 2 Choreographer Walt Disney Animation The Emperor's New Groove 2 Choreographer Walt Disney Animation Jungle Book II Choreographer Walt Disney Pictures Mulan II Choreographer Walt Disney TV Animation Television: American Idol Seasons 1 & 2 Choreographer FOX These Old Broads Choreographer ABC / Dir. Matthew Diamond 2000 Academy Awards Assoc. Choreographer ABC Houdini - Believe Choreographer TNT / Trilogy Fame LA Series Choreographer MGM / Trilogy Gypsy Choreographer CBS George Burns 95th Birthday Choreographer CBS Hull High Series Choreographer NBC The Tracey Ullman Show Assoc. Choreographer FOX Commercials: Coca-Cola Choreographer RSA Films Web TV Choreographer HKM Films Kenmore Choreographer RSA Films Mercedes Choreographer Bruce Dowad Assoc. Freixenet Champagne Choreographer w/ Kim Basinger Concerts/Tours/Events: Barbra Streisand Millennium Asst. -
Week Activity — Music Tic Tac
Option 1 Use found sound (keys, Listen to a song that Write new lyrics to your drums, paper, pencils) you have never heard favorite song to drum along with the before and draw a rhythm to a song picture of how it makes you feel Listen to a song and draw the voice map. Teach a song from When the singer’s voice Write a song about music class to someone goes up, your line goes what you are doing at home (see attached up, and when the voice while you are home list) goes down, your line goes down Write 4 rhythms and Practice singing a song play them on found from music class in silly Teach a game from sounds (pots, pans, voices (monster voice, music class to someone pencils, etc) (rhythm queen voice, whisper at home (see attached worksheet) voice) (see attached list) list) Option 2 Watch a musical (a Play “The Young Compose your own movie with lots of Person’s Guide to the song at singing in it!) (see Orchestra” classicsforkids.com attached list) Learn about women Play “Isle of Tune” on a Download the Rhythm who composed music computer Cat app (for free!) to Listen to an episode practice your rhythms Do a worksheet Download the Watch some ukulele Pick some percussion Ningenius app (for free!) videos instruments and watch and try the rhythm (or watch these and play a Play-Along video (see game along with them!) attached instrument list) “Good Morning, Good Morning” “Buenos Dias, Como Estas?” “Snot” “Boa Constrictor” Music “Naughty Kitty Cat” Class “I Am A Pizza” (by Charlotte Diamond) Song “Little Bunny Foo Foo” List “Impossible to -
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule. -
D23 Presents Treasures of the Walt Disney Archives, Opening July 6 at the Ronald Reagan Presidential Library & Museum
D23 PRESENTS TREASURES OF THE WALT DISNEY ARCHIVES, OPENING JULY 6 AT THE RONALD REAGAN PRESIDENTIAL LIBRARY & MUSEUM The Official Disney Fan Club Showcases the Largest-Ever Exhibition of Iconic Props, Costumes, Artwork and Artifacts from the Walt Disney Archives BURBANK, Calif. – April 16, 2012 – D23 PRESENTS TREASURES OF THE WALT DISNEY ARCHIVES, which encompasses more than 500 historic artifacts from nearly nine decades of Disney history, opens at the Ronald Reagan Presidential Library & Museum on July 6, continuing through April 2013. Presented by D23: The Official Disney Fan Club and the Ronald Reagan Presidential Foundation and Library, D23 PRESENTS TREASURES OF THE WALT DISNEY ARCHIVES is the largest exhibition ever curated by the Walt Disney Archives, at 12,000 square feet. From Oswald the Lucky Rabbit and Mickey Mouse to Captain Jack Sparrow and Captain America, the exhibition features more than 500 artifacts, at least half of which have never been seen by the public— including models, props, costumes, set pieces, and artwork from throughout Disney history. “Ronald Reagan and Walt Disney were longtime friends, two optimists who shared an unwavering belief in the essential goodness of the American way of life,” said Bob Iger, chairman and CEO, The Walt Disney Company. “We’re proud to partner with the Reagan Library and the National Archives to showcase Disney’s rich entertainment legacy. This extraordinary exhibit will offer visitors an unprecedented look into Disney’s history and celebrate the connection between these two American -
Mary Poppins Returns the Mule
AVALON THEATRE Souris, Manitoba February 2019 February 1st – 3rd Mary Poppins Returns Rated: G Comedy, Family, Fantasy 130 min Decades after her original visit, the magical nanny returns to help the Banks siblings and Michael's children through a difficult time in their lives. Stars: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw February 8th – 10th The Mule Rated: 14-A Coarse Language Crime, Drama, Thriller 117 min A 90-year-old horticulturist and Korean War veteran is caught transporting $3 million worth of cocaine through Illinois for a Mexican drug cartel. Stars: Bradley Cooper, Clint Eastwood, Manny Montana 2019 Supporters: Access 12 Alliance Accounting Group BP Enterprises-(Brian Parham) DBC Promo (Clark King) K. E. Kowalchuk Construction Meighen Haddad LLP Souris Patti Parham Souris Medical Associates Souris Plaindealer Souris River Chiropractic Souris Valley Foods Town Tire & Auto/Integra Tire Whitfield Drugs Thank you to the following for their support to print and distribute movie listings for 2018 Access 12 BGLT Inc – Glen Tosh BP Enterprises Fergies Farm & Auto J & S Meats Kowalchuk Funeral Home K. E. Kowalchuk Construction Leslie Chudley MNP LLP Pembina Consumers Co-Op Perkin Land & Cattle Co Plaza Petals Prairie Rose Meats Roy Painting & Decorating Souris Br #60 Royal Canadian Legion Souris Home Hardware Souris Medical Associates Souris Plaindealer Souris Valley Foods Souris River Chiropractic Town Tire & Auto/Integra Tire Whitfield Drugs Help with 2019 advertising costs - annual Sponsorship $100.00 - payable to Municipality of Souris-Glenwood AVALON THEATRE Souris, Manitoba February 2019 February 15th – 17th Dog’s Way Home Rated: PG Adventure, Family 96 min A female dog travels four hundred miles in search of her owner throughout a Colorado wilderness. -
A Check-List of All Animated Disney Movies
A CHECK-LIST OF ALL ANIMATED DISNEY MOVIES WALT DISNEY FEATURE ANIMATION WALT DISNEY PRODUCTIONS DISNEYTOON STUDIOS 157. Lady And The Tramp II: 1. 1 Snow White and the Seven 60. The Academy Award Review 108. Bambi II (2006) Scamp’s Adventure (2001) Dwarfs (1937) of Walt Disney Cartoons (1937) 109. Brother Bear 2 (2006) 158. Leroy And Stitch (2006) 2. 2 Pinocchio (1940) 61. Bedknobs and Broomsticks 110. Cinderella III: A Twist in 159. The Lion Guard: Return of 3. 3 Fantasia (1940) (1971) Time (2007) the Roar (2015) 4. 4 Dumbo (1041) 62. Mary Poppins (1964) 111. The Fox and the Hound 2 160. The Lion King II: Simba’s 5. 5 Bambi (1942) 63. Pete’s Dragon (1977) (2006) Pride (1998) 6. 6 Saludos Amigos (1943) 64. The Reluctant Dragon (1941) 112. The Jungle Book 2 (2003) 161. The Little Mermaid II: 7. 7 The Three Caballeros 65. So Dear To My Heart (1949) 113. Kronk’s New Groove (2005) Return to the Sea (2000) (1945) 66. Song of the South (1946) 114. Lilo and Stitch 2: Stitch Has 162. Mickey’s House of Villains 8. 8 Make Mine Music (1946) 67. Victory through Air Power A Glitch (2005) (2002) 9. 9 Fun and Fancy Free (1947) (1943) 115. The Lion King 1½ (2004) 163. Mickey’s Magical Christmas: 10. 10 Melody Time (1948) 116. The Little Mermaid: Ariel’s Snowed In at the House of 11. 11 The Adventures of WALT DISNEY PICTURES Beginning (2008) Mouse (2001) Ichabod and Mr. Toad (1949) ANIMATED & MOSTLY ANIMATED 117. -
Walt. Disney
CHARLOTTE AND ROBERT DISNEY HOUSE 4406 WEST KINGSWELL AVENUE CHC-2016-2575-HCM ENV-2016-2576-CE Agenda packet includes: 1. Final Staff Recommendation Report 2. Categorical Exemption 3. Director-Initiation Letter, Dated July 20, 2016 4. Nomination 5. 1990 Nomination and Letter of Determination 6. Letter from Member of the Public Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2016-2575-HCM ENV-2016-2576-CE HEARING DATE: September 15, 2016 Location: 4406 West Kingswell Avenue TIME: 9:00 AM Council District: 4 PLACE: City Hall, Room 1010 Community Plan Area: Hollywood 200 N. Spring Street Area Planning Commission: Central Los Angeles, CA 90012 Neighborhood Council: Los Feliz/South Los Feliz Legal Description: Mount Hollywood Grandview EXPIRATION DATE: October 3, 2016 Tract No. 2 PROJECT: Historic-Cultural Monument Application for the CHARLOTTE AND ROBERT DISNEY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Sang Ho Yoo, Krystal Yoo, and Hyun Bae Kim 3435 Wilshire Boulevard, #1190 Los Angeles, CA 90010 Sang Ho Yoo and Krystal Yoo 4237 Vanetta Drive Studio City, CA 91604 APPLICANT: City of Los Angeles, Planning Department 200 North Spring Street, Room 559 Los Angeles, CA 90012 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. VINCENT P. BERTONI, AICP Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. -
Fantasias Music History Through Animation Background
Disney’s Two Fantasias Music History Through Animation Background “The beauty and inspiration of music must not be restricted to a privileged few, but must be made available to every man, woman and child.” - Leopold Stokowski, 1940 “Fantasia is.. the beginning of a new technique for the screen.. and a greater development of sound recording and reproduction.” - Walt Disney, 1940 - Disney’s idea of marrying animation and music had begun in 1929 with the Silly Symphonies series (The Skeleton Dance, 1929, Flowers and Trees, 1932, first Technicolor release, The Old Mill, 1937, first multi-plane animation). Mickey was purposely left out. - by late-1930’s, Mickey’s popularity was failing, so Disney conceived the idea of starring Mickey in a Silly Symphony based on Paul Dukas’ The Sorcerer’s Apprentice - Disney ran into Stokowski in a Beverly Hills restaurant and discussed the idea with him. They soon elaborated it into a feature length film consisting of several contrasting musical works. Disney at first called it The Concert Feature. - Stokowski suggested Fantasia, a musical term meaning “a composition unrestricted by formal design, free reign for fantasy and imagination” - originally conceived as a continually changing concert program, with new pieces added and old ones withdrawn on a continuing basis. Leopold Stokowski • born in London, 1882 emigrated to New York in 1905 • 1912 conductor of Philadelphia Orchestra • an early champion of recorded orchestra music - • “The recording process will one day reproduce music better than heard in the concert hall” • experiments with 3-channel stereo sound at Bell Labs • Philadelphia Orchestra transmitted over three phone lines to Washington, DC • unconventional positioning of instruments in order to produce a better recording • conducted without a baton (hands only), as shown in Fantasia and parodied in Long Haired Hare • by 1937 was well known to American audiences through film & radio appearances • had developed a 9 microphone recording system (mixed to mono) for earlier film recording.