Favorite Disney Animated Movies.Xlsx

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FAVORITE DISNEY ANIMATED MOVIES - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Beauty and the Beast 105 103 The Lion King 1 Beauty and the Beast 92 92 The Lion King 16 Return to Neverland 2 2 Home on the Range 16 Beauty and the Beast 75 83 The Lion King 8 Frozen II 63 79 The Many Adventures of Winnie the Pooh 8 Frozen II 17 18 The Many Adventures of Winnie the Pooh 9 Ralph Breaks the Internet 36 24 Bolt 9 Beauty and the Beast 63 58 The Lion King 5 The Princess and the Frog 23 75 Dumbo 5 Robin Hood 63 36 Dumbo 12 Robin Hood 83 29 Meet the Robinsons 12 Robin Hood 35 26Tangled 4 Cinderella 83 68 Tangled 4 Cinderella 49 73 Tangled 13 Brother Bear 22 37 Oliver & Company 13 Division One Beauty and the Beast The Lion King Division Two 6 Lady and the Tramp 87 57 Lilo & Stitch 6 Lady and the Tramp 73 43 Lilo & Stitch 11 Treasure Planet 18 48 The Aristocats 11 Lady and the Tramp 75 68 Mulan 3 Snow White and the Seven Dwarfs 90 89 Mulan 3 Snow White and the Seven Dwarfs 38 65Mulan 14 Make Mine Music 13 14 Fun and Fancy Free 14 Lady and the Tramp 21 24Mulan 7 Hercules 76 44 The Hunchback of Notre Dame 7 Hercules 51 52 The Rescuers 10 Ducktales the Movie: Treasure of the Lost Lamp27 60 The Rescuers 10 Bambi 36 38 Zootopia 2 Bambi 63 77 Zootopia 2 Bambi 60 53 Zootopia 15 The Black Cauldron 42 26 Piglet's Big Movie 15 CHAMPION 1 Aladdin 103 100 The Little Mermaid 1 Aladdin 95 78 The Little Mermaid 16 Teacher's Pet 1 5 Recess: School's Out 16 Aladdin 80 81 The Little Mermaid 8 Winnie the Pooh 50 48 The Emperor's New Groove 8 Pocahontas 14 34 The Sword in the Stone 9 Pocahontas 57 58 The Sword in the Stone 9 Aladdin 57 42 The Little Mermaid 5 101 Dalmatians 78 54 Tarzan 5 101 Dalmatians 57 59 Tarzan 12 Atlantis: The Lost Empire 28 51 The Rescuers Down Under 12 101 Dalmatians 31 26 Tarzan 4 The Jungle Book 86 75 Big Hero 6 4 The Jungle Book 55 50Big Hero 6 13 A Goofy Movie 19 24 Melody Time 13 Division Three Aladdin The Little Mermaid Division Four 6 Wreck-It Ralph 31 80 Sleeping Beauty 6 The Fox and the Hound 50 47 Sleeping Beauty 11 The Fox and the Hound 72 23 The Adventures of Ichabod and Mr. Toad 11 Frozen 64 46 Fantasia 3 Frozen 90 94 Fantasia 3 Frozen 61 66 Fantasia 14 Dinosaur 15 12 Pooh's Heffalump Movie 14 Frozen 25 41 Moana 7 Peter Pan 76 71 Alice in Wonderland 7 Peter Pan 86 38 Alice in Wonderland 10 Fantasia 2000 29 36 The Great Mouse Detective 10 Peter Pan 46 65 Moana 2 Pinocchio 83 88 Moana 2 Pinocchio 26 73 Moana 15 Chicken Little 21 17 The Tigger Movie 15.

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Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
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