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Gb RTR UOB £!Itb IN gB RTR UOB £!iTBIN ' Edited, with �n Introduction and Notes, by CARL VAN VECHTEN and with an Essay on GertrudeStein by F. W. DUPEE VINTAGB BOOKS A Division of Random House, Inc., New York A Stein. Song xis rally, were due to her personality and charm, them but most of stem directly from the library shelves. which hold her collected works. Furthermore, as she once categOrically in� formed Alfred Harcourt, it is to her s�called "difficult" A thatshe owes works Stein Song her world-wide celebrity. There is more direct testimony regarding her experiences with the GIs in her letters to me. Gertrude Stein rings bells, loves baskets, and wears hand­ On November 26, 1944, after the coming of the Americans, some waistcoats. She has a tenderness for green glass an event· excitingly · and described in this Collection, she cabled me: "Joyous buttons have a tenderness for her. In the matter of fans you Endless Days. Love," In 1945, she wrote, can only compare her with a motion-picture in "How we love the Amer.. star· Holly­ i an ar we � m! never do stop lOving the American wood and three generations of young writers have sat at her smgle army one mmute. " If you will recall Alexandre feet. She has influenced without coddling them. In her own Dumas's motto /'aime qUi m'aime, you will time be certain they loved her too. she is a legend and in her own country she is with honor. later she Still wrote me: "Encl sed is a deSCription Keys to sacred doors have been pres nted to her a d she ? of a talk I gave � � them which did excite them, understands they walked me home fifty how to open them. She wrltes books for children, after the strong lecture was over and in the plays for actors, and librettos for operas. Each one of them narrow streets of the quarter they made all the automobiles is one. For her a rose is a rose and howl take side. streets, the police looke� and followed I composed this strictly a bit but gave it up." Captain factual account. of Miss Stein a�d Edmund Gelsler, her escort on the Belgian excursion her activities for a catalogue of the Gotham Book Mart m me, "Wherever said to she spoke she was frank 1940, but all that I said then seems to be truer than ever and even beliigerent. She made the GIs awfully mad, but she also made them today. Gertrude Stein currently is not merely a legend, but andmany think ended in agreement with her." also a whole folklore, a subject for an epic poem, and the young GIs who crowded into her Paris apartment on the rue n Christine during and after the Greater War have augmented the number of her fans until their count is as hard to reckon In Everybody's Autobiogr � aphy, Gertrude Stein confesses: as that of the grains of sand on the shore by e sea. �g always "It did bother me that the American the war I frequently received letters from soldlers and sailors public were more interested in me than in my work," Perhaps this who, with only two days' furlough at their disposal nd a may statement � be affirmed justifiably of the long way to travel, sometimes by jeep, spent all of therr free anonymous masses, bqt it ould·be inc rrect � � to apply it generally to the hours in Paris with the author of Tender Buttons. Othe)' GIs ISts, critics, novel­ and reVlewers who. frequently bore her away on a flying tour of Germany and still othe s have considered her � writings worth discussing seriously. carried her by automobile to Belgium to speak to therr It has occurred to me that a brief summary of the opinions comrades there. In Paris she gave public of a few of these distin­ talks to groups of guished gentlemen might serve to reassure the reading them too large to fit into her apartment. Life and the New at world ; large and Miss Stein herself on.this York Times Magazine contracted for articles from her pen. controversial point, Andre Maurois, for example, Her play of existence in occupied France, Yes Is for a says of her: "In the universal Very confusion (the war years and after) she remains Young Man, was presently produced at the Com unity Play­ she intelligent� ,? has kept her poetic sense and house in Pasadena, California. Some of these trlbutes, natu- even her sense of humor." Of Wars 1 Have Seen he writes: "The originality of the ideas, xx A Stein Song A Stein Song xxi the deliberate fantasy of the comparisons, the. naivete of the further what she has in mind she has completely unlinked tone, combined with the profundity of the thought, the repeti­ them (in her most recent work: 1930) from their former tions, the absence of punctuation, all that first irritates the relationships to the sentence. This was absolutely essential reader finally convinces· him so that more orthodox styles' and unescapable. Each under the new arrangement has a is a appear insipid to him. Gertrude Stein believed to be quality of its own, but not conjoined to carry the burden in difficult writer. This is false. There is not a single phrase science, philosophy, and every higgledy-piggledy figment of a this book that cannot be comprehended by schoolgirl of six­ law and order have been laying upon them in the past. They teen years." are like a crowd at Coney Island, let us say, seen from an Here is Ben Ray Redman's testimony: "Few writers have airplane. • • . She has placed writing on a plane where it ever dared to be, or have ever been able to be, as simple as may deal unhampered with its own affairs, unburdened with she, as simple as a child, pointing straight, going straight to scientific and philosophiC lumber." the. heart of a subject, to its roots; pointing straight, when Edmund Wilson feels compelled to admit: "Whenever we and where adults would take a fancier way than pointing be­ pick up her writings, however unintelligible we may find cause they have learned not to point. • • • In the past, per­ them, we are aware of a literary personality of unmistakable haps wilfully, she has often failed to communicate, and it was originality and distinction." either her misfortune or her fun, depending on her intention." Julian Sawyer contends: �'If the name of anything or every­ Or perhaps you would prefer Virgil Thomson's capsule thing is dead, as Miss Stein has always rightly contested, the definition: "To have become a Founding Father of her cen­ only thing to do to keep it alive is to rename it. And that is tury is her own reward for having long ago, and completely, what Miss Stein did and does." . dominated her language." Pursuing these commentators, I fall upon Thornton Wilder An earlier, sympathetic, and highly descriptive view is that who asserts: "There have been too many books that attempted of Sherwood Anderson: "She is laying word against· word, to flatter or woo or persuade or coerce the reader. Miss Stein's relating sound to sound, feeling for the taste, the smell, the theory of the audience insists on the fact that the richest re­ rhythm of theindividual word. She is attempting to do some­ wards for the reader have come from those works in which thing for the writers of our English speech that may be better the authors admitted no consideration of an audienCe into a a understood after time, and she is not in hurry. • • • There their creating mind." is a thing one might call 'the extension of the province of his And as a coda, allow me to permit Joseph Alsop, Jr., to art' one wants to achieve. One works with words and one speak: "Miss Stein. is no out-pensioner upon Parnassus; no would like words that have a taste on the lips, that have a crank; no seeker after personal publicity; no fool. She is a perfume to the nostrils, rattling words one can throw into remarkably. shrewd woman, with an intelligence both sensi­ a box and shake, making a sharp jingling sound, words that, tive and tough, and a single one of her books, Three Lives, when seen on the printed page, have a distinct arresting is her sufficient ticket of admission to the small company of effect upon the eye, words that when they jump out from authors who have had something to say and have known how under the pen one may feel with the fingers as one might to say it." caress the cheeks of his beloved. And what I think is that these books of Gertrude Stein do in a very real sense recreate m life in words." William Carlos Williams's opinion is correlated to the If Picasso is applauded for painting pictures which do not above: "Having taken the words to her choice, to emphasize represent anything he has hitherto seen, if Schoenberg can A Stein Song xxiii xxii A Stein· Song completely caressed and addressed a noun." She had an­ pen a score that sounds entirely new even to ears accustomed other period of exciting discovery when she found that para­ to listen to modem music, why should an employer of English graphs are emotional and sentences are not. Finally, it came words be required to form sentences which are familiar in o her that she could condense and concentrate her meaning meaning, shape, and sound to any casual reader? Miss Stein ! mto one word at a time, "even if there were always one after herself implies somewhere that where there is communicatio� !he other." "I �ound," she has told us, "that any kind of bQok (or identification) there can be no question of creation.
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