Vulcan: a Symbol of Birmingham's Industrial Epoch
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Chapter 4 Natural Resources and Environmental Constraints
Chapter 4 Natural Resources and Environmental Constraints PERSONAL VISION STATEMENTS “I want to live in a city that cares about air quality and the environment.” “Keep Birmingham beautiful, especially the water ways.” 4.1 CITY OF BIRMINGHAM COMPREHENSIVE PLAN PART II | CHAPTER 4 NATURAL RESOURCES AND ENVIRONMENTAL CONSTRAINTS GOALS POLICIES FOR DECISION MAKERS natural areas and conservation A comprehensive green infrastructure • Support the creation of an interconnected green infrastructure network that includes system provides access to and natural areas for passive recreation, stormwater management, and wildlife habitat. preserves natural areas and • Consider incentives for the conservation and enhancement of natural and urban environmentally sensitive areas. forests. Reinvestment in existing communities • Consider incentives for reinvestment in existing communities rather than conserves resources and sensitive “greenfields,” for new commercial, residential and institutional development. environments. • Consider incentives for development patterns and site design methods that help protect water quality, sensitive environmental features, and wildlife habitat. air and water quality The City makes every effort to • Support the development of cost-effective multimodal transportation systems that consistently meet clean air standards. reduce vehicle emissions. • Encourage use of clean fuels and emissions testing. • Emphasize recruitment of clean industry. • Consider incentives for industries to reduce emissions over time. • Promote the use of cost-effective energy efficient design, materials and equipment in existing and private development. The City makes every effort to • Encourage the Birmingham Water Works Board to protect water-supply sources consistently meet clean water located outside of the city to the extent possible. standards. • Consider incentives for development that protects the city’s water resources. -
Position Overview
DIRECTOR OF DEVELOPMENT Birmingham, AL Search conducted by Development Resources, inc. www.driconsulting.com Art Free For All The Birmingham Museum of Art (BMA) sparks the creativity, imagination, and liveliness of Birmingham by connecting all its citizens to the experience, meaning, and joy of art. Founded in 1951, the Birmingham Museum of Art has one of the finest collections in the Southeast supported by a strong educational program designed to make the arts come alive for children and adults throughout the region. More than 27,000 objects represent a rich panorama of cultures, including Asian, European, American, African, Pre-Columbian, and Native American. Highlights include the Museum’s collection of Asian art, considered the finest and most comprehensive in the Southeast; a remarkable Kress collection of Renaissance and Baroque paintings, sculpture, and decorative arts from the late 13th century to the 1750s; and the Museum’s world-renowned collection of Wedgwood, the largest outside of England. The Museum connects with the community through educational programs and curated exhibitions that engage, entertain, and enlighten visitors. Programs are designed around the Museum’s permanent collection and changing exhibitions, and provide opportunities for all ages and levels of experience to connect with art. In its most recent fiscal year, BMA welcomed 124,039 visitors, an increase of 3,000 guests over the previous year. This increase was spurred by relevant and innovative exhibitions and programs, such as the popular Family Festivals and the Barbie: Dreaming of a Female Future exhibition, which received widespread acclaim from visitors and the media. Barbie: Dreaming of a Female Future Emblematic of the types of programs and exhibitions the Museum features, this exhibition takes a critical look at Barbie on her 60th anniversary. -
N. 14 COP 1,2,3,4 Prova 2.Ai
14 2016 IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage JOURNAL OF THE SECTION OF CULTURAL HERITAGE Department of Education, Cultural Heritage and Tourism University of Macerata Il Capitale culturale Fiorella Dallari, Stefano Della Torre, Maria Studies on the Value of Cultural Heritage del Mar Gonzalez Chacon, Maurizio De Vita, Vol. 14, 2016 Michela Di Macco, Fabio Donato, Rolando Dondarini, Andrea Emiliani, Gaetano Maria ISSN 2039-2362 (online) Golinelli, Xavier Greffe, Alberto Grohmann, Susan Hazan, Joel Heuillon, Emanuele Invernizzi, Lutz Klinkhammer, Federico © 2016 eum edizioni università di macerata Marazzi, Fabio Mariano, Aldo M. Morace, Registrazione al Roc n. 735551 del 14/12/2010 Raffaella Morselli, Olena Motuzenko, Giuliano Pinto, Marco Pizzo, Edouard Pommier, Carlo Direttore Pongetti, Adriano Prosperi, Angelo R. Pupino, Massimo Montella Bernardino Quattrociocchi, Mauro Renna, Orietta Rossi Pinelli, Roberto Sani, Girolamo Co-Direttori Sciullo, Mislav Simunic, Simonetta Stopponi, Tommy D. Andersson, Elio Borgonovi, Michele Tamma, Frank Vermeulen, Stefano Rosanna Cioffi , Stefano Della Torre, Michela Vitali Di Macco, Daniele Manacorda, Serge Noiret, Tonino Pencarelli, Angelo R. Pupino, Web Girolamo Sciullo http://riviste.unimc.it/index.php/cap-cult e-mail Coordinatore editoriale [email protected] Francesca Coltrinari Editore Coordinatore tecnico eum edizioni università di macerata, Centro Pierluigi Feliciati direzionale, via Carducci 63/a – 62100 Macerata Comitato editoriale tel (39) 733 258 6081 Giuseppe Capriotti, -
Vulcan! Table of Contents
SAVE OUR CITY SYMBOL Activities for Students of All Ages BIRMINGHAM HISTORICAL SOCIETY 1999 VIVE VULCAN! TABLE OF CONTENTS Teacher Materials A. Overview D. Quiz & Answers B. Activity Ideas E. Word Search Key C. Questions & Answers F. Map of the Ancient World Key Activities 1. The Resumé of a Man of Iron 16. The Red Mountain Revival 2. Birmingham at the Turn 17. National Park Service of the 20th Century Documentation 3. The Big Idea 18. Restoring the Statue 4. The Art Scene 19. A Vision for Vulcan 5. Time Line 20. American Landmarks 6. Colossi of the Ancient World 21. Tallest American Monument 7. Map of the Ancient World 22. Vulcan’s Global Family 8. Vulcan’s Family 23. Quiz 9. Moretti to the Rescue 24. Word Search 10. Recipe for Sloss No. 2 25. Questions Pig Iron 26. Glossary 11. The Foundrymen’s Challenge 27. Pedestal Project 12. Casting the Colossus 28. Picture Page, 13. Meet Me in St. Louis The Birmingham News–Age Herald, 14. Triumph at the Fair Sunday, October 31, 1937 15. Vital Stats On the cover: VULCAN AT THE FAIR. Missouri Historical Society 1035; photographer: Dept. Of Mines & Metallurgy, 1904, St. Louis, Missouri. Cast of iron in Birmingham, Vulcan served as the Birmingham and Alabama exhibit for the St. Louis World’s Fair. As god of the forge, he holds a spearpoint he has just made on his anvil. The spearpoint is of polished steel. In a gesture of triumph, the colossal smith extends his arm upward. About his feet, piles of mineral resources extol Alabama’s mineral wealth and its capability of making colossal quantities of iron, such as that showcased in the statue, and of steel (as demonstrated with the spearpoint). -
Organization City State Admission Additional Discount Alaska Sealife
Organization City State Admission Additional Discount Alaska SeaLife Center Seward AK 50% Birmingham Zoo Birmingham AL 50% Little Rock Zoo Little Rock AR 50% Reid Park Zoo Tucson AZ 50% The Phoenix Zoo Phoenix AZ 50% Aquarium of the Bay San Francisco CA 50% Cabrillo Marine Aquarium San Pedro CA FREE 10% discount at gift shop Charles Paddock Zoo Atascadero CA 50% CuriOdyssey (Coyote Point Museum) San Mateo CA 50% Fresno Chaffee Zoo Fresno CA 50% Happy Hollow Zoo San Jose CA 50% Los Angeles Zoo Los Angeles CA 50% Oakland Zoo Oakland CA 50% Sacramento Zoo Sacramento CA 50% San Francisco Zoo San Francisco CA 50% Santa Ana Zoo Santa Ana CA 50% Santa Barbara Zoo Santa Barbara CA 50% Sequoia Park Zoo Eureka CA 50% The Living Desert Palm Desert CA 50% Calgary Zoo Calgary Canada 50% Granby Zoo Granby - Quebec Canada 50% Pueblo Zoo Pueblo CO 50% Connecticut's Beardsley Zoo Bridgeport CT 50% Smithsonian's National Zoological Park Washington DC DC FREE 10% discount at gift shops on-site Brandywine Zoo Wilmington DE 50% Alligator Farm Zoological Park St. Augustine FL 50% Brevard Zoo Melbourne FL 50% Central Florida Zoo and Botanical Gardens Sanford FL 50% Jacksonville Zoo and Gardens Jacksonville FL 50% FREE on Open House Lemur Conservation Foundation Myakka City FL Days (call for invitation) 10% discount at gift shops on-site Mote Marine Aquarium Sarasota FL 50% Palm Beach Zoo West Palm Beach FL 50% Tampa's Lowry Park Zoo Tampa FL 50% The Florida Aquarium Tampa FL 50% Zoo Miami Miami FL 50% Chehaw Wild Animal Park Albany GA 50% Zoo Atlanta Atlanta -
Travel Professionals | Greater Birmingham Convention & Visitors Bureau – Birmingham, AL
CONTACT MENU ATTRACTIONS SHOPPING DINING OUTDOORS NIGHTLIFE Plan a Tour When tour groups get down to Birmingham, they get down to the business of exploring the city’s personality. Among the themed tours are trips to sample the city’s locally-produced snacks, real Southern dining and the influence of immigrants on the city’s cuisine. Other tours explore the diversity of Birmingham’s ethnic communities, reflected in the architecture and cultural events throughout the city. Plan a tour to visit the Eternal Word Television Network, founded by Mother Mary Angelica. Take in the historic sites from Birmingham’s tumultuous role in America’s Civil Rights Movement. Hear interesting tales from the city’s rowdy pioneer days. Visit the factory where the popular M-Class Mercedes-Benz is manufactured. And sample the art, outdoors, dining, sports and entertainment that bring tour groups back to Birmingham time and again. (Sample itineraries include more locations than a full day of touring will accommodate. Let us help you customize your tour from these suggested destinations. Reservations are required and appreciated.) Itineraries Grits, Greens and Greeks: The Southern Foods Tour Spend a day sampling the flavors of Birmingham. Wake up the day with breakfast at Niki’s West, a Birmingham institution, where they serve up a heaping helping of Southern favorites: country ham, cheese grits, cathead biscuits with sawmill gravy, and eggs any way you like ‘em. Then walk off some of that fine meal at the Pepper Place Saturday Market. This seasonal spread of Southern foods is a delight to wander through. Farmers’ stalls are filled with peaches, peppers and tomatoes. -
2006 Annual Report
2006 Annual Report Transforming passionate commitment to wildlife into effective conservation CONTENTS From the Executive Director 2 From the Chairman 3 About CBSG 4 2006 PHVA and CAMP Workshops / Sponsors 6 2006 Conservation Planning and Training Workshops / Sponsors 9 Success Stories: Saving Japan’s Tsushima Leopard Cat 10 Borderless Conservation for Bearded Vultures 11 Beach Mice: Living in the Eye of the Hurricane 12 Preserving Cuban Parrots 13 Returning Mexican Wolves to the Sierra Madre 14 Effecting Positive Change for Zoos and Animals 15 Special Report: Launching the Amphibian Ark 16 Core Team: CBSG Staff & Strategic Associates 18 CBSG Regional Networks 19 CBSG Conservation Council 20 CBSG Steering Committee 21 Financial Information 23 2006 Sponsors of CBSG Participation in Conservation Workshops and Meetings 24 2006 Ulysses S. Seal Award 24 OUR MISSION CBSG’s mission is to save threatened species by increasing the effectiveness of conservation efforts worldwide. Through: • innovative and interdisciplinary methodologies, • culturally sensitive and respectful facilitation, and • empowering global partnerships and collaborations, CBSG transforms passionate commitment to wildlife into effective conservation. CONSERVATION BREEDING SPECIALIST GROUP MEASURES OF SUCCESS In recent years, evaluation has been a prevalent issue in conservation conferences and the focus of discussion within the international zoo community. It has been a topic at CBSG Annual Meetings and is a key criterion in the development of recommendations in CBSG workshops. So naturally, when reflecting on the past year, I began thinking in terms of evaluation. There are some standard parameters we can use to evaluate CBSG as an organization, including top-line parameters such as organizational longevity, staff retention, and financial status. -
Xerographic Copies of Color Transparencies
RUFFNER RED ORE MINES HAER No. AL-27 (Ruffner Mountain Nature Center) (Sloss' Ruf.fner Mines) (Ruffner Mines No. 1,2,3,4 and 5) Birmingham Industrial District N. of I 20 at the Oporto-Madrid exit Birmingham Jefferson County 43^ > Alabama PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA REDUCED COPIES OF MEASURED DRAWIN6S XEROGRAPHIC COPIES OF COLOR TRANSPARENCIES HISTORIC AMERICAN EN6INEERTNG RECORD National Park Service Department of the Interior P.O. Box 37127 Washington, DC 20013-7127 HISTORIC AMERICAN ENGINEERING RECORD ALA . RUFFNER RED ORE MINES (Ruffner Mountain Nature Center) (Slossfs Ruffner Mines) 43- ' (Ruffner Mines No. 1,2,3,4, and 5) HAER No. AL-27 Location: Ruffner Red Ore Mines are located five miles east of downtown Birmingham immediately to the north of 1-20 at the Opporto-Madrid exit. The site is bounded by Georgia Road on the south; Ruffner Road on the east; 86th Street/Valley Brook Road to the north; and the Birmingham neighborhoods of Gate City, East Lake, South East Lake and Brown Spring on the west. Date of Construction ca. 1880 Designer/Engineer: Multiple Builder/Fabricator: Multiple Present Owner: City of Birmingham Present Use: Nature Center Significance: Ruffner Ore Mines were operated by the Sloss Furnace Company, later the Sloss- Sheffield Steel and Iron Company. These mines provided ore for the nearby Sloss Furnaces, designated as a National Historic Landmark. Operated intermittently from the 1880s to the 1950s, the Ruffner mines exhibit a wide variety of technology, tracing the evolution of mining practice in the Birmingham District. Project Information This recording project is part of the Historic American Engineering Record (HAER), a long range program to document the engineering, industrial and transportation heritage of the United States. -
Birmingham Activities
Things to See and Do in Birmingham AL Sloss Furnace: National Histor- Ruffner Mountain: 1,038-acre urban Barber Museum is recognized by ic Landmark, offering guided & nature preserve. One of the largest Guinness World Records as the self tours. It is also a unique privately held urban nature pre- world’s largest motorcycle collection venue for events & concerts. serves in the United States. w/over 1,400 cycles over 100 years Railroad Park: beautiful 8-block Birmingham Zoo is Alabama's must Birmingham Botanical Gardens green space that celebrates the -see attraction, w/approx. 950 offers stunning glasshouses, industrial and artistic heritage animals of 230 species calling it beautiful gardens, playground, of downtown Birmingham. home. tearoom & gift shop over 15 acres. AL Jazz Hall of Fame: Honors ALA Sports Hall of Fame: More Birmingham Museum of Art is great jazz artists w/ties to Ala, than 5,000 sports artifacts are owned by the City of Birmingham furnishing educational info, displayed in this 33,000-sq-foot and encompasses 3.9 acres in the exhibits, & entertainment. home for heroes. heart of the city’s cultural district Arlington House & Gardens is on The Vulcan statue is the largest cast Rickwood's miracle mile of under- the National Register of Historic iron statue in the world, and is the ground caverns! The 260 million- year -old limestone formations, Places located on 6 acres in the city symbol of Birmingham, Alabama. heart of Old Elyton. blind cave fish & underground pools. Birmingham Civil Rights Insti- McWane Science Center in Birming- Rickwood Field, America's oldest tute: large interpretive museum ham features 4 floors of hands-on ballpark. -
Roman God Vulcan, St. Eligius and Metal Casting
Roman God Vulcan, St. Eligius and Metal Casting Page 1 of 3 PREPARED BY THE FOLK GROUP. THIS MAY BE REPRINTED WITH ATTRIBUTION. MARCH, 2009. We normally try to present articles that either and he couldn’t hold his spear. He could, however, inform about the metal casting industry or provide hold other various objects for advertising purposes value to senior management. This time we thought such as a giant ice cream cone, a pickle sign and a it would be fun to take a look at two patrons of the Coke bottle. Vulcan was painted with a giant pair metal casting industry – the mythical Roman god of Liberty overalls for modesty’s sake. In 1936, Vulcan and the Roman Catholic patron saint of Vulcan was moved to Red Mountain as part of a metal casting, St. Eligius. It would be hard to find WPA project. Red Mountain is a most appropriate two more different patrons. name since the red color of the soil is due to its high iron content. The hollow statue was filled to the VULCAN shoulders with concrete to help anchor it in place, a Vulcan is the Roman re-incarnation of the Greek big mistake. In 1946, safety minded citizens god, Hephaestus. Most of the Roman gods were replaced his spear with a cone shaped lighted Greek gods renamed and slightly revised. What we beacon. The light glowed green on days when there know of the Roman and Greek gods was not were no deaths in auto accidents and red when there documented until writing was developed about were. -
Exhibition Calendar 2019–20
EXHIBITION CALENDAR 2019–20 Rachel Eggers Manager of Public Relations [email protected] 206.654.3151 The following information is subject to change. Prior to publication, please confirm dates, titles, and other information with the Seattle Art Museum public relations office. 2 SEATTLE ART MUSEUM – NOW ON VIEW Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement Seattle Art Museum June 13–September 8, 2019 As industrialization brought sweeping and dehumanizing changes to 19th- century England, a small group of artists reasserted the value of the handmade. Calling themselves the Pre-Raphaelites, they turned to the unlikely model of medieval European craftsmen as a way of moving forward. Victorian Radicals presents an unprecedented 145 paintings, drawings, books, sculpture, textiles, and decorative arts—many never before exhibited outside of the UK—by the major artists associated with this rebellious brotherhood. Dante Gabriel Rossetti, John Everett Millais, William Holman Hunt, Edward Burne-Jones, and William Morris dubbed themselves the Pre-Raphaelites in reaction to the Royal Academy of Arts, whose methods to artmaking they regarded to be as formulaic as industrial methods of production. This movement had broad implications and inspired a wide range of industries to rebel against sterility and strive to connect art to everyday life. The Pre-Raphaelites and members of the later Arts & Crafts movement operated from a moral commitment to honest labor, the handmade object, and the ability of art to heal a society dehumanized by industry and mechanization. The works of the men and women presented in the exhibition illustrate a spectrum of avant-garde practices of the Victorian period and demonstrate Britain’s first modern art response to industrialization. -
Hank Willis Thomas
Goodman Gallery Hank Willis Thomas Biography Hank Willis Thomas (b. 1976, New Jersey, United States) is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture. Thomas has exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands. Thomas’ work is included in numerous public collections including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; High Museum of Art, Atlanta, and National Gallery of Art, Washington D.C. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), Writing on the Wall, and the artist-run initiative for art and civic engagement For Freedoms, which in 2017 was awarded the ICP Infinity Award for New Media and Online Platform. Thomas is also the recipient of the Gordon Parks Foundation Fellowship (2019), the Guggenheim Foundation Fellowship (2018), Art for Justice Grant (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), and is a member of the New York City Public Design Commission. Thomas holds a B.F.A. from New York University (1998) and an M.A./M.F.A. from the California College of the Arts (2004). In 2017, he received honorary doctorates from the Maryland Institute of Art and the Institute for Doctoral Studies in the Visual Arts. Artist Statement Hank Willis Thomas is an American visual photographer whose primary interested are in race, advertising and popular culture.