Alberts Country Corner
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
STEVE YOUNG LL July 2021
STEVE YOUNG - LYRICS Steven Timothy Young, 12th July 1942 - 17th March 2016 Compiled by Robin Dunn assisted by Chrissie van Varik. Please note that this list should be regarded as a ‘work in progress’. We don’t claim definitive knowledge about Steve Young’s recorded and composing output and welcome corrections and/or new information. Many folks will have greater knowledge than we about the details on many of these tracks - musicians, dates of recordings, background etc. As anyone with any experience of these things knows, something new and unexpected is always turning up! If anyone epitomises the title of our website it has to be Steve Young. He covered the full gamut of folk, country, blues, and rock ‘n’ roll. Not so well known with the general music-buying public he was nevertheless a huge influence on contemporary and upcoming folk and country musicians many of whom went on to become famous in their own right. Perceived as somewhat of an independent country and folk outsider he was a pioneer of the country rock, Americana, and Alt. Country sounds and often seen as the original so called ‘outlaw’ a label later adopted and inculcated by Waylon Jennings, Johnny Cash and Willie Nelson among others. However, Steve Young’s repertoire was much wider and varied. Steve Young was born on 12th July 1942 in Newnan, Georgia. He grew up in Gadsden, Alabama, and in Texas, as the family regularly moved around in search of work. By the time he completed high school he was playing and writing songs that incorporated influences of folk, blues, country and gospel that he absorbed whilst travelling throughout the South. -
News from Fondren, Fall 2016
NEWS FROM FONDREN Volume 26, No. 1 • Fall 2016 Woodson Research Center Trains Students for Public Humanities Initiative During the 2016 spring semester, as a nurse during the yellow fever members of the Rice community. the Woodson Research Center, in epidemic of 1878 in Tennessee, She created a fascinating exhibit partnership with the Humanities Mississippi and Alabama. The letters on a topic of great interest that had Research Center, supervised two were digitized and transcribed and not been covered in such a succinct undergraduate students in archival are now available in the Rice Digital and compelling way. Her exhibit is research in the areas of medical Scholarship Archives. Shayeb analyzed available online: http://exhibits.library. humanities and cultural heritage. the letters to gain insight into the rice.edu/exhibits/show/between- As part of the Public Humanities treatment of illness in the postbellum decisions. Initiative, students learned to apply South and the “interactions between Otuomagie was honored for her their humanistic training and critical doctors and nurses during an era in research with the Humanities Research thinking as they learned new practical which nursing was not completely Center Prize and also received the skills. The students learned about professionalized.” She also focused School of Humanities first prize at the nature of archives and conducted on the intersection of race, illness and the Rice Undergraduate Research deep research and analysis of primary nursing. She published two articles Symposium. sources. about the project on Rice University’s Both students created thoughtful Miriam Shayeb, a sophomore OpenStax online platform. archival research projects and English and Hispanic studies major, Edna Otuomagie is a senior visual delivered them to a broader audience was selected to work with the “Kezia and dramatic arts major and was in accessible and permanent online Payne DePelchin Yellow Fever selected to work on the “Between formats. -
Interviewee: Richard Dobson Interviewer: Norie Guthrie Date Of
Dobson Interview 1 Interviewee: Richard Dobson Interviewer: Norie Guthrie Date of Interview: Friday, November 4, 2016 Identifier: wrc08231 Interview Transcript Norie Guthrie: My name is Norie Guthrie from the Woodson Research Center, Fondren Library, Rice University. I am interviewing singer/songwriter Richard J. Dobson. Today is November 4, 2016. This is part of the Houston Folk Music Archive oral history project. So could you tell me a bit about your early life? Richard Dobson: I was born in, in east Texas in, uh, in Tyler, Texas, but I don't have any connection to the place. Uh, uh, my father was a Shell engineer and, uh, and, uh, in Kilgore which had no hospital, which is why I went to Tyler, why I came out in Tyler. And, uh, he, uh, he joined the navy after Pearl Harbor and was gone for a while. And he came back, uh, um, we grew up in Houston, Corpus Christi mostly back and forth. Norie Guthrie: Mm hmm. Richard Dobson: And I went to parochial schools in Fairlane. A lot of moving around, but, uh, other than that pretty much a normal upbringing. And uh, let's see, where did we, I guess jump to high school. Norie Guthrie: Mm hmm. Richard Dobson: I went to, I went to St. Thomas High School for 2 years here in, here in Houston, and uh, and then my father was transferred to Indonesia. Norie Guthrie: Mm hmm. Richard Dobson: To Sumatra. Norie Guthrie: Okay. Richard Dobson: Since Shell was a Dutch company and Indonesia was originally or at one time a Dutch colonial possession. -
Welcome to the 41St Tønder Festival Last Year’S 40Th Jubilee Was a Huge, Warm Celebration of 4 Decades of International and Danish Folk Roots Music in Tønder
Welcome to the 41st Tønder Festival Last year’s 40th jubilee was a huge, warm celebration of 4 decades of international and Danish folk roots music in Tønder. It also marked the launch of the Tønder Festival of the future. Hand-made music with roots in folk, country, blues, cajun, world and the rest has seen yet ano- ther massive renaissance these past few years. Tønder Festival has been part of this all the way. The rebuilding of the festival is a process that began in 2012, and 2015 sees the topping out. This year’s music programme reflects today’s genre-crossing artists, the bearers of the strong traditions and new, young names. International giants in the veteran class side by side with the top musicians of the future. This year again, Tønder Festival’s audiences will find a festival site alive with many different mu- sic venues, special thematic zones and a wide selection of restaurants, cafés and sales booths. Four days’ immersion in a unique festival atmosphere with its well-defined identity and audiences who love the music and the vibe. 2014 was also the year when the conductor’s baton changed hands. Tønder Festival’s artistic director Carsten Panduro retired and the new management took over. The new management team inherited a festival that turned loss to profit in 2014, a festival with huge and growing local and regional backing and enormous media attention. There have been digital changes, too. Tønder Festival has a new website and an intensified pre- sence on social media. Tønder Festival has as its main priority, as always, and more than ever, active contact with old and new audience members, those who buy wrist bands to participate in our unique, close fellowship centred on acoustic music of the highest calibre. -
JOHNNY CASH: out Among the Stars CD
JOHNNY CASH: Out Among The Stars CD 1 Out Among the Stars, 00:03:00 (Composer Adam Mitchell - Lyricist Adam Mitchell) Performer: Johnny Cash Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 2 Baby Ride Easy, 00:02:41 (Composer Richard Dobson - Lyricist Richard Dobson) Performer: Johnny Cash with June Carter Cash Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 3 She Used to Love Me a Lot, 00:03:09 (Composer Rhonda Fleming / Composer Dennis Morgan / Composer Charles Quillen - ) Performer: Johnny Cash Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 4 After All, 00:02:47 (Composer Sandy Mason / Composer Charles Cochran - ) Performer: Johnny Cash Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 5 I'm Movin' On, 00:03:07 (Composer Clarence E. "Hank" Snow - Lyricist Clarence E. "Hank" Snow) Performer: Johnny Cash with Waylon Jennings Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 6 If I Told You Who It Was, 00:03:03 (Composer Bobby Braddock / Composer Curly Putman - ) Published By: Sony/ATV Tree Publishing Performer: Johnny Cash Special Guest Appearance: Minnie Pearl Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 7 Call Your Mother, 00:03:16 (Composer Johnny Cash - Lyricist Johnny Cash) Performer: Johnny Cash Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 8 I Drove Her Out of My Mind, 00:02:58 (Composer Gary Gentry / Composer Hillman Hall - ) Performer: Johnny Cash Producer: Billy Sherrill (P) 2014 Sony Music Entertainment 9 Tennessee, 00:03:25 (Composer Rick Scott -
OUTLAWS and ARMADILLOS: COUNTRY’S ROARING ’70S to OPEN at the COUNTRY MUSIC HALL of FAME and MUSEUM® MEMORIAL DAY WEEKEND
Exhibit artifacts L-R: Jessi Colter and Waylon Jennings portrait, from the Leonard Kamsler photo collection; Kris Kristofferson’s U.S. Army shirt; Willie Nelson’s signature sneakers OUTLAWS AND ARMADILLOS: COUNTRY’S ROARING ’70s TO OPEN AT THE COUNTRY MUSIC HALL OF FAME AND MUSEUM® MEMORIAL DAY WEEKEND A Tale of Two Cities: Nashville Rebels and Austin Cool Form A RowDy FounDation for Country Music NASHVILLE, Tenn. May 9, 2018 – On May 25 the Country Music Hall of Fame® and Museum will unveil Outlaws & Armadillos: Country’s Roaring ’70s, a first-of-its-kind major exhibition. Running through February 14, 2021, the exhibit presents a tale of tWo cities—Austin and Nashville—and explores an era of freeWheeling cultural and artistic exchange that skirted the status quo and forever changed country music. Featuring renegades including Willie Nelson, Waylon Jennings, CoWboy Jack Clement, Jessi Colter, Jerry Jeff Walker, Guy Clark, Joe Ely, Billy Joe Shaver, and Bobby Bare, the exhibit compels and surprises With never-before-seen intervieWs, rare photos, commissioned artWork, personal memorabilia, costumes and ephemera that are sometimes funky and often wondrous. Artifact cases line the Walls and vibrate With energy, as touchstone artifacts sit side-by-side, for the first time: Nelson’s signature sneakers, Clark’s Randall knife, Colter’s dresses, Susanna Clark’s album cover paintings, Shel Silverstein’s Worn and battered songWriting guitar, Doug Sahm’s 1963 Fender Telecaster, and the whiskey still shared by Tom T. Hall and Rev. Will D. Campbell are all included, and the story is enriched by large video screens on Which visitors can experience intervieWs With the era’s legends. -
Folk” Back Into Houston’S Music History Norie Guthrie
Putting the “Folk” Back into Houston’s Music History Norie Guthrie 46 Wheatfield at Austin City Limits, left to right: Bob Russell, Connie Mims, Damian Hevia (drums), and Craig Calvert, 1976. Courtesy of the Wheatfield and St. Elmo’s Fire collection, Woodson Research Center, Fondren Library, Rice University. While Austin enjoys international acclaim for its live music scene, Houston has long had one of the richest and most diverse musical histories of any city in Texas. Although not always adequately recognized for its contributions to the state’s songwriting traditions, Houston had a thriving folk music scene from the 1960s to the 1980s, helping launch the careers of numerous singer-songwriters. Founded in January 2016, the Houston Folk Music 47 Archive at the Woodson Research Center, which is part of Rice University’s Fondren Library, seeks to preserve and celebrate Houston’s folk music history, including its artists, venue owners, promoters, producers, and others. During the process of digitizing 2-track radio reels from Rice University’s student-run radio station, KTRU, I discovered a large number of folk music recordings, including live shows, interviews, and in-studio performances. Among these were such radio programs as Arbuckle Flat and Chicken Skin Music, which feature interviews and performances by Eric Taylor, Nanci Griffith, Lucinda Williams, Vince Bell, and others. The musicians tell stories about how they ended up in Houston and became part of the thriving folk community centered in the Montrose neighborhood. Not having grown up in the area, I was unaware that the local scene was so vibrant that several artists, including Lucinda Williams, had left Austin to join Houston’s tight-knit folk community. -
CHARLES EARLE's B-Sides JOHN the REVEALATOR FREEFORM AMERICAN ROOTS #42 ROOTS BIRTHS & DEATHS
CHARLES EARLE's B-Sides JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #42 ROOTS BIRTHS & DEATHS REVIEWS (or not) DEKE DICKERSON • BILL KIRCHEN MAGIC CAR • WILLIE NELSON MISSY ROBACK • ROCKHOUSE RAMBLERS JO SERRAPERE & THE WILLIE DUNNS SUPERNATURAL FAMILY BAND • UNCLE EARL THRU BESTSELLER!!! BEAVER NELSON’S “LEGENDS OF THE SUPER HEROES” ■ TEXAS : ROUND-UPn M rife V i Your Independent Texas Music Superstore The Round-Up Special - Buy any 5 or more CDs for only $10 each!<p>uss&h) J D i l i J The latest from singer-songwriter Jeff Talmadge G r a v i t y , G r a c e a n d t h e M o o n Produced by Bradley Kopp Thirteen songs on the new studio recording from Kem/ille New Folk Finalist and Falcon Ridge Showcase Artist Jett Talmadge. The new CD reunites Glenn Fukunaga (bass), Paul Pearcy (percussion), and Bradley Kopp (guitar), and they are joined by Chip Dolan (accordion and piano), Richard Bowden (fiddle), Rich Brock (harmonica) Shelley King’s and Randy McCullough (back vocals). Guest appearances by Peter Keane (guitar), new CD “The Highway” Michael Hardwick (dobro), Lome Singer and Karen Mai (back vocals) available now. Bozart Records 812 San Antonio, Suite 505 Austin, Texas 78701 www.shelleyking.com www.jefftalmadge.com www.pennyjopullus.com www.texasmusicroundup.com "Eric Hl&aw's songs and raw countiy-fok-roc* vocals get to the heart ol the tmreasons we make music: celebrating loss and celebrating Ireedom." -Tom Geddie. Biddy "In thn wake ol great teachers like Joe By and Steve Earto, Eric has surely found die right coarse to mold a style that is all his ow n." -Missino ram , RadioVoce Sgazzio nay "You don’t really need lo be told that Hlsaw haBs from New Mexico or Ives In Austin, you can hear the dust, desert, and border bars In Ms voice and guitar.” -Mfee Davies. -
Carlene Carter Feature – Country Music People, January 1994
w 0511-aa3? llililililil|[[Uillilltililil " (-arlene's hillbilly royalty wherher lr.-, stre wanl.s to be'or not,'; said Marty Stuart recently of his former sister-in-law. "She's really a descendant of the Queen of Country Music, Maybelle Carter." It's true. As the daughter of country stars Carl Smith and June Carter and the stepdaughter of Johnny Cash, Carlene Carter has a musical pedigree second to none. Yet she tumed her back on her native Nashville in order to spend eight years honing a keen rock'n'roll sensibility in post-punk London. The result was that while her half-sister Rosanne Cash has evolved in[o a country superstar over the past decade, it has taken Carlene almost that long just to gain recognition. But in 1990 she re-emerged on Reprise Records with the raunchy I Fell In Love and found success again last year with the quintessential country-rock albtm, Little Lov e Le tt er s, both produced by her current beau, Howie Epstein. She's come a long way from Madison, Tennessee where she was born Rebecca Carlene Smith on September 26,1955. She took to music early, playing piano from six years old and taking guitar lessons from her grandmother, the legendary Maybelle Carter, at age 10. "She didn't really teach me my first, stuff," says Carlene, setting the record straight. "My Mom did. And then my Grandma taught me more things later. I didn't really realise the impact she'd had on country music, or that she was anything other than just a really cool grandma who went fishin' with me and Hillbilly Queen taught me how to play poker and all those really fun things that grandmothers indulge their grandaughters in. -
A Minimum Viable Strategy for Archives and Linked Data Using Schema.Org
A Minimum Viable Strategy for Archives and Linked Data using Schema.org Mark A. Matienzo, Stanford University / @anarchivist Society of American Archivists Session 303 #s303 16 August 2018 Rationale and objectives ● Group of archivists and technologists interested in pragmatic approaches to linked data about archives ● Investigating use of Schema.org and its extensions as a minimally viable mechanism for publishing linked data ● Development of mappings from archival description standards to Schema.org/extensions ● Production of RDF-modeled archival description directly from archives management systems Schema.org ● Created in 2011 by Bing, Google, and Yahoo to address structured data format proliferation for search engines ● Provides single schema across range of topics: people, creative works, places, etc. (589 types, 862 properties) ● Used on 1+ billion web pages & many popular websites ● Expressible as JSON-LD, RDFa, and Microdata ● Provides extension mechanism for both Schema.org-hosted and external extensions Schema Architypes ● Schema.org extension to represent archives, proposed for inclusion in October 2017 ● Introduces a minimal set of new types/properties ● Selected as the basis for our data modeling work Mapping description to Schema.org ● Preliminary mappings from ISAD(G), ISAAR-CPF, DACS, and ArchivesSpace/Atom data models ● Mostly straightforward with notable exceptions: ○ Description control ○ Level of description ○ Reference code ○ Precision of note types Example { "url": "http://archives.library.rice.edu/repositories/2/resources/1038", -
For-The-Sake-Of-The-Song-Press-Kit.Pdf
Ghost Ranch Films & Fair Retail Films Present Contact Fair Retail Films Jim Barham 1860 White Oak Dr. #232 Houston, TX 77009 713.385.3470 [email protected] www.andersonfairthemovie.com For The Sake Of The Song: The Story of Anderson Fair Log Line A devoted community of artists, volunteers, and patrons transforms a politically subversive little neighborhood coffee house and restaurant into a unique American music institution. Synopsis (short) For The Sake Of The Song: The Story of Anderson Fair is the story of one of Texas’ and America’s unsung cultural treasures and the significant role it has played in preserving an American musical tradition. For forty years, Houston’s legendary folk and acoustic music venue, Anderson Fair Retail Restaurant, has fostered and nurtured some of the most important musical performers and songwriters in America, including Grammy Award-winning artists Nanci Griffith, Lyle Lovett, and Lucinda Williams. This film tells the compelling saga of how a devoted family of volunteers, patrons, and artists transformed a politically subversive little coffee house and restaurant into a unique music institution. Synopsis (medium) For forty years, Houston’s legendary folk and acoustic music venue, Anderson Fair Retail Restaurant, has fostered and nurtured some of the most important performers and songwriters in America, including Grammy Award-winning artists Nanci Griffith, Lyle Lovett, and Lucinda Williams. Lyle Lovett says, “Without Anderson Fair, I wouldn’t have been driven to try to write songs the way I was.” About her early development as a songwriter, Nanci Griffith recalls, “I wasn’t yet that confident with my songwriting, and Anderson Fair gave me that confidence.” For The Sake Of The Song: The Story of Anderson Fair is the compelling saga of one of Texas’ and America’s unsung cultural treasures. -
Guy Clark Beginner's Guide
’ January, 2016 Beginner s Guide © Tamara Saviano to Guy Clark Guy Clark with producer Rodney Crowell and band working on the Better Days album in 1983. Living one word to the next, one line at a time, there is more to life than whiskey, There’s more To words than rhyme Guy Clark and Susanna Talley eased Guy often says that Nashville in the the Billboard Hot 100 Chart. into Nashville on a rainy November ’70s was like Paris in the ’20s. And if Kristofferson graced the cover of Look night in 1971. Guy had driven his that is the case, Guy and Susanna were Magazine’s country music special with rusted junker of a ’63 Volkswagon bus the F. Scott and Zelda Fitzgerald of the headline: Kris Kristofferson, First from Houston to Los Angeles back to Nashville. The Clarks would come to Superstar of the New Country Music. Only a Houston and now to Tennessee. It was shape the folk and singer-songwriter year before, in the fall of 1970, a stoned loaded with everything they owned: a scene in Music City much like the Kristofferson stumbled on his way to the few clothes and dishes, a guitar, Fitzgeralds fashioned the jazz age. stage to accept the Country Music Susanna’s paintings, and all the tools By the time Guy and Susanna Association Song of the Year award for and parts needed to fix the damn thing arrived in Tennessee, Willie Nelson “Sunday Morning Coming Down.” if it broke down in the desert. had moved back to Austin and banded There was a new Music City brewing For once there was a little money in the hippies and rednecks together with underground.