Guy Clark Beginner's Guide

Total Page:16

File Type:pdf, Size:1020Kb

Guy Clark Beginner's Guide ’ January, 2016 Beginner s Guide © Tamara Saviano to Guy Clark Guy Clark with producer Rodney Crowell and band working on the Better Days album in 1983. Living one word to the next, one line at a time, there is more to life than whiskey, There’s more To words than rhyme Guy Clark and Susanna Talley eased Guy often says that Nashville in the the Billboard Hot 100 Chart. into Nashville on a rainy November ’70s was like Paris in the ’20s. And if Kristofferson graced the cover of Look night in 1971. Guy had driven his that is the case, Guy and Susanna were Magazine’s country music special with rusted junker of a ’63 Volkswagon bus the F. Scott and Zelda Fitzgerald of the headline: Kris Kristofferson, First from Houston to Los Angeles back to Nashville. The Clarks would come to Superstar of the New Country Music. Only a Houston and now to Tennessee. It was shape the folk and singer-songwriter year before, in the fall of 1970, a stoned loaded with everything they owned: a scene in Music City much like the Kristofferson stumbled on his way to the few clothes and dishes, a guitar, Fitzgeralds fashioned the jazz age. stage to accept the Country Music Susanna’s paintings, and all the tools By the time Guy and Susanna Association Song of the Year award for and parts needed to fix the damn thing arrived in Tennessee, Willie Nelson “Sunday Morning Coming Down.” if it broke down in the desert. had moved back to Austin and banded There was a new Music City brewing For once there was a little money in the hippies and rednecks together with underground. Outlaw songwriters were Guy’s wallet. He had just signed his his rowdy mix of country and rock n’ bubbling up into the mainstream and first publishing deal as a songwriter. roll. Kris Kristofferson’s star Guy was about to become a lion in this The beat up leather also held a scrap skyrocketed in Hollywood. Earlier that modern breed of Nashville Cat. from a burger sack with a partial lyric year Janis Joplin’s hit of Kristofferson’s that read: “If I could just get off of this “Me and Bobby McGee” and Sammi Smith’s version of “Help Me Make It L.A. Freeway without getting killed or caught.” Through The Night” were at the top of Pack up all your dishes/Make note of all good wishes Say goodbye to the landlord for me/That sumbitch has always bored me Throw out them L.A. papers/And that moldy box of vanilla wafers Adios to all this concrete/Gonna get me some dirt road back street If I could just get off of this L.A. freeway Without getting killed or caught I’d be down the road in a cloud of smoke to some land I ain’t bought. (Photo at right – Jack Prigg holds infant Guy Clark outside the Clark Hotel in Monahans, Texas, 1942) THE REAL DESPERADO When Guy’s dad, Ellis, joined the Army during WWII, Guy and his mother Frances lived at the Clark Hotel with Guy’s paternal grandmother, Rossie, and her wildcatter boyfriend, Jack Prigg. “Jack was a great painter of pictures and teller of stories; but, of course, you never know whether to believe him or not. He thought it was the funniest thing in the world to tell somebody a big one and they’d believe it,” Frances Clark said. Highway 80 cross the Texas “From the time I got Guy home from the hospital Jack would come in to see him sand, makes a little stop everyday. Here’s this little scrap lying in his crib looking around and Jack leaning called monahans over petting him, grabbing his toes. ‘Well, hello, little Jack.’ The first time Guy went Guy Charles Clark was born in Cloaked behind a pretty face, out with Jack, Ellis’s mother and I came Monahans, Texas on November 6, warm demeanor and a prosthetic leg, back to the hotel and Jack and Guy were 1941. Although bleak and Rossie Clark was a tough broad. By gone. She was about to have a fit. When monochromatic, there is still the time she was 30 years old in 1926, they finally came back, she was just raising something irresistible about she had endured a brutal childhood leg hell with Jack. ‘Where have you been with Monahans. It still feels like the old amputation on the family’s kitchen the baby?’ Jack said, ‘Well, I wanted him West here, and one can easily table, demoralizing poverty during the to see the drilling rig.’ What he wanted to recognize how the town and its great depression, and a taxing life as a do was to take Guy out there and show characters, including Guy’s own single mother in the hot West Texas him off to the crew. Jack Prigg was the family, so profoundly influenced the dust bowl. nearest thing to a grandfather my children narratives of songs including During prohibition, Rossie hid her ever had. Jack took it upon himself to take “Desperados Waiting For A Train,” illicit whiskey outside the back of Guy for haircuts and all that kind of stuff. “New Cut Road,” Texas 1947,” “Rita Clark’s Lunch in a rusty water meter He took him to the barbershop and the Ballou,” “Lone Star Hotel,” and box buried in the sand. Legend has it cowboy movies and the wading pool.” “Crystelle.” that the hard-nosed local sheriff, Irby “Texas has always had that distinct Dyer, had a soft spot for Rossie. Dyer I'd play the Red River Valley valor,” Guy says. “You know, it’s had a dependable reputation for And he’d sit in the kitchen and cry where Davy Crockett and Sam busting bootleggers and bank robbers Run his fingers through seventy Houston went from Tennessee. but most of the time he kept his years of livin’ People from all over the south deputies away from Rossie and turned And wonder, “Lord, has every well hammered signs on their doors that a blind eye to her undercover liquor I’ve drilled run dry? said G.T.T., Gone to Texas. business. We were friends Whenever someone would go bust or Although, there was that time Me and this old man had enough of where they were living, Rossie served pitchers of gin and Like Desperados waiting for a train they’d put a sign on the door and head whiskey at a local dance. Dyer and his Like Desperados waiting for a train to Texas. Romantic notions about deputies raided the party. As Rossie He’s a drifter and a driller of oil Texas have been going on since was pouring the liquor down the sink wells Coronado and the seven cities of gold. with running water, Dyer attempted An old school man of the world It’s hardscrabble land but it has that to put the plug in the sink to keep the He let me drive his car independent spirit about it. In first evidence while Rossie fought him off. When he’s too drunk to grade, all school kids in Texas get a They both ended up drenched in And he’d wink and give me money comic book that’s covered like a Texas whiskey and water. In the end, there for the girls flag with drawings and cartoons of the was no proof for the beleaguered history of Texas and you’d carry that sheriff. *** book with you everywhere.” THE SOUTH COAST OF TEXAS is a thin slice of life It’s easy to see why Ellis Clark When Sputnik orbited the earth on picked Rockport as the place to raise October 4, 1957, Guy and his his young family after he finished law classmates watched from a pep rally in school. The sleepy fishing village on downtown Rockport. Right after his the south coast of Texas is a far cry 16th birthday, Guy joined the Fulton from the heat and dust of West Volunteer Fire Department. All the Texas. The first time Ellis came to Clark kids participated in the Rockport, he spotted a dog lying on a Christmas pageant at church. road that split around a windswept Guy blossomed into a leader, was oak tree. He said to his family: “A popular with his classmates, and town where they build roads around strived to be the best in all that he the trees and a dog can safely lie on pursued. As captain and center, Guy the street is the place I want to live.” led the football team. He played guard The Clark family settled into the in basketball, ran the 100-yard dash routine of small town life on the and threw discus in track and field. He Texas coast.The post-WWII 1950s presided over the junior class as was a time of American prosperity president, acted in school plays, and BOATS TO BUILD and “Leave It To Beaver” took piano lessons from Tilly Fry. Guy wholesomeness. Guy was a clean-cut, illustrated section pages for the Working in Rob Roy Rice’s shipyard all American boy from a solid, yearbook with quoted passages from left an indelible print on Guy’s life as a middle-class family. Ellis and Frances poems by Henry Wadsworth songwriter and guitar builder. During Clark ascended to positions of Longfellow, George Wither and Walt World War II, the shipyard built mine influence in the community. Whitman. sweepers and big wooden PT boats.
Recommended publications
  • ENROLLED SENATE RESOLUTION NO. 94 By
    ENROLLED SENATE RESOLUTION NO. 94 By: Rabon, Adelson, Aldridge, Anderson, Ballenger, Barrington, Bass, Bingman, Branan, Brogdon, Brown, Burrage, Coates, Coffee, Corn, Crain, Crutchfield, Easley, Eason McIntyre, Ford, Garrison, Gumm, Ivester, Johnson (Constance), Johnson (Mike), Jolley, Justice, Lamb, Laster, Laughlin, Leftwich, Lerblance, Mazzei, Morgan, Myers, Nichols, Paddack, Reynolds, Rice, Riley, Schulz, Sparks, Sweeden, Sykes, Wilcoxson, Williamson, Wilson and Wyrick A Resolution recognizing Ray Wylie Hubbard as a talented native Oklahoman; and directing distribution. WHEREAS, Ray Wylie Hubbard was born on November 13, 1946, in Soper, Oklahoma, and grew up in southeastern Oklahoma. He went to high school with Michael Martin Murphey and became associated with such Austin-area celebrities as Jerry Jeff Walker, Ramblin’ Jack Elliott, Willie Nelson, and Waylon Jennings; and WHEREAS, Ray Wylie Hubbard’s first album was “Three Faces West” released in 1971. Since then he has released more than a dozen albums. His most recent is “Snake Farm” released in 2006. Ray Wylie Hubbard has appeared in five videos; and WHEREAS, Ray Wylie Hubbard organized and led or was backed by a number of bands including Three Faces West, Texas Fever, the Cowboy Twinkies, the Lost Gonzo Band, and the Bugs Henderson Trio; and WHEREAS, Ray Wylie Hubbard’s first and biggest hit was “Up Against the Wall, Redneck Mother” which gained fame and notoriety as sung by Jerry Jeff Walker in 1973. The first line of the song is: “He was born in Oklahoma”; and WHEREAS, Ray Wylie Hubbard has been known as or called the Texas troubadour, the cosmic cowboy, and rock 'n' roll's last samurai.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • Here It Might, As Long As It’S Somewhere Worth Traveling
    BRUCE ROBISON Bruce Robison has been making music professionally for decades. He still discusses his craft with so much enthusiasm he sounds almost like a kid raving about superheroes. That infectious energy is evident in every note of his new album, Bruce Robison & the Back Porch Band, as well as his new project, The Next Waltz, a blossoming community of artists, fans and friends gathering both virtually and at his recording studio in Lockhart, just outside of Austin. In both cases, the point is to celebrate country music’s rich traditions while giving creativity free rein to go where it might, as long as it’s somewhere worth traveling. It’s also about celebrating Robison’s “love of the craft of song.” “Writing is where it all starts for me,” he explains. “Whether it’s my writing, or songs I want to do with somebody else. I love the mechanics of it; how simple it can be.” Keeping it simple — and organic — was the guiding principle behind the latest album, a collection of Robison originals, co-writes and covers that capture country’s most beloved stylistic elements: good-time, lighthearted romps (“Rock and Roll Honky Tonk Ramblin’ Man”; “Paid My Dues”) and wistful, sometimes bittersweet ballads (“Long Time Coming”; “Still Doin’ Time”). But even the Who’s “Squeezebox” — which Robison calls “a great country song by some English dudes” — shows up, in a lively version dressed with cajun fiddle by Warren Hood and acoustic guitar and harmonies by Robison’s wife, Kelly Willis. Hood is one of a hand-picked crew of regulars tapped for Next Waltz recording sessions with Jerry Jeff Walker, Randy Rogers, Jack Ingram, Rodney Crowell, Willis, Hayes Carll, Turnpike Troubadours, Sunny Sweeney, Reckless Kelly and others.
    [Show full text]
  • You Wanted Columns? You Got 'Em>>
    FOR FANS OF MUSIC & THOSE WHO MAKE IT Issue 10 • FREE • athensblur.com THESE UNITED STATES • MAD WHISKEY GRIN • BLITZEN TRAPPER • THE DELFIELDS • MEIKO • JANELLE MONAE • TRANCES ARC • DODD FERRELLE • CRACKER & MORE!!! ZERO 7 Acclaimed electronic duo gets haunted on album number four TORTOISE Inspiration be damned — Tortoise soldiers on WHEN You’rE HOT Bradley Cooper’s sizzling Hollywood ride HEART LIFE AT THE SPEED IN haND OF TWEET The latest social media After an eight-year absence, an outlet is changing the music industry, for energized Circulatory System better or for worse returns with a new album VENUE VENTURES Four clubs lead the way into a changing face of Athens music spots YOU WANTED COLUMNS? YOU GOt ‘eM>> SIGN UP AT www.gamey.com/print ENTER CODE: NEWS65 *New members only. Free trial valid in the 50 United States only, and cannot be combined with any other offer. Limit one per household. First-time customers only. Internet access and valid payment method required to redeem offer. GameFly will begin to bill your payment method for the plan selected at sign-up at the completion of the free trial unless you cancel prior to the end of the free trial. Plan prices subject to change. Please visit www.gamey.com/terms for complete Terms of Use. Free Trial Offer expires 12/31/2010. (44) After an eight-year absence, an energized Circulatory System returns with a new HEART album. by Ed Morales IN HAND photos by Jason Thrasher (40) (48) Acclaimed electronic duo Zero 7 gets “haunted” The latest social making album number media outlet is four.
    [Show full text]
  • Elvis Quarterly 89 Ned
    UEPS QUARTERLY 89 Driemaandelijks / Trimestriel januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: 708328 januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: Driemaandelijks / Trimestriel The United Elvis Presley Society is officieel erkend door Elvis en Elvis Presley Enterprises (EPE) sedert 1961 The United Elvis Presley Society Elvis Quarterly Franstalige afdeling: Driemaandelijks tijdschrift Jean-Claude Piret - Colette Deboodt januari-februari-maart 2009 Rue Lumsonry 2ème Avenue 218 Afgiftekantoor: Antwerpen X - 8/1143 5651 Tarcienne Verantwoordelijk uitgever: tel/fax 071 214983 Hubert Vindevogel e.mail: [email protected] Pijlstraat 15 2070 Zwijndrecht Rekeningnummers: tel/fax: 03 2529222 UEPS (lidgelden, concerten) e-mail: [email protected] 068-2040050-70 www.ueps.be TCB (boetiek): Voorzitter: 220-0981888-90 Hubert Vindevogel Secretariaat: Nederland: Martha Dubois Giro 2730496 (op naam van Hubert Vindevogel) IBAN: BE34 220098188890 – BIC GEBABEBB (boetiek) Medewerkers: IBAN: BE60 068204005070 – BIC GCCCBEBB (lidgelden – concerten) Tina Argyl Cecile Bauwens Showroom: Daniel Berthet American Dream Leo Bruynseels Dorp West 13 Colette Deboodt 2070 Zwijndrecht Pierre De Meuter tel: 03 2529089 (open op donderdag, vrijdag en zaterdag van 10 tot 18 uur Marc Duytschaever - Eerste zondag van elke maand van 13 tot 18 uur) Dominique Flandroit Marijke Lombaert Abonnementen België Tommy Peeters 1 jaar lidmaatschap: 18 € (vier maal Elvis Quarterly) Jean-Claude Piret 2 jaar: 32 € (acht maal Elvis Quarterly) Veerle
    [Show full text]
  • Yesterday and Today Records March 2007 Newsletter
    March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition.
    [Show full text]
  • Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
    Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook
    [Show full text]
  • Steve Earle & the Dukes Return with ​Guy​ March
    STEVE EARLE & THE DUKES RETURN WITH GUY MARCH 29th, 2019 ​ ​ 16-SONG SET COMPRISED OF SONGS WRITTEN BY THE LEGENDARY GUY CLARK ROLLING STONE COUNTRY PREMIERES “OLD FRIENDS” FEATURING ​ EMMYLOU HARRIS, RODNEY CROWELL, TERRY ALLEN, JERRY JEFF WALKER, MICKEY RAPHAEL & MORE TO APPEAR AT THE SXSW MUSIC FESTIVAL NEXT WEEK “...a truly sublime homage.” - Stereogum ​ Steve Earle & The Dukes are set to return with GUY on March 29th, 2019. A return to New West ​ ​ Records, the 16-song set is comprised of songs written by one of his two primary songwriting mentors, the legendary Guy Clark. GUY appears ten years after his Grammy Award winning ​ album TOWNES, his tribute to his other songwriting mentor, Townes Van Zandt. Produced by ​ ​ Earle and recorded by his longtime production partner Ray Kennedy, GUY features his latest, ​ and possibly best, incarnation of his backing band The Dukes including Kelley Looney on bass, Chris Masterson on guitar, Eleanor Whitmore on fiddle & mandolin, Ricky Ray Jackson on pedal steel guitar, and Brad Pemberton on drums & percussion. Today, Rolling Stone Country has premiered Earle’s version of Clark’s “Old Friends.” The ​ closing track on GUY, the song features fellow Guy Clark cohorts Emmylou Harris, Rodney ​ ​ Crowell, Terry Allen, Jerry Jeff Walker, Mickey Raphael, Shawn Camp, Verlon Thompson, Gary Nicholson, and the photographer Jim McGuire. Rolling Stone says, “In the hands of Earle and his band the Dukes, ‘Old Friends’ is a solemn prayer, with Harris harmonizing with Earle on the opening verse.” Hear it HERE. ​ ​ NPR Music previously premiered the album’s first single and lead off track “Dublin Blues” along with a nearly 30-minute conversation between Earle and NPR’s Bob Boilen for an edition of All Songs Considered.
    [Show full text]
  • September 1984
    MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL
    [Show full text]
  • ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
    DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
    [Show full text]
  • Kenny Rogers Lucille Mp3, Flac, Wma
    Kenny Rogers Lucille mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Lucille Country: Spain Released: 1980 Style: Country MP3 version RAR size: 1553 mb FLAC version RAR size: 1790 mb WMA version RAR size: 1128 mb Rating: 4.7 Votes: 606 Other Formats: AA WMA AHX VQF DTS MIDI AA Tracklist Hide Credits Laura (What's He Got That I Ain't Got) A1 2:48 Written-By – L. Asley*, M. Singleton* I Wasn't Man Enough A2 3:26 Written-By – L. Butler*, R. Bowling* Mother Country Music A3 2:45 Written-By – J. Nixon* Why Don't We Go Somewhere And Love A4 3:26 Written-By – K. O'Dell*, L. Henley* Green Green Grass Of Home A5 3:31 Written-By – C. Putman* Till I Get It Right A6 3:01 Written-By – L. Henley*, R. Lane* Lucille B1 3:39 Written-By – H. Bynum*, R. Bowling* The Son Of Hickory Holler's Tramp B2 3:08 Written-By – D. Frazier* Lay Down Beside Me B3 3:50 Written-By – D. Williams* Puttin In Overtime At Home B4 2:55 Written-By – B. Peters* While I Play The Fiddle B5 2:41 Written-By – R. Willis*, R. Sessions* Companies, etc. Mastered At – Master Control, Nashville Recorded At – Jack Clement Recording Studios Recorded At – American Studios, Nashville Credits Arranged By [Strings] – Bill Justis Art Direction – Ria Lewerke Backing Vocals – Bergen White, Buzz Cason, Don Gant, Johnny MacCrea*, Larry Keith, Steve Pippin, The Jordanaires Bass – Bob Moore, Joe Osborn Bass Guitar – Tommy Allsup Drums [Percussion] – Buddy Harmon*, Jerry Carrigan, Kenny Malone Engineer – Billy Sherrill, Harold Lee Fiddle – Tommy Williams Guitar – Billy Sanford,
    [Show full text]
  • ACHS Newsletter October 2016
    A RANSAS C OUNTY H ISTORICAL S OCIETY Box 702 Rockport, TX 78381 Phone: (361) 729-2133 achs1985.org ACHS NEWSLETTER Volume 12 Issue 4 October 2016 Don’t Miss this Special Program! Grammy-winning Producer to talk about the late Guy Inside this issue: Clark, who grew up in Rockport! Remembering Guy Clark 2 This program is free and open to the public, so bring your friends to the Paws and Taws Convention Center WWII Memories 3 on Thursday, October 27, at 6:30 pm. Historic Survey Continues 3 Calendar Premiere Report 4 ACHS Officers & Trustees (year term expires) David J. Murrah, President (2019) Marsha Hendrix, Vice Pres. (2017) Cheryl Livingston, Secretary (2019) Janie White, Treasurer (2019) Ernest Camehl (2018) Sandy Garrison (2017) Ray McLester (2018) Jo Ann Morgan (2019) Timothy Mullin (2019) Pam Stranahan (2018) Jeanie Schindler (2018) Janet Taylor (2017) Joan Truelove (2017) P a g e 2 ACHS NEWSLETTER FROM THE LAB: A message from the President . I want to take this opportunity to welcome our I hope you will make every effort to attend the program on Guy two newest trustees, both elected to fill Clark on October 27. One of my good friends, Joe Specht, unexpired terms. Joan Truelove has been a former director of libraries at McMurry University, and renowned long-time worker in the Society expert on Texas music and musicians, is coming from Abilene to and we are glad to have her on the assist Tamara in the program, and will bring song clips from Guy Board. Clark’s work. It will be a great evening, so brings your friends! Our program co-chair, Cheryl Livingston, who is Board Ernest Camehl was more or less Joan Truelove volunteered by his wife Veronika, Secretary, and great fan of Guy Clark, volunteered to write the who takes all of our wonderful following piece to help us get ready for the upcoming program.
    [Show full text]