ENROLLED SENATE RESOLUTION NO. 94 By

Total Page:16

File Type:pdf, Size:1020Kb

ENROLLED SENATE RESOLUTION NO. 94 By ENROLLED SENATE RESOLUTION NO. 94 By: Rabon, Adelson, Aldridge, Anderson, Ballenger, Barrington, Bass, Bingman, Branan, Brogdon, Brown, Burrage, Coates, Coffee, Corn, Crain, Crutchfield, Easley, Eason McIntyre, Ford, Garrison, Gumm, Ivester, Johnson (Constance), Johnson (Mike), Jolley, Justice, Lamb, Laster, Laughlin, Leftwich, Lerblance, Mazzei, Morgan, Myers, Nichols, Paddack, Reynolds, Rice, Riley, Schulz, Sparks, Sweeden, Sykes, Wilcoxson, Williamson, Wilson and Wyrick A Resolution recognizing Ray Wylie Hubbard as a talented native Oklahoman; and directing distribution. WHEREAS, Ray Wylie Hubbard was born on November 13, 1946, in Soper, Oklahoma, and grew up in southeastern Oklahoma. He went to high school with Michael Martin Murphey and became associated with such Austin-area celebrities as Jerry Jeff Walker, Ramblin’ Jack Elliott, Willie Nelson, and Waylon Jennings; and WHEREAS, Ray Wylie Hubbard’s first album was “Three Faces West” released in 1971. Since then he has released more than a dozen albums. His most recent is “Snake Farm” released in 2006. Ray Wylie Hubbard has appeared in five videos; and WHEREAS, Ray Wylie Hubbard organized and led or was backed by a number of bands including Three Faces West, Texas Fever, the Cowboy Twinkies, the Lost Gonzo Band, and the Bugs Henderson Trio; and WHEREAS, Ray Wylie Hubbard’s first and biggest hit was “Up Against the Wall, Redneck Mother” which gained fame and notoriety as sung by Jerry Jeff Walker in 1973. The first line of the song is: “He was born in Oklahoma”; and WHEREAS, Ray Wylie Hubbard has been known as or called the Texas troubadour, the cosmic cowboy, and rock 'n' roll's last samurai. His music has been called cow punk and the musical world has at times been puzzled as to his classification. NOW, THEREFORE, BE IT RESOLVED BY THE SENATE OF THE 2ND SESSION OF THE 51ST OKLAHOMA LEGISLATURE: THAT the Oklahoma State Senate recognizes Ray Wylie Hubbard as a talented native Oklahoman who has not strayed from his cultural roots in the great Southwest. THAT a copy of this resolution be distributed to Oklahoma native, singer and songwriter Ray Wylie Hubbard. Adopted by the Senate the 22nd day of May, 2008. Presiding Officer of the Senate ENR. S. R. NO. 94 Page 2 .
Recommended publications
  • Here It Might, As Long As It’S Somewhere Worth Traveling
    BRUCE ROBISON Bruce Robison has been making music professionally for decades. He still discusses his craft with so much enthusiasm he sounds almost like a kid raving about superheroes. That infectious energy is evident in every note of his new album, Bruce Robison & the Back Porch Band, as well as his new project, The Next Waltz, a blossoming community of artists, fans and friends gathering both virtually and at his recording studio in Lockhart, just outside of Austin. In both cases, the point is to celebrate country music’s rich traditions while giving creativity free rein to go where it might, as long as it’s somewhere worth traveling. It’s also about celebrating Robison’s “love of the craft of song.” “Writing is where it all starts for me,” he explains. “Whether it’s my writing, or songs I want to do with somebody else. I love the mechanics of it; how simple it can be.” Keeping it simple — and organic — was the guiding principle behind the latest album, a collection of Robison originals, co-writes and covers that capture country’s most beloved stylistic elements: good-time, lighthearted romps (“Rock and Roll Honky Tonk Ramblin’ Man”; “Paid My Dues”) and wistful, sometimes bittersweet ballads (“Long Time Coming”; “Still Doin’ Time”). But even the Who’s “Squeezebox” — which Robison calls “a great country song by some English dudes” — shows up, in a lively version dressed with cajun fiddle by Warren Hood and acoustic guitar and harmonies by Robison’s wife, Kelly Willis. Hood is one of a hand-picked crew of regulars tapped for Next Waltz recording sessions with Jerry Jeff Walker, Randy Rogers, Jack Ingram, Rodney Crowell, Willis, Hayes Carll, Turnpike Troubadours, Sunny Sweeney, Reckless Kelly and others.
    [Show full text]
  • Outlaws & Armadillos: Country's
    ® COUNTRY MUSIC HALL OF FAME AND MUSEUM ANNOUNCES NEXT MAJOR EXHIBITION: OUTLAWS & ARMADILLOS: COUNTRY’S ROARING ’70s The work above is by artist and illustrator Jim Franklin, who created posters for Austin’s Armadillo World Headquarters. The Country Music Hall of Fame and Museum commissioned the work for its exhibit Outlaws & Armadillos. Nashville, Tenn. – Jan. 11, 2018 – Willie Nelson. Waylon Jennings. Kris Kristofferson. Jessi Colter. Bobby Bare. Jerry Jeff Walker. David Allan Coe. Cowboy Jack Clement. Tom T. Hall. Billy Joe Shaver. Guy Clark. Townes Van Zandt. Tompall Glaser. Today, all names synonymous with the word “outlaw,” but 40 years ago they started a musical revolution by creating music and a culture that shook the status quo on Music Row and cemented their place in country music history and beyond. The Country Music Hall of Fame® and Museum's upcoming major exhibition, Outlaws & Armadillos: Country’s Roaring ’70s, will explore this era of cultural and artistic exchange between Nashville, Tenn., and Austin, Texas, revealing untold stories and never-seen artifacts. The exhibition, which opens May 25 for a nearly three-year run, will explore the complicated, surprising relationship between the two cities. While the smooth Nashville Sound of the late 1950s and ’60s was commercially successful, some artists, such as Nelson and Jennings, found the Music Row recording model creatively stifling. By the early 1970s, those artists could envision a music industry in which they would write, sing and produce their own music. At the same time, Austin was gaining national attention as a thriving music center with a countercultural outlook.
    [Show full text]
  • Songs of the Underground Rolling Thunder Revue
    Songs of the Underground Rolling Thunder Revue (a collectors guide to the Rolling Thunder Revue 1975-1976) Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 © Les Kokay 2000 All rights Reserved. This text may be reproduced, re-transmitted and redistributed provided that it is not altered in any way and the author is acknowledged.. Any corrections, additions and enhancements welcome. I may be contacted at [email protected] for any corrections or enhancements, but I am unable to provide any details on obtaining any tapes, CDs or Bootlegs, or items that would infringe the artists copyright. © Les Kokay 2003 2 All rights Reserved. Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 Contents Dedication ...............................................................................................................................................5 Acknowledgents and thanks.....................................................................................................................5 Introduction to RTR 1975...........................................................................................7 Rolling Thunder Revue Rehearsals Oct 75............................................................................................12 Plymouth, Massachusetts, War Memorial Auditorium, 30 Oct 75 ........................................................13 North Dartmouth, Massachusetts, South Eastern University, 1 Nov 75................................................18
    [Show full text]
  • Home with the Armadillo
    Mellard: Home with the Armadillo Home with the Armadillo: Public Memory and Performance in the 1970s Austin Music Scene Jason Dean Mellard 8 Produced by The Berkeley Electronic Press, 2010 1 Greezy Wheels performing at the Armadillo World Headquarters. Photo courtesy of the South Austin Popular Culture Center. Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 3 “I wanna go home with the Armadillo Good country music from Amarillo and Abilene The friendliest people and the prettiest women You’ve ever seen.” These lyrics from Gary P. Nunn’s “London Homesick Blues” adorn the wall above the exit from the Austin Bergstrom International Airport baggage claim. For years, they also played as the theme to the award-winning PBS series Austin City Limits. In short, they have served in more than one instance as an advertisement for the city’s sense of self, the face that Austin, Texas, presents to visitors and national audiences. The quoted words refer, if obliquely, to a moment in 9 the 1970s when the city first began fashioning itself as a key American site of musical production, one invested with a combination of talent and tradition and tolerance that would make of it the self-proclaimed “Live Music Capital of the World.”1 In many ways, the venue of the Armadillo World Headquarters served as ground zero for these developments, and it is often remembered as a primary site for the decade’s supposed melding of Anglo-Texan traditions and countercultural lifestyles.2 This strand of public memory reveres the Armadillo as a place in which
    [Show full text]
  • Jerry Jeff Walker
    Spring Specials www.Brookspub.biz March E NTERTAINMENT Kids square toe boots FRI 2nd RAD FRI 23rd Prototype 10% OFF FRI 9th MTO FRI 30th GTB (Get The Belt) FRI 16th Spitfire Ladies Corral boots Happy St. Patricks Day 10% OFF 17th Drink Specials All western belts are 20% OFF Mens & Ladies Durango boots $10 OFF All Stetson & Resistol Mens Ariat boots straw hats 15% OFF $10 OFF Daily Drink Specials Everyday! Ask one www.cowtownboots.com of our beautiful bartenders for details. 4522 Fredericksburg Road G San Antonio, Texas G 210.736.0990 • 2 • Action Magazine, March 2018 advertising is worthless if you have nothing worth advertising Put your money where the music is. Advertise in Action Magazine • DEPARTMENTS • Music Matters ........................................4 Editor & Publisher ................Sam Kindrick Sam Kindrick ..........................................6 Advertising Sales ....................Action Staff Photography.............................Action Staff Scatter Shots ........................................11 Distribution............................Ronnie Reed Composition..........................Elise Taquino Volume 43 • Number 3 • FEATURE • Jerry Jeff Walker ......................................7 Green Machine ......................................12 Action Magazine, March 2018 • 3 • Chesnut says ‘stop and smell the music’ I have been performing end of a good-time Satur - Blanco Road in San Anto - formers, on the other There are countless performance. In my opin - live country music full-time day night. Nothing much nio. As it turns out, those hand, are depending on other venues and perform - ion, traffic noises from or part-time since 1969. I surprises me. folks love country music. the venue to have a crowd ers in synergistic relation - congested roadways have performed on stages But, much to my sur - After my cancer diag - that will add to the per - ships throughout the city, would be a lot harder to behind chicken wire, prise few years back I nosis last summer, I was former’s income and num - but no amount of synergy deal with.
    [Show full text]
  • BAND BIOGRAPHIES and CREDITS Stevie Hawkins ~ Lead Vocals And
    BAND BIOGRAPHIES AND CREDITS Stevie Hawkins ~ Lead Vocals and Drums Music is Stevie Hawkins' passion. He grew up listening to and working to master a wide variety of music on drums and vocals. He plays and sings cross-genres from Jazz, to Rock, to Soul, Pop, Latin, Blues, Funk and R&B. Stevie is a versatile artist with an instinctive and distinctive style of drumming and singing. His inborn natural abilities combined with years of formal training cause him to play and sing with feel, style, finesse and technique. Stevie composes his original compositions on the piano. Throughout his career, he has received numerous musical awards, and recently won “Best Jazz Artist” in the 2012 All Indie Music Awards. He was a nominee as “Best Blues Artist”. Over the years, Stevie has played drums for recording artists: John Lee Hooker, Percy Sledge, Rufus Thomas, Albert King, Brook Benton, Willie Hill, Harvey Scales, Sammy Blue, Chuck Berry, Dee Clark, Chubby Checker, Daryle Singletary, Razzy Bailey, Clifford Curry, Cledus T. Judd, Bertie Higgins, Jeff Carson, Johnny Rodriguez, Doug Stone, Ed Bruce, Charlie McCoy, and The Ink Spots. He has also shared the stage with Gregg Allman, Marshall Tucker Band, Johnny Winter, Leon Russell, Gap Band, Alice Cooper, Josh Thompson, Vern Gosdin, Jerry Jeff Walker, Craig Morgan, The Coasters, Confederate Railroad, Darryl Worley, Little Texas, T. Graham Brown, Lorrie Morgan, Janie Fricke, Danielle Peck, Ronnie Milsap, Ty Herndon, Andy Griggs, among others. Between 2001 and 2003 Stevie recorded a live CD entitled Georgia Jam. Georgia Jam is a Southern Rock fusion of Blues, Rock, Jazz, R&B, Folk, Soul and Country that features some of the South's finest guitarists to include Spencer Kirkpatrick, Wayne "Bear" Sauls, Barry Richman and Reddog.
    [Show full text]
  • Susanna Clark March 11, 1939-June 27, 2012
    Susanna Clark March 11, 1939-June 27, 2012 Susanna Talley Clark’s talents transcended songwriting. She was a hit songwriter, an accomplished painter, and an extraordinary muse to many celebrated artists. During the 1970s, 80s, and 90s, Susanna hosted an artist salon in Nashville, where important characters of the growing Americana music movement gathered to share ideas and swap songs. In addition to her husband Guy Clark, Susanna inspired music luminaries Townes Van Zandt, Rodney Crowell, Steve Earle, Emmylou Harris, Lyle Lovett, Willie Nelson, Waylon Jennings, Vince Gill, Carlene Carter, Jerry Jeff Walker and countless other writers and artists. Born in Atlanta, Texas in 1939, Susanna met songwriters Guy Clark and Townes Van Zandt in the late 1960s. She moved to Houston with Guy in 1970. Later that year, Susanna and Guy moved to Los Angeles together and then to Nashville when Guy got his first publishing deal in 1971. Van Zandt came to Nashville to be the best man when Guy and Susanna married in 1972. He lived with them for the first eight months of their marriage. Guy and Susanna were married. Guy and Townes were best friends. Susanna and Townes were soulmates. Although Guy got most of the credit, it was Susanna who dreamed up and began writing the timeless songs “Black Haired Boy,” (about Townes), “Old Friends,” and “The Cape.” She brought lyrics and simple chords to Guy and he helped her finish them. Susanna and Townes co-wrote “Heavenly Houseboat Blues” and Townes recorded it on The Late Great Townes Van ​ Zandt. Susanna became the hit songwriter in Clark family when she wrote “I’ll Be Your San ​ Antone Rose and Texas artist Dottsy took the song to the Billboard Top 10 in 1975.
    [Show full text]
  • Willie Nelson and the Austin Music Scene
    SPECIAL LESSON 11 SOCIAL STUDIES TEKS 4 - 2, 19, 21 TEXAS ALMANAC TEACHERS GUIDE 7 - 2, 11, 19, 21 8 - 2, 26 Willie Nelson and the Birth STAAR 4, 7 - Writing - 1, 2, 3 of the Austin Music Scene 4, 7, 8 - Reading - 1, 2, 3 • From the Texas Almanac 2012–2013 8 - Social Studies - 1, 2 INSTRUCTIONAL SUGGESTIONS 1. RESEARCH PRESENTATION: Read the article “Willie Nelson and the Birth of the Austin Music Scene” on pages 34–39 of the Texas Almanac 2012–2013. Research a modern “Texas Country” artist and one of the artists in the article, such as Willie Nelson, Ray Wylie Hubbard, Jerry Jeff Walker, Gary P. Nunn, Marcia Ball, etc. Create a presentation (speech, poster, PowerPoint) that illustrates the two artists’ sounds, styles, and content, and compares the two. 2. ACROSTIC: Using the article on pages 34–39 and the following two Student Activity Sheets, answer the questions on one sheet and place the answers in the blank spaces on the second sheet. The letters in the boxes will spell the title of the longest run- ning music series on television. 3. SONGS OF THE GREATS: Find a song by one of the artists mentioned in the article and listen to the sound and the lyrics. Then, based on what you have seen and heard, create an album cover that would accurately portray the image of this artist. Willie Nelson during his first performance at the Armadillo World Headquarters in Austin in 1972. Photo by Burton Wilson; used with his permission. SL11 Copyright © 2014 by TEXAS ALMANAC & Texas State Historical Association; www.TexasAlmanac.com.
    [Show full text]
  • Destination Anywhere an Insider’S Tour of Hometown Music Scenes, Past and Present
    by RichaRd SkanSe Destination anywhere An insider’s tour of hometown music scenes, past and present. Austin tLive Musicex Capital Aof the sWorLd deStination anywheRe auStin, texaS continued it’s A Lot to Live up to, that Texas-sized boast about being the “Live Music Capital of the world.” Austin adopted it as their official slogan in 1991, with no voting or formal competition for the title involved, of course, apart from the city council members who did have the modesty to rule out the slightly more inflated “Live Music Capital of the Universe.” As such, it’s a claim to fame as open for debate as any truck stop’s self-proclaimed “world’s Best Coffee” or w“ orld Famous Chicken-Fried Steak.” The appropriate response to any such pronouncements should always be a certain degree of skepticism: “Prove it.” The key word in this case is “live.” For district. And when visitors arrive at Austin- the better part of the last 40 years, the best Bergstrom International Airport, they’re in Texas—and a good many notables from immediately greeted by Texas music, be it beyond—have all found themselves drawn piped through the terminal sound system or to the center of the state and used the capital live onstage, right in the concourse, as part city’s many stages to launch, or even re-launch, of the “Music in the Air” concert series. their music careers. Austin is where Abbott, does all of that merit the “Live Music Texas native willie Nelson reinvented himself Capital of the world” title? Clearly, it as an “outlaw,” spearheading the progressive doesn’t hurt.
    [Show full text]
  • Yellow and Black Modern Light Bulb Newsletter
    Pilgrim’s Progress Project 5.5 Track 1. 3:09 Me and the Moon Aren’t Speaking Cindy Walker BMI, Oree Music Track 2. 4:20 Faded Love Bob Wills, John Wills, and Billy Jack Wills BMI, WB Music Corp Track 3. 4:47 You Got Gold John Prine and Keith Sykes Release Date: September 3rd, 2021 BMI, Keith Sykes Music, Bro ‘n Sis Music, BMG, Round Hill Carlin Terri Hendrix Vocals, Guitar, and Harmonica Track 4. 3:40 Wildflowers Dolly Parton Lloyd Maines BMI, Velvet Apple Music Acoustic Guitar, Pedal Steel, Dobro, Acoustic Slide, Track 5. 4:06 Papoose, Mandolin, Baritone Guitar, Bass Guitar, Little Bird Jerry Jeff Walker Percussion, and Harmony Vocals on “Get Down River” BMI, Cotillion Music Track 6. 4:55 Pat Manske Fisherman’s Blues Drums Stephen Patrick Wickham and Michael Scott BMI, Kobalt Dennis Ludiker Track 7. 3:25 Fiddle and Mandolin Get Down River Brian Henneman Bukka Allen BMI, Koog Town Music, BMG, and Seven Accordion Track 8. 3:58 Blues Stay Away from Me Drew Womack Alton Delmore, Rabon Delmore, and Harmony vocals on “Faded Love” Wayne Raney BMI, Fort Knox Music, Universal, BMG, Round Hill Carlin Special Guest Track 9. 3:59 Command Sergeant Major James Hendrix The Piney Rose Harmony vocals on “Blues Stay Away From Me” Sarah Katherine Pirkle BMI Produced by Lloyd Maines Track 10. 3:57 Pilgrim’s Progress Recorded, Mixed, and Mastered by Pat Manske Kris Kristofferson The Zone in Dripping Springs, Texas BMI, Jody Ray Publishing Co. Additional recording at Bubba’s Studio, Austin TX Press Release Pilgrim's Progress Project 5.5 TERRI HENDRIX TO RELEASE NEW ALBUM, PILGRIM’S PROGRESS — ON SEPTEMBER 3RD — AS THE FINAL INSTALLMENT OF HER PROJECT 5 CYCLE The Texas singer-songwriter and her producer Lloyd Maines “keep it country” on her first all-covers album, featuring songs by Kris Kristofferson, Dolly Parton, John Prine, and Jerry Jeff Walker — and a very special cameo by her first guitar teacher: Command Sergeant Major James Hendrix.
    [Show full text]
  • Mountain Stage Guest Artist List
    MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber
    [Show full text]
  • Outlaws and Armadillos: Country’S Roaring ‘70S Capsule Bios of Pivotal Artists
    Outlaws and Armadillos: Country’s Roaring ‘70s Capsule Bios of Pivotal Artists Kris Kristofferson—Along with Tom T. Hall, John Hartford, and Mickey Newbury, Kristofferson elevated the language of country music in the late 1960s and early 1970s. Equally inspired by two key Williams — William Blake and Hank Williams — he was integral in merging the street-level counter-culture with the mainstream. He wrote country classics including “”For the Good Times” and “Sunday Morning Coming Down” as well as Janis Joplin’s rib-rattling rock statement, “Me and Bobby McGee.” He also sang progressive anthems including “Jesus Was a Capricorn.” Willie Nelson — Nelson struggled in the 1960s as he sought to match his songwriting success (“Hello, Walls,” “Crazy”) with progress as an entertainer. Depressed by his inability to do this, he lit out for his native Texas in 1971 and emerged as a uniter of rednecks, hippies, and freaks. In Texas, he found a flowering culture that embraced artistry and eschewed cultural labels. He became, and remains, a Buddha-like figure who is loved and revered by people of varying political and musical perspectives. Waylon Jennings — “It’s the same old tune: fiddle and guitar/ Where do we take it from here?” Waylon sang, in a song that answered those very same questions. Jennings, a Texas native, came to Nashville in the 1960s and was dissatisfied by a glossy “Nashville Sound” that he said fit him “like syrup on sugar.” He fought and won creative freedom and recorded some of the greatest and most distinctive songs in country music history.
    [Show full text]