DOCSLIB.ORG

JTMH-Vol17.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JTMH-Vol17.Pdf Letter from the Director This issue marks our We couldn’t begin to do all that we do without the help seventeenth year of publishing of many friends and supporters. My sincerest thanks to the Journal of Texas Music Jason Mellard, Kristi Bigley Madden, Alan Schaefer, César History, which also is available Limón, the Center’s Advisory Board, Mary Brennan & Alan online at www.txstate.edu/ Apel, Frank de la Teja, Tammy Gonzales, Angie Murphy, ctmh/publications/journal. Madelyn Patlan, Roberta Ann Ruiz, the Texas State University html. There’s no charge to Department of History, Denise Trauth & John Huffman, receive the Journal. Simply Gene & Lynn Bourgeois, Michael Hennessey, Gail Randle, contact us at [email protected], John & Robin Dickson, Patti Harrison, Mark & Linda and we’ll be happy to put you Smith, Pat Muehl, Francine Hartman, Paul & Polly Glasse, on our mailing list. (Also, Tamara Saviano, Perry & Marianne Moore, Randy Rogers, please be sure to visit our Facebook page!) Brady & Bree Black, Bill Whitbeck, Curtis Clarke, Phil & 2017 has been another successful year at the Center for Cecilia Collins, Richard & Linda Campbell, Greg Davis, Texas Music History. We continue to offer graduate and Michael Davis, Dalis Allen, Kim & Robert Richey, Joe & undergraduate music history courses through Texas State Alice Specht, Pam Golightly, Lanita Hanson, Jim & Cathey University’s History Department. Among our most recently Moore, Tracie Ferguson, Ruthie Foster, Randy & Leslie created classes is “The History of Rock & Roll,” which is Collier, Diana Hendricks, Tom & Ann Francese, Elmer & part of the History Department’s “Study Abroad in Chester, Susan Rosenberger, Rick & Laurie Baish, Nell Hesson, Becky England” program. We plan to offer this and other courses Tomblin, Denise Boudreaux, Carol Dochen, Jo & Paul Snider, every year as part of the university’s Study Abroad program. Darrell & Barbara Piersol, Dennis & Margaret Dunn, Ron In addition to developing new courses and other educational & Judy Brown, Grant Mazak, Mariko Gomez, Cathy Supple, programming for students, the Center for Texas Music History Sharon Sandomirsky, John Kunz, Bill Musser, Lee & Judy helps provide student scholarships at Texas State, including Keller, Ronda Reagan, Luan Brunson Haynes & Elizabeth scholarships funded by Old Settler’s Music Festival. Thanks Brunson Vickers, Billy Seidel, and many others. very much to everyone at Old Settler’s Music Festival for To learn more about the Center and its unique programs, making this possible! please contact us or visit our website. Thanks for your interest The Center’s award-winning John and Robin Dickson Series and support! in Texas Music (produced in collaboration with Texas A&M University Press) continues to produce outstanding books. In 2017, the Dickson Series published The Broken Spoke: Austin’s Legendary Honky Tonk, by Donna Marie Miller, Dr. Gary Hartman, Director and Delbert McClinton: One of the Fortunate Few, by Diana Center for Texas Music History Finlay Hendricks. Big thanks to John & Robin Dickson for Department of History supporting this wonderful book series! Texas State University As part of our core mission, the Center for Texas Music 601 University Drive History continues to develop a variety of innovative programs San Marcos, TX 78666 designed to educate students and the general public about 512.245.3749 how Texas music reflects the unique history and tremendous [email protected] cultural diversity of our state. txstate.edu/ctmh The Journal of 2017 Center for Texas Music History Director Gary Hartman Assistant Director TEXAS MUSIC HISTORY Jason Dean Mellard Contents Program Administrator Kristi Bigley 8 Eddie Preston: Texas Trumpeter Fallen The Journal of Through the Cracks Texas Music History Dave Oliphant Editors 18 Lone Star Brewing: Gary Hartman 8 Alan Schaefer Beer, Progressive Jason Dean Mellard Country Music, and the ‘Texas Mystique’ Art Director/Designer Joseph R. Fox César Limón Contributors 46 Putting the “Folk” Back Joseph R. Fox into Houston’s Music History Norie Guthrie Norie Guthrie Dave Oliphant Reviews Reviews Joseph Grogan 52 Texas Jailhouse Music: 18 The Journal of Texas Music History is published annually by the Center for A Prison Band History Texas Music History Joseph Grogan at Texas State University. The contents of this journal do not necessarily represent the views of the university. Subscription: There is no charge to receive the Journal. Simply contact the Center for Texas Music History to be placed on our mailing list. 46 Article Submissions: Please submit manuscripts by e-mail in Microsoft Word, Chicago Style, to [email protected] or mail to Journal of Texas Music History, Department of History, Texas State University, 601 University Drive, The Texas State University Submissions The Center for System Board of Regents Review Board Texas Music History San Marcos, TX 78666. Rossanna Salazar John Dempsey Board of Advisors © 2001 Center for Texas Music Chairman, Austin The University of North Texas, Marcia Ball Denton History, Texas State University-San William F. Scott Craig Barker Nederland Craig D. Hillis Marcos Ralph Dowling Charlie Amato The University of Texas at Austin ISSN 1535-7104 San Antonio Bill C. Malone Tommy Foote Veronica Muzquiz Edwards Madison, WI Tom Frost III San Antonio Karl Hagstrom Miller Casey Monahan Dr. Jaime R. Garza The University of Virginia Joe Nick Patoski San Antonio Kevin Edward Mooney Elizabeth Pittman Texas State University David Montagne Guadalupe San Miguel, Jr. Beaumont Edward D. Oliphant Vernon Reaser III The University of Texas at Austin Bellaire Jerry Rodnitzky Alan L. Tinsley The University of Texas at Arlington Madisonville Guadalupe San Miguel, Jr. Donna N. Williams The University of Houston, Houston Arlington Joe Specht Kaitlyn Tyra McMurry University, Abilene Student Regent, Huntsville Roger Wood Brian McCall, Ph.D. Houston Community College Chancellor System, Houston GET COMMITTED TO TEXAS MUSIC HISTORY! DONORS The Center for Texas Music History is a nonprofit educational Music History, along with all the other important educational program designed to help students, scholars, and the general projects we have underway. public better understand how Texas music reflects the richly We are very grateful to the donors listed on this page. They diverse ethnic and cultural heritage of the American Southwest. have made a personal commitment to preserving the musical Founded in 1999, the Center has developed a number of very heritage of the Southwest. Their efforts will help us continue successful projects focusing on the preservation and study of to increase awareness of how Texas music represents the unique Southwestern music history. history and culture of our state. In order to continue this success, we need your help. Your Won’t you join us in promoting the preservation and study of contribution will help fund publication of The Journal of Texas Texas music history? Founding 100 Margie First Sharon Sandomirsky Paul Belanger Members’ Circle: Ruthie Foster & Chris Ellison Tom & Vicki Belinoski $1,000 or more David & Nancy Gardner Paul & Jo Snider Ed Bergin Steven Alyea & Lindley Polly Glasse & Climb On! Joe & Alice Specht Denise Boudreaux 4 Workman Alyea Products Jerome & Cathy Supple John & Sara Boyer Gregg Andrews & Mariko Gomez The Randy Rogers Band Lisa Bruce Vikki Bynum Patti Harrison, (Randy Rogers, Brady Alta Campbell Byron & Rebecca Augustin The PSH Foundation Black, Jon Richardson, Tom Casey Richard & Laurie Baish Gary & Francine Hartman Geoffrey Hill, and Les Bob & Nancy Cavendish Gene & Lynn Bourgeois Luan Brunson Haynes & Lawless) Kathie N. Cleveland Terry Boothe & the Texas Elizabeth Brunson Vickers Lucky & Becky Tomblin, Joseph & Janice Collins Heritage Songwriters Nell Hesson in Memory The Tomblin Family Carolyn Conn Association of Gary Briggs Foundation Crockett Elementary Mary Brennan & Alan Apel Glenn & Donna Joy Nina B. Wright Horizons Group Ronald & Judy Brown Jennifer Joy & Mark White Associate Members: Susan W. Darrow Richard & Linda Campbell The Joan & Herb Kelleher $500-$999 Dawound Enterprises, Inc. Richard Cheatham Foundation Bobby & Nancy Barnard, Elizabeth Denton Vicki Meehan-Clarke Lee & Judy Keller Sundance Records William & Randy & Leslie Collier, Rod Kennedy, Balie Griffith Ann Marie Dickson Comp-Utility Corp. Kerrville Festivals, Inc. Harcourt Brace, Inc. Tom & Teresa Duplissey Phil & Cecilia Collins John Kunz, Waterloo Records Vicki Meehan-Clarke John Embry Greg K. Davis Grant Mazak Robert Cline, Jr. Beth & Jon Erickson John & Robin Dickson, The Cynthia & George Robert Earl Keen Ray & Mary Margaret Farabee Dickson Productions Mitchell Foundation Mary Ann Mendoza John Farneti, Jr. Carol Dochen James E. & Cathey Moore Chad Raney Marcus Felson & Mary Eckert Frederick Dominey Perry & Marianne Moore Fisher-Rosemount Systems Radney Foster Ralph & Patti Dowling Daymon & Pat Muehl Strait Music Company Alton & Dorothy Gattis Dennis & Margaret Dunn William Musser Mike & Julie Stroup Pam Golightly Ann Marie Ellis Old Settler’s Music Festival Mariko Gomez in Memory of Tracie Ferguson in Memory of Paul Paynter Patrons: Howard L. Terry Champ Hood & Darrell & Barbara Piersol $100-$499 Frank & Louise Hall Walter Hyatt Ronda Regan Michael & Lulu Abbott Doug Hanners Kent Finlay, Robert & Kim Richey Cody Allen, Johnny Harvey & Level Best Cheatham Street Mildred Roddy Austin Guitar Town Foundation Repair Warehouse Elmer & Susan Rosenberger Thomas C. Bailey GET COMMITTED TO TEXAS MUSIC HISTORY! Ray Hennig & Phi Alpha
Load more

Recommended publications
  • December 1992
    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
    [Show full text]
  • TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
    THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
    [Show full text]
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • W W W . J a S O N S P O O N E R . C
    Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY.
    [Show full text]
  • Duke Ellington-Bubber Miley) 2:54 Duke Ellington and His Kentucky Club Orchestra
    MUNI 20070315 DUKE ELLINGTON C D 1 1. East St.Louis Toodle-Oo (Duke Ellington-Bubber Miley) 2:54 Duke Ellington and his Kentucky Club Orchestra. NY, November 29, 1926. 2. Creole Love Call (Duke Ellington-Rudy Jackson-Bubber Miley) 3:14 Duke Ellington and his Orchestra. NY, October 26, 1927. 3. Harlem River Quiver [Brown Berries] (Jimmy McHugh-Dorothy Fields-Danni Healy) Duke Ellington and his Orchestra. NY, December 19, 1927. 2:48 4. Tiger Rag [Part 1] (Nick LaRocca) 2:52 5. Tiger Rag [Part 2] 2:54 The Jungle Band. NY, January 8, 1929. 6. A Nite at the Cotton Club 8:21 Cotton Club Stomp (Duke Ellington-Johnny Hodges-Harry Carney) Misty Mornin’ (Duke Ellington-Arthur Whetsol) Goin’ to Town (D.Ellington-B.Miley) Interlude Freeze and Melt (Jimmy McHugh-Dorothy Fields) Duke Ellington and his Cotton Club Orchestra. NY, April 12, 1929. 7. Dreamy Blues [Mood Indigo ] (Albany Bigard-Duke Ellington-Irving Mills) 2:54 The Jungle Band. NY, October 17, 1930. 8. Creole Rhapsody (Duke Ellington) 8:29 Duke Ellington and his Orchestra. Camden, New Jersey, June 11, 1931. 9. It Don’t Mean a Thing [If It Ain’t Got That Swing] (D.Ellington-I.Mills) 3:12 Duke Ellington and his Famous Orchestra. NY, February 2, 1932. 10. Ellington Medley I 7:45 Mood Indigo (Barney Bigard-Duke Ellington-Irving Mills) Hot and Bothered (Duke Ellington) Creole Love Call (Duke Ellington) Duke Ellington and his Orchestra. NY, February 3, 1932. 11. Sophisticated Lady (Duke Ellington-Irving Mills-Mitchell Parish) 3:44 Duke Ellington and his Orchestra.
    [Show full text]
  • “In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
    “In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase.
    [Show full text]
  • Nepali Aawaz | 27 Baisakh.2063 A;Gtl K'g Algg\  Xªsªsl Csl{ ?K;L Snfsf/X?Sf]  Page 5 » Lab]Z Df]X Page 11 »
    Nepali Aawaz | 27 Baisakh.2063 a;GtL k'g algg\ 1 xªsªsL csL{ ?k;L snfsf/x?sf] Page 5 » lab]z df]x Page 11 » 1974 AD: On Air Page 13 » Nepali Aawaz May 10.06 • Baisakh 27.63 Vol.1 Issue 14 nepaliaawaz.com FREE United we stand democracy failed?” bnfnn] em'SofP/ Shrestha Anushil Photo: stf/df g]kfnL cnkq /f]huf/sf nfuL stf/ cfPsf g]kfnsf] df]/ª, sf7df08f}sf] z'ed cf]e/;Lhsf gfdaf6 b'O{ dlxgfb]lv stf/df cnkq k/]sf x'g\ . Continued on Page 15 » la/f6gu/sf k/z'/fd 8f]6]n, z';Ln zfSo / u+uf axfb'/ a:g]tn] k|lt AoflQm ^) pgLx?nfO{ vfg / a:g ;d]t sl7g ePsf] jLkLg sfsL{ clxn] cnkq ag]sf5g\,. xhf/ lnP/ k7fPsf df]/ªsf oL tLg hgf 5 . Diaspora Politics Nation ANA Convention 2006 Talk program on Nepali media “History need not be lived again.” Yet New York Nepal Youth Council, the we are reliving it, Netajis, because of organizers of the 24th annual ANA your lack of leadership and courage. convention "ANA-NYC 2006." and 4 » Just look around as you stand behind this publication, Nepali Aawaz, thave that high podium that you claim to be officially entered a partnership in your pulpit. Everything looks eerie as which the newspaper will be the official Nepal finds itself, once again, trapped in media for the ANA- NYC 2006. During the vortex of the same historic karmic the convention, Nepali Aawaz will be chakra that has gripped it in the past.
    [Show full text]
  • Schedule Report
    New Releases - 1 October 2021 SAY SOMETHING RECORDS • Available on stunning Red and Black Splatter vinyl (SSR027LP)! A collector's must!! • Featuring: Vocalist Colin Doran of Hundred Reasons, drummer Jason Bowld from Bullet For My Valentine and formerly Pitchshifter, Killing Joke • Full servicing to all relevant media • Extensive print & internet advertising • Print reviews confirmed in KERRANG! and METAL HAMMER • Featured interviews with ‘The Sappenin’ Podcast’ and ‘DJ Force X’ https://open.spotify.com/episode/0ZUhmTBIuFYlgBamhRbPHW?si=9O4x5SWmT2WbhSC0lR3P3g • For fans of: Hundred Reason, Jamie Lenman, Hell is for heroes, The Xcerts, Bullet For My Valentine, Biffy Clyro • Facebook: https://www.facebook.com/TheyFellFromTheSky Twitter: https://twitter.com/tfftsband Instagram: https://www.instagram.com/tfftsband/ • Soundsphere Magazine: https://www.soundspheremag.com/news/culture/colin-doran-jason-bowld-hundred-reasons-bfmv- pitchshifter-form-rock-studio-project-they-fell-from-the-sky/ GigSoup: https://gigsoupmusic.com/pr/colin-doran-jason-bowld-form-rock-studio-project-they-fell-from-the-sky-and- release-debut-single-dry/ The AltClub: https://thealtclub.com/they-fell-from-the-sky-release-new-single-dry/ Volatile Weekly: https://volatileweekly.com/2021/03/colin-doran-jason-bowld-hundred-reasons-bfmv-pitchshifter-form-rock- studio-project-they-fell-from-the-sky-and-release-debut-single-dry/ The Punksite: https://thepunksite.com/news/they-fell-from-the-sky-announce-debut-single-and-album/ Tinnitist: https://tinnitist.com/2021/03/22/indie-roundup-23-songs-to-make-monday-far-more-enjoyable/
    [Show full text]
  • Songwriter Symposium
    The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on.
    [Show full text]
  • Crystal Ship 3
    EDITORIAL ADDRESS: JOHN D. OWEN, 22,CONISTON WAY, BLETCHLEY, MILTON KEYNES ENGLAND MK2 5EA GILDED SPLINTERS : The generation gap in Rock. p. 4 STAR SAILORS: Philip K.Dick can build you. by Andy Muir p. 6 FEAR & LOATHING IN MIDDLE-EARTH. The Silmarillion gets the finger from Joseph Nicholas p. 9 CADENCE & CASCADE : RyCooder p.14 THE QUALITY OF MERSEY : A personal account of a Scouse New Year by Patrick Holligan p.16 ISLANDS IN THE SKY : Can SF really come true so soon? p.19 JUST A PINCH OF....: Some thoughts on spells, charms and toads , by Peter Presford p.25 ARTIST CREDITS : Yes folks, real artists! p.25 RIPPLES : Being an actual real live letter column. p.26 RECENT REEDS : The return of the book reviews. p.50 In both size and content this issue of the Crystal Ship has reached a new high: so has the printers' bill! So, finally, I've come to the stage where one of two things must happen. Either I cut back to a very small circulation and keep paying for it all myself, or I accept subscriptions for the 'zine. Until now, I haven't particularly thought the 'zine worth it,( typically modest self-depreciation!), but cir­ cumstances (approaching bankruptcy) force me to accept the second alter­ native. So from now on readers who either don't contribute, exchange or send letters of comment (even if its only "I like/loathe it") will have to pay real money, at a rate of 25p a copy in Britain or 2 per dollar over­ seas (bills only please).
    [Show full text]
  • Issue 1 Spring 2009 from the EDITORS
    wag (n): 1. ‘Any one ludicrously mischievous; a merry droll’; a habitual joker. 2. A web-based literary magazine (from portmanteau of “web mag” or “web magazine”). revue (n): 1. An elaborate musical show consisting of numerous unrelated scenes; also, the genre of such entertainments. Times of London 4 Apr 1899: “a specimen of this class of piece has to be called a revue and announced as an ‘entirely new form’. ” Issue 1 Spring 2009 FROM THE EDITORS Image courtesy of Julia McKinley http://jtmckinleyphoto.blogspot.com/ MANIFESTO Think of the internet as a literal place, a newly-conquered frontier. It’s a familiar comparison: the pioneering switch-circuit supernerds of ARPANET; the trailblazing explorers of Usenet and Mosaic; the waves of immigrants, establishing Geocities, getting to know their AOL postman by his ubiquitous catchphrase. Now Google’s twelve- lane freeways roar across the Web, Facebook and YouTube are visible from space. Unfortunately, as with most frontiers, the development of the Web has brought with it the swift and ruthless execution of native populations. The old empires of printed media are undergoing a greater crisis than ever before, one from which they will never fully recover. They have succumbed to the pox of internet expansion. These wrongs must be redressed, not by retrenching ourselves in � the printed medium, but by salvaging what its best citizens stood for. We cannot mistake the decline of the printed form for the death of quality writing and content. The need for literature and letters to be reliably and intelligently disseminated exists now as it always has.
    [Show full text]