An Anthology of the Best Detective Stories

Total Page:16

File Type:pdf, Size:1020Kb

An Anthology of the Best Detective Stories 25 Cents AN ANTHOLOGY OF THE BEST DETECTIVE STORIES. NEW AND OLD murders Coming in May, the third volume in the Regional Murder Series. Joseph Henry Jackson, editor, and Allan R. Bosworth, Anthony Boucher, John Bruce, Oscar Lewis, Alfred Meyers, Robert O’Brien, Lenore Glen Offord and Hildegarde Tielhet. *3.00 ELLERY QUEEN’S MYSTERY MAGAZINE DETECTIVE STORIES The Continental Op in Dead Yellow Women Dashiell Hammett 4 Dr. Jan Czissar in A Bird in the Tree Eric Ambler 42 Challenge to the Reader Hugh Pentecost 58 Thorpe Maxell in Sir Gilbert Murrell’s Picture Victor L. Whitechurch 74 G. 7 in The Tracy Enigma Georges Simenon 88 The Department of Dead Ends in The House-in-Your-Hand Murder Roy Vickers 100 CROOK STORY Prince Metcherski in A Gentleman Maurice Leblanc 85 CRIME STORIES Don’t Look Behind You Fredric Brown 48 The Wedding Dress Louis Bromfield 71 The Hit That Missed Walter Duranty 93 Asphodel Edwin Lanham 117 SOLUTIONS TO THIRD MONTHLY PRIZE CONTEST 126 publisher: Lawrence E. Spivak editor: Ellery Queen Vol. 9, No. 42, MAY 1947. Published monthly by The American Mercury, Inc., at 25£ a copy. Annual subscription $3.00 in V. S. and possessions and in the countries of the Pan-American Union; $3.50 in Canada; $4.00 in foreign countries. Publication office. Concord, N. //. Editorial and General offices, 570 Lexington Avenue, New York 22, N. Y. Copyright, 1947, by The American Mercury, Inc. Entered as second class matter August 28, 1941, at the post office at Concord, N. H., under the act of March 3,1879. Published also in a Talking-Record Edition by The American Printing House for the Blind, Louisville, Kentucky. Manufactured in the United States of America, Cover and Typography by George Salter Mildred Falk, Managing Editor Joseph W. Fbrman, Business Manager Charlotte R. Spivak, Associate Editor Robert P. Mills, Assistant Editor If it's MURDER you want 0 0 0 A BESTSELLER MYSTERY A new one at your newsstand every month Bestseller Mysteries are carefully selected by an editorial committee for their pace, literary quality and readability. Sometimes they are reprinted in full, but more often they are cut to speed up the story— always, of course, with the permission of the author or his publisher. The Bestseller Mystery now on sale is ~ SINNERS NEVER DIE By A. E. MARTIN (Abridgad Edition) Mr. Ford just happened to be looking in the window that dark night when blonde, young Mrs. Speek switched chocolates on her blind husband. He was considerably surprised nexrday to hear that Mr. Speek had been found shot—but not too surprised to work a little blackmail. Then Carlo Boldini, the traveling medium, came to town and his "revelations’’, for Mr. Ford at least, caused no end of unpleasantness. 'Remarkable novel ... let us have more of his stories, and soon." The New York Times In April—TWO BOOKS of such top quality that we had to make two CRIME CLUB Selections! ] She had an alibi which she didn’t believe herself. ©Elizabeth learned to hate Coca Himbert. She began dreaming of murdering her — and wanted so terribly to kill her that when Coca was murdered, Elizabeth believed she had done it. Her friends gave her a perfect alibi, but until another’s guilt could be proved, Elizabeth wouldn’t be¬ lieve it. $2.00 BEDEVILED by Libbie Block distinguished short story writer and author of Wild Calendar One death at the houseparty— and murder was in the air! When Rosalie saw Mackey loading the gun, fear engulfed her. After the first violent evening everything took on the aspect of a serene house- o party—except that one man was dead. And Rosalie knew that They were going to achieve something horrible unless she stopped them. $2.00 by John Godey Dashiell Hammett is branching out. True, he has not written a novel since the thin man which was published thirteen years ago (it's hard to believe, isn't it, that the thin man first appeared so long ago?), but the author of such fabulous detective novels as the Maltese falcon and the glass key can rest on his laurels for a long, long time — espe¬ cially if his success in so-called “supplementary fields” keeps increasing with the years. For surely Mr. Hammett has performed the literary hat trick with a vengeance: his books continue to sell in reprint editions of all prices; his movie credits are still associated with Class A productions; and his radio record is reaching an all-time high — at the time of this writing there are no less than three Hammett shows on the air (The Thin Man, The Fat Man, and Sam Spade) and rumors are flying that The Continental Op will join his brothers-of-the-blood on the ether any week n°w. And still Dashiell Hammett is branching out. From the grape¬ vine comes the report that Mr. Hammett is writing his first play for Broadway. That is good news indeedl Hammett has it in him to write a smash hit — remember his powerful screenplay of Lillian Heilman's watch on the Rhine? Will Mr. Hammett write a serious play? He can do it. Or will he stick to his first love — detection-and-melodrama? Selfishly, we hope Mr. Hammett makes his debut as a dramatist in the genre to which he has already made so important a contribution . It is many years since Mr. Hammett has written a new short story. He once told your Editor he might never go backt0 short-story form. We think he will, and until that happy day we shall continue to unearth Mr. Hammett’s buried treasures of the past and bring you such “un¬ known” stories as the Continental Op’s early adventure titled “Dead Yellow Women.” DEAD YELLOW WOMEN by DASHIELL HAMMETT SHE was sitting straight and stiff in the fold of her upper lids at the in one of the Old Man’s chairs outer eye-corners, half hidden by the when he called me into his office — dark rims of her spectacles. But there a tall girl of perhaps twenty-four, was no slant to her eyes, her nose broad-shouldered, deep-bosomed, in was almost aquiline, and she had more mannish grey clothes. That she was chin than Mongolians usually have. Oriental showed only in the black She was modern Chinese-American shine of her bobbed hair, in the pale from the flat heels of her tan shoes to yellow of her unpowdered skin, and the crown of her untrimmed felt hat. Copyright 1925, by Pro-Dist butors Publishing Co., Inc. 4 DEAD YELLOW WOMEN 5 I knew her before the Old Man name, translated into English, had introduced me. The San Francisco become Water Lily, and then, by papers had been full of her affairs for another step, Lillian. It was as Lillian a couple of days. They had printed Shan that she had attended an eastern photographs and diagrams, inter¬ university, acquired several degrees, views, editorials, and more or less and published a book on the nature expert opinions from various sources. and significance of fetishes, whatever They had gone back to 1912 to re¬ all that is or are. member the stubborn fight of the Since her father’s death, in 1921, local Chinese — mostly from Fokien she had lived with her four Chinese and Kwangtung, where democratic servants in the house on the shore, ideas and hatred of Manchus go to¬ where she had written her first book gether — to have her father kept out and was now at work on another. of the United States, to which he A couple of weeks ago, she had found had scooted when the Manchu rule herself stumped, so she said — had flopped. The papers had recalled the run into a blind alley. There was, excitement in Chinatown when Shan she said, a certain old cabalistic manu¬ Fang was allowed to land — insulting script in the Arsenal Library in Paris placards had been hung in the streets, that she believed would solve her an unpleasant reception planned. But troubles for her. So she had packed Shan Fang had fooled the Cantonese. some clothes and, accompanied by her Chinatown had never seen him. He maid, a Chinese woman named Wang had taken his daughter and his gold Ma, had taken a train for New York, — presumably the accumulated prof¬ leaving the three other servants to its of a life-time of provincial mis¬ take care of the house during her rule— down to San Mateo County, absence. where he had built what the papers On the train between Chicago and described as a palace on the edge of New York, the key to the problem the Pacific. There he had lived and that had puzzled her suddenly popped died in a manner suitable to a Ta Jen into her head. Without pausing even and a millionaire. for a night’s rest in New York, she So much for the father. For the had turned around and headed back daughter — this young woman who for San Francisco. At the ferry here was coolly studying me as I sat down she had tried to telephone her chauf¬ across the table from her: she had feur to bring a car for her. No answer. been ten-year-old Ai Ho, a very Chi¬ A taxicab had carried her and her nese little girl, when her father had maid to her house. She rang the brought her to California. All that door-bell to no effect. was Oriental of her now were the When her key was in the lock the features I have mentioned and the door had been suddenly opened by a money her father had left her.
Recommended publications
  • The Dutch Shoe Mystery
    The Dutch Shoe Mystery Ellery Queen To DR. S. J. ESSENSON for his invaluable advice on certain medical matters FOREWORD The Dutch Shoe Mystery (a whimsicality of title which will explain itself in the course of reading) is the third adventure of the questing Queens to be presented to the public. And for the third time I find myself delegated to perform the task of introduction. It seems that my labored articulation as oracle of the previous Ellery Queen novels discouraged neither Ellery’s publisher nor that omnipotent gentleman himself. Ellery avers gravely that this is my reward for engineering the publication of his Actionized memoirs. I suspect from his tone that he meant “reward” to be synonymous with “punishment”! There is little I can say about the Queens, even as a privileged friend, that the reading public does not know or has not guessed from hints dropped here and there in Opus 1 and Opus 2.* Under their real names (one secret they demand be kept) Queen pere and Queen fits were integral, I might even say major, cogs in the wheel of New York City’s police machinery. Particularly during the second and third decades of the century. Their memory flourishes fresh and green among certain ex-offi- cials of the metropolis; it is tangibly preserved in case records at Centre Street and in the crime mementoes housed in their old 87th Street apart- ment, now a private museum maintained by a sentimental few who have excellent reason to be grateful. As for contemporary history, it may be dismissed with this: the entire Queen menage, comprising old Inspector Richard, Ellery, his wife, their infant son and gypsy Djuna, is still immersed in the peace of the Italian hills, to all practical purpose retired from the manhunting scene .
    [Show full text]
  • Ellery Queen Master Detective
    Ellery Queen Master Detective Ellery Queen was one of two brainchildren of the team of cousins, Fred Dannay and Manfred B. Lee. Dannay and Lee entered a writing contest, envisioning a stuffed‐shirt author called Ellery Queen who solved mysteries and then wrote about them. Queen relied on his keen powers of observation and deduction, being a Sherlock Holmes and Dr. Watson rolled into one. But just as Holmes needed his Watson ‐‐ a character with whom the average reader could identify ‐‐ the character Ellery Queen had his father, Inspector Richard Queen, who not only served in that function but also gave Ellery the access he needed to poke his nose into police business. Dannay and Lee chose the pseudonym of Ellery Queen as their (first) writing moniker, for it was only natural ‐‐ since the character Ellery was writing mysteries ‐‐ that their mysteries should be the ones that Ellery Queen wrote. They placed first in the contest, and their first novel was accepted and published by Frederick Stokes. Stokes would go on to release over a dozen "Ellery Queen" publications. At the beginning, "Ellery Queen" the author was marketed as a secret identity. Ellery Queen (actually one of the cousins, usually Dannay) would appear in public masked, as though he were protecting his identity. The buying public ate it up, and so the cousins did it again. By 1932 they had created "Barnaby Ross," whose existence had been foreshadowed by two comments in Queen novels. Barnaby Ross composed four novels about aging actor Drury Lane. After it was revealed that "Barnaby Ross is really Ellery Queen," the novels were reissued bearing the Queen name.
    [Show full text]
  • DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries
    DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries. INSTITUTION Library of Congress, Washington,D.C. National Library Service for the Blind andPhysically Handicapped. REPORT NO ISBN-0-8444-0763-1 PUB DATE 92 NOTE 172p. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Annotated Bibliographies; Audiodisks; *Audiotape Recordings; Authors; *Blindness; *Braille;Government Libraries; Large Type Materials; NonprintMedia; *Novels; *Short Stories; *TalkingBooks IDENTIFIERS *Detective Stories; Library ofCongress; *Mysteries (Literature) ABSTRACT This document is a guide to selecteddetective and mystery stories produced after thepublication of the 1982 bibliography "Mysteries." All books listedare available on cassette or in braille in the network library collectionsprovided by the National Library Service for theBlind and Physically Handicapped of the Library of Congress. In additionto this largn-print edition, the bibliography is availableon disc and braille formats. This edition contains approximately 700 titles availableon cassette and in braille, while the disc edition listsonly cassettes, and the braille edition, only braille. Books availableon flexible disk are cited at the end of the annotation of thecassette version. The bibliography is divided into 2 Prol;fic Authorssection, for authors with more than six titles listed, and OtherAuthors section, a short stories section and a section for multiple authors. Each citation containsa short summary of the plot. An order formfor the cited
    [Show full text]
  • 1941-12-20 [P B-12]
    AMUSEMENTS. Now It's Mary Martin's Turn Old Trick Is Where and When rn!TTTVWTrTr»JTM. Τ ■ Current Theater Attractions 1 To Imitate Cinderella and Time of Showing LAST 2 TIMES Used Again MAT. I:SO. NIGHT ·:3· Stape. The Meurt. Shubert Prêtent 'New York Town' Sounds Dramatic, But National—"The Mikado." by the In Met Film ! Gilbert and Sullivan Opera Co.: Turns Out to Be Considerably Less; 2:30 and 8:30 p.m. Gilbert &"SuHi»aii De Invisible Actors Screen. Wolfe Is — Billy Excellent Capitol "Swamp Water," ad- 0peta ÎÊompnmj venture In the By JAY CARMODY. Romp About in wilderness: 11:10 "THE MIKADO" a.m., 1:50, 4:30, 7:10 and 9:50 p.m. Next time Mary Martin and Fred MacMurray have to do Price»: IM»ï, SI.(Kl, SI.Se. Sî.Ofl, >1·· lu nothing shows: 1:05, 6:25 and they better run away and hide. Then when Paramount has notions of Stage 3:45, 'Body Disappears' 9:05 a like "New York p.m. NEXT WEEK—SEATS NOW making picture Town," it won't have any stars at hand "Th· Body Disappears," Warner Columbia—"Shadow of the Thin Munie»! Comedy Hit and the impulse will die. Better that than that the should. Bro·. photoplay featuring Jenry Lynn. George Abbott's picture more about For all the Jane Wyman and Edward Everett Horton: Man," Mr. and Mrs. VIVIENNE SEGAL—GEORGE TAPPI drama, excitement and grandeur suggested by the title, by Bryrti Toy: directed by Ross produced Nick Charles: 11:20 a.m., 1:30, 3:45, New York Town" actually is the Cinderella legend dragged out and in- Lederman; screenplay by Scott Darling and Erna Lazarus At the Metropolitan.
    [Show full text]
  • BOX DEWAAL TITLE VOL DATE EXHIBITS 1 D 4790 a Dime Novel
    BOX DEWAAL TITLE VOL DATE EXHIBITS 1 D 4790 A Dime Novel Round-up (2 copies) Vol. 37, No. 6 1968 1 D 4783 A Library Journal Vol. 80, No.3 1955 1 Harper's Magazine (2 copies) Vol. 203, No. 1216 1951 1 Exhibition Guide: Elba to Damascus (Art Inst of Detroit) 1987 1 C 1031 D Sherlock Holmes in Australia (by Derham Groves) 1983 1 C 12742 Sherlockiana on stamps (by Bruce Holmes) 1985 1 C 16562 Sherlockiana (Tulsa OK) (11copies) (also listed as C14439) 1983 1 C 14439 Sherlockiana (2 proofs) (also listed C16562) 1983 1 CADS Crime and Detective Stories No. 1 1985 1 Exhibit of Mary Shore Cameron Collection 1980 1 The Sketch Vol CCXX, No. 2852 1954 1 D 1379 B Justice of the Peace and Local Government Review Vol. CXV, No. 35 1951 1 D 2095 A Britannia and Eve Vol 42, No. 5 1951 1 D 4809 A The Listener Vol XLVI, No. 1173 1951 1 C 16613 Sherlock Holmes, catalogue of an exhibition (4 copies) 1951 1 C 17454x Japanese exhibit of Davis Poster 1985 1 C 19147 William Gilette: State by Stage (invitation) 1991 1 Kiyosha Tanaka's exhibit, photocopies Japanese newspapers 1985 1 C 16563 Ellery Queen Collection, exhibition 1959 1 C 16549 Study in Scarlet (1887-1962) Diamond Jubilee Exhibition 1962 1 C 10907 Arthur Conan Doyle (Hench Collection) (2 copies) 1979 1 C 16553 Sir Arthur Conan Doyle, Collection of James Bliss Austin 1959 1 C 16557 Sherlock Holmes, The Man and the Legend (poster) 1967 MISC 2 The Sherlock Holmes Catalogue of the Collection (2 cop) n.d.
    [Show full text]
  • The Emergence of American Mystery Writers
    Binghamton University The Open Repository @ Binghamton (The ORB) Library Scholarship University Libraries 10-31-2016 The Atomic Renaissance: the Emergence of American Mystery Writers Beth Turcy Kilmarx Binghamton University--SUNY, [email protected] Follow this and additional works at: https://orb.binghamton.edu/librarian_fac Part of the Archival Science Commons Recommended Citation Kilmarx, Beth Turcy, "The Atomic Renaissance: the Emergence of American Mystery Writers" (2016). Library Scholarship. 29. https://orb.binghamton.edu/librarian_fac/29 This Presentation is brought to you for free and open access by the University Libraries at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Library Scholarship by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Examples of the First Golden Age Mystery Writers Clockwise from left: Agatha Christie, Dashiell Hammett, Earle Stanley Gardener, Margery Allingham , Freeman Wills Croft and Ngaio Marsh The First Golden Age of Mystery 1918 -1939 The traditional mystery story had: • A Great Detective, • A larger-than-life character, • A deductive brain solved the puzzle. Knox’s Ten Commandments of Mystery • The criminal must be mentioned in the early part of the story, but must not be anyone whose thoughts the reader has been allowed to know. • All supernatural or preternatural agencies are ruled out as a matter of course. • Not more than one secret room or passage is allowable. • No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end. • No Chinaman must figure in the story. • No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
    [Show full text]
  • Olivia Votava Undergraduate Murder, Mystery, and Serial Magazines: the Evolution of Detective Stories to Tales of International Crime
    Olivia Votava Undergraduate Murder, Mystery, and Serial Magazines: The Evolution of Detective Stories to Tales of International Crime My greatly adored collection of short stories, novels, and commentary began at my local library one day long ago when I picked out C is for Corpse to listen to on a long car journey. Not long after I began purchasing books from this series starting with A is for Alibi and eventually progressing to J is for Judgement. This was my introduction to the detective story, a fascinating genre that I can’t get enough of. Last semester I took Duke’s Detective Story class, and I must say I think I may be slightly obsessed with detective stories now. This class showed me the wide variety of crime fiction from traditional Golden Age classics and hard-boiled stories to the eventual incorporation of noir and crime dramas. A simple final assignment of writing our own murder mystery where we “killed” the professor turned into so much more, dialing up my interest in detective stories even further. I'm continuing to write more short stories, and I hope to one day submit them to Ellery Queen Mystery Magazine and be published. To go from reading Ellery Queen, to learning about how Ellery Queen progressed the industry, to being inspired to publish in their magazine is an incredible journey that makes me want to read more detective novels in hopes that my storytelling abilities will greatly improve. Prior to my detective story class, I was most familiar with crime dramas often adapted to television (Rizzoli & Isles, Bones, Haven).
    [Show full text]
  • By Josh Pachter from Ellery Queen's Mystery Magazine
    The First Two Pages: “50” By Josh Pachter From Ellery Queen’s Mystery Magazine (November/December 2018) My first published work of fiction—“E.Q. Griffen Earns His Name,” written when I was sixteen—appeared in the December 1968 issue of Ellery Queen’s Mystery Magazine. About two years ago, I realized that the golden anniversary of that first publication was approaching, and I decided to celebrate by bringing its protagonist back, half a century older, in an anniversary story. The first question I had to consider was: “Where would E.Q. Griffen be at the age of sixty-six, and what would he be doing?” That was an easy one, since my daughter Rebecca and I snuck an Easter-egg answer into our collaborative story, “History on the Bedroom Wall,” which appeared in EQMM’s “Department of First Stories” in 2009—making me, by the way, the only person who has ever appeared in that section of the magazine twice, first in 1968 and again forty-one years later! “History on the Bedroom Wall” is told in the first person by a student at Middlebury College in Vermont, and at one point the narrator mentions an English teacher named Professor Griffen, who Becca and I knew was my E.Q. Griffen, all growed up. So it seemed logical to open my anniversary story with Professor Ellery Queen Griffen sitting in his faculty office at Midd, preparing for an upcoming lecture. All I needed now was a crime for him to solve. Because the character is an hommage to the original Ellery Queen, I quickly gravitated toward a dying- message murder, since the “dying message” is perhaps the best known of Ellery Queen the author's plot devices.
    [Show full text]
  • The French Powder Mystery
    The French Powder Mystery Ellery Queen Foreword EDITOR’S NOTE: A foreword appeared in Mr. Queen’s last detective novel written by a gentleman designating himself as J. J. McC. The publishers did not then, nor do they now, know the identity of this friend of the two Queens. In deference to the author’s wish, however, Mr. McC. has been kind enough to pen once more a prefatory note to his friend’s new novels and this note appears below. I have followed the fortunes of the Queens, father and son, with more than casual interest for many years. Longer perhaps than any other of their legion friends. Which places me, or so Ellery avers, in the unfortu- nate position of Chorus, that quaint herald of the olden drama who craves the auditor’s sympathetic ear and receives at best his willful impatience. It is with pleasure nevertheless that I once more enact my role of prologue-master in a modern tale of murder and detection. This pleasure derives from two causes: the warm reception accorded Mr. Queen’s first novel, for the publication of which I was more or less responsible, under his nom de plume; and the long and sometimes arduous friendship I have enjoyed with the Queens. I say “arduous” because the task of a mere mortal. In attempting to keep step with the busy life of a New York detective Inspector and the intellectual activity of a bookworm and logician can adequately be described only by that word. Richard Queen, whom I knew intimately long before he retired, a veteran of thirty-two years service in the New York police department, was a dynamic little gray man, a bundle of energy and industry.
    [Show full text]
  • Richard Levinson and William Link Collection
    Finding Aid for the Levinson and Link Collection Collection Processed by: Maya Peterpaul, 7.17.18 Finding Aid Written by: Maya Peterpaul, 7.17.18 OVERVIEW OF THE COLLECTION: Origination/Creator: Levinson, Richard and William Link Title of Collection: Levinson and Link Collection Papers Date of Collection: 1949 -- 1986 Physical Description: 4 44 Boxes, 18.3 linear feet Identification: Special Collection #13 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Richard Levinson with the cooperation of Rosanna Levinson. BIOGRAPHICAL/HISTORY NOTE: Richard Levinson was born on August 7, 1934 in Philadelphia, Pennsylvania, the son of Georgia (née Harbert) and Georgia Levinson. He married Rosanna Huffman on April 12, 1969, with whom he had one child, a daughter named Christine. Levinson died of a heart attack at the age of 52 on March 12, 1987, in Los Angeles, California. William Link was born on December 15, 1933 in Philadelphia, Pennsylvania, the son of Elsie (née Roerecke) and William Theodore Link, a textile broker. Levinson and Link met in 1946, on their first day of junior high school in Elkins Park, Pennsylvania. They bonded over a love of murder mysteries and magic tricks, and through their close friendship forged the beginnings of a life-long writing and producing partnership. During their time at Cheltenham High School, Levinson and Link worked together writing short stories, radio scripts, a musical (Election Time), and a mystery novel (House of Cards).
    [Show full text]
  • GLT Rehearses for Murder Mystery Play Opening Next Week
    12 Acton/Georgetown, Friday, February 2, 2007 ENTERTAINMENT GLT rehearses for murder mystery play opening next week ROSCOE PETKOVIC “All for the better,” according to GLT Georgetown Little Theatre director Virginia Bancur. “The concept of using an empty theatre stage as the set In most murder mysteries, the audience peaked my interest immediately. The acting can guess who committed the crime. In ability of the cast has to be very strong to Georgetown Little Theatre’s (GLT) upcom- make the audience believe what they are see- ing production, Rehearsal For Murder, the ing and hearing. I believe we have such a authors have created a play with many twists cast, who are up to the challenge. Everyone I and turns, pointing the audience in different know who has read the play has fallen in directions. love with it. We hope the audience will to.” “In a mystery, the audience should never Bancur has previously directed The know what’s coming next,” playwright, Alex Shadow Walkers by Brian Tremblay and A Dennison tells the theatre folk he has gath- Case For Two Detectives for Georgetown ered to help him prepare his next play by Little Theatre. Primarily a stage manager, she reading selected scenes from the play. Where has produced for GLT and is vice-president this will lead to only the playwright knows, of the community theatre group. or does he? A little bit of greed and fear can The cast includes GLT members John make the simplest actions the most deadly. Wallace, Jessica Lee, Lisa Rasanan, Gary Rehearsal For Murder was written by McIlravey, with newcomers Christina Richard Levinson and William Link as a tele- Noguera, Patti Caruso, Brandon Laxton, vision movie in 1982 starring Robert Preston Marcel Jordan and Dwayne Mailman.
    [Show full text]
  • Robert Van Scoyk Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8bv7n7w No online items Robert Van Scoyk Papers Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/wgf-library-archive/about-the-film-and-tv-archive/ 2017 Robert Van Scoyk Papers WGF-MS-039 1 Descriptive Summary Title: Robert Van Scoyk Papers Dates: 1943-1998 Collection Number: WGF-MS-039 Creator/Collector: Scoyk, Robert van, 1928-2002 Extent: 10 linear feet: 4 records boxes + 5 archival boxes Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Robert Van Scoyk Papers consists mainly of produced television scripts, treatments, and ideas for produced and unproduced TV shows. Some of the popular shows include Columbo, Murder, She Wrote, The Imogene Coca Show, and The Virginian. This collection also includes scrapbooks as well as photos, correspondence, illustrations, and song lyrics of personal and professional nature. Language of Material: English Access Available by appointment only. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Robert Van Scoyk Papers. Writers Guild Foundation Archive Acquisition Information Donated by Van Scoyk's family in 2006 and 2008. Biography/Administrative History Robert Elseworth Van Scoyk was born on January 13, 1928 in Dayton, Ohio to Robert Van Scoyk and Gertrude Wardlow. Van Scoyk began writing for local radio in Dayton and joined the Army Air Force during the last months of World War II. After the war, he moved to New York to attend Columbia and New York University.
    [Show full text]