Marcel Proust in Context Edited by Adam Watt Frontmatter More Information
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The Fiction of Marcel Proust's Autobiography
The Fiction of Marcel Proust’s Autobiography Gian Balsamo English and Comparative Literature, American University in Cairo Abstract This essay discusses the literary genre of Proust’s In Search of Lost Time as analogous with the genre peculiar to Dante’s Commedia and Augustine’s Confessions. Both Dante and Augustine narrate their autobiography in terms of a writerly voca- tion pursued by means of a love quest; both authors’ success in the affirmation of their respective identity depends on the success of the love quest. Dante’s case is especially relevant to this essay insofar as his poem instantiates his authorial identity as coincident with that of his fictional character. Augustine’s confessions, however driven by a love quest, belong to the more conventionally autobiographic genre of the personal memoir. The fiction of theCommedia is that the biography of its fictional protagonist is the author’s autobiography. The same principle, which challenges the narratological distinction among real author, implied author, and narrator, may be applied to Proust’s novel. Marcel, the protagonist, crowns his literary vocation only at the end of a protracted love quest. His success in the love quest coincides with the end of the novel, and it is at this point that the distinction between fictional character and historical author loses its force. After Erich Auerbach on the Commedia, one can argue that Marcel and Marcel Proust come to coincide at the point of intersection of allegory and history; the fictional character is the allegory of the author’s histori- cal authenticity. Toward the end, Marcel-the-character, finally equipped with the means and determination to write the novel we have just read, metamorphoses into Proust-the-author: he is Proust’s deliberate choice for his own autobiography. -
Marcel Proust
C ASSETTE I NFORMATION Cassette 1, Side 1. (40:48) Cassette 1, Side 2 . (38:59) Reynaldo Hahn sings Offrande, 1909 Military service (cont) The Life and Three fictional creative artists: a composer, The first short story a painter and an author Influential drawing rooms Proust’s episodes of ‘involuntary memory’ Comte Robert de Montesquiou-Fezensac were a means of digging into sensation in Reynaldo Hahn Work of order to reach the heart of it 3 CASSETTES Lucien Daudet The Franco-Prussian War The Dreyfus Case NON-FICTION The birth of Marcel Proust, January 10, 1871 Total Time on Cassette 1: 1:19:47 BIOGRAPHY The goodnight kiss UNABRIDGED Marcel Proust Military service AUDIO-ORIGINAL Cassette 2, Side 1. (41:17) Cassette 2, Side 2. (38:15) W RITTEN & READ BY N EVILLE J ASON The Dreyfus Case (cont) Time Lost, Time Regained; Pleasures and Days involuntary memory (cont) Jean Santeuil, the early, Alfred Agostinelli autobiographical novel Sergei Diaghilev, Jean Cocteau, Anna de Noailles Pablo Picasso and friends Marcel Proust and John Ruskin Looking for a publisher More work: Ruskin’s The Bible of Amiens The manuscript is delivered to Grasset The move to 102 Boulevard Haussmann Proust and Agostinelli Time Lost, Time Regained; involuntary memory Total Time on Cassette 2: 1:19:32 Cassette 3, Side 1. (41:28) Cassette 3, Side 2 . ((38:17) Proust and Agostinelli (cont) Within a Budding Grove published in 1919, The publication of Swann’s Way winning the Prix Goncourt, and then The Guermantes Way The First World War begins, August 3, 1914 The meeting with -
The Fugitive Read by Neville Jason
COMPLETE CLASSICS UNABRIDGED Marcel Proust The Fugitive Read by Neville Jason RemembRance of Things PasT • 6 CD 1 1 The Fugitive: Chapter One 14:50 2 No doubt I had not ventured to interpret… 14:44 3 When I vowed to myself that Albertine would… 12:54 4 To carnal pleasure I did not even give a thought… 10:27 5 Knowing that Saint-Loup was in Paris I had sent for him… 13:28 6 By an inverse gymnastic, I who had made a mental effort… 11:33 Total time on CD 1: 78:00 CD 2 1 But as soon as they had gone, the head… 11:16 2 I thought of Albertine all the time and never was… 13:11 3 Since Manon returned to Des Grieux… 12:21 4 No doubt, just as I had said in the past to Albertine… 13:47 5 Time passes, and gradually everything that we have said… 14:35 6 I was during these days so incapable of forming any picture… 12:58 Total time on CD 2: 78:11 2 CD 3 1 I remained speechless with astonishment… 13:44 2 The suppression of suffering? 14:03 3 I asked Françoise the time. 11:44 4 No doubt these nights that are so short… 14:57 5 How could she have seemed dead to me when now… 11:35 6 Sometimes I came in collision in the dark lanes… 12:24 Total time on CD 3: 78:30 CD 4 1 And I then felt, with an intense pity for her… 9:49 2 How she used to hasten to see me at Balbec… 14:34 3 I had thought that my social relations, my wealth… 15:08 4 At any rate I was glad that, before she died… 14:54 5 Besides, from a single fact, if it is certain… 11:51 6 No doubt it was because in that silent and deliberate arrival… 11:46 Total time on CD 4: 78:07 3 CD 5 1 I tried not to think of anything, to take up a newspaper. -
Marcel Proust's Performative Call to Philosophy of Communication David Deiuliis
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 1-1-2015 Communicating through Cork: Marcel Proust's Performative Call to Philosophy of Communication David DeIuliis Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation DeIuliis, D. (2015). Communicating through Cork: Marcel Proust's Performative Call to Philosophy of Communication (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/76 This Worldwide Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. COMMUNICATING THROUGH CORK: MARCEL PROUST’S PERFORMATIVE CALL TO PHILOSOPHY OF COMMUNICATION A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosopy By David DeIuliis December 2015 Copyright by David DeIuliis 2015 COMMUNICATING THROUGH CORK: MARCEL PROUST’S PERFORMATIVE CALL TO PHILOSOPHY OF COMMUNICATION By David DeIuliis Approved October 23, 2015 ________________________________ ________________________________ Ronald C. Arnett, Ph.D. Janie Harden Fritz, Ph.D. Professor of Communication & Rhetorical Professor of Communication & Rhetorical Studies Studies (Committee Chair) (Committee Member) ________________________________ Richard -
Proustand America
AND PROUST AND AMERICA PROUST The influenCE OF AmeriCan art, Culture and literature ON A la RECHERCHE DU tempS peRDU PROUST AMERICA MICHAEL MURPHY “It’s odd,” Proust wrote in 1910, “how in every genre, however different... there’s no literature that has a power over me comparable to English and American.” While recent studies of A la recherche du temps perdu have focused on Proust’s Anglomanie, this engaging and critical volume offers in the spirit of Proust’s admission the first comparative reading of his novel in the context of American art, literature, and culture. In doing so it takes issue with an aspect of Proustian criticism that looks AND to neutralize the presence of non-French influences in his work. Murphy shows how Proust’s novel is uniquely open to the many and varied American influences in late nineteenth- and early twentieth-century French society, and how the New World contributed AMERIC to the essential modernity of Proust’s depiction of a world undergoing rapid technological, political, economic, and sexual change. In addition to significant artistic figures such as Ralph Waldo Emerson, Edgar Allan Poe, and James McNeill Whistler, Proust and America investigates the presence in the book of the American neurologist George Beard and his concept of “American Nervousness.” What Proust captures is a culture in transition. In doing so he gives us a road map to what was in the process of becoming, with all its continuing implications, provocations, and reverberations, the American Way. A “An ambitious and original book… a work of comparative literature in the proper sense” Patrick McGuinness, University of Oxford MICHAEL MURPHY Michael Murphy is Senior Lecturer in English Literature at Nottingham Trent University.