9 Investigating Chain Shifts and Mergers
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Phonetic and Phonological Systems Analysis (PPSA) User Notes For
Phonetic and Phonological Systems Analysis (PPSA) User Notes for English Systems Sally Bates* and Jocelynne Watson** *University of St Mark and St John **Queen Margaret University, Edinburgh “A fully comprehensive analysis is not required for every child. A systematic, principled analysis is, however, necessary in all cases since it forms an integral part of the clinical decision-making process.” Bates & Watson (2012, p 105) Sally Bates & Jocelynne Watson (Authors) QMU & UCP Marjon © Phonetic and Phonological Systems Analysis (PPSA) is licensed under a Creative Commons Attribution-Non-Commercial-NoDerivs 3.0 Unported License. Table of Contents Phonetic and Phonological Systems Analysis (PPSA) Introduction 3 PPSA Child 1 Completed PPSA 5 Using the PPSA (Page 1) Singleton Consonants and Word Structure 8 PI (Phonetic Inventory) 8 Target 8 Correct Realisation 10 Errored Realisation and Deletion 12 Other Errors 15 Using the PPSA (Page 2) Consonant Clusters 16 WI Clusters 17 WM Clusters 18 WF Clusters 19 Using the PPSA (Page 3) Vowels 20 Using the PPSA (Page 2) Error Pattern Summary 24 Child 1 Interpretation 25 Child 5 Data Sample 27 Child 5 Completed PPSA 29 Child 5 Interpretation 32 Advantages of the PPSA – why we like this approach 34 What the PPSA doesn’t do 35 References 37 Key points of the Creative Commons License operating with this PPSA Resource 37 N.B. We recommend that the reader has a blank copy of the 3 page PPSA to follow as they go through this guide. This is also available as a free download (PPSA Charting and Summary Form) under the same creative commons license conditions. -
Phonological Processes
Phonological Processes Phonological processes are patterns of articulation that are developmentally appropriate in children learning to speak up until the ages listed below. PHONOLOGICAL PROCESS DESCRIPTION AGE ACQUIRED Initial Consonant Deletion Omitting first consonant (hat → at) Consonant Cluster Deletion Omitting both consonants of a consonant cluster (stop → op) 2 yrs. Reduplication Repeating syllables (water → wawa) Final Consonant Deletion Omitting a singleton consonant at the end of a word (nose → no) Unstressed Syllable Deletion Omitting a weak syllable (banana → nana) 3 yrs. Affrication Substituting an affricate for a nonaffricate (sheep → cheep) Stopping /f/ Substituting a stop for /f/ (fish → tish) Assimilation Changing a phoneme so it takes on a characteristic of another sound (bed → beb, yellow → lellow) 3 - 4 yrs. Velar Fronting Substituting a front sound for a back sound (cat → tat, gum → dum) Backing Substituting a back sound for a front sound (tap → cap) 4 - 5 yrs. Deaffrication Substituting an affricate with a continuant or stop (chip → sip) 4 yrs. Consonant Cluster Reduction (without /s/) Omitting one or more consonants in a sequence of consonants (grape → gape) Depalatalization of Final Singles Substituting a nonpalatal for a palatal sound at the end of a word (dish → dit) 4 - 6 yrs. Stopping of /s/ Substituting a stop sound for /s/ (sap → tap) 3 ½ - 5 yrs. Depalatalization of Initial Singles Substituting a nonpalatal for a palatal sound at the beginning of a word (shy → ty) Consonant Cluster Reduction (with /s/) Omitting one or more consonants in a sequence of consonants (step → tep) Alveolarization Substituting an alveolar for a nonalveolar sound (chew → too) 5 yrs. -
Lecture 5 Sound Change
An articulatory theory of sound change An articulatory theory of sound change Hypothesis: Most common initial motivation for sound change is the automation of production. Tokens reduced online, are perceived as reduced and represented in the exemplar cluster as reduced. Therefore we expect sound changes to reflect a decrease in gestural magnitude and an increase in gestural overlap. What are some ways to test the articulatory model? The theory makes predictions about what is a possible sound change. These predictions could be tested on a cross-linguistic database. Sound changes that take place in the languages of the world are very similar (Blevins 2004, Bateman 2000, Hajek 1997, Greenberg et al. 1978). We should consider both common and rare changes and try to explain both. Common and rare changes might have different characteristics. Among the properties we could look for are types of phonetic motivation, types of lexical diffusion, gradualness, conditioning environment and resulting segments. Common vs. rare sound change? We need a database that allows us to test hypotheses concerning what types of changes are common and what types are not. A database of sound changes? Most sound changes have occurred in undocumented periods so that we have no record of them. Even in cases with written records, the phonetic interpretation may be unclear. Only a small number of languages have historic records. So any sample of known sound changes would be biased towards those languages. A database of sound changes? Sound changes are known only for some languages of the world: Languages with written histories. Sound changes can be reconstructed by comparing related languages. -
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Psychosemiotics: communication as psychological action Marko Mili Doctor of Philosophy (Psychology) University of Western Sydney November 2008 ACKNOWLEDGEMENTS I would like to express my gratitude to my wife Juliana Payne for her patience, accessibility for debate on all issues, practical assistance, and help in avoiding clichés like the plague. My parents Petar and Nediljka Mili shared their enthusiasm for learning and balanced their encouragement with flexibility about the direction that their influence took. My sister, Angela Mili, provided moral and practical support. To my extended family—Ante, Maria, Mirko, Lina, Kristina, Anthony, and Nikolas Mili; and Steve and Veronica Harwood—thank you for your support for this project. Thanks to Megan McDonald for helpful grammatical-stylistic suggestions and to Domagoj Veli, who has been an enthusiastic supporter of this project from the beginning. Professor Philip Bell, Professor Theo van Leeuwen, Dr Scott Mann and Dr Phillip Staines provided me with valuable opportunities to assist in teaching their courses in mass media, semiotics, social theory and the philosophy of language. This experience has significantly enhanced the present work. My supervisor, Dr Agnes Petocz, consistently provided detailed and incisive feedback throughout the conception and execution of this work. Her vision of a richer science of psychology has been inspirational for me. As co-supervisor, Professor Philip Bell has been an exemplary mentor and model for post- disciplinary research. ii STATEMENT OF AUTHENTICATION The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in whole or in part, for a degree at this or any other institution. -
Is Phonological Consonant Epenthesis Possible? a Series of Artificial Grammar Learning Experiments
Is Phonological Consonant Epenthesis Possible? A Series of Artificial Grammar Learning Experiments Rebecca L. Morley Abstract Consonant epenthesis is typically assumed to be part of the basic repertoire of phonological gram- mars. This implies that there exists some set of linguistic data that entails epenthesis as the best analy- sis. However, a series of artificial grammar learning experiments found no evidence that learners ever selected an epenthesis analysis. Instead, phonetic and morphological biases were revealed, along with individual variation in how learners generalized and regularized their input. These results, in combi- nation with previous work, suggest that synchronic consonant epenthesis may only emerge very rarely, from a gradual accumulation of changes over time. It is argued that the theoretical status of epenthesis must be reconsidered in light of these results, and that investigation of the sufficient learning conditions, and the diachronic developments necessary to produce those conditions, are of central importance to synchronic theory generally. 1 Introduction Epenthesis is defined as insertion of a segment that has no correspondent in the relevant lexical, or un- derlying, form. There are various types of epenthesis that can be defined in terms of either the insertion environment, the features of the epenthesized segment, or both. The focus of this paper is on consonant epenthesis and, more specifically, default consonant epenthesis that results in markedness reduction (e.g. Prince and Smolensky (1993/2004)). Consonant -
The Commutation Test and Chris Bacon's Score for Source Code As
The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy Aaron Ziegel, Towson University he cinema, whether experienced at the neighborhood multiplex or streamed at home, is arguably the medium through which today’s col- lege-age Americans are most likely to encounter newly composed sym- Tphonic music. Given the ubiquity of the film-viewing experience, students are often eager to learn the tools and methodologies that can equip them to criti- cally assess and more fully comprehend the function of music in movies. The filmSource Code (2011), directed by Duncan Jones and scored by Chris Bacon, provides a particularly effective starting point through which this process can begin.1 This article will discuss the pedagogical potential found in the film’s main titles and the impact of applying a commutation test to this sequence. Although here I address one specific example, the methodology of the commu- tation test is easily adaptable to other circumstances, as the theoretical foun- dation will make clear. While variations on the commutation test are a regular occurrence in many film music classrooms, this essay aims to present an intro- ductory primer that may be of use to instructors interested in an entry point for incorporating film music studies into their teaching. With that in mind, the appendix presents one suggestion for how to create film clips for classroom use. The value of this classroom activity extends beyond providing students with an engaging and memorable learning experience. By situating this analysis I wish to express my gratitude to the many students at Towson University whose feedback and enthusiastic classroom participation, along with suggestions from the anonymous reviewers, helped me to refine the pedagogical approach described in this essay. -
An Examination of Oral Articulation of Vowel Nasality in the Light of the Independent Effects of Nasalization on Vowel Quality
DOI: 10.17469/O2104AISV000002 CHRISTOPHER CARIGNAN An examination of oral articulation of vowel nasality in the light of the independent effects of nasalization on vowel quality In this paper, a summary is given of an experimental technique to address a known issue in research on the independent effects of nasalization on vowel acoustics: given that the separate transfer functions associated with the oral and nasal cavities are merged in the acoustic signal, the task of teasing apart the respective effects of the two cavities seems to be an intractable problem. The results obtained from the method reveal that the independent effects of nasal- ization on the acoustic vowel space are: F1-raising for high vowels, F1-lowering for non-high vowels, and F2-lowering for non-front vowels. The results from previous articulatory research performed by the author on the production of vowel nasality in French, Hindi, and English are discussed in the light of these independent effects of nasalization on vowel quality. Keywords: vowel nasality, vowel quality, articulation, acoustics, sound change. 1. Introduction A traditional characterization of vowel nasality adopts a seemingly binary classification of vowel sounds based on the relative height of the velum: nasal vowels are produced with a low velum position (and, thus, air radiation from both the oral and nasal cavities), where- as oral vowels are produced with a high velum position (and, thus, air radiation from the oral cavity alone). While it is unquestionably true that nasal vowels are produced with a lowered velum, this traditional characterization carries an implicit assumption about the state of the oral cavity for the production of a nasal vowel, i.e., that the nasal vowel maintains the same articulatory characteristics as its non-nasal counterpart in all aspects except for the height of the velum. -
1 Deconstructing Markedness in Sound Change
Deconstructing markedness in sound change typology: Notes on θ > f and f > θ1 Juliette Blevins CUNY Graduate Center ABSTRACT Many sound changes have been attributed to misperception (Ohala 1981, 1993). When two sounds A and B are perceptually similar, A can be misperceived as B and vice versa. One sound change attributed solely to perceptual similarity is θ > f (Blevins 2004). Misperception of [θ] as [f] yields θ > f, while hearing [f] as [θ] should lead to f > θ changes. Context-free shifts of θ > f are attested, but regular f > θ changes are rare. Recent research questions the existence of f > θ changes and the perceptual basis of θ > f changes. Historical, typological, experimental, developmental, and language contact data reviewed here support the original perceptual account of θ > f and f > θ, suggesting that the observed asymmetry can be explained phonetically and structurally, without reference to markedness (cf. Andersen 2008). Keywords: Sound change, markedness, perceptual similarity, dental fricative 1 This article is an updated version of earlier work on this topic, namely Blevins, Juliette. 2011. Perceptual similarity and sound change typology: Notes on θ > f and f > θ. Manuscript, CUNY, referred to in Blevins (2015), my chapter contribution to the Oxford Handbook of Historical Phonology. A later 2014 version of the same manuscript was in circulation, and I thank all those who offered suggestions for improvement. 1 1. Asymmetries in sound change typology It has long been observed that there are asymmetries in sound change typology. A > B is common, but B > A is rare, as in the common debuccalization of s > h, but the rare strengthening of h > s. -
Phonetic Factors Contributing to the Inception and Evolution of Sound Change
DOI: 10.17469/O2101AISV000002 DANIEL RECASENS Phonetic factors contributing to the inception and evolution of sound change This paper uses experimental evidence for showing that, depending on the case, sound changes may be triggered primarily by either articulatory variation (as for changes occurring through segmental weakening or strengthening) or by acoustic equivalence (as for vowel nasalization or for segmental substitutions involving syllable-final stops of different places of articulation). It also argues for a multiple evolutionary pathway in the case of specific sound changes such as dark /l/ elision or the palatalization of Latin /kt, ks/ in Romance.The role of word prominence in vowel assimilations and dissimilations and how sound changes originate in the individual are also looked into. In recent times more attention has been paid to how sound changes spread through the lexicon and the linguistic community (Labov, 1994; Phillips, 2006; Wang, 1969) than to the phonetic factors which contribute to the origin of sound change. Fortunately the situation is improving thanks to the pioneering work of Ohala (see section 1.2) and an increasing number of books and articles on this research topic (Solé, Recasens, 2012; Yu, 2013). This scenario is in clear contrast with the one existing during the last decades of the XIX century and the first decades of the XX century, as revealed by outstanding publications on the articulatory causes of sound change which appeared at that time (Grammont, 1933; Millardet, 1910; Rousselot, 1897-1901). One reason for the present lack of interest in the phonetic causes of sound change is to be sought in the special emphasis that structuralist and generative linguists have put into the study of synchronic phonology much to the exclusion of diachronic aspects and phonetic variation. -
On the Anatomy of a Chain Shift1 DANIEL A
J. Linguistics, Page 1 of 25. f Cambridge University Press 2010 doi:10.1017/S0022226710000368 On the anatomy of a chain shift1 DANIEL A. DINNSEN, CHRISTOPHER R. GREEN, JUDITH A. GIERUT & MICHELE L. MORRISETTE Indiana University (Received 4 September 2009; revised 28 April 2010) Phonological chain shifts have been the focus of many theoretical, developmental, and clinical concerns. This paper considers an overlooked property of the problem by focusing on the typological properties of the widely attested ‘s>h>f’ chain shift involving the processes of Labialization and Dentalization in early phonological development. Findings are reported from a cross-sectional study of 234 children (ages 3 years; 0 months–7;9) with functional (nonorganic) phonological delays. The results reveal some unexpected gaps in the predicted interactions of these processes and are brought to bear on the evaluation of recent optimality theoretic proposals for the characterization of phonological interactions. A developmental modification to the theory is proposed that has the desired effect of precluding certain early-stage grammars. The proposal is further evaluated against the facts of another widely cited developmental chain shift known as the ‘puzzle>puddle>pickle’ problem (Smith 1973). 1. I NTRODUCTION A common phenomenon in both first- and second-language acquisition and in fully-developed languages is for phonological processes to participate in a chain shift (e.g. Moreton & Smolensky 2002, Jesney 2005, Dinnsen 2008b). Chain shifts typically involve two phonological processes that interact in such a way that they result in an opaque generalization (i.e. one that is not surface-true). This phenomenon has generated much discussion and contro- versy in the theoretical, developmental, and clinical literature over the years and has raised questions about the very nature of chain shifts. -
An Analysis of I-Umlaut in Old English
An Analysis of I-Umlaut in Old English Meizi Piao (Seoul National University) Meizi Piao. 2012. An Analysis of I-Umlaut in Old English. SNU Working Papers in English Linguistics and Language X, XX-XX Lass (1994) calls the period from Proto-Germanic to historical Old English ‘The Age of Harmony’. Among the harmony processes in this period, i-umlaut has been considered as ‘one of the most far-reaching and important sound changes’ (Hogg 1992, Lass 1994) or as ‘one of the least controversial sound changes’ (Colman 2005). This paper tries to analyze i-umlaut in Old English within the framework of the Autosegmental theory and the Optimality theory, and explain how suffix i or j in the unstressed syllable cause the stem vowels in the stressed syllable to be fronted or raised. (Seoul National University) Keywords: I-umlaut, Old English, Autosegmental theory, vowel harmony Optimality theory 1. Introduction Old English is an early form of the English language that was spoken and written by the Anglo-Saxons and their descendants in the area now known as England between at least the mid-5th century to the mid-12th century. It is a West Germanic language closely related to Old Frisian. During the period of Old English, one of the most important phonological processes is umlaut, which especially affects vowels, and become the reason for the superficially irregular and unrelated Modern English phenomenon. I-Umlaut is the conditioned sound change that the vowel either moves directly forward in the mouth [u>y, o>e, A>&] or forward and up [A>&>e]. -
Chain Shifts in First Language Acquisition
CHAIN SHIFTS IN FIRST LANGUAGE ACQUISITION MASTER’S THESIS BY FRANSIEN WALTON MASTER’S PROGRAMME TAAL, MENS EN MAATSCHAPPIJ TAALWETENSCHAP UNIVERSITY OF UTRECHT STUDENT NUMBER 0419273 SUPERVISOR PROF. DR. RENÉ KAGER SECOND READER PROF. DR. WIM ZONNEVELD 2 TABLE OF CONTENTS PAGE PREFACE 5 1. INTRODUCTION 7 2. PREVIOUS RESEARCH 14 2.1 EARLY GENERATIVE GRAMMAR 15 2.1.1 SMITH (1973) 17 2.1.2 MACKEN (1980) 19 2.2 OPTIMALITY THEORY 21 2.2.1 INTRODUCTION TO OPTIMALITY THEORY 21 2.2.2 CHAIN SHIFTS IN OPTIMALITY THEORY 26 2.2.3 LOCAL CONSTRAINT CONJUNCTION 28 2.2.4 FAITHFULNESS TO INPUT PROMINENCE 39 2.2.5 OPTIMALITY THEORY WITH CANDIDATE CHAINS 52 2.2.6 UNDERSPECIFIED UNDERLYING REPRESENTATIONS 58 2.3 CONCLUSION 62 3. A NEW PROPOSAL 65 3.1 INDEPENDENT PROCESSES 68 3.2 ARTICULATORY DIFFICULTIES 70 3.3 UNDERLYING REPRESENTATIONS 74 3.4 MISPERCEPTION 79 3.5 PREDICTIONS REVISITED 83 3.6 CONCLUSION 86 4. DISCUSSION 88 5. CONCLUSION 103 REFERENCES 105 3 4 PREFACE The idea for this thesis originated in the course Phonological Acquisition taught by René Kager. I read the article On the characterization of a chain shift in normal and delayed phonological acquisition by Daniel Dinnsen and Jessica Barlow (1998) and was intrigued by the phenomenon. After I started reading more on the subject, I became increasingly unhappy with the proposed analyses in the literature and decided to dive deeper into the matter. The result is this thesis. I would like to thank René for his useful comments, critical questions and positive feedback.