INDIAN HEAD Yourself and Your Famil Y Which Wi Lt Make You All Better D Ressed and for Less Money a Lways O N T H E Sch 'Agc T Han Ever Before

Total Page:16

File Type:pdf, Size:1020Kb

INDIAN HEAD Yourself and Your Famil Y Which Wi Lt Make You All Better D Ressed and for Less Money a Lways O N T H E Sch 'Agc T Han Ever Before Western Kentucky University TopSCHOLAR® Student/Alumni Personal Papers WKU Archives Records 1925 UA94/6/2/14 Your Color and Why Nashua Manufacturing Company Follow this and additional works at: http://digitalcommons.wku.edu/stu_alum_papers Part of the Fashion Design Commons, and the Sociology Commons Recommended Citation Nashua Manufacturing Company, "UA94/6/2/14 Your Color and Why" (1925). Student/Alumni Personal Papers. Paper 110. http://digitalcommons.wku.edu/stu_alum_papers/110 This Other is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Student/Alumni Personal Papers by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Your Color and Why LAI\"CE around the next t im e you fInd yourselr among a group or G women-at chu rch, shopping or at t he t heat re. Those who stand out as well dressed and good style are the women whose clothes not only are the p roper mode but the colors-of which harmonize with complexion , coloring, lines of figure, and combine well with hat, hand-bag, hosiery and shoes. As- soon as we founel it possible to make I ndian H ead in absolutely fast colors, we endeavored to secure a range of colors be­ coming to the d iffe rent fem inine types of a ll ages and sui table for every room in the average home. How successful we have been ( you shall judge ror YOlirselr rrolll the analy­ sis of each hue in t he pages t hat fo ll ow. Indian H ead is a versatile fal=! ric, a ppro­ priate for many kinds of garments and em­ \ broideries as well as for interior decoration. In t his booklet we have confined ou rsel ves to descri bing the general t ypes of women for whom each hue is adaptable. \Ve believe that it \\'ill help you to plan wardrobes fo r INDIAN HEAD yourself and your famil y which wi lt make you all better d ressed and for less money A lways o n t h e Sch 'agc t han ever before. After analyzing your own and the fam il y's hair, eyes and skin so t hat you know your complexion colorings, you should consider each garment that you a re planning as part X o.~. 8(>(>0Ih.l Ed. :;(1 M. 4-25 I l'ri111 ed in U. S.A. of the whole wardrobe, not as a separate [jel item. You wi ll find that many smart acces­ 1EL is purple bl ue with sories are interchangeable. Hats, gloves, C the delicacy of a sum­ shoes, handbags, jewelry and handkerchiefs, mer sky, well suited to a com­ scar fs, sweaters. etc., can be used with differ­ plexion of delicate whiteness ent dresses to give greater variety and better or a white skin r1ushed with style. rose. Eyes of all shades of Of course the attractiveness and becoming blue reA ect ciel happily. The qLlalities of the 18 fast colors of I ndian H ead 121-CIEL hair should be blonde or li ght are ass isted by its in teresting texture. The brown; although dark, lustrous hair supports new permanent fin ish gives added beauty and it very wel l. style. Its Vigorous weave g ives the finish of A charming and attractive color for the fabric a charm only equaled in li nen and children. supplies a variety of values in the coloring that are very flattering. A hard er or smoother fabric will renect more hi gh lights and so Peach give an un becoming. harsh effect to the EACH Indian Head is a same hues which charm you so much in P rosy orange (or more Indian H ead. accurately, yellow red o[ high We have endeavored to describe the color value) of sufficient intensity qualities of Indian Head as s imply as pos­ to be exceedingly effective on sible, giving each hue its rightful place. the right person. She should have golden brown, dark 125 -PEACH You will note that the value of a color brown or black hair, eyes of varies according to the amount o f black or any color and a carriage g<XJd enough to sus­ white which is mixed with the color. The tain such a beautifu l color to the best ad­ lighter or whiter the color, the higher is its vantage. Unless the hair is a very vivid red value. no hue is more pleasing fo r the auburn haired. T he darker or blacker the color, the lower Almost all skins, unless particularly dark and the value. Compare, for example, the differ­ blotchy, are improved when allied with this ent Indian Head blues. Ciel is higher (or blending of red and yellow; but it is liable to whiter) in value than cadet, which is near a weaken the beauty of silver blonde hair medium value blu e. Copen is a bit lower and so should be chosen discreetly by the (or grayer) in valLi e than cadet, and navy blonde. I t is very good in combination with has almost the lowest value (or nearest to darke r, lighter or more neutral colors, as it black) a blLie could have. gives contrast or accent in decoration. , Pink tlfimasa INK Indian H ead is litcr­ ll'vIOSA, a rich yello\\', P a ll y a pure red of h igh M is high enough in value value mixed with sufficient to ma ke it delicate, brilliant whi te t o g ive it softness. It is enough to be interesting. I t is a fortunate choice for either worn well by all brunettes blondes or brunettes. I [ t he and by blondes who have real skin has sallow or olive tones, 122- PINK yellow lights in the hair. however, pink should not be 127-MIMOSA It sets off dark auburn hair. \\"orn as these tendencies arc u ndu ly CI11 - I t suits clear skins and it makes creamy or phas{zecl in contrast \\ "jth t he exquisite d eli ­ slightly sallow skins appear white. Unless her cacy of this hue. Older women with white hair is paper white. the white haired woman hair and del icate skin can wear pink \\ "ell should not wear it nor should people with fo r it brings out the fu ll strength of thei r dark. blotchy or oli ve skins. good looks. No one should fear it to be too A clear skinned brunette with b ro\\'n eyes youthful fo r although no color has greater and golden b rown hair could choose nothing charm for youth, its very· wa rm th a nd rich­ more becoming than Mimosa. ness makes it becoming to the right l)' pC of The lovely, nne textured skins of childhood face of any age. and yout h are especially well suited to this color. Jade ADE I nd ian H ead is one of Relia J the most generall y becom­ E LlO Ind ian Head is a ing hues in the whole color H rich purple. darkened circle, as it is ncar t he com­ sufficiently to be more becom­ plement of red and stresses ing to m any complexions warmth incomplexion. I t is or than a brighter purple would 143-jADE. medium high value, a slightly be. I t harmoniz es well with blue green, and has subt lety hair of all colors from white 14b-HE.L10 and cha rm for a ll t ypes-blonde, brunette, to aubu rn, and blue, h azel , aubu rn haired or white haired people. A poor (Tray and b rown eyes will find it a flattering skin might find j ade unAattering, but a skin ~o l o r. 1t should be chosen cautiously if the of average good color and texture can \yea r skin is sallow or olive. Vivid o r rudd y coloring it. J ade is particul arly lovely with t he clea r, is successru lly toned down by helio and a cl ear brilliant skins of childhood and youth. rosy skin is set o ff to excellent advantage. 4 5 Linen Leather T INEN Ind ian Head is a TEATHER is a slightly L warm but very light L darkened yellow red tan, good for all rosy cheeked that is flattering to the aver­ blondes, brunettes or auburn age g irl or woman. The em­ heads, whatever the color of phasis placed on the red the eyes. Linen Ind ia n H ead brings it into the class of the is exce!lent for gowns or fashionable browns of the lY7-LEATHER 134-LINEN d ecoratJo. n as a ba ckg round season. The woman with for more intense or darker and ri chershacles. d rab brown or ash blonde hair should avoid It is a pleasing choice fo r children's and this color but a ll other hair coloring may misses' clothes since their youthful coloring be safely combin ed wit h it. Dark enough to and vivacity add the dash of li fe n eeded to be k~nd to the average skin it has warmth make this color most successful. Peopl e with and interest sufficient to enliven dark, blue pale or sallow skin, or whose h air, eyes and , or hazel eyes. For children it makes ideal, skin are light or neutral, should avoid li nen becoming, pract ical and fash ionable clothes. as the effect would be monotonous. Copen Coral OPEN I nd ian H ead is ORAL Indian I-lead is an C an in tense, s li ght ly pur­ C mtense, clear, m edIum pled blue a nd is very effective.
Recommended publications
  • Beware, Red Heads Don't Numb!
    Research Article Published: 08 Mar, 2019 Journal of Ophthalmology Forecast Beware, Red Heads Don’t Numb! Matthews JM*, Petrykowski B and Davidorf F Havener Eye Institute, The Ohio State University Wexner Medical Center, USA Abstract Background: The use of topical anesthesia in the outpatient setting by Ophthalmologists has seen a dramatic increase since the development of antivegf medications. Each year, there are an estimated 6-7 million anti-vegf injections performed in the United States. People with red hair have a mutation of the MC1R gene, which has been associated with decreased effectiveness of local anesthesia. The purpose of this communication is to alert the ophthalmology community of potential for inadequate anesthesia for intraocular injections Methods: IRB was obtained through OSU IRB. 175 patients receiving intravitreal injections were randomly surveyed to determine incidence of poor analgesia with injections. Results: Overall, 19/175 patients were found to have decreased effectiveness of local anesthesia. We found a surprisingly high incidence (10.5%) of patients who require increased amounts of local anesthesia than is commonly used in those with natural red/auburn hair. Conclusion: We encourage ophthalmologists who use local anesthesia for their patients to include an assessment of their response to dental anesthesia. These individuals need to be identified who have had previously bad experiences with poor responses to local anesthesia. We recommend using twice the amount of topical anesthesia in these patients. Keywords: Intravitreal injections; MC1R Gene; Red hair; VEGF; Topical anesthesia Introduction The use of topical anesthesia in the outpatient setting by Ophthalmologists has seen a dramatic increase since the development of antivegf medications.
    [Show full text]
  • In the Tennessee Mountains
    In the Tennessee Mountains Charles Egbert Craddock In the Tennessee Mountains Table of Contents In the Tennessee Mountains.....................................................................................................................................1 Charles Egbert Craddock...............................................................................................................................1 DRIFTING DOWN LOST CREEK..............................................................................................................1 A−PLAYIN' OF OLD SLEDGE AT THE SETTLEMINT.........................................................................24 THE STAR IN THE VALLEY....................................................................................................................36 ELECTIONEERIN' ON BIG INJUN MOUNTING....................................................................................46 THE ROMANCE OF SUNRISE ROCK.....................................................................................................54 THE DANCIN' PARTY AT HARRISON'S COVE....................................................................................64 OVER ON THE T'OTHER MOUNTING...................................................................................................73 THE HARNT THAT WALKS CHILHOWEE.......................................................................................83 i In the Tennessee Mountains Charles Egbert Craddock This page copyright © 2002 Blackmask Online. http://www.blackmask.com • DRIFTING
    [Show full text]
  • Effect of Semi-Permanent Hair Color Conditioner for Maintenance Hair Coloring
    EFFECT OF SEMI-PERMANENT HAIR COLOR CONDITIONER FOR MAINTENANCE HAIR COLORING 1,* 1 1 Kanchanapa Sathirachawan Waruttaya Sripattanakul , Thapakorn Tree-udom , Nanthana Chanthasila1 and Pruchaya Manhathao1 1School of Cosmetic Science, Mae Fah Luang University, Chiang Rai, Thailand *e-mail: [email protected] ______________________________________________________________________________ Abstract Hair color fading is a common problem in artificial hair colorants complained by both young and elderly consumers. One of the main reasons is the open of hair cuticles that allows color escaping out upon shampooing. To overcome color fading problem, the semi-permanent hair color conditioner was developed. The effect of semi-permanent hair color conditioner for maintenance of hair coloring were studied in this work. The experiment was carried out on red brown permanent dyed hair tresses with and without treatment of semi-permanent hair color conditioner. After shampooing for 50 times, the comparative efficiency of color maintenance between untreated and conditioner-treated groups was performed using colorimeter based on CIE L*, a*, b* color scale. The result showed that percent changes of a*- value and ∆E of conditioner-treated group were significantly lower than that of untreated group (p < 0.05). This indicated that semi-permanent hair color conditioner appears to be an effective product for the maintenance of hair coloring. ______________________________________________________________________________ Keywords : hair color fading; hair color maintenance; conditioner; hair dye; hair care Introduction : Color fading is a common problem in everyone who dyed their hair has a tendency to be found after doing artificial hair colorant (Morel and Christie 2011). The almost causes of off-shade fading may be simple to suffer in daily life unavoidably.
    [Show full text]
  • Francisco's Flowers Kristopher Andrew Paul University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2016-01-01 Francisco's Flowers Kristopher Andrew Paul University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Paul, Kristopher Andrew, "Francisco's Flowers" (2016). Open Access Theses & Dissertations. 721. https://digitalcommons.utep.edu/open_etd/721 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. FRANCISCO’S FLOWERS KRISTOPHER A. PAUL Master’s Program in Creative Writing APPROVED: ——————————————————- Daniel Chacòn, MFA, Chair —————————————————— Elizabeth Scheid, MFA ——————————————————- Tim Hernandez, MFA —————————————————— Linnea Alexander, ________________________________ Charles H. Ambler, Ph.D. Dean of the Graduate School FRANCISCO’S FLOWERS By KRISTOPHER A. PAUL, B.A. ENGLISH FRANCISCO’S FLOWERS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO December 2016 Acknowledgements Any accomplishment worthy of great praise cannot be done easily on one’s own. There- fore it is only right that those who worked behind the scenes, in support of great efforts should be given their due respects. First, I would not be anywhere that I am without my amazing, encouraging, and support- ive wife, Heather, without whom none of my greatest achievements would have ever been at- tempted in the first place.
    [Show full text]
  • Donna Moses Memoir
    1927-1945 My Family The year I was born (*1), 1927, Charles Lindbergh flew his “Spirit of St. Louis” from Long Island, NY, to Paris. And, Ford Motor Company introduced the Model A car. When I was two, Wall Street experienced the worst crash in stock values in its history. America plummeted into the Great Depression. European countries struggled with fluctuating currency valuation, and recovery from World War I devastation. In 1931 (when I was four) the federal Committee on Unemployment reported 4-5 million 1. Dad and me Americans out of work. Unknown to me is how my parents met. (*2) Dad was born in Bolivar, NY. Mother was born in Cameron Mills, NY, and later moved to Richburg, NY. Before I was born, Dad took Mom to Kentucky, because he heard about work in crude oil production. Though my family is from New York State, my birthplace was Glasgow, KY. My folks returned to Dad’s hometown, Bolivar, when I was four, or five, and moved into Dad’s parents’ home where we lived about five 2. Mom and Dad: Pauline and years. I shared my parents’ bedroom, but had my own bed. C Maynard Stohr Paternal Grandfather (Robert E. Stohr), Paternal Grandmother (Winnie Stohr) (*3) Maternal Grandfather (unknown), Maternal Grandmother (Leila Owens) Grandma and Grandpa Stohr’s brown house--with green trim--was on the arterial, Boss Street. Like other clapboard homes built in late eighteen hundreds, it had covered porch that extended along the front of the house, and faced the street. The porch sheltered a swing where I spent a lot of time, often socializing with younger cousin and buddy, Milton.
    [Show full text]
  • Don't Let Natalie Ronning's Long, Wavy Auburn Hair, Bright Blue Eyes Or
    Student Gardeners that serves meals and provides food to people program. Don’t let Natalie in need in Sioux Falls. “In the Reading Augustana course, we Ronning’s long, wavy The Augie Garden is funded through a look at the Augie garden as a model of grant administered by the Service-Learning responsible citizenship,” said Jeffrey Miller, auburn hair, bright blue Program, an initiative designed to integrate chair of the Department of English and community service and civic engagement with Journalism and director of Civitas. “You eyes or pink fingernail academic study. Augustana faculty members have students practicing the Jeffersonian work hand-in-hand with representatives from virtue of working with the land, things polish fool you. All community agencies to develop service- we read about in a number of essays in girly-girlness aside, she’s learning projects that will meet community- the course. Then, you get to watch their identified needs. care for that land transform into care for not afraid to get her “What’s so incredible about the Augie the Sioux Falls community in the produce Garden is that it was almost entirely student- they donate to the Banquet and the work hands dirty. Spiders, led. The students came up with the original students in the course do with the Banquet earthworms, rodents – idea to have a garden, and they took the as well.” initiative to talk to the facilities group and Jamie Horter, ’10, played a key role in they don’t faze her either. find volunteers. It wasn’t until much later that starting the garden last year.
    [Show full text]
  • So Henna Colour Chart-Dec19
    COLOUR CHART So Henna is a brand new, exciting product range on the eyebrow henna market, providing beautiful and natural looking brows inspired by our favourite hot beverage collection. Our mission is simple, to provide an easy-to-use brow tinting solution that gives you perfect results every time! Developed by brow artists for brow artists. MIXING THE HENNA APPLICATION Using the spoon supplied with each jar, add the Apply the mixture evenly with a So Henna angled henna powder to the mixing dish with 3-5 drops brush (brush number 2 or 3) in one layer. For an of distilled water at room temperature, with a ombre effect, start the application from the outer ratio of 1:1. Mix the contents with our mixing tool, end of the eyebrow, only applying product to half mix throughly until the powder has completely of the eyebrow and applying more product dissolved to an even mixture with a syrup like towards the inner end of the eyebrow with every consistency, then apply to the brows. For a more layer. Use thinner consistency of the product in intense staining effect on the skin, make the the inner part of the eyebrow for a lighting consistency thicker by using a 2:1 ratio of henna staining effect. For thick eyebrows, ensure that the vs distilled water. For a lighter effect on the skin, product reaches the skin under the eyebrow hairs make the consistency of the henna mix thinner evenly by carefully dabbing the henna mixture on by using 1:2 ratio of henna vs distilled water.
    [Show full text]
  • Let Us Know How Access to This Document Benefits You
    The Oval Volume 13 Issue 1 Article 14 4-15-2020 Homecoming Jasper Vanspoore Follow this and additional works at: https://scholarworks.umt.edu/oval Let us know how access to this document benefits ou.y Recommended Citation Vanspoore, Jasper (2020) "Homecoming," The Oval: Vol. 13 : Iss. 1 , Article 14. Available at: https://scholarworks.umt.edu/oval/vol13/iss1/14 This Poetry is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in The Oval by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. One from the north: HOMECOMING she came with snowmelt streaming over her hips, Jasper Vanspoore sparrow-red cedar woven with raven blue hair carried pillows of emerald bedding, her soft footsteps mirrored by stardust leading her way. She came from the east. Morning sun, The midwives came hot summer sap, and the eastern woman labored. dripped over her shoulders, Water broke down a long dark braid flooding trailing behind her feet. until a deep well formed The warmth of auburn hair woven and silty murk turned to grass, thin, winding lines into soft autumn hazy golden. soft, wet earth. The skies quieted. Her fingertips trailed across the sky, pricked swollen clouds, Children came, and rain fell. tiny fists clutching camas bitterroot balsam cous. The rivers followed her westward. Limbs of larch and pine. And through the valleys A place appeared, scattered five waters coalescing into one. and she stopped, thousands of years heavy bellied and sway backed.
    [Show full text]
  • Ginger Masculinities
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses November 2015 Ginger Masculinities Donica O'Malley University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Communication Commons Recommended Citation O'Malley, Donica, "Ginger Masculinities" (2015). Masters Theses. 288. https://doi.org/10.7275/7462047 https://scholarworks.umass.edu/masters_theses_2/288 This Campus-Only Access for Five (5) Years is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. GINGER MASCULINITIES A Thesis Presented by DONICA O’MALLEY Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 2015 Communication © Copyright by Donica O’Malley 2015 All Rights Reserved GINGER MASCULINITIES A Thesis Presented by DONICA O’MALLEY Approved as to style and content by: _______________________________________ Leda Cooks, Chair _______________________________________ Claudio Moreira, Member ____________________________________ Erica Scharrer, Chair Department of Communication ABSTRACT GINGER MASCULINITIES SEPTEMBER 2015 DONICA O’MALLEY, B.A., UNIVERSITY OF MASSACHUSETTS AMHERST M.A., UNIVERSITY OF MASSACHUSETTS AMHERST
    [Show full text]
  • Determining Personal Colors Guide C-315 Revised by J
    Determining Personal Colors Guide C-315 Revised by J. Wendy Brown and Andrea Rojas1 Cooperative Extension Service • College of Agricultural, Consumer and Environmental Sciences When selecting colors for your wardrobe, consider three factors of your per- sonal coloring: your skin color, your eye color, and your hair color. Personal coloring gives clues to your best-worn colors in clothing and cosmetics. Some people even go as far as to use their personal coloring to determine the colors they use to decorate their home. The colors you select to wear are important in creating an attractive ap- pearance. Flattering colors can brighten the skin and emphasize the color of the hair and eyes. Unflattering colors can make the skin look drained, sallow, or unhealthy. However, you can wear any color in the right loca- Your personal coloring can indicate the color tion, amount, and combination. Some colors may family, brightness, and intensity you will want not look unattractive, but they won’t be your best to use for colors in your wardrobe. If you are not colors. Taking the time to determine your best colors pleased with your coloring, work to offset it by se- is important if you want to: lecting wardrobe colors that will de-emphasize it. There are no set rules for color use, but there are • Emphasize the highlights in your hair some principles that can be used to achieve a desir- able wardrobe color scheme. Skin color is the most • Accentuate your eye color important consideration. However, when either your hair or eye color is outstanding, it should be • Plan an attractive wardrobe emphasized over your skin color.
    [Show full text]
  • Rusty”? Find 18 Synonyms and 30 Related Words for “Rusty” in This Overview
    Need another word that means the same as “rusty”? Find 18 synonyms and 30 related words for “rusty” in this overview. Table Of Contents: Rusty as an Adjective Definitions of "Rusty" as an adjective Synonyms of "Rusty" as an adjective (18 Words) Usage Examples of "Rusty" as an adjective Associations of "Rusty" (30 Words) The synonyms of “Rusty” are: out of practice, rust, rust-brown, hoary, rusted, corroded, oxidized, reddish-brown, chestnut, auburn, tawny, russet, coppery, reddish, rufous, aching, achy, painful Rusty as an Adjective Definitions of "Rusty" as an adjective According to the Oxford Dictionary of English, “rusty” as an adjective can have the following definitions: Covered with or consisting of rust. Impaired in skill by neglect. Ancient. Stiff with age or disuse. Rust-coloured. (of a metal object) affected by rust. (of knowledge or a skill) impaired by lack of recent practice. Of the brown color of rust. (of black clothes) discoloured by age. GrammarTOP.com Synonyms of "Rusty" as an adjective (18 Words) Having an ache in a part of one’s body. aching The cool air was a relief to my aching head. Causing a dull and steady pain. achy Her old achy joints. (of hair) of a reddish-brown colour. auburn Auburn hair. Of a golden brown to reddish brown color. chestnut Chestnut hair. Of something having the color of copper. coppery His hair was fine and coppery. corroded Eaten away as by acid or oxidation. GrammarTOP.com Used in names of animals and plants covered with whitish fur or short hoary hairs e g hoary bat hoary cress.
    [Show full text]
  • 1455189355674.Pdf
    THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS
    [Show full text]