David Byrne and Brian Eno -- Everything That Happens Will
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SBS Chill 12:00 AM Sunday, 31 March 2019 Start Title Artist 00:07 When're You Gonna Break My Heart Silver Ray
SBS Chill 12:00 AM Sunday, 31 March 2019 Start Title Artist 00:07 When're You Gonna Break My Heart Silver Ray 12:58 Oriental Folk Song La Funk Mob 16:46 Heidi Bruehl Tosca 21:35 Do We Lose 21 Grams? Gustavo Santaolalla 24:03 Fanfare Of Life Leftfield 30:10 Round Blue Glasses Pretz 36:30 The Deadly Nightshade Daniel Lanois 40:33 Healing Sangre De La Tierra 45:30 Held (Hence Therefore remix) Pendant 49:16 The Way You Look Tonight Air 53:03 Honeytrap Leo Abrahams 58:07 Beach Fair Liminal Drifter Powergold Music Scheduling Total Time In Hour: 63:59 Total Music In Hour: 63:32 Licensed to SBS SBS Chill 1:00 AM Sunday, 31 March 2019 Start Title Artist 00:08 Unfinished Business Lounge Conjunction 06:52 Avant que je m'ennuie Mathieu Boogaerts 10:16 Clockwise Operetta Tomás Dvorák 14:16 Mindless Moments Grenade Tonight Bedroo... Sven Van Paapen 19:08 Down The Burning Rope James Vincent McM... 24:02 Pilots Goldfrapp 28:25 For Berlin Jens Buchert 33:58 Dag Nabbit Unitone 38:51 Days Remi Selles 43:13 Streetwalkin' By Myself Don Julin & Harry Pf... 47:13 Noctuary Bonobo 52:41 Broken Light Solomon Grey 55:39 Camioux Boozou Bajou 61:13 Solar Eclipse DJ Rob Tech Powergold Music Scheduling Total Time In Hour: 66:36 Total Music In Hour: 66:06 Licensed to SBS SBS Chill 2:00 AM Sunday, 31 March 2019 Start Title Artist 00:05 Turtle (Bonobo Mix) Pilote 05:16 To the grain Junip 09:09 Late Night Voyages Guilty Ghosts 14:36 Shelter A.J. -
Vivid Sydney Media Coverage 1 April-24 May
Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival. -
College Voice Vol. 34 No. 17
Connecticut College Digital Commons @ Connecticut College 2009-2010 Student Newspapers 4-13-2010 College Voice Vol. 34 No. 17 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2009_2010 Recommended Citation Connecticut College, "College Voice Vol. 34 No. 17" (2010). 2009-2010. 4. https://digitalcommons.conncoll.edu/ccnews_2009_2010/4 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2009-2010 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. ......... NEW LONDON, CONNEOICUT TUESDAY,APRIL13, 2010 VOLUME 34· ISSUE17 The Camel and the You're So Hip! band build up excitement as the college reveals the newly redesigned camel athletic logo at Founder's Day. SGA Passes Proposal Haiti Relief Efforts Restructuring Exec Board CLAIRE S_GOULD AcadenticAffairs, Chair of SAC, ' President, Vice Presideut, Parlia- Lack Participation EDITOR-iN-CHIEF Chair of Residential Affairs and mentarian, Presidential Associate Chair of Diversity and Equity - are and Vice President of Public Rela- andjivin' in Cro. The SGA assembly recently TESSA ENGEL required to deal also with the ev- tions would sit on the Operations Unfortunately, few attended. passed a resolution that will affect & JAZMINE HUGHES eryday operations of SGA like ta- Council while the President, Vice After months of planning and the structure of future SGA as- CONTRIBUTOR & bling blood drive siguups, creating President and Chairs would sit on publicity, the white plastic folding semblies. -
Cigarettesaftersex Biog2017 Copy
! ! BIOGRAPHY 2017 ! ! On August 18th 2017, Ghostpoet aka Obaro Ejimiwe returns with his eagerly anticipated fourth album. As the title suggests, Dark Days & Canapés is a record that siphons the sense of unease hanging in the air throughout the time of its creation and uses it as a fuel source. It’s also a record that dramatically fore- grounds the continuing evolution of twice- Mercury nominated Obaro as one of our most perspicacious and original songwriters. In the wake of 2015’s universally acclaimed Shedding Skin – an album which found him moving away from the beats-driven arrangements of the first two records – Dark Days & Canapés completes the transition to a fuller band sound. Integral to that transition was Obaro’s choice of producer for the record. “On previous records, the production side of things has run along 50:50 lines,” he explains, “But this time around, I wanted to see what would happen if I relaxed that a little.” Early in the process, he hooked up with producer/writer/ guitarist Leo Abrahams, perhaps best known for his work with Brian Eno and Jon Hopkins (Small Craft On A Milk Sea) and Wild Beasts (Present Tense) as well as his own feted solo albums. The two clicked immediately. “I went to his studio in East London,” recalls Obaro, “And the thing that struck me about him was that he was impossible to faze. I was de- scribing the mood I was after in quite fanciful, surreal terms, and yet he knew exactly how to translate !that into music.” The results of those early sessions - which saw guitarist Joe Newman assisting, fleshing out guitar parts on the early demos -quickly established the momentum of what followed. -
A History of Electroacoustics: Hollywood 1956 – 1963 by Peter T
A History of Electroacoustics: Hollywood 1956 – 1963 By Peter T. Humphrey A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor James Q. Davies, Chair Professor Nicholas de Monchaux Professor Mary Ann Smart Professor Nicholas Mathew Spring 2021 Abstract A History of Electroacoustics: Hollywood 1956 – 1963 by Peter T. Humphrey Doctor of Philosophy in Music and the Designated Emphasis in New Media University of California, Berkeley Professor James Q. Davies, Chair This dissertation argues that a cinematic approach to music recording developed during the 1950s, modeling the recording process of movie producers in post-production studios. This approach to recorded sound constructed an imaginary listener consisting of a blank perceptual space, whose sonic-auditory experience could be controlled through electroacoustic devices. This history provides an audiovisual genealogy for electroacoustic sound that challenges histories of recording that have privileged Thomas Edison’s 1877 phonograph and the recording industry it generated. It is elucidated through a consideration of the use of electroacoustic technologies for music that centered in Hollywood and drew upon sound recording practices from the movie industry. This consideration is undertaken through research in three technologies that underwent significant development in the 1950s: the recording studio, the mixing board, and the synthesizer. The 1956 Capitol Records Studio in Hollywood was the first purpose-built recording studio to be modelled on sound stages from the neighboring film lots. The mixing board was the paradigmatic tool of the recording studio, a central interface from which to direct and shape sound. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
UWM Libraries Digital Collections
Concert review: pg 13 David Byrne returns to Milwaukee uwMrOSl The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee The potential presidencies of V Obama and McCain compared Controversy over News pg 5 bookstore sweatshop allegations RunUp the Runway showcases local fashion designers Robert Spencer, founder of Jihad Watch, speaking Thursday evening in at MAM Bolton Hall. Post photo by Alana Soehartono Concert Reviews: Spencer lecture lacked Minus the Bear Mountain Goats outbursts, interruptions Man Man David Byrne Extensive Freedom Center is a conserva SDS claims stem from Bookstore, SDS approached the tive organization founded by UWM's refusal to join Brand Standards Committee security prevents Horowitz, who was the subject fringe pg 7 with a request that UWM reject of a controversial visit to UWM DSP program their support of two groups used Horowitz repeat this past spring. to assure all logo sale items are Prior to entering the lecture Women's soccer By Cordelia Ellis manufactured in a sweatshop By Jo Rey Lopez and Kevin Lessmiller hail, attendees had to endure an Special to The Post free environment with equal airport-like security screening, breaks season worker rights. With enough security to complete with a walk-through goal record The UW-Milwaukee Students SDS requested that UWM join quell a small riot, conservative metal detector, bag and purse for a Democratic Society (SDS) the Designated Supplier Program speaker Robert Spencer took the search, followed by another recently launched an anti-sweat (DSP), a proposed new system by stage in UW-Milwaukee's Bolton screening by a handheld metal "Kicks for Hoops" shop campaign, which claims WRC. -
A TRUSTED Voice
THE SPIN MAKE 'BELIEVE' T Pain And LiI Wayne A MAS FORMAT: It's Each Earn Their Fifth The Most Wonderful Time Of The Year - Urban No. ls, As Til -'s Over Their Collaborative PROMOTIONS: Clever Campaigns 'Can't Believe It' You Station Can Steal Tops The Chart PERFORMANCE ROYALTIES: The Global Ir,pact GET ; THE PPM: Concerns Raised By Minority 302 Members Live Dual Lives On RADIO & RECORDS Broadcasters During R &R Conve -rtion Cable Reality TV Show 'Z Rock' Resonate Following PPM Rollout OCTOBER 17, 2008 NO. 1784 $6.EO www.RadioandRecc -c s.com ADVERTISEMENT When America was scared and needed nswers, they turned to a VOICE OF REASON. They turned to Dave Ramsey. A TRUSTED Voice During Tough Times! 7 /THEDAVÊ7 C AN'S HOW Ey LIVE WEEKDAYS 2-5PM/ET 0?e%% aáens caller aller cal\e 24/7 Re-eeds Ava lable For Syndication, Call 1- 877 -410 -DAVE (32g3) daveramsey.com www.americanradiohistory.com National media appearances When America was scared and needed focused on the economic crisis: answers, they turned to a voice Your World with Neil Cavuto (5x) of reason. They turned to Dave Ramsey. Fox Business' Happy Hour (3x) The O'Reilly Factor Fox Business with Dagen McDowell and Brian Sullivan Fox Business with Stuart Varney (5x) Fox Business' Bulls & Bears (2x) America's Nightly Scoreboard (2x) Larry King Live (3x) Fox & Friends (7x) Geraldo at Large (2x) Good Morning America (3x) Nightline The Early Show Huckabee The Morning Show with Mike and Juliet (3x) Money for Breakfast Glenn Beck Rick & Bubba (3x) The Phil Valentine Show and serving our local affiliates: WGST Atlanta - Randy Cook KTRH Houston - Michael Berry KEX Portland - The Morning Update with Paul Linnman WWTN Nashville - Ralph Bristol KTRH Houston - Morning News with Lana Hughes and J.P. -
Blues Symphony in Atlanta Two Years Ago, Wynton Marsalis Embarked on a New Challenge: Fuse Classical Music with Jazz, Ragtime and Gospel
01_COVER.qxd 12/10/09 11:44 AM Page 1 DOWNBEAT DOWNBEAT BUDDY GUY BUDDY // ERIC BIBB // JOE HENRY JOE HENRY // MYRON WALDEN MYRON WALDEN DownBeat.com $4.99 02 FEBRUARY 2010 FEBRUARY 0 09281 01493 5 FEBRUARY 2010 U.K. £3.50 02-27_FRONT.qxd 12/15/09 1:50 PM Page 2 02-27_FRONT.qxd 12/15/09 1:50 PM Page 3 02-27_FRONT.qxd 12/15/09 1:50 PM Page 4 February 2010 VOLUME 77 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Contributing Designer Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
In Conversation with Cherif Hashizume // Profound Sound 2020
IN CONVERSATION WITH CHERIF HASHIZUME // PROFOUND SOUND 2020 Olivia: Can you tell me a little more about what you’re doing in Profound Sound this year? Cherif: So this year I’m really excited! I’m performing with my new band Hrím, which consists of Anil Sebastian my main collaborator. We performed last year, we did a collaborative set. As well as with this amazing Icelandic folk singer Ösp Eldjárn. O: What does Hrím mean? C: Hrím means Rime, it also has the same sound in Hindi Hreem meaning the sound vibration of the cosmic heart. Ösp’s name means popular tree & Ösp’s brothers name is Orn which means eagle- it’s so cool! Ösp really is a phenomenal Icelandic folk singer, her first solo album was nominated for the folk music award. They’re genuinely two of the best people in the world to be working with. O: And also close friends to you too? C: Yeah super close, we’ve been working together for 5 years. The album that got nominated for the folk award music award, I recorded as well as co-produced it too. Hrím is just one of the outcomes of the collab between the three of us, so we kinda work independently, collaboratively as well as semi-collaboratively- it depends what comes up and what we want to do, it just happened to be that in Hrím- there’s such a special chemistry between the 3 of us. It just feels stronger than anything else we’ve done so far so we decided to really put our foot down and really focus on developing this, and hopefully through next year too. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.