The Voice of the City
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The Lone Wolf0 a Melodrama Louis Joseph Vance
The Lone Wolf0 A Melodrama Louis Joseph Vance The Project Gutenberg EBook of The Lone Wolf, by Louis Joseph Vance #2 in our series by Louis Joseph Vance Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Lone Wolf A Melodrama Author: Louis Joseph Vance Release Date: November, 2005 [EBook #9378] [Yes, we are more than one year ahead of schedule] [This file was first posted on September 26, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK THE LONE WOLF *** Produced by Suzanne Shell, Jayam Subramanian and PG Distributed Proofreaders THE LONE WOLF By LOUIS JOSEPH VANCE 1914 CONTENTS I. TROYON'S II. RETURN III. A POINT OF INTERROGATION IV. A STRATAGEM V. ANTICLIMAX VI. THE PACK GIVES TONGUE VII. -
Ancient Greece and Rome in Videogames: Representation, Player Processes, and Transmedial Connections
Ancient Greece and Rome in Videogames: Representation, Player Processes, and Transmedial Connections Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy By Ross Clare September 2018 Abstract Videogames are a hugely popular entertainment medium that plays host to hundreds of different ancient world representations. They provide very distinctive versions of recreated historical and mythological spaces, places, and peoples. The processes that go into their development, and the interactive procedures that accompany these games, must therefore be equally unique. This provides an impetus to both study the new ways in which ancient worlds are being reconfigured for gameplayers who actively work upon and alter them, and to revisit our conception of popular antiquity, a continuum within popular culture wherein ancient worlds are repeatedly received and changed in a variety of media contexts. This project begins by locating antiquity within a transmedial framework, permitting us to witness the free movement of representational strategies, themes, subtexts and ideas across media and into ancient world videogames. An original approach to the gameplay process, informed by cognitive and memory theory, characterises interaction with virtual antiquity as a procedure in which the receiver draws on preconceived notions and ideas of the ancient past to facilitate play. This notion of “ancient gameplay” as a reception process fed by general knowledges, previous pop-cultural engagements, and dim resonances of antiquity garnered from broad, informal past encounters allows for a wide, all-encompassing study of “ancient games”, the variety of sources they (and the player) draw upon, and the many experiences these games offer. -
Margaret Atwood Nan A. Talese Doubleday New
margaret atwood Nan A. Talese Doubleday New York London Toronto Sydney Auckland Contents Title Page Dedication Quotes 1 Mango ~ Flotsam ~ Voice 2 Bonfire ~ OrganInc Farms ~ Lunch 3 Nooners ~ Downpour 4 Rakunk ~ Hammer ~ Crake ~ Brainfrizz ~ HottTotts 5 Toast ~ Fish ~ Bottle 6 Oryx ~ Birdcall ~ Roses ~ Pixieland Jazz 7 Sveltana ~ Purring ~ Blue 8 SoYummie ~ Happicuppa ~ Applied Rhetoric ~ Asperger’s U. ~ Wolvogs ~ Hypothetical ~ Extinctathon 9 Hike ~ RejoovenEsense ~ Twister 10 Vulturizing ~ AnooYoo ~ Garage ~ Gripless 11 Pigoons ~ Radio ~ Rampart 12 Pleebcrawl ~ BlyssPluss ~ MaddAddam ~ Paradice ~ Crake in Love ~ Take out ~ Airlock 13 Bubble ~ Scribble ~ Remnant 14 Idol ~ Sermon 15 Footprint Acknowledgments About the Author By Margaret Atwood For my family I could perhaps like others have astonished you with strange improbable tales; but I rather chose to relate plain matter of fact in the simplest manner and style; because my principal design was to inform you, and not to amuse you. Jonathan Swift, Gulliver’s Travels Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle and leaping from the pinnacle of a tower into the air? Virginia Woolf, To the Lighthouse 1 ~ Mango ~ Snowman wakes before dawn. He lies unmoving, listening to the tide coming in, wave after wave sloshing over the various barricades, wish-wash, wish-wash, the rhythm of heartbeat. He would so like to believe he is still asleep. On the eastern horizon there’s a greyish haze, lit now with a rosy, deadly glow. Strange how that colour still seems tender. The offshore towers stand out in dark silhouette against it, rising improbably out of the pink and pale blue of the lagoon. -
The Four Million by by O Henry</H1>
The Four Million by by O Henry The Four Million by by O Henry The Four Million by O Henry ~Not very long ago some one invented the assertion that there were only "Four Hundred" people in New York City who were really worth noticing. But a wiser man has arisen--the census taker--and his larger estimate of human interest has been preferred in marking out the field of these little stories of the "Four Million."~ Contents: TOBIN'S PALM THE GIFT OF THE MAGI A COSMOPOLITE IN A CAFE BETWEEN ROUNDS THE SKYLIGHT ROOM A SERVICE OF LOVE page 1 / 187 THE COMING-OUT OF MAGGIE MAN ABOUT TOWN THE COP AND THE ANTHEM AN ADJUSTMENT OF NATURE MEMOIRS OF A YELLOW DOG THE LOVE-PHILTRE OF IKEY SCHOENSTEIN MAMMON AND THE ARCHER SPRINGTIME A LA CARTE THE GREEN DOOR FROM THE CABBY'S SEAT AN UNFINISHED STORY THE CALIPH, CUPID AND THE CLOCK SISTERS OF THE GOLDEN CIRCLE THE ROMANCE OF A BUSY BROKER AFTER TWENTY YEARS LOST ON DRESS PARADE BY COURIER THE FURNISHED ROOM THE BRIEF DEBUT OF TILDY TOBIN'S PALM Tobin and me, the two of us, went down to Coney one day, for there was four dollars between us, and Tobin had need of distractions. For there was Katie Mahorner, his sweetheart, of County Sligo, lost since she started for America three months before with two hundred dollars, her own savings, and one hundred dollars from the sale of page 2 / 187 Tobin's inherited estate, a fine cottage and pig on the Bog Shannaugh. -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-2008 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (2008). Columbia Poetry Review. 21. https://digitalcommons.colum.edu/cpr/21 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. -------- COLUMBIA PO ET RYREVIEW Spring 2008 COLUMBIA COLLEGE CHICAGO Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College Chicago, 600 South Michigan Avenue, Chicago, Illinois, 60605. SUBMISSIONS Our reading period extends from August 1 to November 30. Please send up to 5 pages of poetry during our reading period to the above address. We do not accept e-mail submissions. We respond by January. Please supply a SASE for reply only. Submissions will not be returned. PURCHASE INFORMATION Single copies are available for $10.00, and for $13.00 outside the U.S. Please send personal checks or money orders made out to Columbia Poetry Review to the above address. WEBSITE INFORMATION To see a catalog of back issues visit Columbia Poetry Review’s website at http:// english.colum.edu/cpr. -
The Four Million by O Henry
The Four Million 1 The Four Million by O Henry ~Not very long ago some one invented the assertion that there were only "Four Hundred" people in New York City who were really worth noticing. But a wiser man has arisen--the census taker--and his larger estimate of human interest has been preferred in marking out the field of these little stories of the "Four Million."~ Contents: TOBIN'S PALM THE GIFT OF THE MAGI A COSMOPOLITE IN A CAFE BETWEEN ROUNDS THE SKYLIGHT ROOM A SERVICE OF LOVE THE COMING-OUT OF MAGGIE MAN ABOUT TOWN THE COP AND THE ANTHEM AN ADJUSTMENT OF NATURE MEMOIRS OF A YELLOW DOG THE LOVE-PHILTRE OF IKEY SCHOENSTEIN MAMMON AND THE ARCHER SPRINGTIME A LA CARTE THE GREEN DOOR FROM THE CABBY'S SEAT AN UNFINISHED STORY THE CALIPH, CUPID AND THE CLOCK SISTERS OF THE GOLDEN CIRCLE THE ROMANCE OF A BUSY BROKER AFTER TWENTY YEARS LOST ON DRESS PARADE BY COURIER THE FURNISHED ROOM THE BRIEF DEBUT OF TILDY TOBIN'S PALM by O Henry 2 Tobin and me, the two of us, went down to Coney one day, for there was four dollars between us, and Tobin had need of distractions. For there was Katie Mahorner, his sweetheart, of County Sligo, lost since she started for America three months before with two hundred dollars, her own savings, and one hundred dollars from the sale of Tobin's inherited estate, a fine cottage and pig on the Bog Shannaugh. And since the letter that Tobin got saying that she had started to come to him not a bit of news had he heard or seen of Katie Mahorner. -
©Copyright 2012 Kevin B. Johnson
Copyright 2012 Kevin B. Johnson Annexation Effects: Cultural Appropriation and the Politics of Place in Czech-German Films, 1930-1945 Kevin B. Johnson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Eric Ames, Chair Richard Gray Sabine Wilke Program Authorized to Offer Degree: Germanics University of Washington Abstract Annexation Effects: Cultural Appropriation and the Politics of Place in Czech-German Films, 1930-1945 Kevin Bradley Johnson Chair of the Supervisory Committee: Associate Professor Eric Ames Department of Germanics The dissertation maps various points of cultural transfer in Czech-German films of the 1930s and 1940s. Specifically, it examines the representation and performance of ethnicity and the layered connections between geographic space, national identity, and mass culture. My work illustrates that Nazi cinema’s appropriation of Czech culture was informed and, more importantly, legitimated by the Austro-Hungarian legacy. This analysis provides a framework for understanding the German film industry’s stake in the Czech lands and its people. The dissertation further demonstrates the peculiar position within the German cinematic imagination occupied by Prague and the Czech territories. At once “familiar” and “foreign,” these cinematic spaces become settings for ethnic confrontation and for the negotiation of German identity. Each chapter examines the intersection of German and Czech cinema from a different thematic or historical perspective. Chapter One deals with questions of authorship and transnationalism in films by Czech-German directors. Chapter Two looks at the staging of female bodies and the performance of ethnic masquerade by Czech actors in German films. -
'The Wizard of Oz' to 'Wicked': Trajectory of American Myth
FROM 'THE WIZARD OF OZ' TO 'WICKED': TRAJECTORY OF AMERICAN MYTH Alissa Burger A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2009 Committee: Ellen Berry, Advisor Gene S. Trantham Graduate Faculty Representative Don McQuarie Piya Pal Lapinski © 2009 Alissa Burger All Rights Reserved iii ABSTRACT Ellen Berry, Advisor The Wizard of Oz story has been omnipresent in American popular culture since the first publication of L. Frank Baum’s children’s book The Wonderful Wizard of Oz at the dawn of the twentieth century. Ever since, filmmakers, authors, and theatre producers have continued to return to Oz over and over again. However, while literally hundreds of adaptations of the Wizard of Oz story abound, a handful of transformations are particularly significant in exploring discourses of American myth and culture: L. Frank Baum’s The Wonderful Wizard of Oz (1900); MGM’s classic film The Wizard of Oz (1939); Sidney Lumet’s film The Wiz (1978); Gregory Maguire’s novel Wicked: The Life and Times of the Wicked Witch of the West (1995); and Stephen Schwartz and Winnie Holzman’s Broadway musical Wicked (2003). This project critiques theories of fixed or prescriptive American myth, instead developing a theory of American myth as active, performative and even, at times, participatory, achieved through discussion of the fluidity of text and performance, built on Diana Taylor’s theory of the archive and the repertoire. By approaching text and performance as fluid rather than fixed, this dissertation facilitates an interdisciplinary consideration of these works, bringing children’s literature, film, popular fiction, theatre, and music together in a theoretically multifaceted approach to the Wizard of Oz narrative, its many transformations, and its lasting significance within American culture. -
The American Dime Museum: Bodily Spectacle and Social Midways in Turn-Of-The-Century American Literature and Culture
University of Kentucky UKnowledge Theses and Dissertations--English English 2015 The American Dime Museum: Bodily Spectacle and Social Midways in Turn-of-the-Century American Literature and Culture James C. Fairfield University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Fairfield, James C., "The American Dime Museum: Bodily Spectacle and Social Midways in Turn-of-the- Century American Literature and Culture" (2015). Theses and Dissertations--English. 50. https://uknowledge.uky.edu/english_etds/50 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Elizabeth Rankin and Rolf Michael Schneider from Memory to Marble
Elizabeth Rankin and Rolf Michael Schneider From Memory to Marble Aerial view of Voortrekker Monument in 1949: building site with ramps for transporting the completed marble panels into the Hall of Heroes (photo courtesy of Unisa Archives, Van Schaik album) Elizabeth Rankin and Rolf Michael Schneider From Memory to Marble The historical frieze of the Voortrekker Monument Part I: The Frieze ISBN 978-3-11-061522-7 e-ISBN (PDF) 978-3-11-066878-0 e-ISBN (EPUB) 978-3-11-066904-6 This work is licensed under a Creative Commons Attribution 4.0 License. https://creativecommons.org/licenses/by/4.0/ Library of Congress Control Number: 2019951916 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de © 2019 Walter de Gruyter GmbH, Berlin/Boston Cover image: Voortrekker Monument, Hall of Heroes, east section of south frieze (courtesy of VTM; photo Russell Scott) Typesetting: Satzstudio Borngräber, Dessau-Roßlau Printing and Binding: Hubert & Co. GmbH & Co. KG, Göttingen Printed in Germany www.degruyter.com www.africanminds.org.za For Angela and Peter From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photo- graphs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more tradi- tional kind, that is, on the printed page.