The Treatise of the Philosopher's Stone
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English Index of Taishō Zuzō
APPENDIX 2: TEXTS CITED FROM THE TZ. TZ. (Taisho Zuzobu) is the iconographic section of the Taisho edition of the Chinese Tripitaka. The serial numbers of the Hobogirin are given in brackets. Volume 1 1. (2921) Hizoki ‘Record kept secretly’: 1. Kukai (774-835). 2. Mombi (8th cent.). 2. (2922) Daihi-taizd-futsu-daimandara-chu - Shoson-shuji-kyoji-gydso-shoi-shosetsu-fudoki ‘Observations on the bljas, symbols, forms, and disposition of the deities in the Garbhadhatu-mandala’, by Shinjaku (886-927). 3. (2923) Taizo-mandara-shichijushi-mon ‘Seventy-four questions on the Garbhadhatu’, by Shinjaku (886-927). 4. (2924) Ishiyama-shichi-shu ‘Collection of seven items at Ishiyama’, by Junnyu (890-953). The seven items are: Sanskrit name, esoteric name, blja, samaya symbol, mudra, mantra and figure. 5. (2925) Kongokai-shichi-shu ‘Collection of seven items of the Vajradhatu’, by Junnyu (890-953). 6. (2926) Madara-shd ‘Extract from mandala’, by Ninkai (955-1046). No illustration. 7. (2927) Taizo-sambu-ki ‘Note on three families of the Garbhadhatu’ by Shingo (934-1004). 8. (2928) Taiz5-yogi ‘Essential meaning of the Garbhadhatu’, by Jojin (active in 1108). No illustration. 9. (2929) Ryobu-mandara-taiben-sho ‘Comparison of the pair of mandalas’, by Saisen (1025-1115). No illustration. 10. (2930) Taizokai-shiju-mandara-ryaku-mo ndo ‘Dialogue on the fourfold enclosures of the Garbhadhatu’, by Saisen (1025-1115). No illustration. 11. (2931) Kue-hiyo-sho ‘Extract of the essentials of the nine mandalas’, author unknown. 12. (2932) Ryobu-mandara-kudoku-ryakusho ‘Extract on the merit of the pair of mandalas’, by Kakuban (1095-1143). -
The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
From Believers to Bodhisattvas
From Believers to Bodhisattvas The Lecture series of Khenpo Tsultrim Lodro The goal of the bodhisattva is NOT to attain Buddhahood, but to benefit all sentient beings more capably after attaining Buddhahood. – by Patrul Rinpoche Preface In this early 21st century, man have succeeded in building an advanced material civilization with hands and brains, and along the way have managed to overcome many of life’s challenges. However, the fundamental question regarding cyclic existence remains an enigma which modern science is still scrambling to understand. Great scientists like Newton, Einstein and other luminaries, all must succumb to the inevitable process going from life to death just like you and me, without exception. Science, as we know it today, is not the answer to our ultimate longing for absolute emancipation from samsara. This true liberation is beyond the cycle of birth, aging, sickness and death; it is where life rests, the natural state where every living being will eventually return. Those masters who had already attained this enlightened state conducted their lives with such contentment and equanimity, and carried themselves with tremendous dignity and grace until the very end. They experienced no suffering nor harbored any negative thoughts. Because once mind is free from all obscurations, external influences of the four elements (earth, water, fire and wind) cease as well. Only then can true freedom and happiness be had. To realize this ultimate ideal, man’s self-awareness and inherent wisdom must be explored and developed. As for the critical questions regarding the origin and the nature of cyclic existence, and the ways to go beyond its bounds, only the Dharma has the answers. -
The Drama of Humanity and Other Miscellaneous Papers 1939-1985
the collected works of ERIC VOEGELIN VOLUME 33 THE DRAMA OF HUMANITY AND OTHER MISCELLANEOUS PAPERS, 1939–1985 This page intentionally left blank projected volumes in the collected works 1. On the Form of the American Mind 2. Race and State 3. The History of the Race Idea: From Ray to Carus 4. The Authoritarian State: An Essay on the Problem of the Austrian State 5. Modernity without Restraint: The Political Religions; The New Science of Politics; and Science, Politics, and Gnosticism 6. Anamnesis: On the Theory of History and Politics 7. Published Essays, 1922–1928 8. Published Essays, 1928–1933 9. Published Essays, 1934–1939 10. Published Essays, 1940–1952 11. Published Essays, 1953–1965 12. Published Essays, 1966–1985 13. Selected Book Reviews 14. Order and History, Volume I, Israel and Revelation 15. Order and History, Volume II, The World of the Polis 16. Order and History, Volume III, Plato and Aristotle 17. Order and History, Volume IV, The Ecumenic Age 18. Order and History, Volume V, In Search of Order 19. History of Political Ideas, Volume I, Hellenism, Rome, and Early Christianity 20. History of Political Ideas, Volume II, The Middle Ages to Aquinas 21. History of Political Ideas, Volume III, The Later Middle Ages 22. History of Political Ideas, Volume IV, Renaissance and Reformation 23. History of Political Ideas, Volume V, Religion and the Rise of Modernity 24. History of Political Ideas, Volume VI, Revolution and the New Science 25. History of Political Ideas, Volume VII, The New Order and Last Orientation 26. History of Political Ideas, Volume VIII, Crisis and the Apocalypse of Man 27. -
Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
“Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com. -
AVALOKITESVARA Loka Nat Worship in Myanmar
AVALOKITESVARA Loka Nat Worship in Myanmar A Gift of Dhamma AVALOKITESVARA Loka Nat Tha Worship In Myanmar “(Most venerated and most popular Buddhist deity)” Om Mani Padme Hum.... Page 2 of 12 A Gift of Dhamma Maung Paw, California Bodhisatta Loka Nat (Buddha Image on her Headdress is Amithaba Buddha) Loka Nat, Loka Byu Ha Nat Tha in Myanmar; Kannon, Kanzeon in Japan; Chinese, Kuan Yin, Guanshiyin in Chinese; Tibetan, Spyan-ras- gzigs in Tabatan; Quan-am in Vietnamese Page 3 of 12 A Gift of Dhamma Maung Paw, California Introduction: Avalokitesvara, the Bodhisatta is the most revered Deity in Myanmar. Loka Nat is the only Mahayana Deity left in this Theravada country that Myanmar displays his image openly, not knowing that he is the Mahayana Deity appearing everywhere in the world in a variety of names: Avalokitesvara, Lokesvara, Kuan Yin, Kuan Shih Yin and Kannon. The younger generations got lost in the translation not knowing the name Loka Nat means one and the same for this Bodhisatta known in various part of the world as Avalokitesvara, Lokesvara, Kuan Yin or Kannon. He is believed to guard over the world in the period between the Gotama Sasana and Mettreyya Buddha sasana. Based on Kyaikhtiyoe Cetiya’s inscription, some believed that Loka Nat would bring peace and prosperity to the Goldenland of Myanmar. Its historical origin has been lost due to artistic creativity Myanmar artist. The Myanmar historical record shows that the King Anawratha was known to embrace the worship of Avalokitesvara, Loka Nat. Even after the introduction of Theravada in Bagan, Avalokitesvara Bodhisattva, Lokanattha, Loka Byuhar Nat, Kuan Yin, and Chenresig, had been and still is the most revered Mahayana deity, today. -
HAMLET's MILL.Pdf
Hamlet's Mill An essay on myth and the frame of time GIORGIO de SANTILLANA Professor of the History and Philosophy of Science M.l.T. and HERTHA von DECHEND apl. Professor fur Geschichte der Naturivissenschaften ]. W. Goethe-Universitat Frankfurt Preface ASthe senior, if least deserving, of the authors, I shall open the narrative. Over many years I have searched for the point where myth and science join. It was clear to me for a long time that the origins of science had their deep roots in a particular myth, that of invariance. The Greeks, as early as the 7th century B.C., spoke of the quest of their first sages as the Problem of the One and the Many, sometimes describing the wild fecundity of nature as the way in which the Many could be deduced from the One, sometimes seeing the Many as unsubstantial variations being played on the One. The oracular sayings of Heraclitus the Obscure do nothing but illustrate with shimmering paradoxes the illusory quality of "things" in flux as they were wrung from the central intuition of unity. Before him Anaximander had announced, also oracularly, that the cause of things being born and perishing is their mutual injustice to each other in the order of time, "as is meet," he said, for they are bound to atone forever for their mutual injustice. This was enough to make of Anaximander the acknowledged father of physical science, for the accent is on the real "Many." But it was true science after a fashion. Soon after, Pythagoras taught, no less oracularly, that "things are numbers." Thus mathematics was born. -
The Bhutanese Iconography of Vaisravana
THE BHUTANESE ICONOGRAPHY 0F VAISRAVANA Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY BONNIE HERMAN SIGREN 1969 ‘4 amomcav ' II unnsasm ; annx mum mo. LIBRARY BINDERS ' SIIIIMII. IICII‘g \ LIVV W ABSTRACT THE BHUTANES , ICONOGRAPHY 0F VAI RAVANA/ by Bonnie Sigren I/ The Lokfipala. Vaisravana. originated in India from the indi- genous popular beliefs in Yaksas. These were powerful earth deities whom the Asian peoples regularly propitiated and appeased in order to avert calamities and acquire good fortune. Vaisifivana was their ruler and the custodian of riches. When the Iryan invaders. and later- Buddhism, adopted him into their.cosmology. VaierVana became the Guardian of the North. His iconography in India continued in the form of a Yiksa. In central Asia and Tibet. VaierVana was assimilated into the figure of the warrior King from the North“ Indigenous papular religious be- liefs from Tibet and Bhutan added other iconographical elements. He was identified with the God of Wealth and with the cult of the moun-w tain gods. His subjects became the Himalayan earth deities. further enriching his iconography. Other aspects of iconographical associations developed from Buddhist doctrines and symbolism. Some conventions were derived from the general body of Buddhist symbols; others were based on the god's attributes and functions in Buddhist_cosmologyo The elements from popular traditions were recognized by'Buddhismrand assimilated into Bonnie H. Sigren the god's iconography. There is a possibility that some iconographi- cal elements are disguised symbols relating to yogic practice and, as such,fully understood only by the initiated. THE BHUTANES ICONOGRAPHY 0F VAI RAVANA by Bonnie Herman Sigren A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of Art History 1969 For the Buddha faced by foemen His disciples don their armour. -
An Analysis of Tantrayana (Vajrayana)
An Analysis ofTantrayana (Vajrayana) Prof. P. G. Yogi T antra is a discipline, a method and study. It is based on a rational founda tion, is conceivable in theoretic consciousness and relizeable through Yogik experiences. Ironically, however, there are those who have ignored these points and picked up bits ti'om particular sad hanas, partS of which are apparemly vulgar and obnoxious, and come to the conclusion that Tantrik spiritual practices resort to sexual indulgence. Before entering further into this de bate, it needs to be mentioned here that in the Tantras, the ideal of woman hood has been epiromized and raised to the exalted position of motherhood which in itself is unique in the history of spiritual literature of the world. Moreover, it is dearly stated in the Tantras that the secret of life lies in sexual control and death in sexual indulgence (Maranam Bindu paten, telletam Bindu Dharanat). As against the conventional ascetic disciplines, the Tantras uphold the theory of sublimation in which asceticism has been equated with sexuality. In this theory, desire itself is subjected to rigorous discipline and used to conq uef desire. There are others who subscribe anything ugly, erotic, spiritualistic and magical to tile Tantras. They produce tantastic stories gar nished with absurd episodes relating to astral plane and connect them tQ Tantras. They forget that Tantra is a meta-science (surya-vitnam) dealing with consciousness, variable at every stage of spiritual experience. Further, the realization of supreme Truth which will give a true perspective of the Tantras has been interpreted in various ways. -
Vol.74-76 2003-2005.Pdf
ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr. -
A Statue of Aphrodite in the Royal Ontario Museum
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: http://www.tandfonline.com/loi/rcab20 A Statue of Aphrodite in the Royal Ontario Museum Cornelia G. Harcum To cite this article: Cornelia G. Harcum (1921) A Statue of Aphrodite in the Royal Ontario Museum, The Art Bulletin, 4:2, 45-58, DOI: 10.1080/00043079.1921.11409714 To link to this article: http://dx.doi.org/10.1080/00043079.1921.11409714 Published online: 22 Dec 2015. Submit your article to this journal View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Download by: [Nanyang Technological University] Date: 09 May 2016, At: 01:43 Downloaded by [Nanyang Technological University] at 01:43 09 May 2016 '\'O HO S T O , \{ O YAI .OS T AH( O :'II u. ·n:u ~ ( 0'" ,\ 11 ( '11,1-:0 1.0 <:\': r .: s us TIn: :'\IOTIIEII A Statue of Aphrodite in the Royal On tario Museum By CORNELIA G. HARCUM IN 1909 the Royal Ontario Museum of Archreology acquired a Parian marble statue, which came originally from the mainland of Greece, and with its basis is just six feet high. It was presented to the museum by Sigmund Samuel, Esq. The woman, or goddess (PI. IX), stands majestically with weight resting on her right foot, her right hip projecting, her left knee bent and slightly advanced. She looks in the direction of the free foot. The position gives the impression of perfect repose yet of the possibility of perfect freedom and ease of motion. -
Buddhist Temple Names in Japan Author(S): Dietrich Seckel Reviewed Work(S): Source: Monumenta Nipponica, Vol
Buddhist Temple Names in Japan Author(s): Dietrich Seckel Reviewed work(s): Source: Monumenta Nipponica, Vol. 40, No. 4 (Winter, 1985), pp. 359-386 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2384822 . Accessed: 23/11/2012 14:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org This content downloaded by the authorized user from 192.168.52.63 on Fri, 23 Nov 2012 14:20:33 PM All use subject to JSTOR Terms and Conditions BuddhistTemple Names in Japan by DIETRICH SECKEL A LTHOUGH thenames of many Buddhist temples, or jigo , arein con- stantuse among Japanese and Westernstudents of Japan's history, religion,and art, theynever seem to have been made the subject of systematicresearch, not even, as far as I know, by the Japanesethemselves. (There exists,however, a shortand not entirelysatisfactory article on jigo in Mochizuki Shinko, ed., Bukkyo Daijiten, 9, pp. 307f.) Justas Christianchur- ches take theirnames mainlyfrom the multitudeof saintsand otherholy per- sons (accordingto theirpatrocinium), from the body of theologicalconcepts, such as Trinity,Holy Spirit, Sacred Heart, etc., and, less frequently,from other spheres of religious thoughtand devotional life, so many Buddhist templesare named aftersacred persons in the 'pantheon' (Buddhas, bodhisatt- v.as, etc.) and importantdoctrinal terms.