Example-Driven Query Intent Discovery: Abductive Reasoning Using Semantic Similarity
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The Beneficence of Gayface Tim Macausland Western Washington University, [email protected]
Occam's Razor Volume 6 (2016) Article 2 2016 The Beneficence of Gayface Tim MacAusland Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation MacAusland, Tim (2016) "The Beneficence of Gayface," Occam's Razor: Vol. 6 , Article 2. Available at: https://cedar.wwu.edu/orwwu/vol6/iss1/2 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. MacAusland: The Beneficence of Gayface THE BENEFICENCE OF GAYFACE BY TIM MACAUSLAND In 2009, veteran funny man Jim Carrey, best known to the mainstream within the previous decade with for his zany and nearly cartoonish live-action lms like American Beauty and Rent. It was, rather, performances—perhaps none more literally than in that the actors themselves were not gay. However, the 1994 lm e Mask (Russell, 1994)—stretched they never let it show or undermine the believability his comedic boundaries with his portrayal of real- of the roles they played. As expected, the stars life con artist Steven Jay Russell in the lm I Love received much of the acclaim, but the lm does You Phillip Morris (Requa, Ficarra, 2009). Despite represent a peculiar quandary in the ethical value of earning critical success and some of Carrey’s highest straight actors in gay roles. -
Acting Without Bullshit
Journal of Liberal Arts and Humanities (JLAH) Issue: Vol. 1; No. 3 March 2020 (pp. 7-15) ISSN 2690-070X (Print) 2690-0718 (Online) Website: www.jlahnet.com E-mail: [email protected] Acting without Bullshit Dr. Rodney Whatley 2190 White Pines Drive Pensacola, FL 32526 Abstract This article is a guide to honest acting. Included is a discussion that identifies dishonest acting and the actor training that results in it. A definition of what truth onstage consists of is contrasted with a description of impractical acting exercises that should be avoided. The consequences of acting with bullshit are revealed. The article concludes with a description of the most practical and honest acting exercise. If you are a performance artist who loves shows with no dialogue, characters without names, or an unconnected series of events in lieu of plot, this essay isn’t for you. If you are an artist who communicates with sounds instead of words, this isn’t for you. However, if you like plots with specific characters pursuing superobjectives despite conflict, that explores the human condition, this essay is for you. This is a guide to practical, straightforward and honest acting. The actor must be honest in the relationship with the audience because you can’t shit a shitter, so don’t try. How can actors be honest onstage when acting is lying? By studying with good acting teachers who teach good acting classes, and aye, there’s the rub. Bad acting teachers train actors to get lost within their own reality, to surround themselves with the “magic” of acting and “become the character.” This teaches that the goal of acting is to convince the audience that the actor is the character. -
'2009 MTV Movie Awards' Honors Ben Stiller with 'MTV Generation Award'
'2009 MTV Movie Awards' Honors Ben Stiller With 'MTV Generation Award' Premiering LIVE Sunday, May 31, 2009 at 9pm ET/8pm CT From The Gibson Amphitheatre in Universal City, CA SANTA MONICA, Calif., May 22 -- The 2009 MTV Movie Awards pays tribute to Ben Stiller with the coveted "MTV Generation Award" for his amazing contribution to Hollywood and for entertaining the MTV audience for years. From generation to generation, Ben Stiller has kept fans rolling with laughter since bursting onto the scene in Reality Bites and his early film roles and cult classics such as There's Something About Mary, Meet the Parents, Dodgeball: A True Underdog Story, Tropic Thunder and now this summer's eagerly anticipated Night at the Museum: Battle at the Smithsonian in theaters May 22, 2009. The "MTV Generation Award" is the MTV Movie Awards' highest honor, acknowledging an actor who has captured the attention of the MTV audience throughout his or her career. Past recipients include Adam Sandler, Mike Myers, Tom Cruise and Jim Carrey. Hosted by Andy Samberg, the 2009 MTV Movie Awards will be broadcast LIVE from the Gibson Amphitheatre in Universal City, CA on Sunday, May 31st at 9p.m. ET/8p.m. CT. "From The Royal Tenenbaums to Zoolander, Ben is a comedic chameleon, able to make the leap between drama and full-out comedy while maintaining his own unique brand of subversive humor," said Van Toffler, President of MTV Networks Music/Logo/Film Group. "That versatility and talent has earned him legions of devoted fans over the years which makes him a perfect recipient for the 'MTV Generation Award.' Whether it's fighting a monkey in a museum or licking a decapitated head, nothing is ever off-limits for him and that's the type of warped creative vision and commitment MTV loves to reward." "I am honored to be getting the 'Generation Award,'" said Ben Stiller. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
Katya Thomas - CV
Katya Thomas - CV CELEBRITIES adam sandler josh hartnett adrien brody julia stiles al pacino julianne moore alan rickman justin theroux alicia silverstone katherine heigl amanda peet kathleen kennedy amber heard katie holmes andie macdowell keanu reeves andy garcia keira knightley anna friel keither sunderland anthony hopkins kenneth branagh antonio banderas kevin kline ashton kutcher kit harrington berenice marlohe kylie minogue bill pullman laura linney bridget fonda leonardo dicaprio brittany murphy leslie mann cameron diaz liam neeson catherine zeta jones liev schreiber celia imrie liv tyler chad michael murray liz hurley channing tatum lynn collins chris hemsworth madeleine stowe christina ricci marc forster clint eastwood matt bomer colin firth matt damon cuba gooding jnr matthew mcconaughey daisy ridley meg ryan dame judi dench mia wasikowska daniel craig michael douglas daniel day lewis mike myers daniel denise miranda richardson deborah ann woll morgan freeman ed harris naomi watts edward burns oliver stone edward norton orlando bloom edward zwick owen wilson emily browning patrick swayze emily mortimer paul giamatti emily watson rachel griffiths eric bana rachel weisz eva mendes ralph fiennes ewan mcgregor rebel wilson famke janssen richard gere geena davis rita watson george clooney robbie williams george lucas robert carlyle goldie hawn robert de niro gwyneth paltrow robert downey junior harrison ford robin williams heath ledger roger michell heather graham rooney mara helena bonham carter rumer willis hugh grant russell crowe -
With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO. -
2019 Olden Lobes Ballot
CD 2019 �olden �lobes Ballot BEST MOTION PICTURE / BEST PERFORMANCE BY AN ACTOR IN A BEST PERFORMANCE BY AN ACTRESS MUSICAL OR COMEDY TELEVISION SERIES / MUSICAL OR COMEDY IN A SUPPORTING ROLE IN A SERIES, ¨ Crazy Rich Asians ¨ Sasha Baron Cohen Who Is America? LIMITED SERIES OR MOTION PICTURE MADE ¨ The Favourite ¨ Jim Carrey Kidding FOR TELEVISION ¨ Green Book ¨ Michael Douglas The Kominsky Method ¨ Alex Bornstein The Marvelous Mrs. Maisel ¨ Mary Poppins Returns ¨ Donald Glover Atlanta ¨ Patricia Clarkson Sharp Objects ¨ Vice ¨ Bill Hader Barry ¨ Penelope Cruz The Assassination of Gianni Versace: American Crime Story ¨ Thandie Newton Westworld BEST MOTION PICTURE / DRAMA BEST PERFORMANCE BY AN ACTRESS ¨ Yvonne Strahovski The Handmaid’s Tale ¨ Black Panther IN A TELEVISION SERIES / DRAMA ¨ BlacKkKlansman ¨ Caitriona Balfe Outlander BEST PERFORMANCE BY AN ACTOR ¨ Bohemian Rhapsody ¨ Elisabeth Moss Handmaid’s Tale IN A SUPPORTING ROLE IN A SERIES, ¨ Sandra Oh Killing Eve ¨ If Beale Streat Could Talk LIMITED SERIES OR MOTION PICTURE MADE ¨ A Star Is Born ¨ Julia Roberts Homecoming FOR TELEVISION ¨ Keri Russell The Americans ¨ Alan Arkin The Kominsky Method BEST TELEVISION SERIES / ¨ ¨ Kieran Culkin Succession MUSICAL OR COMEDY BEST PERFORMANCE BY AN ACTOR ¨ Edgar Ramirez The Assassination ¨ Barry HBO IN A TELEVISION SERIES / DRAMA of Gianni Versace: American Crime Story ¨ The Good Place NBC ¨ Jason Bateman Ozark ¨ Ben Wishaw A Very English Scandal ¨ Kidding Showtime ¨ Stephan James Homecoming ¨ Henry Winkler Barry ¨ The Kominsky Method -
Proto-Cinematic Narrative in Nineteenth-Century British Fiction
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2016 Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction Kara Marie Manning University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Manning, Kara Marie, "Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction" (2016). Dissertations. 906. https://aquila.usm.edu/dissertations/906 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MOVING WORDS/MOTION PICTURES: PROTO-CINEMATIC NARRATIVE IN NINETEENTH-CENTURY BRITISH FICTION by Kara Marie Manning A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Eric L.Tribunella, Committee Chair Associate Professor, English ________________________________________________ Dr. Monika Gehlawat, Committee Member Associate Professor, English ________________________________________________ Dr. Phillip Gentile, Committee Member Assistant Professor, -
SHIRLEY MACLAINE by PETE MARTIN the Star of Ccm-Can and the Apartment Tells of the Lucky L^Reaks That Took Her from a Broadway Chorus Line to Hollywood Stardom
•î*V. ill rr íin-islittud fill tlic tusviTiny wig French actor ^'vcs Muniaiid, .Mnili.-y's dinner she wears in A/v6>ij/(i/, where she mas- partner above, is leading man in liernew lilm. Her querades as a Japanese entertainer. husband, Steve Parker, is the show's producer. I GALL ON SHIRLEY MACLAINE By PETE MARTIN The star of Ccm-Can and The Apartment tells of the lucky l^reaks that took her from a Broadway chorus line to Hollywood stardom, Left: Un the set of My G'm/w, now being filmed in Japan : Shirley. Japanese actress Voko Tani and director Jack Cardiff. ry and Laun'ncr llarv.-y alar ds f'llow sthool - teachers in TILO Ijitfi, to \v released ncxl month. With Frank Sinatra in Can-Can. Shirley defends their off-scrccn friendship; "There's nothing evil, or even questionable, about ¡i " In All in a Night's 11 Wit with Deap Martin. The chemistry' between Dean and me is good," she sa>'s. hirley MacLainc is tall, leggy, bosomy. Obviously, Shirley MaeLaine has become Strip. "I've got a theory about this MaeLaine, Ht'i" smile curves upward likf a sliver of what is known in Hollywood parlance as "'an buddy l)oy," he Inld mi-, lilowinii a clcud of S new moon b;il;inccd on its bottom. Othrr extremely hot property." .^s these words are eigaretie smoke from his cnoulh, ihcn sucking portions of her face which trend upward are ihe written, she has just been nominated, along it quickly back into his nostrils. -
Roger Vadim, BARBARELLA (1968, 98 Minutes)
3 March 2015 (Series 30:6) Roger Vadim, BARBARELLA (1968, 98 minutes) Directed by Roger Vadim Written by Jean-Claude Forest (comic), Claude Brulé, Terry Southern (screenplay), Roger Vadim (screenplay), Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, and Tudor Gates Produced by Dino De Laurentiis Music by Charles Fox Cinematography by Claude Renoir Film Editing by Victoria Mercanton Production Design by Mario Garbuglia Costume Design by Jacques Fonteray and Paco Rabanne Jane Fonda ... Barbarella John Phillip Law ... Pygar Anita Pallenberg ... The Great Tyrant Milo O'Shea ... Concierge / Durand-Durand Marcel Marceau ... Professor Ping Games, 1976 Une femme fidèle, 1974 La jeune fille assassinée, Claude Dauphin ... President of Earth 1973 Don Juan (Or If Don Juan Were a Woman), 1972 Hellé, Véronique Vendell ... Captain Moon 1971 Pretty Maids All in a Row, 1968 Barbarella, 1966 The Giancarlo Cobelli Game Is Over, 1964 Circle of Love, 1963 Vice and Virtue, 1962 Serge Marquand ... Captain Sun Love on a Pillow, 1961 Please, Not Now!, 1960 Blood and Nino Musco Roses, 1959 Les liaisons dangereuses, 1958 The Night Heaven Franco Gulà Fell, 1957 No Sun in Venice, and 1956 ...And God Created Catherine Chevallier ... Stomoxys Woman. Marie Therese Chevallier ... Glossina Umberto Di Grazia Terry Southern (writer, screenplay) (b. May 1, 1924 in David Hemmings ... Dildano Alvarado, Texas—d. October 29, 1995 (age 71) in New York Ugo Tognazzi ... Mark Hand City, New York) wrote 18 films and television shows, which are Vita Borg ... La magicienne 2007 Terry Southern's Plums and Prunes, 2004 Heavy Put-Away, Chantal Cachin ... La révolutionnaire 1998 Terry Southern Interviews a Faggot Male Nurse, 1988 The Fabienne Fabre .. -
CASA Continuing Education Approved Movie List
Movie List for CASA Continuing Education with Optima Categories [Rev. 8/2020] 13 Reasons Why [Optima: Mental Health Issues] [Stars: Dylan Minnette, Katherine Langford, Christian Navarro][ TV Series 49 episodes and counting] Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life. [from a Literary Novel see Reading List] A Girl Like Her [Optima: Communicating with Children and Families, Education, Mental Health Issues] [Stars: Lexi Ainsworth, Hunter King, Jimmy Bennett] [1 hr 31 min] Jessica Burns enlists the help of her best friend, Brian, in order to document the relentless harassment she has received from her former friend, Avery Keller, one of South Brookdale High School's most popular students. A Million Little Pieces [Optima: Substance Abuse] [Stars: Aaron Taylor-Johnson, Billy Bob Thornton, Odessa Young] [1 hr 53 minutes] A drug dependent young man faces his past and his inner demons after he is interned in an institution for addicted. An American Crime [Optima: Child Abuse and Neglect] [Stars: Ellen Page, Hayley McFarland, Nick Searcy] [Run time: 1 hr 38 minutes] The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s. Antwone Fisher [Optima: Administration of the System, Child Abuse and Neglect, Cultural Competency, Independent Living and Emancipation] [2hr] Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.