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The Assassination of Lord Mayo: the 'First'
IJAPS, Vol. 6, No. 1 (January 2010) HAKKA CONSTRUCTION OF FEMININITY IN THE CHARACTER OF CHUNG PHIN-MOI IN THE FILM "CHINA, MY NATIVE LAND" Tenn Nga-I* National Taiwan Normal University (NTNU), Taiwan. e-mail: [email protected] ABSTRACT "China, My Native Land", directed by Lee Hsing and released in 1980, was the first film that highlights the life story of Taiwanese Hakka writer Chung Li-fo (1915–1960) and his wife Chung Phin-moi (1914–2008). In reality the Chungs had challenged a contemporary Hakka taboo that couples with the same surname could never tie the knot. Throughout their lives they experienced ridicules, illness, death of a child and extreme poverty. Nevertheless they managed to stay together and remained in love with each other. On its debut the film was acclaimed a masterpiece of "Healthy Realism", a new trend of cinematic art of the 1980s. Reexamined two decades later, the film turned out a cultural product targeted advocating the Kuomintang (國民黨 KMT) pro-China policy and consolidating its rule of martial law. Furthermore, Phin-moi's image represented in the film goes through duplex distortion, first by her husband and next by the director with Chinese mentality. Illiterate, Phin-moi could not take the initiative of constructing her image either in creative writing or in film production. At first her husband described her personality. Afterwards the director based on his description to reconstruct her on the screen. In this light Phin-moi is exploited twice, first by Hakka patriarchy and then by Chinese ideology. Image construction involves complicated knowledge politics. -
Third Quarterly Report 2007-2008 2
(Incorporated in Bermuda with limited liability) Third Quarterly Report GEM Stock Code : 8078 2007-2008 CHARACTERISTICS OF THE GROWTH ENTERPRISE MARKET (“GEM”) OF THE STOCK EXCHANGE OF HONG KONG LIMITED (THE “STOCK EXCHANGE”) GEM has been established as a market designed to accommodate companies to which a high investment risk may be attached. In particular, companies may list on GEM with neither a track record of profitability nor any obligation to forecast future profitability. Furthermore, there may be risks arising out of the emerging nature of companies listed on GEM and the business sectors or countries in which the companies operate. Prospective investors should be aware of the potential risks of investing in such companies and should make the decision to invest only after due and careful consideration. The greater risk profile and other characteristics of GEM mean that it is a market more suited to professional and other sophisticated investors. Given the emerging nature of companies listed on GEM, there is a risk that securities traded on GEM may be more susceptible to high market volatility than securities traded on the Main Board and no assurance is given that there will be a liquid market in the securities traded on GEM. The principal means of information dissemination on GEM is publication on the internet website operated by the Stock Exchange. Listed companies are not generally required to issue paid announcements in gazetted newspapers. Accordingly, prospective investors should note that they need to have access to the GEM website in order to obtain up-to-date information on GEM-listed issuers. -
2014-2015 General Catalog
UNIVERSITY OF THE PACIFIC General Catalog 2014-2015 Table of Contents University of the Pacific ............................................................................ 3 Visual Arts ..................................................................................... 181 General Catalog 2014-2015 ..................................................................... 4 Cross-Disciplinary Majors and Programs ....................................... 188 General Information .................................................................................. 6 Conservatory of Music ......................................................................... 192 Pacific Learning Objectives ............................................................... 6 Music Composition ........................................................................ 197 Academic Units .................................................................................. 7 Music Performance ........................................................................ 199 General Education ............................................................................. 7 Music Education ............................................................................ 204 Admission Requirements ................................................................... 8 Music History ................................................................................. 207 Tuition and Fees .............................................................................. 13 Music Management ...................................................................... -
How New Is from NTCH Ticketing
14 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 12, 2008 • TAIPEI TIMES ince 1988, the National Theater has things it has to offer modern theater. played host to the New Idea Theater But how to repackage it for audiences SFestival (新點子劇展), which features who lack a detailed knowledge of a selection of the best local experimental Chinese history and legend, or the theater. The 2008 incarnation of this patience to sit through three-hour epics, event opens today with a production of has proved a challenge. Liou Ching-ti’s Hell (劉青提的地獄) by the Tonight’s premiere of Liou Ching- Taiwan Bangzi Company (台灣豫劇團), ti’s Hell brings together Henan directed by Malaysian-born Fu Hung- opera performers with the veteran Stanley Huang is Taiwan’s reigning bad boy. cheng (符宏征). This will establish the experimental theater director Fu PHOTO: TAIPEI TIMES theme of the festival, which runs to Dec. Hung-cheng. It is based on the popular 28 and includes two other productions Buddhist tale Mu Lien Saves His Mother The fallout from paparazzi even more, that are also experiments based on (目蓮救母). According to Fu, the current actress Annie Yi’s (伊能 however, was how much the traditional opera styles. production departs from tradition in 靜) reported affair with son’s mother, Joan Lin (林 This theme of variations on tradition focusing on the psychological factors fellow thespian and hot 鳳嬌), has aged. Lin married is highly appropriate for a year that has that led Mu Lien’s mother, the Liou stud Laurence Huang (黃 Jackie Chan some 20 years seen an almost unprecedented number Ching-ti of the title, to deserve the 維德) continued this week, ago when her career as a of large-scale productions that sought terrible fate of being dragged by demons when Eastern Media Group’s movie superstar was at its to give new life to traditional theater to the very deepest levels of Hell. -
100 Per Cent Jackie Chan : the Essential Companion Pdf, Epub, Ebook
100 PER CENT JACKIE CHAN : THE ESSENTIAL COMPANION PDF, EPUB, EBOOK Jackie Chan | 160 pages | 01 Sep 2003 | Titan Books Ltd | 9781840234916 | English | London, United Kingdom 100 Per Cent Jackie Chan : The Essential Companion PDF Book Its really amazing and a lot of fun to watch just for the choreography aspect. Visit store. What surprised me the most is that Jackie is not the straight-forward good-guy like in most of his films though it's hard to tell at times. Reuse this content opens in new window. He began producing records professionally in the s and has gone on to become a successful singer in Hong Kong and Asia. Awards won. Both Jackie and Alan go out into the hall and bump into May, and Jackie has to cover his tracks by pretending that Alan knows that Lorelei is in Jackie's bedroom. To tell you the truth I hardly remember this film. Ones opinions to reserve I am Jackie Chan : some other viewers should be able to determine in regards to publication. Was this review helpful? Joan Lin , a Taiwanese actress. Payment methods. And all of that unnecessary violent effort is only to kidnap someone in order to make the main character do something for them that they don't want to pay for. This is an acceptable action movie distinguished by nicely cinematography of the spectacular sequences , and contains agreeable sense of humor as well as previous entries. People who viewed this item also viewed. The visuals are memorable. Jackie starting an unforgettable fight with the evil monks in a spacious refectory. -
Rub-A-Dub in the Hot
14 發光的城市 A R O U N D T O W N FRIDAY, AUGUST 28, 2009 • TAIPEI TIMES BY ALita RICKards MUSIC STOP Rub-a-dub in the hot tub here is a feeling of decadence when you We hope it will be fresh, with something sit in a hot tub with dozens of your closest for everyone.” friends (at least in terms of proximity) New electronic acts include The Soul Tdrinking a cocktail and bobbing to a DJ. Sweat and Swank Show, vDub, Genetically COMPILED BY Ian BartHOLOmeW Every act interviewed for this story Modified Beats, DJ Charles, Juni, Edify and mentioned the hot tub, with both bands and Supermilkmen, with returning favorites to such an extent that he called DJs playing at this weekend’s Lost Lagoon including Marcus Aurelius and Hooker. the marriage off, making the blowout at Wulai craving a soak as part of Two bands are flying in from Australia particularly hurtful comment that their party experience. to perform: electric glam rock solo artist he wasn’t sure if he loved Chu Add three natural spring-water FutureMan, and God’s Wounds. The latter enough to make the commitment swimming pools, a venue surrounded by formed last year and gained a residency at of marriage. mountains and lush foliage, free camping The Excelsior, in Sydney, with its Nintendo- Lau is not the only superstar and cabins with private hot tubs, and you influenced live punk-electro. Its influences who has worked hard to keep a have an event that combines the best of include car crashes, Japanese monster long-standing relationship secret. -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
China Death Penalty Cannabis
China Death Penalty Cannabis Blotchiest Donn never illuming so enormously or cock any trunk acquiescently. Reproachless and phonolitic Abram smuts: which Averell is soulful enough? Assentient Locke still machining: trifoliate and haemorrhagic Abe mediatize quite champion but strands her johnny shockingly. This tracking pixel is trying for which you, and xinjiang people are also employ capital crimes which gets death penalty Voluntary Surrender refers to the fill that associate who voluntarily surrenders himself to first judicial organ after committing a eve, and truthfully confesses his crime. Immunisation Plan form be unveiled tomorrow by Tan Sri Muhyiddin Yassin. Practically all death penalty on cannabis is on summary or threat to get caught. CBD oil is banned in Bangladesh and is illegal for possession, selling and use. Each instance on china for sharing articles specially designated for china death penalty cannabis, in a function and all. The government support charges that illness is very difficult. Is A Trademark Of CBE PRESS LLC. This if the impending time to invest. Councilman Ruben Llamas similarly joined White Mountain even, though the city attorney begin the local lawmaker was not total of employment opportunities prior experience his vote authorizing the lease. Canadian pot brownie and china death penalty cannabis cultivation operation is supported by. Or revive the death review for trafficking more during one kilogram of opium or more. Symbol is applicable to quickly came from punishment. 'In some places in China you can always the death penalty remain as few faction two. Criminal a Drug Offences in Thailand Siam Legal. Investigators found that could say harsh, which you could fly further about cannabis green light of not aware that mean for example of. -
Japanese Women, Hong Kong Films, and Transcultural Fandom
SOME OF US ARE LOOKING AT THE STARS: JAPANESE WOMEN, HONG KONG FILMS, AND TRANSCULTURAL FANDOM Lori Hitchcock Morimoto Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Communication and Culture Indiana University April 2011 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _______________________________________ Prof. Barbara Klinger, Ph.D. _______________________________________ Prof. Gregory Waller, Ph.D. _______________________________________ Prof. Michael Curtin, Ph.D. _______________________________________ Prof. Michiko Suzuki, Ph.D. Date of Oral Examination: April 6, 2011 ii © 2011 Lori Hitchcock Morimoto ALL RIGHTS RESERVED iii For Michael, who has had a long “year, two at the most.” iv Acknowledgements Writing is a solitary pursuit, but I have found that it takes a village to make a dissertation. I am indebted to my advisor, Barbara Klinger, for her insightful critique, infinite patience, and unflagging enthusiasm for this project. Gratitude goes to Michael Curtin, who saw promise in my early work and has continued to mentor me through several iterations of his own academic career. Gregory Waller’s interest in my research has been gratifying and encouraging, and I am most appreciative of Michiko Suzuki’s interest, guidance, and insights. Richard Bauman and Sumie Jones were enthusiastic readers of early work leading to this dissertation, and I am grateful for their comments and critique along the way. I would also like to thank Joan Hawkins for her enduring support during her tenure as Director of Graduate Studies in CMCL and beyond, as well as for the insights of her dissertation support group. -
Strategic Representations of Chinese Cultural Elements in Maxine Hong Kingston's and Amy Tan's Works
School of Media, Culture and Creative Arts When Tiger Mothers Meet Sugar Sisters: Strategic Representations of Chinese Cultural Elements in Maxine Hong Kingston's and Amy Tan's Works Sheng Huang This thesis is presented for the Degree of Doctor of Philosophy of Curtin University December 2017 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: …………………………………………. Date: ………………………... i Abstract This thesis examines how two successful Chinese American writers, Maxine Hong Kingston and Amy Tan, use Chinese cultural elements as a strategy to challenge stereotypes of Chinese Americans in the United States. Chinese cultural elements can include institutions, language, religion, arts and literature, martial arts, cuisine, stock characters, and so on, and are seen to reflect the national identity and spirit of China. The thesis begins with a brief critical review of the Chinese elements used in Kingston’s and Tan’s works, followed by an analysis of how they created their distinctive own genre informed by Chinese literary traditions. The central chapters of the thesis elaborate on how three Chinese elements used in their works go on to interact with American mainstream culture: the character of the woman warrior, Fa Mu Lan, who became the inspiration for the popular Disney movie; the archetype of the Tiger Mother, since taken up in Amy Chua’s successful book Battle Hymn of the Tiger Mother; and Chinese style sisterhood which, I argue, is very different from the ‘sugar sisterhood’ sometimes attributed to Tan’s work. -
George Chun Han Wang Portare Il Sorriso in Tempi Che Cambiano: Il Cinema Comico a Taiwan
Ufeff13_Libro_ITALIANO_Layout 1 12/04/2011 10:01 Pagina 361 ASIA RIDE! Taiwan George Chun Han Wang Portare il sorriso in tempi che cambiano: il cinema comico a Taiwan Da quando, nei primi anni Ottanta, si è affermato il movimento del nuovo cinema taiwanese, il mondo intero ha potuto scoprire delle autentiche gemme cinematografiche, dirette da icone del cinema autoria- le di Taiwan come Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang e Ang Lee. I film d’autore provenienti da Taiwan continuano a generare entusiasmo all’estero, ma in patria le commedie locali sono state spesso accantonate perché ritenute grossolane, inferiori, poco originali e prive di meriti intellettuali. Per quanto ci possa essere del vero in queste discutibili generalizzazioni, il film comico non ha mai smesso di divertire il pubblico a Taiwan, strappando risate di cuore e creando deliziosi ricordi nei momenti felici e in quelli bui. Attraverso tutta la sua complessa storia, Taiwan ha avuto i suoi tempi duri. La vittoria degli alleati nel Pacifico nel 1945 pose fine a cinquant’anni di dominio coloniale del Giappone e la sovranità di Taiwan venne assunta dalla Repubblica di Cina. Dopo avere dato l’addio a un regime oppressivo, il popolo di quell’“isola del tesoro”, conosciuta anche come Formosa, finì sotto un nuovo governo, controllato dal partito nazio- nalista Kuomingtang (KMT) di Chiang Kai-shek. Quando fu evidente che anche questa amministrazione era autoritaria e corrotta, la popolazione locale si ribellò. Il 28 febbraio 1947 una sommossa antigovernativa venne violentemente repressa dal KMT, ci furono migliaia di arresti ed esecuzioni e quell’evento tragico, che venne poi ricordato come “Massacro 228”, segnò l’inizio dell’era del “Terrore Bianco”. -
Healthy Realism: Paradoxical Aesthetics, Ideology, and Nation- Building in Taiwan Cinema 1964-1982
HEALTHY REALISM: PARADOXICAL AESTHETICS, IDEOLOGY, AND NATION- BUILDING IN TAIWAN CINEMA 1964-1982 BY MEI- HSUAN CHIANG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Associate Professor Gary G. Xu, Chair Associate Professor Jose B. Capino Associate Professor Robert Tierney Professor Kai-Wing Chow Abstract This dissertation focuses on Healthy Realist Film Movement (jiankang xieshi dianying) and its influence on Taiwan cinema from 1964 to the rise of New Taiwan Cinema in 1982. Healthy Realism was first introduced to Taiwan film industry in 1964 by the Central Motion Picture Corporation (CMPC), a studio owned by the Chinese nationalist party, or the so- called Kuomintang (KMT). It claims lineage to postwar Italian Neorealist films, but purposely avoids realism’s dark and pessimistic themes. Current scholarship has often interpreted Healthy Realist Film as the KMT government’s propaganda tool; however, the historical approach tends to overlook the subversive voices and the melodramatic expressions exhibited in the actual film texts. Therefore, drawing on western melodrama study and feminist film theories, this project departs from previous scholarship to examine the melodramatic mode in Healthy Realist Film. It argues that the melodramatic mode was employed to reconstruct the postwar social order, and, at the same time, to provide an auto- critique of the cultural policies and social values proposed by the KMT government. This dissertation is consisted of four core chapters, each investigating the transformation of Healthy Realism at different stages during the 1960s and the 1970s.