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Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
A Lighting Design Process for a Production of Stephen Schwartz’S Working
A LIGHTING DESIGN PROCESS FOR A PRODUCTION OF STEPHEN SCHWARTZ’S WORKING A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Dale McCarren, B.A. The Ohio State University 2008 Masters Examination Committee: Approved By Mary A. Tarantino, M.F.A., Advisor Daniel A.Gray, M.F.A. Advisor Graduate Program in Theatre Maureen Ryan, M.F.A. ABSTRACT Stephen Schwartz’s Working was produced at The Ohio State University Department of Theatre during the spring quarter of 2008. Included in this document is all of the documentation used for the implementation of the lighting design for this production. The need to work forces humans to interact with one another daily and requires us to deal with the added stressors that being in contact with other humans creates. This theme is central to the story of Working and is a major point of emphasis for our production of Working. Chris Roche in his Director’s Concept states, “The construction of Working at first glance seems isolated and solitary, so many different stories – but very little unifying factor. I believe the common thread is the workers themselves. Who do we meet on a daily basis, and how does each of those domino-like moments affect the greater whole of our lives?” In support of the director’s concept, the lighting design for Working aimed to create two separate lighting environments one of reality and the other of fantasy. The challenge was to then connect the separate environments into one seamless world where the line of reality and fantasy are blurred. -
The Journal of the Dramatists Guild of America, Inc
The Journal of the Dramatists Guild of America, Inc. The the ageissue 2016 NOV/DEC $7 USD €10 EUR www.dramatistsguild.com FrontCOVER.indd 1 10/5/16 12:57 PM To enroll, go to http://www.dginstitute.org SEP/OCTJul/Aug DGI 16 ad.indd FrontCOVERs.indd 1 2 5/23/168/8/16 1:341:52 PM VOL. 19 No 2 TABLE OF NOV/DEC 2016 2 Editor’s Notes CONTENTS 3 Dear Dramatist 4 News 7 Inspiration – KIRSTEN CHILDS 8 The Craft – KAREN HARTMAN 10 Edward Albee 1928-2016 13 “Emerging” After 50 with NANCY GALL-CLAYTON, JOSH GERSHICK, BRUCE OLAV SOLHEIM, and TSEHAYE GERALYN HEBERT, moderated by AMY CRIDER. Sidebars by ANTHONY E. GALLO, PATRICIA WILMOT CHRISTGAU, and SHELDON FRIEDMAN 20 Kander and Pierce by MARC ACITO 28 Profile: Gary Garrison with CHISA HUTCHINSON, CHRISTINE TOY JOHNSON, and LARRY DEAN HARRIS 34 Writing for Young(er) Audiences with MICHAEL BOBBITT, LYDIA DIAMOND, ZINA GOLDRICH, and SARAH HAMMOND, moderated by ADAM GWON 40 A Primer on Literary Executors – Part One by ELLEN F. BROWN 44 James Houghton: A Tribute with JOHN GUARE, ADRIENNE KENNEDY, WILL ENO, NAOMI WALLACE, DAVID HENRY HWANG, The REGINA TAYLOR, and TONY KUSHNER Dramatistis the official journal of Dramatists Guild of America, the professional organization of 48 DG Fellows: RACHEL GRIFFIN, SYLVIA KHOURY playwrights, composers, lyricists and librettists. 54 National Reports It is the only 67 From the Desk of Dramatists Guild Fund by CHISA HUTCHINSON national magazine 68 From the Desk of Business Affairs by AMY VONVETT devoted to the business and craft 70 Dramatists Diary of writing for 75 New Members theatre. -
LAURA GRIFFITH Resume 92114
LAURA GRIFFITH AEA/AFTRA www.lauragriffith.net Voice: Soprano & Belt BROADWAY South Pacific Janet MacGregor Broadway/ Dir. Bartlett Sher The Light in the Piazza Franca,Clara u/s performed Broadway/ Dir. Bartlett Sher Oklahoma! Aggie Broadway/ Dir. Trevor Nunn Sweet Smell of Success Susan u/s Broadway/ Dir. Nicholas Hytner TOURS The Light in the Piazza * Franca 1st National Tour/ Dir. Bartlett Sher West Side Story Maria European Tour/ Dir. Joey McKneely *Helen Hayes Award Nomination (Kennedy Center) REGIONAL THEATRE Medea/Macbeth/Cinderella Cinderella Oregon Shakespeare Festival/ Dir. Bill Rauch Animal Crackers Mary Oregon Shakespeare Festival/ Dir. Allison Narver Henry V Catherine of France u/s Oregon Shakespeare Festival/ Dir. Joseph Haj Amadeus Constanze Geva Theatre Center/ Dir. Paul Barnes Spamalot ** Lady of the Lake 5th Avenue Theatre/ Dir. Josh Rhodes A Room With A View Lucy 5th Avenue Theatre/ Dir. David Armstrong The Music Man ** Marian 5th Avenue Theatre/ Dir. Bill Berry Candide Cunegonde 5th Avenue Theatre/ Dir. David Armstrong 7 Brides For 7 Brothers Milly 5th Avenue Theatre/ Dir. Allison Narver Parade Lucille u/s performed Mark Taper Forum/ Dir. Rob Ashford Sunday in the Park... Dot/ Marie Short North Stage/ Dir. Sarna Lapine The Music Man Marian Utah Shakespeare Festival/ Dir. Jeremy Mann RIchard III Jane S/ Elizabeth u/s Utah Shakespeare Festival/ Dir. Kathleen Conlin Songs For A New World Woman 1 Signature Theatre/Dir. Michael Baron, Jason Robert Brown The Road to Hollywood Dorothy Goodspeed Opera House / Dir. Walter Bobbie Rocky Horror Show Janet 5th Avenue Theatre/ Dir. David Armstrong A Little Night Music Anne 5th Avenue Theatre, ACT Theatre/ Dir. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists. -
Ahmanson Theatre
AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969. -
Beverly Hills Is Beverly Hills
SPECIAL SECTION: Celebrate Love Pages 20-21 VOLUME XXXXIV NUMBER XX $135 PER YEAR - $1.25 PER COPY • www.bhcourier.com February 13, 2009 City Still Hiring, Despite L.A.’s Recent Freeze By Abbey Hood will be charged with strengthen- Although the Los Angeles ing the economic base of Beverly County Board of Supervisors ap- Hills, primarily attracting and re- proved a hiring freeze on Tues- taining the best businesses to day, it appears Beverly Hills is Beverly Hills. He will also be in not following in their footsteps. charge of marketing the City to Late Wednesday, the City an- maximize sales and success. nounced the appointment of for- “Now, more than ever, the mer director of Community De- City requires increased resources velopment Mahdi Aluzri to a to sustain and grow Beverly Hills' newly created position, assistant economic base,” said Wood. STARRY NIGHT TO FIGHT CANCER–The Entertainment Industry Foundation’s Women’s Cancer Research City manager for economic sus- “Mahdi Aluzri joins the City Fund was the benefit as Saks Fifth Avenue staged its 14th “Unforgettable Evening” at The Beverly Wilshire tainability. manager's office as a revenue- Tuesday. From left, emcee Tom Hanks and his wife Rita Wilson were there to honor Gwyneth Paltrow and In his new position Aluzri (see ‘HIRING,’ page 17) Courteney Cox for their work in helping to fight cancer. Photo by Gilbert Flores/CelebrityPhoto.com Sparks Fly At Otherwise City’s Water Preliminary Report to Citizens Boring Board Meeting Supply Courier Candidate Questioned By Amanda Peabody This -
Syllabus: Theatre Management Trip to New York City, March 20-24, 2002
Syllabus: Theatre Management Trip to New York City, March 20-24, 2002 Leslie Shook and Maury Collins, instructors, The Theatre School, DePaul University Updated: 3/19/02 Hotel information: Millennium Broadway Manhattan Hotel, 145 W 44th St., New York, NY 10036 - (212) 768-4400 Students: Please read this and study the websites before we go to New York. Also, think about the questions you would like to ask, and write them down BEFORE we go to each meeting. Wednesday, March 20, 2002 3:30 p.m. Meet in Millennium Broadway Hotel lobby. 4:00 p.m. Discussion about producing - Nancy Nagel Gibbs and Susan Vargo - American Airlines Theatre, 227 W. 42nd Street, New York, Nabisco Lounge, 6th floor. The matinee is getting out at 4 p.m. so it will be a bit like salmon swimming upstream, but your names will be with the security guard. Take the elevator to 6. 6:00 p.m. Dinner with East Coast Alumni - Virgil's Barbecue, 152 W. 44th Street, New York, NY 10036 (212) 921-9494. Gary Gorman and others will join us for dinner. 8:00 p.m. Top Dog/Underdog, Ambassador Theatre, 219 West 49th St., New York, NY Thursday, March 21, 2002 10:00 a.m. Lyceum Theatre, 149 West 45th Street, New York, NY 10036 Meet with Reagan Fletcher, Director, Shubert Archives for tour of the Lyceum, one of the oldest Shubert Broadway houses, and then visit the Shubert Archives, repository of the records of 100 years of the Shuberts, and others, on Broadway. 2:30 p.m. -
Musicals Go Undiscovered and Never Get the Productions They Deserve
SPRING 2020 PITCH BOOK At The Producer’s Perspective, we are on a mission to help 5000 shows get produced by 2025 and have curated this book of new work for your consideration. All too often, exciting new plays and musicals go undiscovered and never get the productions they deserve. So we wanted to provide an opportunity for theaters, producers, and organizations like yours to access information on new material just waiting to be discovered. The Pitch Book features over 100 new plays and musicals from creators across the country and provides you with a tagline and succinct pitch, as well as essential show and collaborator information for each project. We encourage you to peruse the pitches in this book and if you find a project that appeals to you, please feel free to reach out to the show directly or let us know by emailing [email protected]! To view the online version of our Pitch Book with clickable links and zooming capabilities, please visit www.theproducersperspective.com/producer-pitch-book now! 1 TABLE OF CONTENTS MUSICALS A CHRISTMAS CAROL (CUSTOMIZED FOR YOUR REGION) 5 A GREEN UNBRELLA 6 A SYMPHONY FOR PORTLAND 7 ACROSS THE AMAZONS 8 AFTER HAPPILY EVER AFTER 9 BAGELS! (THE MUSICAL) 10 BEGGARS & CHOOSERS, THE MUSICAL 12 BENDING TOWARDS THE LIGHT… A JAZZ NATIVITY 13 BETWIXT AND BETWEEN 14 BEYOND PERFECTION 15 BILLIONAIRE 16 BLANK SPACE THE MUSICAL (JUKEBOX MUSICAL WITH MUSIC & LYRICS BY TAYLOR SWIFT) 17 BRICKTOP: LEGEND OF THE JAZZ AGE 18 BROOKLYN BRIDGE EMILY’S STORY 20 BRUSH ARBOR REVIVAL 20 COME AND SEE 22 COMPANY MATTERS 23 DAISY AND THE WONDER WEEDS 24 DESERT ROSE 25 DOGS 26 EARTHBOUND (AN ELECTRONICA MUSICAL) 27 EMERALD MAN 28 EMERGENCY 29 EVANGELINE, A CURIOUS JOURNEY 30 GEORGINE 31 SUITE MOMS 32 GLINDA/MRS. -
Her BFA Ormance Rformed Member Ecording Undtrack Musical He Was A
Biographies Stacy Eckert (Music Director) is in her second year of teaching at GSU. She received her BFA in Theatre/Voice from the University of Kansas and her MM and DMA in Vocal Performance with a minor in Theatre from the University of Illinois in Urbana. Dr. Eckert has performed throughout the US and in Europe. She made her Carnegie Hall debut in 1995. As a member of the Chicago Symphony Chorus, she sang on the double Grammy award winning recording of Verdi’s Requiem conducted by Riccardo Mu . She also leant her voice to the soundtrack of Stephen Spielberg’s Lincoln. Dr. Eckert is a member of the American Guild of Musical Ar sts, AFTRA, and the Na onal Associa on of Teachers of Singing. Shelley Strasser Holland (LighƟ ng Designer) is no stranger to the GSU stage as she was a member of the team that opened the very fi rst performance (Rich Li le) in the Center back in 1995! Much more recently she designed TransformaƟ ons last spring with Dr. Santoro and is thrilled to return to work on A… My Name is Alice. Ms. Strasser Holland is the Resident Ligh ng Designer for Theatre at the Center in Munster, IN and is about ready to start technical rehearsals for A Christmas Carol. She is an ensemble member and resident ligh ng designer for The Sha ered Globe Theatre in Chicago and an Ar s c Associate at First Folio Theatre in Oak Brook. Some of her favorite produc ons include Godspell and Petrifi ed Forest (TatC), Glass Menagerie (Jeff Nomina on) and Judgment at Nuremberg (SGT), Under the Lintel and Woman in Black (First Folio) and Much Ado About Nothing and How I Became a Pirate (Homewood Flossmoor High School). -
Where Have All the Lyric Writers Gone? - the New Y
MUSIC; Where Have All the Lyric Writers Gone? - The New Y... http://www.nytimes.com/2000/02/20/arts/music-where-have-all-... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » February 20, 2000 MUSIC MUSIC; Where Have All the Lyric Writers Gone? By BARRY SINGER Correction Appended NAME the most important lyric writers of the past half-century. Stephen Sondheim, without question; the lyricist who single-handedly deepened the American song tradition with penetrating verbal invention and an enlivening dose of psychological complexity. But also Bob Dylan, Paul Simon and Joni Mitchell, folk balladeers who infused lyric writing with the imagery and confessional aspect of modernist poetry. Their innovations created an entirely new tradition, or perhaps antitradition -- that of the self-absorbed singer-songwriter for whom, in the name of personal expression, all lyric-writing rules could be broken. It's a tradition that still dominates, having produced hordes of disciples, including many truly gifted lyricists, ranging from Bruce Springsteen and Lou Reed to Smokey Robinson, Stevie Wonder and Billy Joel, from Elvis Costello and Tom Waits to Beck, Rufus Wainwright and Fiona Apple. Increasingly, though, to write in the classic, urbane style of Hart, Gershwin, Berlin, Porter and Sondheim is to discourse in a dead language. Their notion of lyric writing as a craft, a verbal equivalent of melodic composition, grounded in wit and elegant wordplay, is today so thoroughly antiquated that one can barely find a context for it. -
UMG-Ecommerce-Digital Booklet Template
SMILE (lyrics by HOWARD ASHMAN) 1. Typical High School Senior Mana Allen, Jenny Baker, Taylor Brauer, Ashley Bruce, Daisy Carnelia, Jessie del Rio, Sara Glancy, Aja Goes, Sarah Grace, Leigh Ellen Jones, Linda Van Kesteren, Caitlin Kinnunen, Caroline Liff, Molly Modell, Chelsie Nectow, Jaime Rosenstein, Amy Weaver (lyrics by CAROLYN LEIGH) 2. Vet Jenny Baker 3. Walking in the Sunshine Hayden Tee 4. Classical Music Randy Graff 5. Six O’Clock News Daisy Carnelia BALLROOM (lyrics by ALAN AND MARILYN BERGMAN) 6. This is More than a Ballroom Steven Brinberg SWEET SMELL THE ENTERTAINER OF SUCCESS (lyrics by TIM RICE) (lyrics by CRAIG CARNELIA) 13. The Only Way to Go 7. A Different World Tony Sheldon Kelli O’Hara IMAGINARY FRIENDS 8. Us and Them (lyrics by CRAIG CARNELIA) Nancy Opel 14. Fig Tree Rag 9. That’s How I Say Goodbye Craig Carnelia & Marvin Hamlisch Kelli O’Hara 15. A Smoke, A Drink and You THE NUTTY PROFESSOR Craig Carnelia & Marvin Hamlisch (lyrics by RUPERT HOLMES) 16. Smart Women 10. Step Out of Your Shell Craig Carnelia Klea Blackhurst & Julian Decker 17. Imaginary Friend 11. While I Still Have the Time Holly Davis, Jessica Fontana, Marissa McGowan Happy McPartland & Emily Shoolin 18. I Would But I Can’t BULLETS OVER BROADWAY Craig Carnelia (lyrics by CRAIG CARNELIA) 19. Words Fail Me 12. Everything You Do Lisa Brescia Leah Horowitz 20. Will It Matter at All Craig Carnelia & Marvin Hamlisch theYou composer know of A Chorus Marvin, Line — Marvin, the brash boy who won three Oscars one night in 1974 — Marvin, the resident Pops conductor of the National Symphony (and many others) — Marvin, the great film composer (two of his songs, “Nobody Does It Better” and “The Way We Were” are among the Top 10 film songs of all time) — Marvin, Barbra Streisand’s conductor — Marvin, the showman (on “The Tonight Show”, at the White House, or any house he happened to be in).