DOCSLIB.ORG

Her BFA Ormance Rformed Member Ecording Undtrack Musical He Was A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Her BFA Ormance Rformed Member Ecording Undtrack Musical He Was A Biographies Stacy Eckert (Music Director) is in her second year of teaching at GSU. She received her BFA in Theatre/Voice from the University of Kansas and her MM and DMA in Vocal Performance with a minor in Theatre from the University of Illinois in Urbana. Dr. Eckert has performed throughout the US and in Europe. She made her Carnegie Hall debut in 1995. As a member of the Chicago Symphony Chorus, she sang on the double Grammy award winning recording of Verdi’s Requiem conducted by Riccardo Mu . She also leant her voice to the soundtrack of Stephen Spielberg’s Lincoln. Dr. Eckert is a member of the American Guild of Musical Ar sts, AFTRA, and the Na onal Associa on of Teachers of Singing. Shelley Strasser Holland (LighƟ ng Designer) is no stranger to the GSU stage as she was a member of the team that opened the very fi rst performance (Rich Li le) in the Center back in 1995! Much more recently she designed TransformaƟ ons last spring with Dr. Santoro and is thrilled to return to work on A… My Name is Alice. Ms. Strasser Holland is the Resident Ligh ng Designer for Theatre at the Center in Munster, IN and is about ready to start technical rehearsals for A Christmas Carol. She is an ensemble member and resident ligh ng designer for The Sha ered Globe Theatre in Chicago and an Ar s c Associate at First Folio Theatre in Oak Brook. Some of her favorite produc ons include Godspell and Petrifi ed Forest (TatC), Glass Menagerie (Jeff Nomina on) and Judgment at Nuremberg (SGT), Under the Lintel and Woman in Black (First Folio) and Much Ado About Nothing and How I Became a Pirate (Homewood Flossmoor High School). Ms. Strasser Holland is an adjunct professor in theatre at Governors State University and Indiana University Northwest. She holds an MFA in Ligh ng Design from Northwestern University and a BS in Mathema cs/Theatre from Eureka College. Aarika Hughes (Performer) is delighted to debut in her fi rst produc on at Governors State University. She is currently a student at Prairie State College with plans to a end DePaul University next fall for a degree in Communica on. Favorite credits include Don’t Drink the Water and CATS for Crete Monee High School. Lorell Jones (Performer) grew up singing in church and loves gospel, R&B, blues, jazz, funk, and classical music. A er a hiatus from singing to explore the world, her passion has brought her back to her roots—music and the stage. She is a singer/songwriter and avid reader who loves me with her family and laughing. Lorell is thankful for all of her talents, true love, her wonderfully drama c parents and siblings, the Chicago lakefront, and lives by the mo o: “music & love heals.” Megan Lindsay (Choreographer) graduated Cum Laude from Ball State University, and later obtained her Masters of Arts in Dance/Movement Therapy from Columbia College Chicago. Megan has been an inspira on to students na onwide while on staff of numerous dance programs, studios, and companies. She has served as a performer, choreographer and co-founder for many dance companies in Illinois and Indiana. A er graduate school, Megan danced professionally with Perceptual Mo on Dance Company—a mul -genera on modern dance company—Fuzion Dance Ar sts in Sarasota, Florida, and co-created Rebound Dance, NPF, a dance fes val produc on company in Chicago. Megan currently works as an adjunct professor of dance at Governors State University and Indiana University Northwest, directs the IU Northwest Student Dance Company, This presentation is supported by The Illinois Arts Council, a state agency. A… My Name is Alice Production Staff A Musical Revue with material by Calvin Alexander Anne Meara Direction: Dr. Patrick Santoro Susan Birkenhead Cassandra Medley Music Direction: Dr. Stacy Eckert Maggie Bloomfi eld David Mettee Choreography: Megan Lindsay David Crane Art Murray Stage Management: Joshua E. Young David Evans Susan Rice Technical Direction: Michael Krull Carol Hall Glen Roven Lighting Design: Shelley Strasser Holland Cheryl Hardwick Mark Saltzman Costume Design: Alice Broughton Georgia Bogardus Holof James Shorter Stage Crew: Arika Rogers Winnie Holtzman June Siegel Property Mistress: Tamike Hurley Doug Katsaros Lucy Simon Marta Kauff man Michael Skloff Produced by Richard LaGravenese Steve Tesich Th e College of Arts and Sciences Stephen Lawrence Don Tucker Th e Division of Communication, Visual and Performing Arts Amanda McBroom David Zippel Director’s Note Initial Off -Broadway Stage Production by Rosita Sarnoff , Anne Wilder, and Douglas F. Goodman Welcome to the Center for Performing Arts and this evening’s production of Originally Produced by A… My Name is Alice! I’m glad that you are here. Th e Women’s Project at the American Place Th eatre Alice is a musical revue that’s more than you think. While its approach in Conceived by presenting women of diff erent ages and types in a variety of situations and JOAN MICKLIN SILVER and JULIANNE BOYD relationships is mostly comedic, sometimes bawdy, Alice is also profound, never letting us forget that the characters, storylines, and emotions are rooted Cast in reality. Making its Off -Broadway debut in 1983, Alice is insightful, off ering (In Alphabetical Order) a glimpse into the historic fi ght for gender equality while also asking us to consider women’s experiences—the beauty and struggles of living, loving, and Aarika Hughes losing as women—and how they have shift ed in the last 30 years. Lorell Jones Women journey in Alice, and the fi ve women in our production become an Killeen McClowry embodiment of every-woman-Alice as she travels through her ever-evolving identity, revealing not a fi nal image of what a woman is or should be, but, Lois Nemeth instead, a multilayered process of navigating and negotiating womanhood. Deirdre L. Webb Alice is an invitation into a kaleidoscopic world of mothers, daughters, wives, sisters, girlfriends, and rivals. Alice is a reminder that “woman’s work is never A… My Name is Alice runs approximately 1 hour and 45 minutes done.” Above all else, Alice is a celebration of women. and is performed with a 15 minute intermission. Let the festivities begin! Produced by special arrangement with Samuel French, Inc. Dr. Patrick Santoro Biographies Stacy Eckert (Music Director) is in her second year of teaching at GSU. She received her BFA in Theatre/Voice from the University of Kansas and her MM and DMA in Vocal Performance with a minor in Theatre from the University of Illinois in Urbana. Dr. Eckert has performed throughout the US and in Europe. She made her Carnegie Hall debut in 1995. As a member of the Chicago Symphony Chorus, she sang on the double Grammy award winning recording of Verdi’s Requiem conducted by Riccardo Mu . She also leant her voice to the soundtrack of Stephen Spielberg’s Lincoln. Dr. Eckert is a member of the American Guild of Musical Ar sts, AFTRA, and the Na onal Associa on of Teachers of Singing. Shelley Strasser Holland (LighƟ ng Designer) is no stranger to the GSU stage as she was a member of the team that opened the very fi rst performance (Rich Li le) in the Center back in 1995! Much more recently she designed TransformaƟ ons last spring with Dr. Santoro and is thrilled to return to work on A… My Name is Alice. Ms. Strasser Holland is the Resident Ligh ng Designer for Theatre at the Center in Munster, IN and is about ready to start technical rehearsals for A Christmas Carol. She is an ensemble member and resident ligh ng designer for The Sha ered Globe Theatre in Chicago and an Ar s c Associate at First Folio Theatre in Oak Brook. Some of her favorite produc ons include Godspell and Petrifi ed Forest (TatC), Glass Menagerie (Jeff Nomina on) and Judgment at Nuremberg (SGT), Under the Lintel and Woman in Black (First Folio) and Much Ado About Nothing and How I Became a Pirate (Homewood Flossmoor High School). Ms. Strasser Holland is an adjunct professor in theatre at Governors State University and Indiana University Northwest. She holds an MFA in Ligh ng Design from Northwestern University and a BS in Mathema cs/Theatre from Eureka College. Aarika Hughes (Performer) is delighted to debut in her fi rst produc on at Governors State University. She is currently a student at Prairie State College with plans to a end DePaul University next fall for a degree in Communica on. Favorite credits include Don’t Drink the Water and CATS for Crete Monee High School. Lorell Jones (Performer) grew up singing in church and loves gospel, R&B, blues, jazz, funk, and classical music. A er a hiatus from singing to explore the world, her passion has brought her back to her roots—music and the stage. She is a singer/songwriter and avid reader who loves me with her family and laughing. Lorell is thankful for all of her talents, true love, her wonderfully drama c parents and siblings, the Chicago lakefront, and lives by the mo o: “music & love heals.” Megan Lindsay (Choreographer) graduated Cum Laude from Ball State University, and later obtained her Masters of Arts in Dance/Movement Therapy from Columbia College Chicago. Megan has been an inspira on to students na onwide while on staff of numerous dance programs, studios, and companies. She has served as a performer, choreographer and co-founder for many dance companies in Illinois and Indiana. A er graduate school, Megan danced professionally with Perceptual Mo on Dance Company—a mul -genera on modern dance company—Fuzion Dance Ar sts in Sarasota, Florida, and co-created Rebound Dance, NPF, a dance fes val produc on company in Chicago.
Load more

Recommended publications
  • The Journal of the Dramatists Guild of America, Inc
    The Journal of the Dramatists Guild of America, Inc. The the ageissue 2016 NOV/DEC $7 USD €10 EUR www.dramatistsguild.com FrontCOVER.indd 1 10/5/16 12:57 PM To enroll, go to http://www.dginstitute.org SEP/OCTJul/Aug DGI 16 ad.indd FrontCOVERs.indd 1 2 5/23/168/8/16 1:341:52 PM VOL. 19 No 2 TABLE OF NOV/DEC 2016 2 Editor’s Notes CONTENTS 3 Dear Dramatist 4 News 7 Inspiration – KIRSTEN CHILDS 8 The Craft – KAREN HARTMAN 10 Edward Albee 1928-2016 13 “Emerging” After 50 with NANCY GALL-CLAYTON, JOSH GERSHICK, BRUCE OLAV SOLHEIM, and TSEHAYE GERALYN HEBERT, moderated by AMY CRIDER. Sidebars by ANTHONY E. GALLO, PATRICIA WILMOT CHRISTGAU, and SHELDON FRIEDMAN 20 Kander and Pierce by MARC ACITO 28 Profile: Gary Garrison with CHISA HUTCHINSON, CHRISTINE TOY JOHNSON, and LARRY DEAN HARRIS 34 Writing for Young(er) Audiences with MICHAEL BOBBITT, LYDIA DIAMOND, ZINA GOLDRICH, and SARAH HAMMOND, moderated by ADAM GWON 40 A Primer on Literary Executors – Part One by ELLEN F. BROWN 44 James Houghton: A Tribute with JOHN GUARE, ADRIENNE KENNEDY, WILL ENO, NAOMI WALLACE, DAVID HENRY HWANG, The REGINA TAYLOR, and TONY KUSHNER Dramatistis the official journal of Dramatists Guild of America, the professional organization of 48 DG Fellows: RACHEL GRIFFIN, SYLVIA KHOURY playwrights, composers, lyricists and librettists. 54 National Reports It is the only 67 From the Desk of Dramatists Guild Fund by CHISA HUTCHINSON national magazine 68 From the Desk of Business Affairs by AMY VONVETT devoted to the business and craft 70 Dramatists Diary of writing for 75 New Members theatre.
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists.
    [Show full text]
  • Ahmanson Theatre
    AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969.
    [Show full text]
  • Beverly Hills Is Beverly Hills
    SPECIAL SECTION: Celebrate Love Pages 20-21 VOLUME XXXXIV NUMBER XX $135 PER YEAR - $1.25 PER COPY • www.bhcourier.com February 13, 2009 City Still Hiring, Despite L.A.’s Recent Freeze By Abbey Hood will be charged with strengthen- Although the Los Angeles ing the economic base of Beverly County Board of Supervisors ap- Hills, primarily attracting and re- proved a hiring freeze on Tues- taining the best businesses to day, it appears Beverly Hills is Beverly Hills. He will also be in not following in their footsteps. charge of marketing the City to Late Wednesday, the City an- maximize sales and success. nounced the appointment of for- “Now, more than ever, the mer director of Community De- City requires increased resources velopment Mahdi Aluzri to a to sustain and grow Beverly Hills' newly created position, assistant economic base,” said Wood. STARRY NIGHT TO FIGHT CANCER–The Entertainment Industry Foundation’s Women’s Cancer Research City manager for economic sus- “Mahdi Aluzri joins the City Fund was the benefit as Saks Fifth Avenue staged its 14th “Unforgettable Evening” at The Beverly Wilshire tainability. manager's office as a revenue- Tuesday. From left, emcee Tom Hanks and his wife Rita Wilson were there to honor Gwyneth Paltrow and In his new position Aluzri (see ‘HIRING,’ page 17) Courteney Cox for their work in helping to fight cancer. Photo by Gilbert Flores/CelebrityPhoto.com Sparks Fly At Otherwise City’s Water Preliminary Report to Citizens Boring Board Meeting Supply Courier Candidate Questioned By Amanda Peabody This
    [Show full text]
  • Syllabus: Theatre Management Trip to New York City, March 20-24, 2002
    Syllabus: Theatre Management Trip to New York City, March 20-24, 2002 Leslie Shook and Maury Collins, instructors, The Theatre School, DePaul University Updated: 3/19/02 Hotel information: Millennium Broadway Manhattan Hotel, 145 W 44th St., New York, NY 10036 - (212) 768-4400 Students: Please read this and study the websites before we go to New York. Also, think about the questions you would like to ask, and write them down BEFORE we go to each meeting. Wednesday, March 20, 2002 3:30 p.m. Meet in Millennium Broadway Hotel lobby. 4:00 p.m. Discussion about producing - Nancy Nagel Gibbs and Susan Vargo - American Airlines Theatre, 227 W. 42nd Street, New York, Nabisco Lounge, 6th floor. The matinee is getting out at 4 p.m. so it will be a bit like salmon swimming upstream, but your names will be with the security guard. Take the elevator to 6. 6:00 p.m. Dinner with East Coast Alumni - Virgil's Barbecue, 152 W. 44th Street, New York, NY 10036 (212) 921-9494. Gary Gorman and others will join us for dinner. 8:00 p.m. Top Dog/Underdog, Ambassador Theatre, 219 West 49th St., New York, NY Thursday, March 21, 2002 10:00 a.m. Lyceum Theatre, 149 West 45th Street, New York, NY 10036 Meet with Reagan Fletcher, Director, Shubert Archives for tour of the Lyceum, one of the oldest Shubert Broadway houses, and then visit the Shubert Archives, repository of the records of 100 years of the Shuberts, and others, on Broadway. 2:30 p.m.
    [Show full text]
  • Where Have All the Lyric Writers Gone? - the New Y
    MUSIC; Where Have All the Lyric Writers Gone? - The New Y... http://www.nytimes.com/2000/02/20/arts/music-where-have-all-... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » February 20, 2000 MUSIC MUSIC; Where Have All the Lyric Writers Gone? By BARRY SINGER Correction Appended NAME the most important lyric writers of the past half-century. Stephen Sondheim, without question; the lyricist who single-handedly deepened the American song tradition with penetrating verbal invention and an enlivening dose of psychological complexity. But also Bob Dylan, Paul Simon and Joni Mitchell, folk balladeers who infused lyric writing with the imagery and confessional aspect of modernist poetry. Their innovations created an entirely new tradition, or perhaps antitradition -- that of the self-absorbed singer-songwriter for whom, in the name of personal expression, all lyric-writing rules could be broken. It's a tradition that still dominates, having produced hordes of disciples, including many truly gifted lyricists, ranging from Bruce Springsteen and Lou Reed to Smokey Robinson, Stevie Wonder and Billy Joel, from Elvis Costello and Tom Waits to Beck, Rufus Wainwright and Fiona Apple. Increasingly, though, to write in the classic, urbane style of Hart, Gershwin, Berlin, Porter and Sondheim is to discourse in a dead language. Their notion of lyric writing as a craft, a verbal equivalent of melodic composition, grounded in wit and elegant wordplay, is today so thoroughly antiquated that one can barely find a context for it.
    [Show full text]
  • Tracing the Directorial Process of Theatrical Translation: a Practice-Led Case Study
    TRACING THE DIRECTORIAL PROCESS OF THEATRICAL TRANSLATION: A PRACTICE-LED CASE STUDY By Anitra Michelle Davel A mini-dissertation submitted in partial fulfilment of the requirements for the degree MAGISTER ARTIUM (PERFORMANCE) in the Department of Drama at the UNIVERSITY OF PRETORIA FACULTY OF HUMANITIES Supervisors: Professor M. Munro Professor M-H. Coetzee August 2014 © University of Pretoria i TABLE OF CONTENTS Front Page Table of Contents i Declaration vi Acknowledgements vii Abstract viii Keywords ix Chapter 1 – Introduction 1 1.1 Research Problem, Investigative Question, Research Objectives and 2 Approach 1.1.1 Research Problem 2 1.1.2 Investigative Question 2 3 1.1.3 Research Objectives 1.1.3.1 Pre-Production Research Objectives 3 1.1.3.2 In-Production Research Objectives 3 1.1.3.3 Post Production Research Objectives 4 1.1.4 Research Approach 4 1.1.4.1 Research Phase 1 6 1.1.4.2 Research Phase 2 7 1.1.4.3 Research Phase 3 7 1.1.4.4 Research Phase 4 7 1.2 Chapter Outline 8 © University of Pretoria ii Chapter 2 – Musical Theatre in Context 11 2.1 The definition of Musical Theatre 11 2.2 Background to the development of Musical Theatre 12 2.3 Characteristics of a musical 17 2.4 The Book Musical and the contribution of Richard Rodgers and Oscar 18 Hammerstein II 2.5 The development of the Concept Musical and the diffusion of the 19 Post-modern Musical 2.6 The elements of Musical Theatre 29 2.7 The development of South African Musical Theatre 34 2.7.1 Eurocentric Musicals in Apartheid South Africa 35 2.7.2 The home-grown musicals of
    [Show full text]
  • Adding Fizz to Minsky's Musical
    http://www.playbill.com/news/article/114832.html February 5, 2008 Drowsy's Martin and Nicholaw Are Adding Fizz to Minsky's Musical By Kenneth Jones The Night They Raided Minsky's, the long-gestating musical comedy with songs by Tony Award-winner Charles Strouse and lyricist Susan Birkenhead, has new additional collaborators — director-choreographer Casey Nicholaw and Tony Award-winning librettist Bob Martin. Nicholaw and Martin know from funny: They collaborated on the dizzy Broadway hit, The Drowsy Chaperone, which snagged Best Score and Best Book Tonys, as well as a nomination for Best Musical. Nicholaw is a three-time Tony nominee for choreographing Spamalot and for directing and choreographing Drowsy. (Like Drowsy, Minsky's is a period piece, set in the Jazz Age.) Charles Strouse The Night They Raided Minsky's, which a decade ago had Mike Ockrent, Susan Stroman and librettist Evan Hunter on board with an eye toward a premiere at the Ahmanson Theatre in Los Angeles, is still looking west to L.A., Playbill.com has learned. Producer Bob Boyett is attached to the property, and it's expected to be part of the Ahmanson's 2008-09 season, although no official announcement has been made. The Drowsy Chaperone and the current Broadway musical Curtains, two tradition-friendly musical comedies, both got their start at the Ahmanson prior to Broadway. Strouse, Birkenhead, Martin and Nicholaw have been working on Minsky's in Manhattan in recent months. The musical's creation hit turbulence when Crazy for You and Me and My Girl director Ockrent — a champion of the show, as well as a co-conceiver — took ill.
    [Show full text]
  • Annual Scholarship Fundraiser ANNUAL SCHOLARSHIP FUNDRAISER MONTCLAIR STATE UNIVERSITY
    Montclair State University Foundation 2021 Annual Scholarship Fundraiser ANNUAL SCHOLARSHIP FUNDRAISER MONTCLAIR STATE UNIVERSITY CHEVROLET AUTO GROUP CLIFTON LITTLE FALLS DENVILLE 973.472.5500 973.256.1065 973.627.0900 The Montclair StateSchumacherChevy.com University Foundation Annual Scholarship Dinner and Awards Our Sincere Congratulations to all of the 2021 Honorees We appreciate your dedication and service to the community. ROSE L. CALI ‘80 Community Philanthropist Mary Mochary and Michael Kasser Award for Philanthropic Leadership DENISE ROVER ‘84 (co-honoree) Account Manager, NBC Universal Owned Television Stations AL PRIETO ‘84 (co-honoree) Vice President, ABC News Margaret and Herman Sokol Award for Alumni Achievement and Civic Leadership Some ask, MICHAEL J. FUCCI ‘80 “Where next?” Chairman Emeritus, Deloitte Rose and John J. Cali Award for Others inspire it. Business Leadership and Community Engagement On behalf of Deloitte, congratulations to all the Montclair State University 2021 annual scholarship fundraiser honorees, including our former Chairman of the US Board of Directors Mike Fucci. Mike is a Come Join the Family. proud Montclair State University alumnus. Over 85 Years, Now 5 Convenient Locations www.deloitte.com LITTLE FALLS DENVILLE CLIFTON LIVINGSTON BOONTON Copyright © 2021 Deloitte Development LLC. All rights reserved. SchumacherChevy.com 2 3 ANNUAL SCHOLARSHIP FUNDRAISER MONTCLAIR STATE UNIVERSITY FROM THE OFFICE OF THE PRESIDENT Dear Friends: While always a highly anticipated event, the Annual Scholarship Fundraiser is even more We are co-honoring Denise Rover ’84 and Al Prieto ’84 with the Margaret and Herman so this year, given all that has transpired as we navigate the pandemic. I am immensely Sokol Award for Alumni Achievement and Civic Leadership.
    [Show full text]
  • February 9-19, 2021
    SAVANNAH'S WEEK LONG CELEBRATION OF SONG FEBRUARY 9-19, 2021 AMERICANTRADITIONSCOMPETITION.COM All events will begin at 7pm on the date listed, and remain available to watch at the audience’s leisure until February 28, 2021. TUESDAY FEB. 9 Quarterfinal 1 Sponsored by Tricia & David Guggenheim WEDNESDAY FEB. 10 Quarterfinal 2 Sponsored by Kathie & Les Anderson THURSDAY FEB. 11 Quarterfinal 3 pro Sponsored by Nancy McGirr & David Goslin FRIDAY FEB. 12 Quarterfinal 4 Sponsored by Patty & Heyward Gignilliat TUESDAY FEB. 16 Judges Concert Sponsored by The Charles C. Taylor and Samir gram Nikocevic Charitable Foundation WEDNESDAY FEB. 17 Semifinal 1 Sponsored by Hedy & Michael Fawcett THURSDAY FEB. 18 Semifinal 2 flow Sponsored by Danny Cohen FRIDAY FEB. 19 Final Round Sponsored by Savannah Morning News 14 ATC PRESIDENT 15 ATC DIRECTOR 16 ABOUT THE ATC ATC BOARD OF DIRECTORS EDUCATIONAL OUTREACH 17 JUNIOR ATC 18 IN-KIND DONATIONS of 19 VOLUNTEERS table 20 ATC DONORS 22 AWARDS 24 PAST GOLD MEDAL WINNERS 25 SPONSORS 26 2021 JUDGES cont 28 PIANISTS 29 INSTRUMENTALISTS 30 2021 CONTESTANTS ents W E C R E A T E D Y N A M I C V I D E O C O N T E N T F O R B U S I N E S S A N D C R E A T I V E P L A T F O R M S . S A V A N N A H , G A 3 1 4 0 1 | 7 0 6 . 4 4 9 . 1 2 1 2 WELCOME TO THE 28TH YEAR OF ATC A N O T E F R O M A T C B O A R D P R E S I D E N T Greetings all.
    [Show full text]
  • Suggested Reading List
    UNIVERSITY OF TENNESSEE AT CHATTANOOGA DEPARTMENT OF THEATRE & SPEECH SUGGESTED READING LIST PLAYS GREEK DRAMA • THE ORESTEIA Aeschylus • MEDEA Euripides • OEDIPUS THE KING Sophocles • ANTIGONE Sophocles • LYSISTRATA Aristophanes • THE MENAECHMI Plautus • THE BROTHERS Terence MEDIEVAL DRAMA • THE SECOND SHEPHERD’S PLAY Anonymous (Wakefield Cycle) • EVERYMAN Anonymous • DULCITIUS Hrosvitha ITALIAN RENAISSANCE • LA MANDRAGOLA (a. k. a. THE MANDRAKE) Niccolò Machiavelli ENGLISH RENAISSANCE • VOLPONE Ben Jonson • THE SPANISH TRAGEDY Thomas Kyd • DOCTOR FAUSTUS Christopher Marlowe • KING LEAR William Shakespeare • HAMLET William Shakespeare • MACBETH William Shakespeare • OTHELLO William Shakespeare • AS YOU LIKE IT William Shakespeare • A MIDSUMMER NIGHT’S DREAM William Shakespeare • TWELFTH NIGHT William Shakespeare • THE TAMING OF THE SHREW William Shakespeare • JULIUS CAESAR William Shakespeare • HENRY IV PART ONE William Shakespeare • RICHARD III William Shakespeare • HENRY V William Shakespeare • THE DUCHESS OF MALFI John Webster FRENCH RENAISSANCE • TARTUFFE Molière • THE MISANTHROPE Molière • PHÈDRE Jean Racine SPANISH GOLDEN AGE • LIFE IS A DREAM Pedro Calderón de la Barca ENGLISH RESTORATION & 18th CENTURY • THE ROVER Aphra Behn • THE BUSY BODY Suzanna Centlivre • SHE STOOPS TO CONQUER Oliver Goldsmith • SCHOOL FOR SCANDAL Richard Sheridan • THE COUNTRY WIFE William Wycherly GERMAN, FRENCH AND ITALIAN 18TH CENTURY • THE MARRIAGE OF FIGARO Pierre Beaumarchais • FAUST PART I Johann Wolfgang Goethe • THE SERVANT OF TWO MASTERS Carlo
    [Show full text]
  • Schwartz Advice for Songwriters
    Stephen Schwartz Gives Advice to Songwriters This PDF includes sections: SECTION 1 - Career development and training SECTION 2 - Various points about the musical book and lyrics, getting started, workshopping SECTION 3 - Composing SECTION 4 - Getting produced SECTION 5 - Income and Copyright SECTION 6 - Technical concerns about Notation, etc. Additional Resources The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] SECTION 1 - Career Development and Training Establishing Yourself as a Professional Songwriter Question: What is the best way to go about establishing myself as a professional songwriter? Answer from Stephen Schwartz: I wish there were an easy answer to your question. I guess the best answer I can give is to keep writing, to be really tough on yourself when you write and to go back and rewrite what you think is not good enough about a song until you're satisfied it's the best you can possibly do, and then to try to play your songs for people who might be of help to you: other musicians, singers, club owners, people in bands, etc. You can hire singers and a recording studio to make demos of your best songs so you can send or give them to people. If you're talented and perseverant, eventually this will yield results. That's about the best advice I can give; as I say, there's no easy step-by-step route.
    [Show full text]