Pennsylvania Folklife Vol. 46, No. 3 Don Yoder
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Read This Year's Christmas Revels Program Notes
PRESENTS THE CHRISTMAS REVELS In Celebration of the Winter Solstice Echoes of Thrace Music, Dance & Drama of Bulgaria, Greece & Turkey December 7–15, 2013 GW Lisner Auditorium • Washington, DC Roberta Gasbarre, Artistic and Stage Director Elizabeth Fulford, Music Director PHOTO BY ROGER IDE THE CHRISTMAS REVELS In Celebration of the Winter Solstice Echoes of Thrace Music, Dance & Drama of Bulgaria, Greece & Turkey The Washington Featuring Revels Company Karpouzi Trio Koleda Chorus Lyuti Chushki Koros Teens Spyros Koliavasilis Survakari Children Tanya Dosseva & Lyuben Dossev Thracian Bells Tzvety Dosseva Weiner Grum Drums Bryndyn Weiner Kukeri Mummers and Christmas Kamila Morgan Duncan, as The Poet With And Folk-Dance Ensembles The Balkan Brass Byzantio (Greek) and Zharava (Bulgarian) Emerson Hawley, tuba Radouane Halihal, percussion Roberta Gasbarre, Artistic and Stage Director Elizabeth Fulford, Music Director Gregory C. Magee, Production Manager Dedication On September 1, 2013, Washington Revels lost our beloved Reveler and friend, Kathleen Marie McGhee—known to everyone in Revels as Kate—to metastatic breast cancer. Office manager/costume designer/costume shop manager/desktop publisher: as just this partial list of her roles with Revels suggests, Kate was a woman of many talents. The most visibly evident to the Revels community were her tremendous costume skills: in addition to serving as Associate Costume Designer for nine Christmas Revels productions (including this one), Kate was the sole costume designer for four of our five performing ensembles, including nineteenth- century sailors and canal folk, enslaved and free African Americans during Civil War times, merchants, society ladies, and even Abraham Lincoln. Kate’s greatest talent not on regular display at Revels related to music. -
Black Claus Is Black Pete
Black Claus is Black Pete The Schenkman confusion A majority of contemporary authors assume that the Dutch holiday season character of Black Pete has been created by the nineteenth century schoolmaster Jan Schenkman in his book “Sint Nikolaas en zijn knecht1 ”, published in 1850. Followers of this line of reasoning usually also subscribe to the view that he and his illustrators were inspired by paintings of pages2, black servants of noble families in Europe. Not only the “invention” of Black Pete but also many other rituals of the Saint Nicolas celebrations, like the entry tour of the Saint and his Spanish homeland, are attributed to Schenkman, portraying him and his book as the founders of the current tradition. By blindly postulating such a recent and one-dimensional lineage for the Saint’s servant, without any critical discussion on the validity of the underlying assumptions and the historical facts, the mythical figure of Black Pete and his many incarnations in European folklore are frequently misinterpreted as racist. Many new sources have surfaced over the last years that shed a completely different light on the origins of Black Pete and other elements of the tradition. According to extensive research neither the arrival procession of Saint Nicolas nor his companion Black Pete started with Schenkman. Similarly, Spain was mentioned as the homeland for Saint-Nicolas well before the publication of 1850. In the next paragraphs we will discuss the most important historical sources on this topic. In a painting from Leiden born painter Matthijs Naiveu (1647 - 1726) from 1703, “Feestelijkheden van Sint Nicolaas” we already witness a procession celebrating the arrival of Saint-Nicolas. -
Santa Claus from Country to Country
Santa Claus from Country to Country Lesson topic: Various ways Santa is portrayed in different countries Content Concepts: -Learn about various Santa Claus legends United States, Belgium, Brazil, Finland, France, Germany, Hungary, New Zealand, Romania, Russia, Netherlands, Spain, Chile. -Social Studies, history, map skills -Reading (list of library books) -Math problems -Science projects -Craft projects -Writing practice -Gaming skills -Music (list of Christmas CD’s) Proficiency levels: Grades 4 - 6 Information, Materials, Resources: Social Studies, History, and Map skills United States: The modern portrayal of Santa Claus frequently depicts him listening to the Christmas wishes of young children. Santa Claus (also known as Saint Nicholas, Saint Nick, Father Christmas, Kris Kringle, Santy or simply Santa) is a folklore figure in various cultures who distributes gifts to children, normally on Christmas Eve . Each name is a variation of Saint Nicholas , but refers to Santa Claus. In today's North American, European and worldwide celebration of Christmas, people young and old simply refer to the hero of the season as Santa , or Santa Claus. (Wikipedia) Conventionally, Santa Claus is portrayed as a kindly, round-bellied, merry, bespectacled white man in a red coat trimmed with white fur, with a long white beard . On Christmas Eve, he rides in his sleigh pulled by flying reindeer from house to house to give presents to children. To enter the house, Santa Claus comes down the chimney and exits through the fireplace . During the rest of the year he lives together with his wife Mrs. Claus and his elves manufacturing toys . Some modern depictions of Santa (often in advertising and popular entertainment) will show the elves and Santa's workshop as more of a processing and distribution facility, ordering and receiving the toys from various toy manufacturers from across the world. -
Hex Signs Sacred and Celestial Symbolism in Pennsylvania Dutch Barn Stars
Hex Signs Sacred and Celestial Symbolism in Pennsylvania Dutch Barn Stars A Collaborative Exhibition Glencairn Museum, Bryn Athyn, Pennsylvania Pennsylvania German Cultural Heritage Center, Kutztown University March 1 - November 3, 2019 A Collaborative Exhibition Glencairn Museum, Bryn Athyn, Pennsylvania Pennsylvania German Cultural Heritage Center, Kutztown University March 1 - November 3, 2019 Hex Signs: Sacred and Celestial Symbolism in Pennsylvania Dutch Barn Stars is a collaborative effort between Glencairn Museum and the Pennsylvania German Cultural Heritage Center at Kutztown University. Glencairn invites a diverse audience to engage with religious beliefs and practices, past and present, with the goal of fostering empathy and building understanding among people of all beliefs. The exhibition features items from the Pennsylvania German Cultural Heritage Center at Kutztown University, the Schwenkfelder Library & Heritage Center, Special Collections at the Martin Library of Franklin and Marshall College, the Pennsylvania Folklife Society at the Myrin Library of Ursinus College, as well as the private collections of Eric Claypoole, Patrick J. Donmoyer, and the relatives of barn star artist Milton Hill, especially Harold & Esther (Hill) Derr, Lee Heffner, and Bart Hill. This exhibition catalog is dedicated with gratitude to the memory of barn star artist Milton J. Hill (1887-1972) of Virginville, Berks County, Pennsylvania, and to his wife Gertrude (Strasser) Hill, who supported his work, as well as to his family, especially his daughter Esther (Hill) Derr and her husband Harold Derr; his nephew Bart Hill; his grandson Lee Heffner; his granddaughter Dorian (Derr) Featheroff, and all of his descendants living and departed. A true artist of the stars, Milton Hill’s commitment to the celestial orientation of this unique Pennsylvania art form preserved and continued the folk culture’s traditional views for generations to come. -
Carroll County Times Article for 7 December 2008 by Mary Ann Ashcraft Celebrations
"Belsnickling Once Popular in Area" Carroll County Times article for 7 December 2008 By Mary Ann Ashcraft Celebrations surrounding the winter solstice vary from religion to religion, country to country, community to community and even from one family to another. A Christmas Eve tradition practiced in areas with a strong Pennsylvania German heritage like Carroll County was “belsnickling” or a visit from the “Belsnickel.” Sadly, this is a tradition which seems to have disappeared from this area although it rings a bell in the minds of some people. The Littlestown Area Historical Society recently decorated a window just off the “Square” in the center of Littlestown (1A South Queen St. – Route 97) to explain the custom, and it is well worth seeing if you drive through town during the holidays. As practiced in this area, the tradition usually involved the visit of a single individual, the Belsnickel, dressed in rather bizarre, unkempt, often frightening attire. He or she was thoroughly disguised, perhaps with a soot-blackened face, and carried a sack with treats but also a switch or whip, bells and/or chains. Often, the Belsnickel was a relative or friend of the families being visited and knew quite a bit about the behavior of the children. A rap on the window with the switch or a rattle of the bells or chains signaled the Belsnickel’s arrival after dark. Upon entering the house, the Belsnickel questioned the children about their behavior during the course of the year and distributed treats to those who had been good, but doled out small punishments to those who had been bad. -
2008 Backlist
Pelican Publishing Company BACKLIST CATALOG S African-American Interest . 56-57 Revolutionary War . 23 Antiques & Collectibles . 4 Southern History . 30 Architecture . 7-9 War of 1812 . 23 Louisiana Architecture . 9 World War II . 28 Majesty Architecture Series ...........................7 Holidays. 59-63 New Orleans Architecture Series .......................8 Christmas . 61 Art . 1-3 Halloween . 60 ONTENT Louisiana Art . 3 Hanukkah . 58, 61 C Mardi Gras Treasures Series by Henri Schindler . 3 Thanksgiving . 60 Biography & Autobiography . 37-40 The Night Before Christmas Series.................. 62-63 Louisiana Figures . 37 Humor . 19 Personal Memoirs. 40 Hurricanes. 36 Business & Economics. 46-47 Irish Interest . 55 Business Communication. 46 St. Patrick’s Day . 55 Entrepreneurship . 47 Judaica . 57-58 Kevin Hogan . 46 Music & Performing Arts . 5 Management . 47 Outlaws. 35 Sales & Selling . 47 Pirates . 40 Cartoons . 20-21 Poetry . 44 Best Editorial Cartoons of the Year Series . 21 Political Science. 22 Children’s Author Features . 45 Reference. 53 David Davis . 45 Genealogy . 53 Steven L. Layne . 45 Trivia . 53 Cookbooks. 10-18 Religion . 50-51 Frank Davis . 16 Dove Inspirational Press . 50 Jude Theriot . 17 Joe H. Cothen . 51 Justin Wilson . 17 Renaissance New Testament . 51 Restaurant Cookbooks . 10-11 Self-Help . 48-49 Family & Relationships. 52 Mike Hernacki . 49 Fiction & Literature. 41-44 Zig Ziglar . 48 George W. Cable . 43 Scottish Interest. 54 Harold Bell Wright. 43 Sports & Recreation. 67-69 James Everett Kibler . 43 Cruising Guide Series.............................. 67 Gardening & Nature. 6 Golfing. 69 Health. 52 Kentucky Derby . 68 History. 23-35 Travel. 64-67 19th Century . 29 Ghost Hunter’s Guides ............................. 67 20th Century . 29 International Travel . -
Eastern Synod of the Evangelical Lutheran Church in Canada Fonds
Eastern Synod of the Evangelical Lutheran Church in Canada Fonds Extent:75.06 m of textual records 123 microfilm reels 2340 photographs 66 audio reels 12 CD ROMs 7 videocassettes Date: 1770-2015, predominant 1862-2015 1 Historical documents 1.0 Background 1.1 Central Canada Synod : incorporation file, 1911 Consists of Letters Patent and Correspondence between lawyers, Province of Ontario Department of the Secretary and Registrar, Synod secretary, and the Constitution and bylaws of the Evangelical Lutheran Synod of Central Canada 1.2 Canada Synod : amendments to Synodical Charter, 1922-1924 Consists of correspondence between church officials and lawyers, documentation pertaining to church property, background information 1.3 Canada Synod : Amendment to Charter; Auxiliary Acts of incorporation in several provinces of the Dominion 1.3.1 Manitoba, 1923-1924 Consists mainly of correspondence 1.3.2 Ontario : Amendment to Charter; Ontario Lutheran Church Act, 1923 Consists of correspondence, petitions, Bill 6, Bill 43 1.4 Evangelical Lutheran Seminary of Canada : file on the Act to amend the Act to Incorporate the Evangelical Lutheran Seminary of Canada, 1926-1927 Consists of Incorporation bills and amendments, 1913, 1923, 1927, correspondence, lawyers, Province of Ontario Legislative Assembly See also : Bill 4 : an act to incorporate Evangelical Seminary of Canada (WLU Archives, U142 F3) See also : Bill 10 : an act respecting the Evangelical Seminary of Canada (WLU Archives, U142 F4) 1.5 Evangelical Lutheran Synod of Canada, Quebec : incorporation file concerning possibility of Quebec incorporation Consists of correspondence, 1925-1926 1.6 United Lutheran Synod of Canada, Special Committee to Review a German translation of the Model Constitution, 1956 : Vorgeschlagene verfassund und nebengesetze fuer gemeinden. -
St. Michael's Lutheran Church, Germantown
NOMINATION OF HISTORIC BUILDING, STRUCTURE, SITE, OR OBJECT PHILADELPHIA REGISTER OF HISTORIC PLACES PHILADELPHIA HISTORICAL COMMISSION SUBMIT ALL ATTACHED MATERIALS ON PAPER AND IN ELECTRONIC FORM ON CD (MS WORD FORMAT) 1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address: 6671 Germantown Avenue (formerly 6669, 6671, & 6679 Germantown Ave) Postal code: 19119 Councilmanic District: 8 2. NAME OF HISTORIC RESOURCE Historic Name: St. Michael’s Lutheran Church, Germantown Other Name: Walder-Essig House (“Beggarstown School”) 3. TYPE OF HISTORIC RESOURCE X Buildings Structure Site Object 4. PROPERTY INFORMATION Condition: excellent good fair poor ruins Occupancy: occupied vacant under construction unknown Current use: Various uses. 5. BOUNDARY DESCRIPTION Please attach a plot plan and written description of the boundary. SEE ATTACHED SHEET. 6. DESCRIPTION SEE ATTACHED SHEET. Please attach a description of the historic resource and supplement with current photographs. 7. SIGNIFICANCE Please attach the Statement of Significance. [See Attached Sheet] Period of Significance (from year to year): from c. 1728-2016 Date(s) of construction and/or alteration: c.1728 (Burial Ground); c. 1740 (Walder- Essig House); 1855 (Parsonage); 1886 (Sunday School); 1896-97 (Church) Architect, engineer, and/or designer: See attached. Builder, contractor, and/or artisan: See attached. Original owner: St. Michael’s Lutheran Church Other significant persons: See attached. CRITERIA FOR DESIGNATION: The historic resource -
School of Mission and Theology, Stavanger
SCHOOL OF MISSION AND THEOLOGY, STAVANGER THE IMPACTS OF PENTECOSTALS ON THE ETHIOPIAN EVANGELICAL CHURCH MEKANE YESUS (EECMY) WITH ESPECIAL REFERENCE TO BIRBIR DILLA SYNOD (BDS) FROM 1967-2010 THESIS FOR THE MASTERS OF PHILOSOPHY DEGREE IN THEOLOGY,(MOPG-30) BY DEGEFE BENTI KENO SUPERVISOR: PROF. ODD MAGNE BAKKE STAVANGER MAY 2012 Table of Contents Table of Contents ii ACKNOWLEDGMENTS v LIST OF ABBRIVIATIONS vi DECLARATION vii CHAPTER ONE 1 INTRODUCTION 1 1.1 A Brief Introduction to the Topic and the Context .......................................................... 1 1.2 Purpose and Limitation of the Study................................................................................ 3 1.3 My Own Background....................................................................................................... 4 1.4 Methods and Source Materials......................................................................................... 5 1.4.1 Methods..................................................................................................................... 5 1.4.2 Source Materials ....................................................................................................... 8 1.5 Motivation ........................................................................................................................ 9 1.6 Structure ......................................................................................................................... 10 CHAPTER TWO 11 BRIEF HISTORY AND THEOLOGICAL PROFILE OF EECMY 11 2.1 Brief -
OVER ZWARTE PIET in BELGIË PRAAT Bambi Ceuppens (Redactie)
PIET OVER ZWARTE PIET IN BELGIË PRAAT Bambi Ceuppens (Redactie) Houtekiet Antwerpen/Amsterdam PIETPRAAT-press-v2.indd 3 15/11/18 17:45 PIETPRAAT-press-v2.indd 4 15/11/18 17:45 INHOUD Inleiding. Pietpraat, prietpraat? 7 Bambi Ceuppens De kompanen van Sinterklaas in Wallonië 67 Françoise Lempereur Van Zwarte Piet naar roetpiet 91 Ann Driessen en Liesbet Depauw Sint en Piet op de televisie, hoe en waarom? 107 Hugo Matthysen Exotisme op het podium 115 Evelien Jonckheere Zwarte Piet in beeld 129 Els Veraverbeke Zwarte Piet – Nègre Piet 145 Mireille-Tsheusi Robert Een volle zak op de schouders 179 Sofie Van Bauwel ‘Omdat het leuk is’ 193 Heleen Debeuckelaere Onschuld met een kleurtje 201 Vanessa Joosen Zwarte Piet als symptoom 217 Rik Pinxten, UGent De verschijning van Queen Nikkolah 227 Laura Nsengiyumva Nawoord 243 Bruno Vanobbergen Over de auteurs 249 PIETPRAAT-press-v2.indd 5 15/11/18 17:45 PIETPRAAT-press-v2.indd 6 15/11/18 17:45 INLEIDING Pietpraat, prietpraat? BAMBI CEUPPENS warte Piet is een man. Daar is iedere Belg het over eens. Maar daarmee houdt het zowat op. Enerzijds is hij Zslechts een van de vele mannelijke figuren die Sinterklaas doorheen de tijd in België begeleid hebben.1 Anderzijds is hij zowat als enige van die begeleiders, onderwerp van een maat schappelijk debat. Volgens tegenstanders is hij racis- tisch, voorstanders bestempelen dit als onzin. Ondanks de opvallende verschillen tussen de Sinterklaas- vieringen in België en Nederland, bestaan er geen gedegen historische studies over al de begeleiders van Sinterklaas of zelfs maar over Zwarte Piet in België. -
The Voice February 2021
The Voice February 2021 The Lord of the Church Provides for His People The Lord Jesus instructs his followers to “Pray the Lord of the harvest to send laborers” to car- ry on the work of the reign, or kingdom, of God. The members of Hanover Lutheran Church enter into an exciting time, as the congregation prepares to receive a gift from the Good Shepherd. He has heard the prayers of his disciples, and Jesus has provided the answer “Yes” to your request for a pastor. This change is also a time that can cause questions to arise. Such questions are not uncommon for the members of a parish family when receiving a new “under shepherd.” “Will then incoming pastor be someone with whom I can talk? Will his voice be right for me to understand him? (I don’t always hear so well, you know.) What things might change in our con- gregation?” Some of these questions will be answered immediately, once a person meets the new pastor, or hears him preach that first sermon. Other matters will take more time to become clear (or at least clearer). Then there are the other kinds of questions, just as important for congregational members to ask and to answer. “How can I help the new pastor to get to know us better? What is God asking me to do to sup- port my (new) pastor? How can I be sure to keep our congregation focused on what God’s Word teaches? How can we help each other hear what the (new) pastor says may need to be changed?” The truth is simple. -
Santa Claus and Krampus
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