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KMP LIST E:\New Songs\New Videos\Eminem\ Eminem
_KMP_LIST E:\New Songs\New videos\Eminem\▶ Eminem - Survival (Explicit) - YouTube.mp4▶ Eminem - Survival (Explicit) - YouTube.mp4 E:\New Songs\New videos\Akon\akon\blame it on me.mpgblame it on me.mpg E:\New Songs\New videos\Akon\akon\I Just had.mp4I Just had.mp4 E:\New Songs\New videos\Akon\akon\Shut It Down.flvShut It Down.flv E:\New Songs\New videos\Akon\03. I Just Had Sex (Ft. Akon) (www.SongsLover.com). mp303. I Just Had Sex (Ft. Akon) (www.SongsLover.com).mp3 E:\New Songs\New videos\Akon\akon - mr lonely(2).mpegakon - mr lonely(2).mpeg E:\New Songs\New videos\Akon\Akon - Music Video - Smack That (feat. eminem) (Ram Videos).mpgAkon - Music Video - Smack That (feat. eminem) (Ram Videos).mpg E:\New Songs\New videos\Akon\Akon - Right Now (Na Na Na) - YouTube.flvAkon - Righ t Now (Na Na Na) - YouTube.flv E:\New Songs\New videos\Akon\Akon Ft Eminem- Smack That-videosmusicalesdvix.blog spot.com.mkvAkon Ft Eminem- Smack That-videosmusicalesdvix.blogspot.com.mkv E:\New Songs\New videos\Akon\Akon ft Snoop Doggs - I wanna luv U.aviAkon ft Snoop Doggs - I wanna luv U.avi E:\New Songs\New videos\Akon\Akon ft. Dave Aude & Luciana - Bad Boy Official Vid eo (New Song 2013) HD.MP4Akon ft. Dave Aude & Luciana - Bad Boy Official Video (N ew Song 2013) HD.MP4 E:\New Songs\New videos\Akon\Akon ft.Kardinal Offishall & Colby O'Donis - Beauti ful ---upload by Manoj say thanx at [email protected] ft.Kardinal Offish all & Colby O'Donis - Beautiful ---upload by Manoj say thanx at [email protected] om.mkv E:\New Songs\New videos\Akon\akon-i wanna love you.aviakon-i wanna love you.avi E:\New Songs\New videos\Akon\David Guetta feat. -
The New Korean Cinema, Kwangju and the Art of Political Violence 韓国の新しい映画製作、光州、および政治的暴力
Volume 8 | Issue 5 | Number 5 | Article ID 3298 | Feb 01, 2010 The Asia-Pacific Journal | Japan Focus The New Korean Cinema, Kwangju and the Art of Political Violence 韓国の新しい映画製作、光州、および政治的暴力 Mark Morris The New Korean Cinema, Kwangju and the Art of Political Violence The New Korean Cinema, Kwangju and the Art of Political Violence Mark Morris In 2007 two South Korean films debuted which Mark Morris place the May 1980 Kwangju Uprising at the heart of their stories. The Old Garden This is part two of a supplement on South (Oraedoen chǒngwǒn) was released in January. Korea’s Kwangju Uprising: Fiction and Film. It is a rather free adaptation of one of the most Part one is Ch’oe Yun and Mark Morris, South significant works of fiction to appear in the last Korea’s Kwangju Uprising: Fiction and Film. decade, the novel of that name by Hwang Sǒg- yǒng. The second film, May 18 (Hwaryǒhan 2010 will be a year of commemorations in hyuga), which appeared in July, was the first South Korea. The 25th of June will mark the big-budget narrative film to propose to tackle sixtieth anniversary of the beginning of the the May uprising head-on. Mixing elements of Korea War. Midway between 2010 and 1950 romance and comedy, the film tries to recreate was 1980. The Kwangju Uprising of May of that in the form of a docu-drama the extraordinary year was an event almost as significant as the period between 18 and 27 May almost three US-Korean War in framing the contemporary decades ago. -
THE UNIVERSITY of HULL Development of a Heterogeneous Microwave Network, Fade Simulation Tool Applicable to Networks That Span E
THE UNIVERSITY OF HULL Development of a Heterogeneous Microwave Network, Fade Simulation Tool Applicable to Networks that Span Europe being a Thesis submitted for the Degree of Doctor of Philosophy in Electronic Engineering in the University of Hull by HAFIZ BASARUDIN (MEng.) (HND, British Malaysian Institute) January, 2012 ACKNOWLEDGEMENTS First and foremost, my utmost gratitude to Dr. K. S. Paulson, my supervisor, whose sincerity, guidance and encouragement I will never forget and has helped me to finish this work. I would also like to extend my gratitude to others including Mr. N. G. Riley, Dr. Franklin Mung'au, the department and Graduate School. I would also like to acknowledge the support of the British Atmospheric Data Centre and the National Oceanic and Atmospheric Administration, Physical Science Division for providing the critical datasets for this research. Last but not least, my sincere gratitude to my family and friends who helped me a lot in finishing this project through continuous encouragement and support during my study. i ABSTRACT Radio communication systems operating at microwave frequencies are strongly attenuated by hydrometeors such as rain and wet snow (sleet). Hydrometeor attenuation dominates the dynamic fading of most types of radio links operating above 10 GHz, especially high capacity, fixed, terrestrial and Earth-Space links. The International Telecommunication Unions – Radio Section (ITU-R) provides a set of internationally recognized models to predict annual fade distributions for a wide variety of individual radio link. However, these models are not sufficient for the design and optimisation of networks, even as simple as two links. There are considerable potential gains to be achieved from the optimized design of real-time or predictive Dynamic Resource Management systems. -
Welcome to Korea Day: from Diasporic to Hallyu Fan-Nationalism
International Journal of Communication 13(2019), 3764–3780 1932–8036/20190005 Welcome to Korea Day: From Diasporic to Hallyu Fan-Nationalism IRINA LYAN1 University of Oxford, UK With the increasing appeal of Korean popular culture known as the Korean Wave or hallyu, fans in Israel among Korean studies students have joined—and even replaced— ethnic Koreans in performing nationalism beyond South Korea’s borders, creating what I call hallyu fan-nationalism. As an unintended consequence of hallyu, such nationalism enables non-Korean hallyu fans to take on the empowering roles of cultural experts, educators, and even cultural ambassadors to promote Korea abroad. The symbolic shift from diasporic to hallyu nationalism brings to the fore nonnationalist, nonessentialist, and transcultural perspectives in fandom studies. In tracing the history of Korea Day from the 2000s to the 2010s, I found that hallyu fan-students are mobilized both by the macro mission to promote a positive image of Korea in their home societies and by the micro motivation to repair their own, often stigmatized, self-image. Keywords: transcultural fandom studies, hallyu, Korean Wave, Korean studies, Korea Day, diasporic nationalism While talking with Israeli students enrolled in Korean studies (mostly female fans of Korean popular culture) in an effort to understand their motivations behind organizing Korea Day and promoting Korean culture in Israel in general, I was surprised when some of them used the Hebrew word hasbara, which literally translates as “explanation.” As a synonym for propaganda, hasbara refers to the public diplomacy of Israel that aims to promote a positive image of Israel to the world and to counter its delegitimization. -
SNSD and the Art of Bridging The
Situations Vol. 3 (Winter 2009) © 2009 by Yonsei University Mariah Junglan Min1 [email protected] The Art of Crossing the Line Although the intensive coverage provided to the new all-boy and all-girl bands through the Internet and in more traditional media such as television may make it seem as though such they have long dominated popular music, the current explosion in popularity of idol groups begun only two years ago. What is more, this is not the first time that such groups have stormed the K-pop charts. The first wave of massively popular idol groups was in the late 90s, when a veritable army of teens made their debut as singers. Korean multi-entertainment companies recognized the business potential in well-trained young and attractive stars, and the feverish reception from the public confirmed this. The result was that H.O.T., Sechs Kies, Shinhwa, Fin.K.L., S.E.S., and G.O.D. enjoyed chart success and outstanding album sales. Around 2002, this first golden age of idol groups came to an end. Most of the first wave of idols split up, while some individual members went on to pursue solo careers. Although some groups did continue, with Shinhwa performing as recently as 2008, the moment of the idol group seemed to have passed. For a short time, the K-pop scene was now host to a series of successful solo artists, such as Rain and Yi Hyo-ri, the latter a former member of the all-girl band Fin.K.L. In 2004, the first forerunners of the second wave began to appear, with TVXQ, for example, releasing their first single that year. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Identity Under Japanese Occupation
1 “BECOMING JAPANESE:” IDENTITY UNDER JAPANESE OCCUPATION GRADES: 9-12 AUTHOR: Katherine Murphy TOPIC/THEME: Japanese Occupation, World War II, Korean Culture, Identity TIME REQUIRED: Two 60-minute periods BACKGROUND: The lesson is based on the impact of the Japanese occupation of Korea during World War II on Korean culture and identity. In particular, the lesson focuses on the Japanese campaign in 1940 to encourage Koreans to abandon their Korean names and adopt Japanese names. This campaign was known as “sōshi-kaimei." The purpose of this campaign, along with campaigns requiring Koreans to recite an oath to the Japanese Emperor and bow at Shinto shrines, were to make the Korean people “Japanese” and hopefully, loyal subjects of the Japanese Empire by abandoning their Korean identity and loyalties. These cultural policies and campaigns were key to the Japanese war effort during World War II. The lesson draws from the students’ lives as well as two books: Lost Names: Scenes from a Korean Boyhood by Richard E. Kim and Under the Black Umbrella: Voices from Colonial Korea 1910-1945 by Hildi Kang. CURRICULUM CONNECTION: The lesson is intended to use the major themes from the summer reading book Lost Names: Scenes from a Korean Boyhood to introduce students to one of the five essential questions of the World History II course: How is identity constructed? How does identity impact human experience? In first investigating the origin of their own names and the meaning of Korean names, students can begin to explore the question “How is identity constructed?’ In examining how and why the Japanese sought to change the Korean people’s names, religion, etc during World War II, students will understand how global events such as World War II can impact an individual. -
A Brief of the Korea History
A Brief of the Korea History Chronicle of Korea BC2333- BC.238- 918- 1392- 1910- BC57-668 668-918 1945- BC 108 BC1st 1392 1910 1945 Nangrang Dae GoGuRyeo BukBuYeo Unified GoRyeo JoSun Japan- Han DongBuYeo BaekJae Silla Invaded Min JolBonBuYe Silla BalHae Gug o GaRa (R.O.K DongOkJeo (GaYa) Yo Myng Korea) GoJoSun NamOkJeo Kum Chung (古朝鮮) BukOkJeo WiMan Won Han-5- CHINA Gun SamHan (Wae) (Wae) (IlBon) (IlBon) (IlBon) (Wae) (JAPAN) 1 한국역사 연대기 BC2333- BC.238- BC1세기- 918- 1392- 1910- 668-918 1945- BC 238 BC1세기 668 1392 1910 1945 낙 랑 국 북 부 여 고구려 신 라 고 려 조선 일제강 대한민 동 부 여 신 라 발 해 요 명 점기 국 졸본부여 백 제 금 청 동 옥 저 고조선 가 라 원 중국 남 옥 저 (古朝鮮) (가야) 북 옥 저 위 만 국 한 5 군 (왜) (왜) (일본) (일본) (일본) (일본) 삼 한 (왜) 국가계보 대강 (II) BC108 918 BC2333 BC194 BC57 668 1392 1910 1945 고구려 신 라 고조선(古朝鮮) 부여 옥저 대한 백 제 동예 고려 조선 민국 BC18 660 2 3 1 GoJoSun(2333BC-108BC) 2 Three Kingdom(57BC-AD668) 3 Unified Shilla(668-935) / Balhae 4 GoRyeo(918-1392) 5 JoSun(1392-1910) 6 Japan Colony(1910-1945) 7 The Division of Korea 8 Korea War(1950-1953) 9 Economic Boom In South Korea 1. GoJoSun [고조선] (2333BC-108BC) the origin of Korea n According to the Dangun creation mythological Origin n Dangun WangGeom establish the old JoSun in Manchuria. n The national idea of Korea is based on “Hong-ik-in-gan (弘益人間)”, Devotion the welfare of world-wide human being n DanGun JoSun : 48 DanGuns(Kings) + GiJa JoSun + WeeMan JoSun 4 “고조선의 강역을 밝힌다”의 고조선 강역 - 저자: 윤내현교수, 박선희교수, 하문식교수 5 Where is Manchuria 2. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Top 200 Requested Songs 2013 (As Ranked by Mobile Beat)
Top 200 Requested Songs 2013 (as ranked by Mobile Beat) Rank Song Artist 1 Don't Stop Believin' Journey 2 I Gotta Feeling Black Eyed Peas 3 Party Rock Anthem Lmfao Feat. Lauren Bennett And Goon Rock 4 Sexy And I Know It Lmfao 5 Cupid Shuffle Cupid 6 You Shook Me All Night Long AC/DC 7 Livin' On A Prayer Bon Jovi 8 Sweet Caroline Neil Diamond 9 Moves Like Jagger Maroon 5 Feat. Christina Aguilera 10 Brown Eyed Girl Van Morrison 11 Call Me Maybe Carly Rae Jepson 12 Single Ladies (Put A Ring On It) Beyonce 13 Cha Cha Slide DJ Casper 14 Love Shack B-52's 15 Pour Some Sugar On Me Def Leppard 16 We Found Love Rihanna Feat. Calvin Harris 17 Billie Jean Michael Jackson 18 Twist And Shout Beatles 19 Raise Your Glass Pink 20 Just Dance Lady Gaga Feat. Colby O'donis 21 Baby Got Back Sir Mix-A-Lot 22 Sweet Home Alabama Lynyrd Skynyrd 23 Yeah Usher Feat. Ludacris & Lil' Jon 24 Give Me Everything Pitbull Feat. Ne-Yo, Afrojack & Nayer 25 Hey Ya! Outkast 26 Shout Isley Brothers 27 Dynamite Taio Cruz 28 Friends In Low Places Garth Brooks 29 Wonderful Tonight Eric Clapton 30 Marry Me Train 31 We Are Family Sister Sledge 32 My Girl Temptations 33 The Way You Look Tonight Frank Sinatra 34 Footloose Kenny Loggins 35 Sexyback Justin Timberlake 36 Celebration Kool & The Gang 37 At Last Etta James 38 I Wanna Dance With Somebody Whitney Houston 39 Good Feeling Flo Rida 40 Thriller Michael Jackson 41 Dancing Queen ABBA 42 Old Time Rock & Roll Bob Seger & The Silver Bullet Band 43 Ice Ice Baby Vanilla Ice 44 Starships Nicki Minaj 45 Wobble V.I.C. -
K-Pop Fandom in Lima,Perú
Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses. -
The Effect of Hedonic Motivation and Consumer Attitudes Towards Purchase Decision on K-Pop CD Albums (Study on KPOPSURABAYA Community)
The Effect of Hedonic Motivation and Consumer Attitudes Towards Purchase Decision on K-Pop CD Albums (Study on KPOPSURABAYA Community) Devita Anggraini Lestari1, Monika Tiarawati2 State University of Surabaya [email protected], [email protected] Abstract: The rapid enthusiasm of Korean pop music or K-Pop is very high among the millennial generation. The mushrooming of online music streaming like Joox, Spotify, Apple music has made the CD album sales threatened. However, K-Pop fans apparently are still enthusiastic about buying a CD album even though the price is quite expensive. This study discusses the hedomic motivations and consumers attitudes towards purchasing decisions. This type of research used in this study is a combination of purposive sampling techniques. Data collection is done by using an online questionnaire using Google forms. The statistical analysis used in this study uses SPSS and data analysis techniques in this study use the classic assumption test, multiple linear regression analysis, and hypothesis testing. It can be explained that the results of the analysis show that hedonic motivations and consumer attitudes has significant influential on purchasing decisions. Keywords: Consumer Attitudes, Hedonic Motivation, Purchase Decision INTRODUCTION The mushrooming of boyband’s or girlband’s concert tours in Indonesia shows that how much Korean music is more interested in this country compared to other countries' musicians marked by a Super Junior concert titled Super Show 4 on April 2012 in Indonesia that makes Indonesian music fans love them. Indonesia became a stop on their concert tour, such as BIGBANG, 2NE1, 2PM, to BTS. According to Franki Raden (2014) in (Zaini, 2017), the development of K-pop due to the availability of infrastructure and mechanisms, Korea has succeeded in instilling awareness of the importance of music in people's daily lives.