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2010–2011 Our Mission
ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W. -
© 2017 Caolan Madden ALL RIGHTS RESERVED PERFORMING POETESSES
© 2017 Caolan Madden ALL RIGHTS RESERVED PERFORMING POETESSES: COLLECTIVITY AND THEATRICALITY IN VICTORIAN POETRY by CAOLAN MADDEN A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of Carolyn Williams And approved by _______________________________________ _______________________________________ _______________________________________ _______________________________________ New Brunswick, New Jersey OCTOBER 2017 ABSTRACT OF THE DISSERTATION Performing Poetesses: Collectivity and Theatricality in Victorian Poetry By CAOLAN MADDEN Dissertation Director: Carolyn Williams This dissertation traces the nineteenth- and early-twentieth-century history of what I call “Poetess theatricality”: a highly gendered literary mode that imagines the poem as a space for collective, spectacular theatrical performance. As a corrective to popular and critical depictions of the Poetess’s solitary suffering, and as an expansion of more recent accounts of the Poetess as an “empty” and abstract figure, this dissertation argues that Poetess performance was understood by Victorian audiences to be multiply embodied: a chorus not only of voices but of gesturing, costumed bodies whose performances invoked the material profusions of popular print cultures, the crowded, often messy realities of social life, and the possibilities of social reform. Drawing on recent -
Pope John Paul II Was an Inspiration to Deacon Shaun Whittington
Inside Archbishop Buechlein . 5 Editorial . 4 Question Corner . 23 Sunday and Daily Readings . 23 Vacation/Travel Supplement . 9 Serving the ChurchCriterion in Central and Souther n Indiana Since 1960 CriterionOnline.com May 27, 2005 Vol. XXXXIV, No. 33 75¢ Pope Benedict quickly places individual mark on papacy VATICAN CITY (CNS)—He began for the start of Pope John Paul’s sainthood desire to pare back to the essentials—at Pope Benedict under the sign of continuity, but in his first cause, the pope showed he was listening least as much as possible for a 21st-cen- XVI embraces a new priest dur- month Pope Benedict XVI has already to the popular voice of the Church and tury pope. placed his own distinctive mark on the recognized that rules are sometimes made At the same time, Pope Benedict ing an ordina- papacy. to be set aside. understands that in many ways he is tion Mass in His public appearances, while generat- Two other decisions hinted at Pope expected to be a “pope for all people.” In St. Peter’s ing enormous enthusiasm, have been Benedict’s governing style: his first month, he spoke with various Basilica on designed more to provoke thought than to • He opted not to preside at beatifica- heads of state, international diplomats, May 15. He ordained please crowds. This will be a teaching tion liturgies, ending a 34-year practice. Christian and non-Christian representa- Giancarlo Giuliani, Catholic Press Photo CNS photo by pope, and his lessons draw heavily on Although papal beatifications had become tives, journalists, bishops from Africa and 21 priests, call- Scripture. -
Your Reading: a Booklist for Junior High and Middle School Students
DOCUMENT RESUME ED 299570 CS 211 536 AUTHOR Davis, James E., Ed.; Davis, Hazel K., Ed. TITLE Your Reading: A Booklist for Junior High and Middle School Students. Seventh Edition. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-5939-7 PUB DATE 88 NOTE 505p.; Prepared by the Committee on the Junior High and Middle School Booklist. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 59397, $10.95 member, $14.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS *Adolescent Literature; Annotated Bibliographies; Elementary Secondary Education; Junior High Schools; *Literature Appreciation; Middle Schools; Reading Interests; *Reading Materials; Student Interests ABSTRACT This annotated bibliography, for junior high and middle school students, describes nearly 2,000 books to read for Pleasure, for school assignments, or merely to satisfy curiosity. Books included have been published mostly in the last five years and are divided into six major sections: fiction, drama, picture books for older readers, poetry, short story collections, and nonfiction. The fiction and nonfiction sections have been further subdivided into various categories; e.g. (1) abuse; (2) adventure; (3) animals and pets; (4) the arts; (5) Black experiences; (6) classics; (7) coming of age; (8) computers; (9) dating and love; (10) death and dying; (11) ecology; (12) ethnic experiences; (13) family situations; (14) -
IMA Photography Archives, 1968-2011 (PHO001)
IMA/PHO001 IMA Photography Archives, 1968-2011, n.d.| Indianapolis Museum of Art Archives By Rebecca Denne and Samantha Norling Collection Overview Title: IMA Photography Archives, 1968-2011, n.d. Collection ID: IMA/PHO001 Primary Creator: Indianapolis Museum of Art Extent: 96 linear feet Arrangement: This collection has been divided into seven series and twelve subseries: Series I: Collections Subseries a: Accessions Subseries b: Loans Subseries c: Clowes Subseries d: Eiteljorg Subseries e: Various and Unidentified Subseries f: Conservation [RESTRICTED] Series II: Installations Subseries a: Exhibitions Subseries b: Galleries Series III: Buildings and Grounds Subseries a: Main Building Subseries b: Grounds and Gardens Subseries c: Oldfields, Newfields, 1330 House, and Garden Terrace Subseries d: Westerley Series IV: Events Series V: People Series VI: Photography Binders Series VII: Licensed Images and Exhibition/Publication Photography Date Acquired: July 24, 2015 and various Language: English IMA Archives PHO001 IMA Photography Archives, 1968-2011, n.d. 1 Scope and Contents of the Materials The IMA Photography Archives were transferred to the IMA Archives from various departments of the Indianapolis Museum of Art, including some transfers before the IMA Archives were officially established. The largest transfer came from the Photography Department on July 24, 2015. Other contributing departments include the Director’s Office, Registration, Stout Reference Library, Audience Engagement, and Public Affairs/Marketing. Some Affiliate Groups of the IMA have also contributed photographic content to this collection. The collection has been divided into seven series as described below. Series I: Collections, 1970-2001, n.d. contains official photography of most, but not all, IMA accessions, loans, Clowes collection of European painting and sculpture, Eiteljorg collection of African art, Antiquities, Asian, American, Contemporary, Decorative, Design, European, Fashion, and Textile art collections, unidentified artworks, and conservation imagery. -
Agritourism Adventures
Indiana CVR (Comps) 2018 (F)_Itineraries 11/30/17 1:38 PM Page 3 Hoosier Horticulture Stunning botanic gardens R and welcoming UR PLANNE 2018 GROUP TO conservatories Agritourism 6Enticing itinerary Adventures options your Farm-to-table fare and group can behind-the-scenes tours customize Indiana 2018 Group Tour Planner Contents FEATURES 8 Hoosier Horticulture Gardens, conservatories and tranquil retreats 16 Faith Journeys Churches, temples and shrines 24 Indiana Agritourism Farms, wineries and culinary tours 32 Indiana State Parks Lodges, forests and beaches 42 Animal Encounters Zoos, sanctuaries and ranches SAMPLE ITINERARIES 12 Northern Indiana Hoosier Horticulture 21 Western Indiana Stunning botanic gardens and welcoming 29 South Central Indiana 2018GROUP TOUR PLANNER conservatories 36 Central Indiana 40 Eastern Indiana 46 Southern Indiana All itineraries are samples and can be customized to fit your group’s needs. Agritourism 6Enticing itinerary Adventures options your Farm-to-table fare and group can behind-the-scenes tours customize ON THE COVER: Traders Point Creamery, Zionsville Photo Courtesy of Josh Marshall and AIM Media Indiana Kokomo Full Page Ad pp2_Layout 1 12/1/17 4:22 PM Page 5 AUTOS AND ART GLASS TOUR Your group is invited to experience the history, beauty, and charm of Kokomo, Indiana with our Autos and Art Glass Tour. Discover Kokomo Opalescent Glass, America’s oldest art glass company, to experience art glass hand- ladled and rolled from a 2,500 degree furnace and stunning hand-blown glass demonstrations. Explore vintage Indiana-built cars and tour the beautiful Seiberling Mansion, offering spectacular holiday tours and dining packages for groups. -
Outdoor Adventures
6 Diverse 2021 GROUP TOUR PLANNER Itineraries Attraction suggestions for every Indiana region Botanical Gardens Tranquil escapes and nature preserves OUTDOOR ADVENTURES Group-friendly state parks and public art displays Indiana on Film Visit Hoosier locations depicted on the Silver Screen THISISINDIANA.ORG/GROUP-TRAVEL 2021 GROUP TOUR PLANNER Indiana 2021 Group Tour Planner Contents FEATURES 6 Free Outdoor Indiana Art Barn quilts, murals and sculptures reect Indiana’s creative side 12 Indiana on the Silver Screen Groups can tour the cities, homes and gymnasiums immortalized in Hollywood productions 18 Indiana’s Botanical Gardens Unlock your inner zen or green thumb in these gorgeous oral retreats 24 Hoosier Roadside Attractions Quirky slices of Americana worth a pit stop SAMPLE ITINERARIES 10 Northern Indiana 11 Southern Indiana 16 Central Indiana 22 South-Central Indiana 28 Western Indiana 30 Eastern Indiana All itineraries are samples and can be customized to t your group’s needs. TURKEY RUN STATE PARK IDNR/John Maxwell 2021 INDIANA TOUR PLANNER 3 ■ 2021 Indiana Group Tour Planner Editorial & Advertising Oce Premier Travel Media 621 Plaineld Road, Suite 406 Willowbrook, IL 60527 P 630.794.0696 • F 630.794.0652 [email protected] Publisher – Jerey Gayduk [email protected] Senior Editor – Randy Mink [email protected] DURING Associate Editor – Miles Dobis [email protected] Director, Design & Production – Lisa Hede EVERY VISIT [email protected] to the Hoosier State you will discover new and exciting experiences that are unique to Indiana. Our communities offer travelers a refreshing sense Vice President – Theresa O’Rourke of renewal. Come and relax on the beaches of the Indiana Dunes National [email protected] Park. -
IMA/PHO001 IMA Photography Archives, 1968-2011, Nd
IMA/PHO001 IMA Photography Archives, 1968-2011, n.d.| Indianapolis Museum of Art Archives By Rebecca Denne and Samantha Norling Collection Overview Title: IMA Photography Archives, 1968-2011, n.d. Collection ID: IMA/PHO001 Primary Creator: Indianapolis Museum of Art Extent: 96 linear feet Arrangement: This collection has been divided into seven series and twelve subseries: Series I: Collections Subseries a: Accessions Subseries b: Loans Subseries c: Clowes Subseries d: Eiteljorg Subseries e: Various and Unidentified Subseries f: Conservation [RESTRICTED] Series II: Installations Subseries a: Exhibitions Subseries b: Galleries Series III: Buildings and Grounds Subseries a: Main Building Subseries b: Grounds and Gardens Subseries c: Oldfields, Newfields, 1330 House, and Garden Terrace Subseries d: Westerley Series IV: Events Series V: People Series VI: Photography Binders Series VII: Licensed Images and Exhibition/Publication Photography Date Acquired: July 24, 2015 and various Language: English IMA Archives PHO001 IMA Photography Archives, 1968-2011, n.d. 1 Scope and Contents of the Materials The IMA Photography Archives were transferred to the IMA Archives from various departments of the Indianapolis Museum of Art, including some transfers before the IMA Archives were officially established. The largest transfer came from the Photography Department on July 24, 2015. Other contributing departments include the Director’s Office, Registration, Stout Reference Library, Audience Engagement, and Public Affairs/Marketing. Some Affiliate Groups of the IMA have also contributed photographic content to this collection. The collection has been divided into seven series as described below. Series I: Collections, 1970-2001, n.d. contains official photography of most, but not all, IMA accessions, loans, Clowes collection of European painting and sculpture, Eiteljorg collection of African art, Antiquities, Asian, American, Contemporary, Decorative, Design, European, Fashion, and Textile art collections, unidentified artworks, and conservation imagery.