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Variations 06 Curatorial > VARIACIONES Con esta sección, el MACBA continúa una línea de VARIACIONES #6 programación destinada a explorar el complejo mapa del arte sonoro desde diferentes puntos de vista organizados en La biblioteca ciclos de comisariado. Las bibliotecas sonoras son colecciones de sonidos en forma de ingredientes en bruto, explícitamente diseñados o recopilados para su posterior utilización. Los "Variación" es el término formal para describir una sonidos se separan de sus fuentes en manos de nuevos autores que los usan composición musical basada en un trabajo musical anterior. como simples objetos, no como referencias. Muchos de los métodos tradicionales (cambiar la tonalidad, la métrica, el ritmo, las armonías o los tempos de una pieza) se utilizan hoy en día de una manera similar por parte de los 01. Sumario músicos electrónicos, pero la práctica del sampleo es algo más que una mera modernización o una expansión del Llegamos al nacimiento de las bibliotecas sonoras, colecciones de sonidos número de opciones disponibles para los que buscan la explícitamente creados para ser reutilizados: objetos sonoros sin autor, inspiración en el refinamiento de una composición ingredientes inacabados. Pese a que algunas bibliotecas contienen sonidos preexistente. La historia de esta música es tan antigua como genéricos, diseñados para ser lo más flexibles possible, la mayor parte de los la misma tecnología de la grabación, y su aparición y sonidos utilizados provienen de grabaciones comerciales y son liberados del desarrollo refleja la creciente y cohibida relación de la contexto original para propagarse en centenares de canciones. Desde los presets sociedad hacia la propia experiencia musical. Empezando para samplers digitales hasta CD-ROMs de datos o discos de batalla de hip-hop, por los precedentes logrados por Charles Ives y John Cage, los sonidos cada vez se separan más de sus fuentes y dejan de implicar VARIACIONES presentará una visión de conjunto de los referencias a un momento original para ser considerados objetos en un dominio principales hitos de la Música de Sámpling, repasando público continuo. ejemplos de la composición del siglo XX, del arte popular y de medios comerciales, hasta la confluencia de todas estas Mientras el hip-hop vive un retroceso hacia el conservadurismo como respuesta a los casos legales de principios de los noventa, un creciente número de grupos y corrientes en nuestros días. compositores toman el relevo de la apropiación. La estética de las bibliotecas sonoras da lugar a géneros recombinantes como el drum and bass, al tiempo que A cargo de Jon Leidecker. el uso del sampling como representación lleva al primer collage de música del mundo en ganar un cuádruple disco de platino, y un single se anticipa a una forma de música que pronto se conocerá como mash-up. Contenidos del PDF: 01. Sumario 02. Lista de temas 02. Lista de temas 03. Bibliografía seleccionada 04. Enlaces 01 Josquin "Missa Pange Lingua (Credo)", p 1539, interpretado por The Tallis 05. Agradecimientos Scholars (música de fondo) 06. Licencia 02 Perotin "Viderunt Omnes", 1198, interpretado por The Hilliard Ensemble (música de fondo) 03 Machaut "Dame, de qui toute ma joie vient", ~1340, interpretado por Gothic Voices (música de fondo) Hijo de dos físicos, Jon Leidecker nació en 1970 en 04 Gesualdo "Feria V - In Coena Domini", 1611, interpretado por The Hilliard Washington D.C. Desde 1990 trabaja en collages de música Ensemble (música de fondo) apropiativa bajo el seudónimo de Wobbly, en búsqueda de 05 Wagner "Tristan, Prelude to Act I", 1865, interpretado por Orchestre narrativas expandidas creadas a través de polifonías de Philharmonique de Vienna (música de fondo) muestras espontáneas pero coherentes. Una selección de 06 Verdi "Celeste Aida", 1871, interpretado por Enrico Caruso (grabación sus obras recientes se encuentra disponible en la Red de 1911) (música de fondo) forma gratuita. http://detritus.net/wobbly/ 07 Duke Ellington "Black and Tan Fantasy", 1929 (música de fondo) 08 Bach "Cello Suite No. 3 In C Major", ~1720, Pablo Casals (grabación 1938) (música de fondo) 09 The Shirelles "Will You Love Me Tomorrow", 1960 (música de fondo) 10 La Monte Young & The Theatre of Eternal Music "Sunday Morning Blues", ~1965 (música de fondo) 11 Baka Pygmies "The Water Drum", 1975, grabado por Simha Arom (música de fondo) 12 Gede Manik "Bali Barong 2e Improvisation", 1975 (música de fondo) 13 Carl Stone "Darul Kabap", 2002 (música de fondo) 14 Public Enemy "Pollywanacraka / Who Stole the Soul", 1990 15 John Oswald "Plexure: Massive", 1993 16 John Oswald "Plexure: Urge ('97 Revision)", 1997 17 Ice Cube "Jackin' for Beats", 1990 18 Gang Starr "Jazz Thing (Movie Mix)", 1990 19 Dr. Dre "Dre Day (And Everybody's Celebratin')", 1992 (música de fondo) 20 Funkadelic "(Not Just) Knee Deep", 1979 (música de fondo) http://rwm.macba.cat 21 MC Hammer "U Can't Touch This", 1990 (fragmento) 22 Bob Ostertag & Fred Frith "Voice of America Part I", 1981 23 Keep the Dog "True Love (Schorndorf)", 1991 24 Bob Ostertag "Sooner or Later", 1991 (música de fondo) 25 Bob Ostertag & The Kronos Quartet "All the Rage", 1993 (música de fondo) 26 Bob Ostertag "Say No More", 1993 27 Bob Ostertag "Say No More in Person", 1993 28 Carl Stone "Shing Kee", 1986 29 The Tape-beatles "Flowers for Dead Heroes", 1993 (fragmento) 30 The Tape-beatles "Grave Implications", 1993 (música de fondo) 31 The Tape-beatles "Different Tool / I Can't Do It", 1991 32 Meat Beat Manifesto "God O.D. Part 1", 1989 (música de fondo) 33 Meat Beat Manifesto "I Got the Fear Part 4", 1989 34 Holger Hiller "Count", 1992 (música de fondo) 35 Holger Hiller "Sur la Tête", 1991 36 Emergency Broadcast Network "Authorized Bootleg Auto-Entertainment Device", 1991 (música de fondo) 37 Emergency Broadcast Network "Get Down ver. 2.2", 1995 (música de fondo) 38 Emergency Broadcast Network "We Will 'Raq You", 1993 39 Big City Orchestra "Drums", 1994 (música de fondo) 40 Big City Orchestra "Bulldog", 1994 41 Culturecide "They Aren't the World", 1986 [John Oswald Plexure , 1993] 42 Steve Fisk "Topeka Hello", 1981 43 Wayne Butane "Backwash", ~1993 44 Sucking Chest Wound "Mary Dear", 1992 45 GUM "Sporadic Acts of Violence", 1987 46 Martin Tétrault (with René Lussier) "Leurs Personnalités", 1990 47 Crawling with Tarts "Orses Opera", 1993 48 Fairlight "Orch5 Library Sample" (muestra de "Firebird" de Stravinsky de David Vorhaus) 49 Afrika Bambaataa and the Soulsonic Force "Planet Rock", 1982 (música de fondo) 50 Kate Bush "The Dreaming", 1982 (música de fondo) 51 Stravinsky "The Firebird", 1911, interpretado por Michael Tilson Thomas con la San Francisco Symphony (música de fondo) 52 Jean-Michel Jarre "Diva", 1984 (fragmento) 53 Prince "Bob George", 1988 (fragmento) 54 African Head Charge "Some Bizarre", 1986 (fragmento) 55 Frank Zappa "Our Bizarre Relationship", 1969 (fragmento) 56 Pierre Schaeffer "Étude aux sons animés", 1958 (música de fondo) 57 Meat Beat Manifesto "Hello Teenage America",1990 (fragmento) 58 Junior Walker All Stars "Shoot Your Shot", 1965 (música de fondo) [Carl Stone] 59 House of Pain "Jump Around", 1992 (música de fondo) 60 Cypress Hill 'Insane in the Brain', 1993 (música de fondo) 61 Mel and Tim 'Good Guys Only Win in the Movies", 1969 (fragmento) 62 Wu-Tang Clan "7th Chamber", 1993 (música de fondo) 63 Genius / GZA "Swordsman", 1995 64 Melvin Bliss "Synthetic Substitution", 1973 (música de fondo) 65 The Honeydrippers "Impeach the President", 1973 (música de fondo) 66 Skull Snaps "It's a New Day", 1973 (música de fondo) 67 The Soul Searchers "Ashley's Roachclip", 1974 (música de fondo) 68 Kool and the Gang "NT", 1971 (música de fondo) 69 The Isley Brothers "Footsteps in the Dark", 1977 (música de fondo) 70 DJ Qbert "Gag Seal Breaks", 2001 71 Psychedelic Skratch Bastards "Battle Breaks", 1991 (música de fondo) 72 Dirt Style "Battle Records", años noventa 73 DJ Qbert "Demolition Pumpkin Squeeze Musik", 1994 (música de fondo) 74 Mix Master Mike "Musik's Worst Nightmare", 1996 75 Simon Harris "Beats, Breaks and Scratches Volume 4", 1989 (música de fondo) 76 The Winstons "Amen, Brother", 1969 77 N.W.A. "Straight Outta Compton", 1989 (música de fondo) 78 UK Apachi with Shy FX "Original Nuttah", 1994 (música de fondo) 79 Remarc "Drum N Bass Wise (remix)", 1994 (música de fondo) 80 Eko "Distant Hopes", 1994 81 Squarepusher "Port Rhombus", 1996 http://rwm.macba.cat 82 Lesser "The Anal Retentive Last Stand", 1998 83 Hrvatski "Cirrus Minor", 1998 84 James Brown "Funky Drummer", 1970 (música de fondo) 85 The Tape-beatles "Beautiful State", 1991 (música de fondo) 86 The Orb "Plateau", 1993 (música de fondo) 87 MC Shan "Beat Biter", 1985 (fragmento) 88 Grand Wizard Theodore & Kevie Kev Rockwell "Military Cut", 1983 (música de fondo) 89 Boogie Down Productions "13 and Good (Skit)", 1992 90 Baka Pygmies "The 'Water Drum'", 1975, grabado por Simha Arom (música de fondo) 91 Deep Forest "Hunting", 1992 (música de fondo) 92 Afunakwa "Rorogwela", 1969, grabado por Hugo Zemp (música de fondo) 93 Deep Forest "Deep Forest", 1992 94 Deep Forest "Sweet Lullaby", 1992 95 Stockhausen "Telemusik", 1967 (música de fondo) 96 Dunya Yunis "Abu Zeluf / Music in the World of Islam Volume 1", 1976 (música de fondo) 97 Baka Pygmies "The 'Water Drum'", 1975, grabado por Simha Arom (música de fondo) 98 Afunakwa 'Rorogwela', 1969, grabado por Hugo Zemp (música de fondo) 99 David Toop & Max Eastley "City of Night", 1994 [Bob Ostertag] 100 The Evolution Control Committee "How Low Can You Go!", 1994 (música de fondo) 101 The Evolution Control Committee "Rebel without a Pause (Whipped Cream Mix)", 1994 03. Bibliografía seleccionada Allen, Warren Dwight. "Philosophies of Music History: A Study of General Histories of Music 1600-1960", Dover Publications Inc., New York, 1939. Apel, Will. "The Notation of Polyphonic Music 900-1600", quinta edición, The Mediaeval Academy of America, Cambridge, Massachusetts, 1953.
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