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The Cross Over Talk
Programming Composers and Composing Programmers Victoria Dorn – Sony Interactive Entertainment 1 About Me • Berklee College of Music (2013) – Sound Design/Composition • Oregon State University (2018) – Computer Science • Audio Engineering Intern -> Audio Engineer -> Software Engineer • Associate Software Engineer in Research and Development at PlayStation • 3D Audio for PS4 (PlayStation VR, Platinum Wireless Headset) • Testing, general research, recording, and developer support 2 Agenda • Programming tips/tricks for the audio person • Audio and sound tips/tricks for the programming person • Creating a dialog and establishing vocabulary • Raise the level of common understanding between sound people and programmers • Q&A 3 Media Files Used in This Presentation • Can be found here • https://drive.google.com/drive/folders/1FdHR4e3R4p59t7ZxAU7pyMkCdaxPqbKl?usp=sharing 4 Programming Tips for the ?!?!?! Audio Folks "Binary Code" by Cncplayer is licensed under CC BY-SA 3.0 5 Music/Audio Programming DAWs = Programming Language(s) Musical Motives = Programming Logic Instruments = APIs or Libraries 6 Where to Start?? • Learning the Language • Pseudocode • Scripting 7 Learning the Language • Programming Fundamentals • Variables (a value with a name) soundVolume = 10 • Loops (works just like looping a sound actually) for (loopCount = 0; while loopCount < 10; increase loopCount by 1){ play audio file one time } • If/else logic (if this is happening do this, else do something different) if (the sky is blue){ play bird sounds } else{ play rain sounds -
The Last of Us Day Photo Mode Contest 2020 OFFICIAL US and CANADA RULES by Participating in the Last of Us
The Last of Us Day Photo Mode Contest 2020 OFFICIAL US AND CANADA RULES By participating in The Last of Us Day - Photo Mode Contest 2020 (the “Promotion”), each Entrant (or his or her parent or legal guardian if the Entrant is under the age of majority in his or her state of residence) unconditionally accepts and agrees to comply with and abide by these Official Rules and the decisions of Sony Interactive Entertainment LLC (“Sponsor”) which shall be final and binding in all respects. Sponsor is responsible for the collection and scoring of entries and the overall administration of the Promotion. Entrants should look solely to Sponsor with any questions, comments or problems related to the Promotion. 1. ELIGIBILITY: The Promotion is only open to legal residents of the 50 United States, the District of Columbia, excluding Arizona, and Canada, excluding Quebec, age 18 or older at time of entry (individually “Entrant”, collectively “Entrants”). Employees of Sponsor and its parent companies, affiliates, subsidiaries, and related companies, agencies, and the judging panel and immediate families (defined as parents, children, siblings and spouse and their respective spouses, regardless of where they reside) and those living in the same household, whether or not related, are not eligible to enter, win or vote. Void in Puerto Rico, all U.S. territories and possessions and overseas military installations and where prohibited or restricted by law. There is one (1) entry method: via Naughty Dog’s user-generated content submission page. Internet access is required to enter this Promotion. Entrants must have a copy of The Last of Us Part II with the Photo Mode tool. -
Middle East PSVR Aim Controller
PlayStation®VR Aim Controller Instruction Manual CECHYA-ZRA2 7028581 EN Before use ˎ Carefully read this manual and any manuals for compatible hardware. Retain instructions for future reference. ˎ Always update your system to the latest version of the system software. Precautions Safety ˎ Avoid prolonged use of this product. Take a 15-minute break during each hour of play. ˎ Stop using this product immediately if you begin to feel tired or if you experience discomfort or pain in your hands or arms during use. If the condition persists, consult a doctor. ˎ If you experience any of the following health problems, discontinue use of the system immediately. If symptoms persist, consult a doctor. ˋ Dizziness, nausea, fatigue or symptoms similar to motion sickness. ˋ Discomfort or pain in a part of the body, such as eyes, ears, hands or arms. ˎ The product is intended for use with the hands only. Use both hands to grip the controller. ˎ The vibration function of this product can aggravate injuries. Do not use the vibration function if you have any ailment or injury to the bones, joints, or muscles of your hands or arms. You can turn on or turn off the vibration function from (Settings) on the function screen. ˎ Keep the product out of the reach of small children. Young children might damage the product causing it to malfunction, swallow small parts, wrap the cables around themselves or accidentally injure themselves or others. Use and handling ˎ When using the controller, be aware of the following points. ˋ Before use, make sure that there is plenty of space around you. -
Microsoft Installe Son Studio De Jeux Xbox Au Centre-Ville
23/07/2020 Microsoft installe son studio de jeux Xbox au centre-ville Microsoft installe son studio de jeux Xbox au centre-ville PHOTO MARCO CAMPANOZZI, LA PRESSE L’entreprise Compulsion Games, studio montréalais de Xbox Game Studios, s’installera prochainement au 1100, Atwater, dans un nouvel immeuble de bureaux de 175 000 pi2 aménagé par la société Kevric. Le déménagement est prévu en décembre prochain ou en janvier 2021. Le studio montréalais de Xbox Game Studios prend de l’expansion et s’installera avenue Atwater, au centre-ville, a appris La Presse. Il s’agit d’une excellente nouvelle pour https://www.lapresse.ca/affaires/entreprises/2020-07-23/microsoft-installe-son-studio-de-jeux-xbox-au-centre-ville.php 1/5 23/07/2020 Microsoft installe son studio de jeux Xbox au centre-ville le quartier des affaires qui vit un été pénible alors qu’il est déserté en raison de la pandémie de COVID-19. Publié le 23 juillet 2020 à 7h00 ANDRÉ DUBUC LA PRESSE Portant le nom de Compulsion Games, le studio est dirigé par Guillaume Provost, 43 ans. Créée en 2009, la société est célèbre pour son jeu We Happy Few. Elle a été rachetée par le géant américain en 2018 pour un montant qui n’a pas été divulgué. La division des jeux vidéo de l’entreprise cofondée par Bill Gates fonctionne tant avec des studios internes qu’avec des studios externes. Compulsion est l’un de ses sept studios externes. « Depuis le rachat, nous avons gardé notre autonomie et notre identité », assure M. -
Complete List of Migs16 Attending Companies
COMPLETE LIST OF MIGS16 ATTENDING COMPANIES MONTREAL INTERNATIONAL GAME SUMMIT 14TH EDITION DECEMBER 11-12-13 2017 YOUR ACCESS TO EXPERTS MONTREAL INTERNATIONAL GAME SUMMIT 14TH EDITION DECEMBER 11-12-13 2017 11 bit Studios AMJ 12 Hit Combo! Annex Pro 1E Avenue Music Antre du Geek 1One AOne Games 1st Playable Productions APEX Sciences 24h Appcoach 4AM Games Apple 51HiTech Applicant 5th Wall Agency Appodeal 8D Technologies Aptitude X 98,5FM Armoires Cuisines Action A Thinking Ape Around The Word Accenture Around the Word Canada Achimostawinan Games Artesium Studios ACTRA Montreal Artifact 5 ad Communications Artisan Studios, Inc. AdColony ASTUCEMEDIA Adult Swim Audible reality Advanced Micro Devices Audiokinetic ADVANTAGE AUSTRIA Autodesk Affordance Studio Avalanche Prod - HUB MTL AJL Consult Axis Animation Alexis Senecal Azurtek Algonquin College B&H Alice & Smith Babel Games Services Aline Mercy Babel Media Allegorithmic Bandai Namco Entertainment Alliance Numérique Bandai Namco Entertainment Alpha vision Banner & Witcoff AltKey BareHand Always Mind Studios Baton Rouge Area Chamber Amazon Lumberyard BDC Ameo Prod, Inc BDC Capital MONTREAL INTERNATIONAL GAME SUMMIT 14TH EDITION DECEMBER 11-12-13 2017 BDO Canadian Heritage Beenox Canadian Museum of History Behaviour Interactif Inc. Cangrejo Ideas SpA Bell Canoë Ben Salerno Design Canvasseuse Bentomiso CARA Berzerk Studio Cardboard Utopia Bethesda Studios Montreal Cardboard-Utopia Big Jack’s Factory, Inc. Castle Couch Big Studios Inc CC2 Big Viking Games CCNB Miramichi Bigben Interactive CCP Games BioWare (a division of Electronics Arts) CD Projekt S.A. Bishop Games CDI College bitHeads/brainCloud CDRIN Bkom Studios Cégep de Limoilou Black Tie Ventures Cégep de l’Outaouais Blacknut Cégep de Matane Blind Ferret Cégep de Sainte-Foy Blobstone CEIM blogcritics.org Centre Phi Bloober Team CFPR BNC CGMagazine Borden Ladner Gervais LLP Chamber of Commerce of Metropolitan Mon- brainCloud tréal Breaking Walls Champlain College Brookfield Global Relocation Services Chartboost, Inc. -
The Impact of Multichannel Game Audio on the Quality of Player Experience and In-Game Performance
The Impact of Multichannel Game Audio on the Quality of Player Experience and In-game Performance Joseph David Rees-Jones PhD UNIVERSITY OF YORK Electronic Engineering July 2018 2 Abstract Multichannel audio is a term used in reference to a collection of techniques designed to present sound to a listener from all directions. This can be done either over a collection of loudspeakers surrounding the listener, or over a pair of headphones by virtualising sound sources at specific positions. The most popular commercial example is surround-sound, a technique whereby sounds that make up an auditory scene are divided among a defined group of audio channels and played back over an array of loudspeakers. Interactive video games are well suited to this kind of audio presentation, due to the way in which in-game sounds react dynamically to player actions. Employing multichannel game audio gives the potential of immersive and enveloping soundscapes whilst also adding possible tactical advantages. However, it is unclear as to whether these factors actually impact a player’s overall experience. There is a general consensus in the wider gaming community that surround-sound audio is beneficial for gameplay but there is very little academic work to back this up. It is therefore important to investigate empirically how players react to multichannel game audio, and hence the main motivation for this thesis. The aim was to find if a surround-sound system can outperform other systems with fewer audio channels (like mono and stereo). This was done by performing listening tests that assessed the perceived spatial sound quality and preferences towards some commonly used multichannel systems for game audio playback over both loudspeakers and headphones. -
Analysis of Innovation in the Video Game Industry
Master’s Degree in Management Innovation and Marketing Final Thesis Analysis of Innovation in the Video Game Industry Supervisor Ch. Prof. Giovanni Favero Assistant Supervisor Ch. Prof. Maria Lusiani Graduand Elena Ponza Matriculation number 873935 Academic Year 2019 / 2020 I II Alla mia famiglia, che c’è stata quando più ne avevo bisogno e che mi ha sostenuta nei momenti in cui non credevo di farcela. A tutti i miei amici, vecchi e nuovi, per tutte le parole di conforto, le risate e la compagnia. A voi che siete parte di me e che, senza che vi chieda nulla, ci siete sempre. Siete i miei fiorellini. Senza di voi tutto questo non sarebbe stato possibile. Grazie, vi voglio bene. III IV Abstract During the last couple decades video game consoles and arcades have been subjected to the unexpected, swift development and spread of mobile gaming. What is it though that allowed physical platforms to yet maintain the market share they have over these new and widely accessible online resources? The aim of this thesis is to provide a deeper understanding of the concept of innovation in the quickly developing world of video games. The analysis is carried out with qualitative methods, one based on technological development in the context of business history and one on knowledge exchange and networking. Throughout this examination it has been possible to explore what kind of changes and innovations were at first applied by this industry and then extended to other fields. Some examples would be motion control technology, AR (Augmented Reality) or VR (Virtual Reality), which were originally developed for the video game industry and eventually were used in design, architecture or in the medical field. -
Becoming One of the Largest VR Content Creators
SPEAKER: Accenture Extended interesting about this content creator is Reality. This is field of view. there someone who they're not just NICK ROSA: Hello and making videos on YouTube, for welcome to Field of View. My name is example. There's someone who I, at Nick Rosa from Accenture. least from my point of view, you can see DANIEL COLAIANNI: And my genuinely cares about this industry and name is Daniel Colaianni from the genuinely cares about the actual Academy of International Extended ecosystem that evolves around it. Reality. They've got a wildly popular kind of podcast that focuses on the various NICK ROSA: And today, we different areas of our industry as well. have a guest for you that is a very Nick, who do we have on our famous content creator, is someone that Field of View today? has been working in the VR space since NICK ROSA: Our guest today is the the beginning, since the inception of the content creator that everybody knows in new Oculus era and someone that I’ve the VR space. We have Nathie with us been bumping into for many times on Field of View. Hi, Nathie, how you during industry events and other doing? gatherings of people that are interested NATHIE: Thanks for having me, about VR and XR. Daniel, would you guys. It's a pleasure. like to tell us a little bit more about our DANIEL COLAIANNI: So, guest today? Nathie, there's a few interesting things that we want to kind of dive into in this DANIEL COLAIANNI: Yeah, this episode because I think there's sure. -
Game-Tech-Whitepaper
Type & Color October, 2020 INSIGHTS Game Tech How Technology is Transforming Gaming, Esports and Online Gambling Elena Marcus, Partner Sean Tucker, Partner Jonathan Weibrecht,AGC Partners Partner TableType of& ContentsColor 1 Game Tech Defined & Market Overview 2 Game Development Tools Landscape & Segment Overview 3 Online Gambling & Esports Landscape & Segment Overview 4 Public Comps & Investment Trends 5 Appendix a) Game Tech M&A Activity 2015 to 2020 YTD b) Game Tech Private Placement Activity 2015 to 2020 YTD c) AGC Update AGCAGC Partners Partners 2 ExecutiveType & Color Summary During the COVID-19 pandemic, as people are self-isolating and socially distancing, online and mobile entertainment is booming: gaming, esports, and online gambling . According to Newzoo, the global games market is expected to reach $159B in revenue in 2020, up 9.3% versus 5.3% growth in 2019, a substantial acceleration for a market this large. Mobile gaming continues to grow at an even faster pace and is expected to reach $77B in 2020, up 13.3% YoY . According to Research and Markets, the global online gambling market is expected to grow to $66 billion in 2020, an increase of 13.2% vs. 2019 spurred by the COVID-19 crisis . Esports is projected to generate $974M of revenue globally in 2020 according to Newzoo. This represents an increase of 2.5% vs. 2019. Growth was muted by the cancellation of live events; however, the explosion in online engagement bodes well for the future Tectonic shifts in technology and continued innovation have enabled access to personalized digital content anywhere . Gaming and entertainment technologies has experienced amazing advances in the past few years with billions of dollars invested in virtual and augmented reality, 3D computer graphics, GPU and CPU processing power, and real time immersive experiences Numerous disruptors are shaking up the market . -
The Last of Us Honored with 10 Awards Including Game of the Year at 17Th Annual D.I.C.E
THE LAST OF US HONORED WITH 10 AWARDS INCLUDING GAME OF THE YEAR AT 17TH ANNUAL D.I.C.E. AWARDS Top Honors Celebrating the Creative Accomplishments in Interactive Entertainment Also Went to Bioshock Infinite, Grand Theft Auto V, Plants vs. Zombies 2, and More LAS VEGAS – Feb. 6, 2014 – Suspense, horror, and surreal worlds dominated the 17th Annual D.I.C.E. Awards, the video game industry’s most prestigious honors. Naughty Dog’s dystopian, post-apocalyptic reimagining of the zombie thriller, The Last Of Us, stole the show with 10 awards, including Outstanding Achievement in Story, Outstanding Innovation in Gaming, Adventure Game of the Year, Outstanding Achievement in Game Direction and the industry’s top honor, Game of the Year. The evening’s other big winners included Irrational Games’ provocative alternate-historical FPS, Bioshock Infinite, which took home Action Game of the Year and Outstanding Achievement in Original Music Composition. PopCap’s runaway mobile hit Plants vs. Zombies 2 won both Casual Game of the Year and Mobile Game of the Year, while EA Canada’s FIFA 14 continued the FIFA franchise’s run of five consecutive wins with Sports Game of the Year. Brothers – A Tale of Two Sons, Starbreeze Studios’ touching, story-driven adventure, took home the hardware for Downloadable Game of the Year. Wargaming’s multiplayer online game World of Tanks took home the honor for the D.I.C.E. Awards’ newest category, Online Game of the Year. “Tonight’s big winner, The Last of Us, is a prime example of how today’s modern video game studios expertly blend art, game play, and storytelling to transcend the traditional notion of video games,” said Martin Rae, president, Academy of Interactive Arts & Sciences. -
Playstation VR: História, Adoção, Projeções E Desafios
SBC – Proceedings of SBGames 2017 | ISSN: 2179-2259 Industry Track – Full Papers PlayStation VR: história, adoção, projeções e desafios André F. Pase*1 Giovanni Rocha Pontifícia Universidade Católica do Rio Grande do Sul, Faculdade de Comunicação Social, Brasil Figura 1: Do cinema à realidade virtual. 20 anos de evolução dos head mounted displays da Sony. RESUMO dispositivo que combina imagens geradas artificialmente com a Após mais de duas de décadas de tentativas sem sucesso comercial, visão humana tradicional e dialoga com Realidade Aumentada a indústria de jogos digitais finalmente oferece experiências de (RA) e Realidade Mixada (RM), a Sony optou por desenvolver o realidade virtual de forma satisfatória e disponíveis para compra. PlayStation VR, (PSVR) um aparelho que atua como complemento Em menos de um ano após o seu lançamento, o PlayStation VR é ao seu console PlayStation 4. Desta forma, utiliza a base de usuários líder no segmento, com aproximadamente 1,8 milhões de unidades previamente formada para testar novas propostas de jogos. vendidas. Frente a esse cenário, esta pesquisa faz um resgate Através do método de estudo de caso [1], este artigo busca histórico do seu desenvolvimento, apresenta uma análise da analisar a contribuição do PSVR para este cenário em construção, plataforma a partir de um conjunto de materiais empíricos, observa discutindo limites e possibilidades. Isto será realizado após uma a adoção do equipamento, propõe alguns usos e aponta limitações observação das propriedades técnicas do aparelho e informações e desafios para usuários e os desenvolvedores. publicadas pela própria empresa e imprensa especializada. Palavras-chave: Realidade virtual, adoção, videogame, 2 RELAÇÃO ENTRE VIDEOGAMES E REALIDADE VIRTUAL PlayStation, PlayStation VR Assim como o cinema é uma evolução do processo fotográfico, seria também possível estabelecer uma relação semelhante entre as 1 INTRODUÇÃO tecnologias da RV e o videogame. -
Isolation Nation
ISOLATION NATION Work-from-home tips, best practices, and insights about remote videogame creation Introduction Isolation Nation emerged out of interviews and surveys with 70 game studios across Canada with the goal of sharing challenges, tips, and best practices for making games when working from home. We hope this document will serve as a practical resource for studios working remotely. With the onset of the COVID-19 pandemic, millions of to reach new players. Building audiences was a hot people are suddenly working from home, an option that topic for almost every studio interviewed, with many has been available for decades but is only now being studios curious about the tactics and techniques of their exercised en masse. Games were some of the first to peers. transition and are arguably some of the best positioned to adapt. But like any significant cultural shift, we face A final core challenge is financial investment. Despite new challenges and opportunities. the growing market, many investors are tightening their budgets, resulting in a narrowing of financial Most studios switched to remote work quickly and opportunities. Neither attracting players or finding almost seamlessly, transitioning within a few days financial investment are new problems, nor are they and solving problems as they emerged. Other studios unique to work from home, but both are exacerbated by with more complex playtesting needs like VR or local the current financial landscape. multiplayer are still struggling. While work patterns have changed, business strategies have largely Isolation Nation was created by Marie Claire LeBlanc remained the same. Many studios are still in the middle Flanagan with the Game Arts International Network.