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Mechanical Engineering in Ancient Egypt, Part 45: Birds Statues (Falcon and Vulture)
International Journal of Emerging Engineering Research and Technology Volume 5, Issue 3, March 2017, PP 39-48 ISSN 2349-4395 (Print) & ISSN 2349-4409 (Online) http://dx.doi.org/10.22259/ijeert.0503004 Mechanical Engineering in Ancient Egypt, Part 45: Birds Statues (Falcon and Vulture) Galal Ali Hassaan (Emeritus Professor), Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Giza, Egypt ABSTRACT The evolution of mechanical engineering in ancient Egypt is investigated in this research paper through studying the production of statues and figurines of falcons and vultures. Examples from historical eras between Predynastic and Late Periods are presented, analysed and aspects of quality and innovation are outlined in each one. Material, dynasty, main dimension (if known) and present location are also outlined to complete the information about each statue or figurine. Keywords: Mechanical engineering, ancient Egypt, falcon statues, vulture statues INTRODUCTION This is the 45th paper in a scientific research aiming at presenting a deep insight into the history of mechanical engineering during the ancient Egyptian civilization. The paper handles the production of falcon and vulture statues and figurines during the Predynastic and Dynastic Periods of the ancient Egypt history. This work depicts the insight of ancient Egyptians to birds lived among them and how they authorized its existence through statuettes and figurines. Smith (1960) in his book about ancient Egypt as represented in the Museum of Fine Arts at Boston presented a number of bird figurines including ducks from the Middle Kingdom, gold ibis from the New Kingdom and a wooden spoon in the shape of a duck and lady from the New Kingdom [1]. -
Hellenistic and Pharaonic Influences on the Formation of Coptic Identity
Scriptura 85 (2004), pp. 292-301 HELLENISTIC AND PHARAONIC INFLUENCES ON THE FORMATION OF COPTIC IDENTITY Annette Evans Department of Ancient Studies Stellenbosch University Abstract Conflicting descriptions of Coptic identity still exist today. The Copts regard themselves as those descendents of Pharaonic Egyptians who have retained their identity because of their Christian faith, in spite of Egypt having become a predominantly Islamic, Arab country. They claim to have “caught a glimpse of the Light of Christianity” before the birth of Christ. This article offers iconographical evidence to supplement an explanation of how the ancient Egyptian mythopoeic thinking, in combination with the syncretistic cultural environment of Hellenism, mediated this phenomenon. Today the Coptic Orthodox Church of Egypt represents “a return to the apostolic father type leading of the church”. Although pharaonic and gnostic influences appear to have contributed to their remarkable eusebeia, the Copts perceive themselves as having abided by the decisions of the first three Church Councils and have respected and upheld the canon. 1. Introduction The word Copt originated from the ancient Egyptian word for Memphis, Hah-ka-Ptah – the house or temple of the spirit of Ptah. With the suppression of the prefix and the suffix the stem kaPt or gypt remained, which was then corrupted to the Arabic Qibt (Atiya 1968:16). The Hellenes used Aiguptos for both Egypt and the Nile, and Aiguptoi was used by Origen to distinguish Egyptian Christians from Hellenes (Van der Vliet and Zonhoven 1998:117). The Copts have a unique identity: inseparable from their pharaonic past, yet intimately associated with the beginning of Christianity. -
Congressional Record- Senate. January 13, -
700 CONGRESSIONAL RECORD- SENATE. JANUARY 13, - -- . By Mr. EVANS: Petition of Central Woman's Christian Tem Mich., urging the passage of House bill178, for the reduction o.f perance Union, of Johnstown, Pa., for the passage of a bill to for the tax on alcohol-to the Committee on Ways and Means. -' bid the sale of intoxicating liquors in all Government buildings By Mr. SNOOK: Paper to accompany House bill granting an to the Committee on Alcoholic Liquor Traffic. increase of pension to Ethelbert Crouse-to the Committee on · By Mr. FOSTER of Vermont: MemorialoftheReunionSociety Invalid Pensions. · of Vermont Officers, asking for action in recogi:rition of the serv Also, paper to accompany House· bill granting an increase of · ice of Gen. William F. Smith-to the Committee on Military Af pensi9n to Aaron Taylor-to the Committee on Invalid Pensions. i fairs. Also, resolution of Buckeye Lodge, No. 35, Railroad Trainmen, By Mr. GARDNER: Papers to accompany House bill 9456, to in favor of Senate bill 3560, to promote the safety of employees · correct the naval record of Charles Amos-to the Committee on and travelers upon railroads-to the Committee on Interstate and Naval Affairs. Foreign Commerce. By Mr. GRAHAM: Resolutions of the Allegheny County Grand By Mr. STARK: Petition of M. E. Schultz and others, of Army Association, and of the National Fremont Association of Beatrice, Nebr., urging the reduction of the tax on alcohol-to · Pittsburg, Pa., favoring the- erection of a monument to the the Committee on Ways and Means. memory of Maj. Gen. John C. -
Glossary Ancient Egyptian Art and Culture
Ancient Egyptian Art and Culture Glossary Africa Africa is the world's second-largest and second most-populous continent, after Asia. At about 12 million square miles it covers 20% of the Earth's total land area. Egypt is located on the Northeast corner of the African continent. Amphora A large pottery or stone vessel, usually with one or more handles and used as storage or transport container for liquids or solids. Amulet A small token, such as a hieroglyphic symbol or figurine of a god, believed to provide magical protection or other benefits to its wearer. Ankh The ankh is a hieroglyphic symbol meaning “life” and “to live.” lt was worn by many ancient Egyptians as an amulet, and is frequently depicted in art being extended by the gods. Apis Bull The Apis bull was a sacred oracle housed in the temple of Ptah at Memphis. The bulls were well treated throughout their lifetimes, given divine status as the embodiment of the god Ptah, and were mummified upon death. The Apis bulls, and later the mothers of the Apis bulls (sacred to Isis) were buried at Saqqara. Artistic perspective Egyptians used variations in size to indicate importance in their art. Viewpoints also changed within images to show the strongest characteristics of objects and people. Faces were always shown in profile, eyes were large, and legs were often shown in exaggerated poses. Artifact An artifact is something that was made by a person in the distant past. Clothing, pottery, furniture, tools, and art are all artifacts. Atef The atef is a crown with an ostrich plume on each side and horizontal ram’s horns underneath. -
Origins of Apotheosis in Ancient Egypt by Julia Dawn Troche B.A
Origins of Apotheosis in Ancient Egypt By Julia Dawn Troche B.A., University of California, Los Angeles, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of of Doctor of Philosophy in the Department of Egyptology and Assyriology at Brown University Providence, Rhode Island May 2015 © Copyright 2015 by Julia Troche The dissertation by Julia Dawn Troche is accepted in its present form by the Department of Egyptology and Assyriology as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date______________________ ____________________________________ James P. Allen, Advisor Recommended to the Graduate Council Date______________________ ____________________________________ Laurel Bestock, Reader Date______________________ ____________________________________ Elizabeth Frood, Reader Approved by the Graduate Council Date______________________ ____________________________________ Peter Weber, Dean of the Graduate School iii Curriculum Vitae Julia Dawn Troche was born November 17, 1986 in Long Beach, California. She earned a B.A. from the University of California, Los Angeles where she majored in History, received College Honors, and graduated Magna Cum Laude. From 2007-2008, Julia was also a Departmental Scholar in the Department of Near Eastern Langauges and Cultures and wrote a thesis entitled “Political Implications of Hatshepsut’s Building Program in the Greater Theban Region.” After graduation Julia taught high school English and World History at High Bluff Academy in San Diego, California before enrolling in her Ph.D. program at Brown University in 2009. During her time at Brown University Julia has taught her own undergraduate course, “Daily Life in Ancient Egypt,” and taught for the Summer at Brown Program for five years, including the classes “Middle Egyptian Hieroglyphs,” “Ancient Egyptian Religion and Magic,” and “Art and Archaeology of Ancient Egypt.” Julia also worked at the Brown University Writing Center where she received training in teaching English for English Language Learners. -
A Previously Unpublished False Door Attributable to Abdu, from a Private Collection
The Journal of Ancient Egyptian Architecture vol. 3, 2018 A previously unpublished false door attributable to Abdu, from a private collection María Teresa Soria Trastoy Cite this article: M. T. Soria Trastoy, ‘A previously unpublished false door attributable to Abdu, from a private collection’, JAEA 3, 2018, pp. 153-172. JAEA www.egyptian-architecture.com ISSN 2472-999X Published under Creative Commons CC-BY-NC 2.0 JAEA 3, 2018, pp. 153-172. www.egyptian-architecture.com A previously unpublished false door attributable to Abdu, from a private collection María Teresa Soria Trastoy1 This article reports the results of a study of an Old Kingdom monumental artifact, carried out in 2015. The author was required to conduct an expert review of an Egyptian false-door purchased several years earlier from an art gallery, in conjunction with colleagues. A detailed report based on the study was requested.2 The objectives were to certify the authenticity of the false-door and to establish its probable date of manufacture, and finally, to establish its possible archaeological provenance, which has been achieved with a good degree of certainty. The false-door is of special interest due to the atypical scenes represented on its left inner jamb, where priests are shown performing a series of rites. Our study focused on details of the iconographic, material, epigraphic, and manufacturing techniques that can be seen with the naked eye. No archaeometric physical analysis was performed. With respect to the technical aspects of the visual analysis, the monument was first documented photographically using an SLR camera in manual mode, without flash. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig -
Journal of Egyptian Archaeology
Journal of Egyptian Archaeology Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Naville in JEA I (1914), pl. I cf. 5-8 Abydos. Osireion. vi.29 View. Naville in JEA I (1914), pl. ii [1] Abydos. Osireion. Sloping Passage. vi.30(17)-(18) Osiris and benu-bird from frieze. see Peet in JEA i (1914), 37-39 Abydos. Necropolis. v.61 Account of Cemetery D. see Peet in JEA i (1914), 39 Abydos. Necropolis. Ibis Cemetery. v.77 Description. see Loat in JEA i (1914), 40 and pl. iv Abydos. Necropolis. Ibis Cemetery. v.77 Description and view. Blackman in JEA i (1914), pl. v [1] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.254 View. Blackman in JEA i (1914), pl. v [2] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.255(16) Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 Group with calf from 2nd register. Petrie in JEA i (1914), pl. vi cf. 44 El-Riqqa. Finds. iv.87 Part of jewellery, temp. -
Early Dynastic Egypt
EARLY DYNASTIC EGYPT EARLY DYNASTIC EGYPT Toby A.H.Wilkinson London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. © 1999 Toby A.H.Wilkinson All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. Library of Congress Cataloguing in Publication Data Wilkinson, Toby A.H. Early Dynastic Egypt/Toby A.H.Wilkinson p. cm. Includes bibliographical references (p.378) and index. 1. Egypt—History—To 332 B.C. I. Title DT85.W49 1999 932′.012–dc21 98–35836 CIP ISBN 0-203-02438-9 Master e-book ISBN ISBN 0-203-20421-2 (Adobe e-Reader Format) ISBN 0-415-18633-1 (Print Edition) For Benjamin CONTENTS List of plates ix List of figures x Prologue xii Acknowledgements xvii PART I INTRODUCTION 1 Egyptology and the Early Dynastic Period 2 2 Birth of a Nation State 23 3 Historical Outline 50 PART II THE ESTABLISHMENT OF AUTHORITY 4 Administration 92 5 Foreign Relations 127 6 Kingship 155 7 Royal Mortuary Architecture 198 8 Cults and -
Congressional Record-Senate. 1501
1876. CONGRESSIONAL RECORD-SENATE. 1501 North Carolina, to Penn's store, Virginia, to the Committee on the Post PETITIONS Al\TJ> MEMORIALS. Office and Post-Roads. Mr. SAULSBURY presented a petition of citizens of Delaware, By M.r. SOUTHARD: The petition of Nancy A. Hammond, for a praying for an improvenent of the navigation of tl:re Jones Creek anu pension, to the Committee on Invalid Pensions. · Dover River, in that State; which was referred to the Committee on By Mr. STEVENSON: The petition of 150 citizens of McLean Commerce. County, Illinois, for the repeal of the specie-resumption a{lt, to the 1\Ir. McMILLAN presented the memorial of John Schroeder, in Committee on Banking anu Currency. favor of an amendment of the homestead law, so a to save innocent By Mr. STRAIT: The petition of W. H. Jewell and others, for an settlers f.rQm the rules and regulations of the General Land Office; extension of time for homestead or timber-culture entri.es upon Gov which was referred to the Comlllittee on Pnulic Lands. ernment lands, to the Committe on Public Lands. Mr. KERNAN presented the petition of llomce L. Eme.J:y, praying Also, the petition of S. G. Anclerson and 43 others, for the mainte for the extension of his patent for improvement iu cotton-ginning nance of the present rate of duty on linseed and linseed oil, to the Com machines: which was refened to the Committee on Patents. mittee of Ways and Means. Mr. FRELINGHUYSEN presented the petition of George Whit By Mr. -
The False Door of Ipy at Beni Hassan. Study II LM Azzam
Équipe Égypte Nilotique et Méditerranéenne UMR 5140 « Archéologie des Sociétés Méditerranéennes » Cnrs – Université Paul Valéry (Montpellier III) The False Door of Ipy at Beni Hassan. Study II L.M. Azzam Citer cet article : L.M. Azzam, « The False Door of Ipy at Beni Hassan. Study II », ENiM 9, 2016, p. 155-165. ENiM – Une revue d’égyptologie sur internet est librement téléchargeable depuis le site internet de l’équipe « Égypte nilotique et méditerranéenne » de l’UMR 5140, « Archéologie des sociétés méditerranéennes » : http://recherche.univ-montp3.fr/egyptologie/enim/ The False Door of Ipy at Beni Hassan Study II1 L.M. Azzam Department of Archeology and Civilization, Faculty of Art, Helwan University HE FALSE DOOR of Ipy which form the subject of this paper occupies the western wall of his tomb at Beni Hassan. But before we deal with Ipy’s false door I will give a brief description of the tomb that will be published by the author of this article in the near T 2 future. The rock-cut tomb of Ipy no.481, lies in the lower cemetery of Beni Hasan. It consists of one chamber (A) that measures about 3.5m in depth, 2.5m in width and is about 1.95m high. Two burial shafts occupy the eastern part of the tomb floor, measuring 1.70m in length, one meter in breadth and 2m in depth. The southern shaft leads to the burial chamber of the tomb owner Ipy, while the northern one leads to the burial chamber of his wife Senet and her two daughters.3 An entrance in the middle of the eastern wall leads to a roughly-cut and undecorated chamber (B) that measures 4.80m by 2.75m. -
A Comparison of the Polychrome Geometric Patterns Painted on Egyptian “Palace Façades” / False Doors with Potential Counterparts in Mesopotamia
A comparison of the polychrome geometric patterns painted on Egyptian “palace façades” / false doors with potential counterparts in Mesopotamia Lloyd D. Graham Abstract: In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting. The possibility that this too might have drawn inspiration from Mesopotamian precedents is raised by the observation of similar geometric frescoes at the Painted Temple in Tell Uqair near Baghdad, a Late Uruk structure (ca. 3400-3100 BCE) that predates the proposed timing of Mesopotamian influence on Egyptian architecture (Jemdet Nasr, ca. 3100-2900 BCE). However, detailed scrutiny favours the idea that the Egyptian polychrome panels were an indigenous development. Panels mimicking reed mats, animal skins and wooden lattices probably proved popular on royal and religious mudbrick façades in Early Dynastic Egypt because they emulated archaic indigenous “woven” shelters such as the per-nu and per-wer shrines. As with Mesopotamian cone mosaics – another labour-intensive technique that seems to have mimicked textile patterns – the scope of such panels became limited over time to focal points in the architecture. In Egyptian tombs, the adornment of key walls and funerary equipment with colourful and complex geometric false door / palace façade composites (Prunkscheintüren) continued at least into the Middle Kingdom, and the template persisted in memorial temple decoration until at least the late New Kingdom.