2018-2019 Philharmonia No. 3
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Supporting European Art Forms, Oftentimes to the Exclusion of Other Art Forms, Artists, Arts Organizations, and Their Patrons, in Particular People of Color
SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER RENTAL REQUESTS: June 10, 2021 DAVIES SYMPHONY HALL San Francisco Symphony July 2021 $12,960.00 August 2021 $6,150.00 Rehearsals and performances for July and August. WAR MEMORIAL OPERA HOUSE San Francisco Opera Tech and Packing May 2021 $7,075.00 HERBST THEATRE American Bach Soloists $5,500.00 Baroque Summer Festival August 1, 6 & 7, 2021 New Year's Eve Concert December 31, 2021 UCSF School of Medicine August 8, 2021 $1,375.00 White Coat Ceremony San Francisco Performances $58,800.00 Alexander String Quartet w/ R. Greenberg September 5 & 11, 2021 Concert September 26, 2021 Catalyst Quartet w/ Stewart Goodyear October 7, 2021 Theo Bleckmann October 20, 2021 Brooklyn Rider w/ Nicholas Phan October 21, 2021 Jennifer Koh w/ Misty Mazzoli October 23, 2021 Jan Lisiecki October 27, 2021 Dover Quartet w/ Davone Tynes November 9, 2021 Catalyst Quartet w/ Anthony McGill November 11, 2021 Gift Concert November 16, 2021 Castalian Quartet November 17, 2021 Jonathan Biss December 11, 2021 Golda Schultz January 21, 2022 Alexander String Quartet w/ R. Greenberg January 22, 2022 Alexander String Quartet w/ R. Greenberg January 29, 2022 Steven Isserlis January 29, 2022 Andrew Tyson January 30, 2022 Catalyst Quartet w/ Dashon Burton February 11 , 2022 Dublin Guitar Quartet February 12, 2022 Alexander String Quartet w/ R. Greenberg February 19, 2022 Alexander String Quartet w/ R. Greenberg March 5, 2022 Isata Kanneh-Mason March 7, 2022 Alexander String Quartet w/ R. Greenberg March 12, 2022 Brooklyn -
Saken Bergaliyev Matr.Nr. 61800203 Benjamin Britten Lachrymae
Saken Bergaliyev Matr.Nr. 61800203 Benjamin Britten Lachrymae: Reflections on a Song of Dowland for viola and piano- reflections or variations? Master thesis For obtaining the academic degree Master of Arts of course Solo Performance Viola in Anton Bruckner Privatuniversität Linz Supervised by: Univ.Doz, Dr. M.A. Hans Georg Nicklaus and Mag. Predrag Katanic Linz, April 2019 CONTENT Foreword………………………………………………………………………………..2 CHAPTER 1………………………………...………………………………….……....6 1.1 Benjamin Britten - life, creativity, and the role of the viola in his life……..…..…..6 1.2 Alderburgh Festival……………………………......................................................14 CHAPTER 2…………………………………………………………………………...19 John Dowland and his Lachrymae……………………………….…………………….19 CHAPTER 3. The Lachrymae of Benjamin Britten.……..……………………………25 3.1 Lachrymae and Nocturnal……………………………………………………….....25 3.2 Structure of Lachrymae…………………………………………………………....28 Conclusion……………………………………………………………………………..39 Bibliography……………………………………….......................................................43 Affidavit………………………………………………………………………………..45 Appendix ……………………………………………………………………………....46 1 FOREWORD The oeuvre of the great English composer Benjamin Britten belongs to one of the most sig- nificant pages of the history of 20th-century music. In Europe, performers and the general public alike continue to exhibit a steady interest in the composer decades after his death. Even now, the heritage of the master has great repertoire potential given that the number of his written works is on par with composers such as S. Prokofiev, F. Poulenc, D. Shostako- vich, etc. The significance of this figure for researchers including D. Mitchell, C. Palmer, F. Rupprecht, A. Whittall, F. Reed, L. Walker, N. Abels and others, who continue to turn to various areas of his work, is not exhausted. Britten nature as a composer was determined by two main constants: poetry and music. In- deed, his art is inextricably linked with the word. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
Emerson String Quartet Calidore String Quartet
Emerson String Quartet and Calidore String Quartet Emerson String Quartet Eugene Drucker / Violin Philip Setzer / Violin Lawrence Dutton / Viola Paul Watkins / Cello Calidore String Quartet Jeffrey Myers / Violin Ryan Meehan / Violin Jeremy Berry / Viola Estelle Choi / Cello Thursday Evening, October 5, 2017 at 7:30 Rackham Auditorium Ann Arbor Ninth Performance of the 139th Annual Season 55th Annual Chamber Arts Series PROGRAM Richard Strauss Capriccio, Op. 85 (excerpt) String Sextet Calidore String Quartet, Mr. Dutton, Mr. Watkins Anton Bruckner String Quintet in F Major, WAB 112 (excerpt) Adagio Emerson String Quartet, Mr. Berry Dmitri Shostakovich Two Pieces for String Octet, Op. 11 Prelude: Adagio Scherzo: Allegro molto Calidore String Quartet, Emerson String Quartet Intermission Felix Mendelssohn Octet in E-flat Major, Op. 20 Allegro moderato con fuoco Andante This evening’s performance is made possible by endowed support from the Ilene H. Forsyth Chamber Scherzo: Allegro leggierissimo Arts Endowment Fund, which supports an annual UMS Chamber Arts performance in perpetuity. Presto Media partnership is provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Emerson String Quartet appears by arrangement with IMG Artists. Emerson String Quartet, Calidore String Quartet The Calidore String Quartet appears by arrangement with Opus 3 Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. 3 CAPRICCIO, OP. 85 (EXCERPT) (1941–42) hands of Strauss’s official librettist, music of that period. At the same Joseph Gregor, however, the opera time, Strauss remained faithful to his Richard Strauss did not progress to the composer’s own post-Romantic idiom, which no Born June 11, 1864 in Munich, Germany satisfaction and was temporarily one handled more beautifully or more Died September 8, 1949 in Garmisch-Partenkirchen set aside in favor of other projects. -
Mark-Anthony Turnage Mambo, Blues and Tarantella Riffs and Refrains | Texan Tenebrae on Opened Ground | Lullaby for Hans
Mark-anthony turnage MaMbo, blues aND TaraNTella riffs aND refraiNs | TexaN TeNebrae oN opeNeD GrouND | lullaby for HaNs vladiMir jurowski, Marin alsop and Markus stenZ conductors Christian tetZlaFF violin MiChael Collins clarinet lawrenCe power viola london philharMoniC orChestra LPO-0066 Turnage booklet.indd 1 7/26/2012 11:35:49 AM Mark-anthony turnage advocate. He continued his studies at the senior College with Knussen and Knussen’s own teacher John Lambert, and at the Tanglewood summer school in New England with Gunther Schuller. Through Tanglewood, he also came into contact with Hans Werner Henze, who kick-started Turnage’s international career by commissioning an opera for the 1988 Munich Biennale festival, an adaptation of Steven Berkoff’s play Greek. AL Turnage’s subsequent career has been defined largely by collaborations, both with enaP Ar / improvising jazz performers and in a series of d ar residencies, which have allowed him to develop tw pieces under the workshop conditions he Ga prefers. These have included associations with Philip the City of Birmingham Symphony Orchestra, © leading to several high-profile premières under Simon Rattle; with English National Opera, Mark-Anthony Turnage is a composer widely culminating in 2000 in his second full-length admired for his distinctive blending of jazz and opera, The Silver Tassie; with the BBC Symphony contemporary classical traditions, high energy Orchestra in London; and with the Chicago and elegiac lyricism, hard and soft edges. Born Symphony Orchestra. He was the London in Essex, he began inventing music to enliven Philharmonic Orchestra’s Composer in Focus his childhood piano practice. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
Emerson String Quartet
September 24, 2015 at 8:00pm Pre-concert talk by Professor Scott Burnham at 7:00pm Richardson Auditorium in Alexander Hall EMERSON STRING QUARTET Eugene Drucker, violin Philip Setzer, violin Lawrence Dutton, viola Paul Watkins, cello with special guests CALIDORE STRING QUARTET Jeffrey Myers, violin Ryan Meehan, violin Jeremy Berry, viola Estelle Choi, cello FRANZ JOSEPH HAYDN (1732-1809) String Quartet in B-flat Major, Op 76, No. 4 “Sunrise” Allegro con spirito Adagio Menuetto: Allegro Finale: Allegro ma non troppo Eugene Drucker, First Violin DMITRI SHOSTAKOVICH (1906-1975) String Quartet No. 10 in A-flat Major, Op. 118 Andante Allegretto Furioso Adagio Allegretto - Andante Philip Setzer, First Violin — INTERMISSION — FELIX MENDELSSOHN (1809-1847) Octet in E-flat Major, Op. 20 Allegro moderato ma con fuoco Andante Scherzo: Allegro leggierissimo Presto Eugene Drucker, First Violin; with Calidore String Quartet Please join the artists in the Richardson Lounge following the performance to celebrate the start of our season. ABOUT THE ARTISTS PRINCETON UNIVERSITY CONCERTS 2015-16 SEASON ABOUT THE EMERSON STRING QUARTET The Emerson String Quartet has an unparalleled list of achievements over three decades: more than thirty acclaimed recordings, nine Grammys® (including two for Best Classical Album), three Gramophone Awards, the Avery Fisher Prize, Musical America’s “Ensemble of the Year” and collaborations with many of the greatest artists of our time. The arrival of Paul Watkins in 2013 has had a profound effect on the Emerson Quartet. Mr. Watkins, a distinguished soloist, award-winning conductor, and devoted chamber musician, joined the ensemble in its 37th season, and his dedication and enthusiasm have infused the Quartet with a warm, rich tone and a palpable joy in the collaborative process. -
London's Symphony Orchestra
London Symphony Orchestra Living Music London’s Symphony Orchestra Celebrating LSO Members with 20+ years’ service. Visit lso.co.uk/1617photos for a full list. LSO Season 2016/17 Free concert programme London Symphony Orchestra LSO ST LUKE’S BBC RADIO 3 LUNCHTIME CONCERTS – AUTUMN 2016 MOZART & TCHAIKOVSKY LAWRENCE POWER & FRIENDS Ten musicians explore Tchaikovsky and his The violist is joined by some of his closest musical love of Mozart, through songs, piano trios, collaborators for a series that celebrates the string quartets and solo piano music. instrument as chamber music star, with works by with Pavel Kolesnikov, Sitkovetsky Piano Trio, Brahms, Schubert, Bach, Beethoven and others. Robin Tritschler, Iain Burnside & with Simon Crawford-Phillips, Paul Watkins, Ehnes String Quartet Vilde Frang, Nicolas Altstaedt & Vertavo Quartet For full listings visit lso.co.uk/lunchtimeconcerts London Symphony Orchestra Living Music Monday 19 September 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT Leif Ove Andsnes Beethoven Piano Sonata No 18 (‘The Hunt’) Sibelius Impromptus Op 5 Nos 5 and 6; Rondino Op 68 No 2; Elegiaco Op 76 No 10; Commodo from ‘Kyllikki‘ Op 41; Romance Op 24 No 9 INTERVAL Debussy Estampes Chopin Ballade No 2 in F major; Nocturne in F major; Ballade No 4 in F minor Leif Ove Andsnes piano Concert finishes at approximately 9.25pm 4 Welcome 19 September 2016 Welcome Kathryn McDowell Welcome to this evening’s concert at the Barbican Centre, where the LSO is delighted to welcome back Leif Ove Andsnes to perform a solo recital, and conclude the critically acclaimed LSO Artist Portrait series that he began with us last season. -
Apple Hill String Quartet
Apple Hill String Quartet The Apple Hill String Quartet has earned accolades from around the world for their interpretive mastery of such traditional repertoire as Haydn, Mozart, Schubert, Schumann, Beethoven, and Ravel — along with their special dedication to seldom heard masterworks and contemporary music. They have performed concerts extensively throughout the United States, Europe, the Middle East, and Asia as part of Apple Hill’s innovative Playing for Peace™ program. Education is an integral part of the quartet’s mission — therefore they have conducted mini- residencies in embassies, communities, schools and universities locally in the Monadnock region, nationally in the major U.S. cities, and throughout the world in such faraway places as Lebanon, Syria, Jordan, Israel, Palestine, Algiers, Cyprus, Ireland, England, Burma, Vietnam, Malaysia, Azerbaijan, Armenia, Georgia, and Russia. They also spend countless hours as dedicated teacher-performers at Apple Hill’s renowned Summer Chamber Music Workshop, held each summer on the 100-acre Apple Hill campus. As 21st-century musicians, the quartet is deeply committed to the commissioning of new works. Their recent commission by composer and long-time “Apple Hiller” Daniel Sedgwick was premiered at Apple Hill in 2009 and performed to critical acclaim throughout the U.S., Europe, and the Middle East. Their project, “Around the World with Playing for Peace™", features the rich multicultural repertoire of works and compositions associated with countries visited through the Playing for Peace™ program, as seen through the lens of the string quartet. Featured composers have included Victor Ullman (String Quartet #3, written in the Theresienstadt Concentration Camp), Turkish composer Ekrem Zeki Ün, Armenian composers Alan Hovhaness and A. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Calder Quartet
CAL PERFORMANCES PRESENTS PROGRAM Sunday, October 2, 2011, 3pm Franz Liszt (1811–1886) Petrarch Sonnet No. 123 (I’ vidi in terra angelici Hertz Hall costumi) from Années de Pèlerinage, Deuxième Année: Italie for Piano (1845) Calder Quartet Adès The Four Quarters for String Quartet (2010) Nightfalls Benjamin Jacobson violin Serenade: Morning Dew Andrew Bulbrook violin Days Jonathan Moerschel viola The Twenty-fifth Hour Eric Byers cello with Adès Quintet for Piano and String Quartet, Thomas Adès, piano Op. 20 (2000) PROGRAM Cal Performances’ 2011–2012 season is sponsored by Wells Fargo. Igor Stravinsky (1882–1971) Three Pieces for String Quartet (1914) Dance: Quarter note = 126 Eccentric: Quarter note = 76 Canticle: Half note = 40 Thomas Adès (b. 1971) Mazurkas for Piano, Op. 27 (2009) Moderato, molto rubato Prestissimo molto espressivo Grave, maestoso Adès Arcadiana for String Quartet (1994) Venezia notturna Das klinget so herrlich, das klinget so schön Auf dem Wasser zu singen Et... (tango mortale) L’Embarquement O Albion Lethe INTERMISSION 6 CAL PERFORMANCES CAL PERFORMANCES 7 PROGRAM NOTES PROGRAM NOTES Igor Stravinsky (1882–1971) music at the time. He later explained the move- prominence—the piano solos Still Sorrowing American premiere at Santa Fe Opera in July Three Pieces for String Quartet ment’s inspiration in an interview with Robert and Darknesse Visible, the song cycles Five Eliot 2006 and has been announced for the 2012– Craft: “I had been fascinated by the movements Landscapes and Life Story, Catch and Living Toys 2013 Metropolitan Opera season. Composed in 1914. Premiered on November 8, of Little Tich, whom I had seen in London in for chamber orchestra—and in 1993 he was ap- The distinguished critic Andrew Porter 1915, in Chicago by the Flonzaley Quartet. -
IV. Kammermusik
IV. Kammermusik Abe, Keiko Martin Grubinger jun. / Martin Grubinger sen. / The Wave Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) The Percussive Planet Ensemble, Martin 8. Dez. 2013 Grubinger (Mulitpercussion) Martin Grubinger jun. / Martin Grubinger sen. / Prism Rhapsody Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) Abreu, Zequinha de Tico Tico (Arr.: Enrique Crespo) German Brass 27. Mai 2009 Albéniz, Isaac Granada aus Suite española, German Brass 27. Mai 2009 op. 47 (Arr.: Enrique Crespo) Tango , op. 165/2 Mischa Maisky (Violoncello), Lily Maisky 10. März 2011 (Klavier) Albioni, Tommaso Sonate in h-Moll, op. 1/8 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Concerto Italiano Bach, Johann Sebastian Sinfonia aus Wir danken dir, Gott, wir danken dir, BWV 29 German Brass 27. Mai 2009 (Arr.: Matthias Höfs) German Brass 14. Juni 2012 Suite Nr. 2 f. Flöte u. Streicher in h-Moll, BWV 1067 London Baroque 12. März 1991 Suite Nr. 5 f. Streicher in g- London Baroque 12. März 1991 Moll, BWV 1070 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Sonate in C-Dur, BWV 1037 Concerto Italiano Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/1 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/3 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/4 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/10 Triosonate Nr.