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The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
SALA-Conference-Prog
SOUTH ASIAN LITERARY ASSOCIATION 2019 ANNUAL CONFERENCE SOUTH ASIAN LITERATURES IN THE WORLD January 6-7, 2019 theWit Chicago 201 N. State St. Chicago, IL 60601 USA Conference Co-Chairs: Madhurima Chakraborty, Columbia College Chicago Nalini Iyer, Seattle University DAY 1: SUNDAY, JANUARY 6, 2019 7:30 AM: REGISTRATION DESK OPENS 8:00-8:20 AM: CONFERENCE COMMENCEMENT Wilde ● John C. Hawley, SALA President ● Madhurima Chakraborty, Conference co-chair. “South Asian Literatures in the World.” SESSION 1: 8:30-9:45 AM Wilde Locating the Inventions of South Asia—Opening Plenary (Roundtable) Chair: Nalini Iyer, Seattle University ● Neilesh Bose, University of Victoria ● Rajani Sudan, Southern Methodist University ● Susan Andrade, University of Pittsburgh ● Ana Cristina Mendes, University of Lisbon, Center for English Studies ● Waseem Anwar, Forman Christian College, Lahore SESSION 2: 10:00 -11:15 AM 2A Wilde SALA Conference Schedule/2 Gender, Environment, and Crisis in South Asian Graphic Narratives (Roundtable) Chair: Kavita Daiya, George Washington University ● Kavita Daiya, George Washington University. “Migration Stories.” ● Anuja Madan, Kansas State University, “The Art of Amruta Patil.” ● Lopamudra Basu, University of Wisconsin-Stout. “Postcolonial Masculinities in Sarnath Banerjee’s Novels.” ● Sukanya Gupta, University of Southern Indiana. “Sarnath Banerjee’s All Quiet in Vikaspuri as Text/Image Activism & Cli-Fi.” ● Nidhi Shrivastava, University of Western Ontario. “Priya’s Shakti:, Recasting of Familiar Mythological Constructs in Order to Criticize Rape Culture.” 2B Dickinson The Politics of Kashmir Chair: Abdollah Zahiri, Seneca College ● Rituparna Mitra, Marlboro College. “The Ghazal and the Gathering of World’s in Ali’s ‘The Country Without a Post office’.” ● Wafa Hamid, Lady Shriram College for Women, University of Delhi. -
December 2020 Issue
THEOur Vision: “Successful-LAKER Now and Beyond” REVIEW Volume 41 Calloway County High School Issue 3 2108 College Farm Road, Murray, Ky. 42071 December 18, 2020 Visit city’s Festival of Lights through Jan. 2 Center follows different regulations Hannah Foote Park Recreation Maintenance when the bank approached the park Jewell Gwaltney the MCCATC have had to try to Entertainment Editor Director Steve Wilhelm undertakes offering to first sponsor the show. Staff Writer come up with different ways to pro- the task of setting up the light dis- Murray Bank Marketing Vice Pres- vide a quality education to students, As the holiday season approach- plays throughout the park with oth- ident Tim Stark explained that they The Murray/Calloway County in a hands-on environment, through es, the annual Festival of Lights in ers of the park staff. He usually be- wanted to support the parks. They Area Technology Center (MC- an online venue. Instructors have Murray-Calloway County Central gins setting up in late October and also wanted to help give the com- CATC) offers valuable certifications recorded lessons of themselves actu- Park lights up the night. Many fam- finishes just before Thanksgiving. munity something to look forward in carpentry, culinary arts, automotive ally completing various tasks to share ilies consider driving through the The Murray Bank sponsors the Fes- to. Through their contributions, they technology, electricity, welding, nurs- with students. They have utilized ev- park light displays hope to make the Festi- ing and machine tool. ery facet of Google Suite in addition a long-standing val of Lights a bit larger This year students were only able to online curricula. -
Building Your Chronological Resume
BUILDING YOUR CHRONOLOGICAL RESUME [email protected] 985-876-5861, Option 2 Chronological resumes order information in descending chronological order (most recent to least recent). I suggest making two resumes: a master resume and the resume you will turn into potential employers. Start with your master resume, which lists everything that you’ve done and skills that you have regardless of whether or not it pertains to any specific career or job. Then, make a copy of your master resume and weed out the irrelevant information for the position you want to apply for. (If you decide to make a master resume, make it a chronological resume instead of a skills-based resume as it does not focus on any specific skillset.) Having a master resume helps you to remember what education, experience, training, certifications, etc. you have. That way, when you apply for something new, you won’t have to wrack your brain for anything relevant you can put on it. It’s all right in front of you! MAIN COMPONENTS OF A CHRONOLOGICAL RESUME Name and Contact Information Put your full name in a clear font where it is easy to see. Don’t use a nickname. Most resumes have the individual’s name at the very top of the page in a larger font than any other information. o If you have a common name or know of others with the same name as you, putting a middle name or middle initial can minimize confusion. Put at least two reliable and up-to-date means of contact potential employers can reach you at. -
SALA-Newsletter-Wint
Murdoch University (Western Australia) and Jackson State University (USA) Winter 2019 VOLUME 43 NO. 2 President’s Column 1 PRESIDENT’S COLUMN SALA 2019 Conference Program 2-9 Dear SALA Members: SALA Member News 10 Happy New Year to all! The main reason of SALA 2019 is to address Meena Alexander: In Memoriam by Lopa Basu 11 the move in academia away from the Eurocentric emphasis in conceptu- 12-15 New Books in South Asian Studies alizations of “globalization,” and towards what our call for papers de- (En) Gendering South Asian Studies: The Evolution of the 16-18 scribes as a thinking through of “South-South affinities, affiliations, and South Asian Review by Rahul K. Gairola antagonisms.” Thanks to Madhurima Chakraborty and Nalini Iyer for In His Own Words: The History of South Asian Review by 19-20 this great theme, and for their organizational skills in pulling this to- P.S. Chauhan gether. This conference will investigate “the cultural production of Amritjit Singh honored at Ohio University by Christopher 21 South Asian identity as a global phenomenon,” asking “how such pro- Ian Foster duction is generated globally, through international relationships, and in Open SALA Positions and Candidate Profiles 21-23 concert with production of identities of other nations and collective CFPs, Forms, Note from Webmaster, and Miscellany 24-32 identities.” This promises to be a wonderfully imaginative set of papers that will enrich the published research of our members. SALA EXECUTIVE BOARD 2017-2019 President: John C. Hawley, Santa Clara University Vice President: Nalini Iyer, Seattle University Chicago is an excellent site for such discussions. -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms .......................................................... -
SLF Portolan Project Interview with Nalo Hopkinson, Andrea Hairston, and Sheree Renée Thomas Los Angeles, California, 2019
SLF Portolan Project Interview with Nalo Hopkinson, Andrea Hairston, and Sheree Renée Thomas Los Angeles, California, 2019 Mary Anne Mohanraj: Hi everybody, this is Mary Anne Mohanraj, and I'm here at the World Fantasy Convention 2019 in Los Angeles. I'm here with Nalo Hopkinson, Andrea Hairston, and Sheree Renée Thomas, really delighted to be interviewing them for the SLF. So, I thought we would start with how I first got to know all of you and your work. I think the first one was Nalo Hopkinson. I met Nalo at WisCon, it would have been, I want to say around 1997-98, when WisCon was making a real effort to do outreach to people of color, and they had actually invited me to come, and I was a starving grad student at the time, and said I couldn't possibly fly from California all the way to Madison. And they had covered my expenses to attend the convention. And I got there, and there were five people of color, at the seven – Andrea Hairston: That was a good year. [laughter] Mary Anne Mohanraj: Yeah, at the 700-something person convention. So they had an issue, which they were trying to address. And Nalo was one of them. Does that match up with your memory? And, I don't know, was that your first WisCon as well, or? Nalo Hopkinson: My first WisCon was right after Clarion, and I did Clarion in ‘95, so it was probably a few years before. Mary Anne Mohanraj: A little before, then. Nalo Hopkinson: I think I knew who you were before then. -
How-To-Win-Creative-Clients.Pdf
Alex James All Rights Reserved © Alex Mathers 2015 (Alex James) No part of this book may be reproduced or transmitted in any form without the written permission of the author, except for the inclusion of brief quotations in a review. If you believe this copy was sold to you through an illegitimate source, please notify the author with details of where you got this by contacting [email protected]. Contents Introduction ................................................................................................................. 4 Part 1 - Cover Your Bases .......................................................................................... 11 Part 2 - Build Your Value Network ........................................................................... 50 Part 3 - Extra Magic ................................................................................................... 76 Part 4 - Strategy and Taking Action .......................................................................... 95 Full Recap .................................................................................................................102 About the Author .....................................................................................................104 Icon Attribution .......................................................................................................106 Introduction Welcome aboard! On a scale of 1-20, ‘1’ being stone-cold clueless about where to start, and 20 being able to sit back and watch dream clients literally beating at -
SLF Portolan Project Interview with Minal Hajratwala Locus Awards, Seattle, June 2019
SLF Portolan Project Interview with Minal Hajratwala Locus Awards, Seattle, June 2019 Mary Anne Mohanraj: Hey everybody, this is Mary Anne Mohanraj, prototyping a podcast that I'm hoping that Ben Rosenbaum and I will be able to do going forward. We don't really have a focus yet. We are thinking it could be somewhere in the culture and speculative fiction realm. It may be pretty wide ranging, because Ben and I often talk about politics and religion, and family; science, technology, cities; whatever strikes our fancy, and we get into good conversations. But Ben isn't with us today. Today, I'm in Seattle. I have come here for the Locus Award ceremony and conveniently was able to set up an interview with Minal Hajratwala (Did I say that right? I did, okay) – who is here as a Clarion student, which really startled me because I know her as a very accomplished writer. She did this book Leaving India, which is a history of the Indian diaspora, but it's also a memoir about her family that ended up in six different countries? Yes? Minal Hajratwala: Nine! Mary Anne Mohanraj: Nine different countries. I get this wrong every time! Nine different countries – Minal Hajratwala: It’s a lot of countries to keep track of. Mary Anne Mohanraj: It's a lot of countries. Nine different countries. But it's a book that I teach in my postcolonial lit class. But she's now made a turn to science fiction. And she's here, so – say hi! Minal Hajratwala: Hi! Mary Anne Mojanraj: Do you want to introduce yourself? Minal Hajratwala: Here we are, yes, I'm Minal Hajratwala, here we are in J’aime Les Crepe House in Seattle. -
Xenoblade Chronicles 3D While I'll Continue to Put in Work on Loz Mini-Games (See Previous Play Journal Entry) and Drop Whatever
Xenoblade Chronicles 3D Play Journal Entries Stagger Lanayru79 11/21/2015 5:11 PM While I'll continue to put in work on LoZ mini-games (see previous Play Journal entry) and drop whatever I'm playing to join a Totem w/ friends, an any% playthrough of my favorite RPG ever will fill my time between now and the first week of December. I have no experience skipping XC Quests, Landmarks and UMs. The goal here is to finish at the lowest level I can. I'll update at major battles, with E Yeah! e 23 r 101 D Advertisement Share this Post 1 Tweet 2 Share Embed Comment AlienSquid 11/21/2015 5:17 PM I'm at the marsh on my first ever playthrough on wii. Loving it so far I don't think I'll make it through before Christmas tho E Yeah! e 1 Stagger 11/21/2015 5:19 PM exponentially less detail than I did during my 100% playthrough last spring. If you're on the edge of your seat for my thoughts on the minutiae of story and gameplay, both the best in the genre I've encountered, those are the posts to look back on. I know the public hungers for my gibberish. :p I'll be marking spoilers from beyond Xord in the comments here. Wish me luck! E Yeah♥ e 1 D Meagan 11/21/2015 5:32 PM I'll be looking forward to your progress. Xenoblade is one of my favorites! E Yeah! e 3 D Justin86 11/21/2015 5:46 PM Getting warmed up for Xenoblade Chronicles X? From what I've seen of gameplay footage, the world in that game may be about as vast as the one in this game, if not larger. -
Spanglish En Canciones Populares Spanglish in Popular Music Magisterská Diplomová Práce
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra romanistiky Spanglish en canciones populares Spanglish in popular music Magisterská diplomová práce Autor: Bc. Markéta Rokosová Vedoucí práce: Mgr. Radim Zámec, Ph. D. Olomouc 2020 Prohlášení Prohlašuji, že jsem tuto bakalářskou diplomovou práci vypracovala samostatně pod odborným vedením Mgr. Radima Zámce, Ph. D. a uvedla v ní veškerou literaturu a ostatní zdroje, které jsem použila. V Olomouci dne ................................. Podpis……………………………… Poděkování Děkuji vedoucímu mé diplomové práce panu Mgr. Radimovi Zámcovi, Ph.D. za odborné vedení, za pomoc a rady při zpracování této práce. Obsah Introducción ........................................................................................................................... 6 1. Spanglish y su definición ............................................................................................. 8 2. Características de Spanglish ....................................................................................... 10 2.1. Fenómenos lingüísticos .................................................................................... 10 2.1.1. Los préstamos ....................................................................................... 10 2.1.2. Calcos .................................................................................................... 11 2.1.3. El cambio de código ............................................................................. 11 2.2. Español vestigial .............................................................................................. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.