DOCSLIB.ORG

Everything but the Girl Worldwide Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Everything but the Girl Worldwide Mp3, Flac, Wma Everything But The Girl Worldwide mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Worldwide Country: Philippines Released: 1991 Style: Downtempo, Synth-pop MP3 version RAR size: 1169 mb FLAC version RAR size: 1470 mb WMA version RAR size: 1739 mb Rating: 4.6 Votes: 623 Other Formats: TTA MP1 MIDI VOC APE AUD DMF Tracklist Hide Credits Old Friends 1 Cymbal [Cymbals], Percussion – Ralph SalminsPiano [Digital], Synthesizer, Electric Guitar, 3:45 Backing Vocals, Percussion [Fingerclicks] – Ben Watt Understanding 2 Bass – Geoff GascoynePiano [Digital], Synthesizer, Guitar, Backing Vocals, Drum 4:11 Programming [Drum And Percussion] – Ben Watt You Lift Me Up 3 Bass – Geoff GascoyneDrums – Ralph SalminsOrgan, Piano [Acoustic], Electric Guitar, 4:13 Backing Vocals – Ben Watt Talk To Me Like The Sea 4 Alto Saxophone – Dick OattsPiano [Digital], Synthesizer, Guitar, Bass [Synth], Drum 4:30 Programming [Drum And Percussion] – Ben Watt British Summertime 5 3:46 Piano [Acoustic], Synthesizer – Ben WattSoprano Saxophone – Dick Oatts Twin Cities Acoustic Guitar, Backing Vocals, Drum Programming [Additional] – Ben WattArranged By 6 [Horns] – Ben Watt, James McMillanBass – Geoff GascoyneCongas, Tambourine – Martin 4:35 DitchamDrums – Ralph SalminsOrgan – Peter Murray Piano [Acoustic] – Damon "The Doctor" Butcher*Tenor Saxophone – Pete WhymanTrumpet, Flugelhorn – James McMillan Frozen River 7 Bass – Steve PearcePiano [Digital], Synthesizer, Electric Guitar, Backing Vocals, Drum 3:48 Programming [Drum And Percussion] – Ben Watt One Place Bass – Geoff GascoyneDrums – Vinnie ColaiutaElectric Guitar – Greg LesterPiano 8 4:58 [Acoustic], Synthesizer, Acoustic Guitar, Backing Vocals, Drum Programming [Drum And Percussion] – Ben Watt Politics Aside 9 Guitar, Vibraphone [Synth Vibes], Bass [Synth], Backing Vocals, Percussion [Sampled] – 3:24 Ben Watt Boxing And Pop Music 10 5:57 Bass – Steve PearcePiano [Digital], Synthesizer, Guitar, Drum Programming – Ben Watt Feel Alright 11 0:54 Acoustic Guitar, Synthesizer – Ben WattBass – Geoff GascoynePercussion – Martin Ditcham Credits Arranged By [Rythm, Overdubs] – Ben Watt Arranged By [Vocals] – Ben Watt, Tracey Thorn Artwork By – Senate Engineer – J.J. Boys* Engineer [Assistant] – Jon Mallison Engineer [Compilation] – Crispin Murray Lyrics By – Ben Watt (tracks: 1, 4, 6, 7, 9 to 11), Tracey Thorn (tracks: 2, 3, 5, 8) Mastered By – Gordon Vicary Mixed By – Ben Watt, J.J. Boys* Music By – Ben Watt (tracks: 1, 2, 4 to 7, 9 to 11), Tracey Thorn (tracks: 3, 8) Other [Quotation] – Bruce Chatwin Photography By [Cover] – Richard Haughton Producer – Everything But The Girl Programmed By [Sound] – Ben Watt Vocals – Ben Watt (tracks: 4, 10, 11), Tracey Thorn Notes ℗ 1992 Blanco Y Negro. Manufactured and distributed by Warner Music Philippines, a Warner Music Group Company Barcode and Other Identifiers Barcode: 9031-76583-2 Other versions Category Artist Title (Format) Label Category Country Year Everything But Worldwide (CD, Blanco Y UK & 9031-75308-2 9031-75308-2 1991 The Girl Album) Negro Europe Everything But Worldwide (CD, Blanco Y 9031-76583-2 9031-76583-2 Germany 1992 The Girl Album, RE) Negro Everything But Worldwide (CD, Toy's TFCK-88820 TFCK-88820 Japan 1991 The Girl Album) Factory Everything But Worldwide (CD, Blanco Y sam 892 sam 892 UK 1991 The Girl Album, Promo) Negro Everything But Worldwide (CD, Imperial TECI 24386 TECI 24386 Japan 2006 The Girl Album, RE, Min) Records Related Music albums to Worldwide by Everything But The Girl Everything But The Girl - Old Friends Everything But The Girl - The Language Of Life Steve Thorne - Crimes & Reasons Everything But The Girl - Home Movies - The Best Of Everything But The Girl Men At Work - Two Hearts Everything But The Girl - Home Movies (The Best Of Everything But The Girl) Janet Jackson - Control Dajla - The Meaning Of Life.
Load more

Recommended publications
  • The Songs Songs That Mention Joni (Or One of Her Songs)
    Inspired by Joni - the Songs Songs That Mention Joni (or one of her songs) Compiled by: Simon Montgomery, © 2003 Latest Update: May 15, 2021 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1968 Scorpio Lynn Miles Dancing Alone - Songs Of William Hawkins 1969 Spinning Wheel Blood, Sweat, and Tears Blood, Sweat, and Tears 1971 Billy The Mountain Frank Zappa / The Mothers Just Another Band From L.A. Going To California Led Zeppelin Led Zeppelin IV Going To California Led Zeppelin BBC Sessions 1972 Somebody Beautiful Just Undid Me Peter Allen Tenterfield Saddler Thoughts Have Turned Flo & Eddie The Phlorescent Leech & Eddie Going To California (Live) Led Zeppelin How The West Was Won 1973 Funny That Way Melissa Manchester Home To Myself You Put Me Thru Hell Original Cast The Best Of The National Lampoon Radio Hour (Joni Mitchell Parody) If We Only Had The Time Flo & Eddie Flo & Eddie 1974 Kama Sutra Time Flo & Eddie Illegal, Immoral & Fattening The Best Of My Love Eagles On The Border 1975 Tangled Up In Blue Bob Dylan Blood On The Tracks Uncle Sea-Bird Pete Atkin Live Libel Joni Eric Kloss Bodies' Warmth Passarela Nana Caymmi Ponta De Areia 1976 Superstar Paul Davis Southern Tracks & Fantasies If You Donít Like Hank Williams Kris Kristofferson Surreal Thing Makes Me Think of You Sandy Denny The Attic Tracks Vol. 4: Together Again Turntable Lady Curtis & Wargo 7" 45rpm Single 1978 So Blue Stan Rogers Turnaround Happy Birthday (to Joni Mitchell) Dr. John Period On Horizon 1979 (We Are) The Nowtones Blotto Hello! My Name Is Blotto.
    [Show full text]
  • First Ever 'National Album Day' Announced for October 13Th 2018
    – Embargoed to 00.01 hours, 23rd July 2018 – First ever ‘National Album Day’ announced for October 13th 2018 Week-long build-up of events & activity celebrating the UK’s love of the album Supported by BBC Music and with backing across the music community Artist engagement, leading the national conversation around the format as it evolves At 3.33(r)pm on Saturday, 13th October – British public invited to play favourite record Marking the 70th anniversary of the album in 2018 London, 23rd July 2018 – All sectors of the British music community have come together with BBC Music to proudly announce a new annual event – the first-ever National Album Day on Saturday, 13th October 2018. National Album Day will mark the culmination of a week-long series of events and activity around the country that will celebrate all aspects of the UK’s love of the album – new releases and classic recordings across all genres of music. It will also pay tribute to the sleeve artwork that contributes to the album’s iconic appeal. This inaugural event comes in a year that coincides with the 70th anniversary of the album1. Planned activity will include dedicated BBC Music programming and editorial support; retail events and artist personal appearances; Classic Album Sundays LP playbacks and artist interviews/fan Q&As; and online listening parties. A social media campaign (@AlbumDayUK/#NationalAlbumDay) will invite people to nominate and share the album that has most inspired them; and at 3.33pm on 13th October – National Album Day – fans, stores, radio stations and public spaces will be invited to play their favourite album in full.
    [Show full text]
  • Key Music Books You Must Read
    KEY MUSIC BOOKS YOU MUST READ This selection of books is divided into two categories – essential reading for anyone wanting to commit to a career in the music industry; and entertaining reads which are informative and enjoyable but are essentially geared at all music enthusiasts. ESSENTIAL READING FOR MUSIC STUDENTS “How music works” by David Byrne Chapter 7 of this book is entitled “Business and Finances (distribution and survival options for music artists)” and it is absolutely essential reading for any songwriter or musician. David Byrne of legendary rock group Talking Heads explains the detailed financial ins and outs of one of his album releases. He outlines the various costs involved and who gets the various percentages. He uses colour-coded diagrams to convey how the money pie is shared. At the same time, he describes the complex financial mechanisms of the modern music business. This is unmissable information. Few working musicians take the time to explain the money trail to newcomers who usually believe there is a pot of gold at the end of the rainbow. What Byrne explains is how a musician who is willing to keep a lid on costs can make a modest living recording albums and touring. The rest of the book has a lot of interesting material, some of it a bit academic, some of it needing effort to persevere. But Byrne's enthusiasm for music usually carries you along. I liked the following bits in particular: Music as social glue, as a self- empowering social agent (pages 291-293); the value of music education (pages 295- 296); eight rules about how to create a music scene (pages 251-263); how recording technology is now incredibly accessible and cheap so there is no need for albums to be costly to record (pages 180-181); and the mp3 – poorer sound quality but maybe it is better to value convenience over sound (pages 124-126).
    [Show full text]
  • “I Felt a Kind of Sweet Giddiness When I Met Mingus.”
    LONDON a MEMPHIS a EL PORTAL APRIL 2016 Issue 269 FEATURES 40 TRACEY THORN TheEverythingButTheGirl singer speaks to Andrew Male aboutthehighsandlowsoflife as an indie icon, and her new career as an acclaimed author. 46 FIELD MUSIC After12yearsofDIYjazz-pop- soul,andaheartyendorsement fromPrince,istheworldfinally ready for the Brewis Brothers? Ben Myers find out. 50 DAVE DAVIES TheyoungestKinkbrother takesMarkPaytressona journeyintohisremarkable musicalpast,andapresent world of psychic magick and extraterrestrials. 58 MICHAEL CHAPMAN Celebrating 50 years on the road, the hard-as-nails Yorkshire singer-songwriter givesBenThompsonamusical survival masterclass. 62 JONI MITCHELL Howdida’60sacousticfolkicon reinvent herself and confound her critics in the 1970s? David Frickewatchesthechanges. COVER STORY 70 IGGY POP On the eveofhisfarewellfrommusic, Mr James Osterberg speaks to KeithCameronabout50years on the rock’n’roll front line. Plus: Swan-song collaborators Josh Homme, Matt Helders andDeanFertitadiscussthe method and madness of Iggy old and new. “I felt a kind of sweet giddiness whenImetMingus.” JONIMITCHELLLOOKSBACKONTHE LIBERATIONOFHERJAZZYEARS.P62 Henry Diltz MOJO 3 Desert blooms: Joni Mitchell takes the air outside Las Vegas, Nevada, May 1978. MOJO 63 AN DOWN THE BLOCK OUTSIDE THE BAKED POTATO ON TUESDAY 3. Named after the main dish on the menu, the small, venerable Los Angeles jazz d by pianist Don Randi in 1970 – hosted a popular residency by a combo of top, ers who also happened to be among the busiest session musicians in town. The r, saxophonist Tom Scott, made records with John Coltrane’s producer Bob Thiele ing business in TV and movie scores. But the other cats were his equals in resumé. Sample was a founding member of hard-bop-turned-R&B stars The Crusaders; Bennett grew up in the bebop era and worked with singers Peggy Lee and Ella ummer John Guerin played with Thelonious Monk, Lou Rawls and Linda Ronstadt late line-up of The Byrds.
    [Show full text]
  • Playnetwork Business Mixes
    PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era.
    [Show full text]
  • La Melanconia E
    Mercoledi 24 aprile 1996 Spettacoli I Umta2 pagina / IL FESTIVAL. Gilberto e Keith Jarrett L'INTERVISTA. II successo dei «nuovi» Everything But The Girl Due leggende per Umbria jazz • Q sara una delle leggende del tman ha dedicato all eta d oro del la musics brasiliana Joao Gilberto jazz con Denzel Washington tra i che non veniva in Italia da almeno protagonist! si intitola Kansas City quattordici anni e poi il colosso del e sara presentato il 19 nel pome sax Sonny Rollins mesclusivaeuro riggio al teatro Turreno pea e ancora Keith Janett I ex Ge II programma e ncco di molti al nesis Phil Collins che si presentera tn incontn (1 duo formato dal con una big band e ancora I ante- maestro della chitarra jazz Jim pnma del nuovo film di Robert Al Hal! e dal sassofonista Joe Lovano Iman Kansas City dedicate all e (il 17) la Camen jazz di Enrico poca doro del jazz e il balletto Rava nella basilica sconsacrata di con la compagnia di David Par S Francesco A Prato (il 17 e il 18) sons che terra anche uno stage di la ^ocal night con Al Jarreau e danza contemporanea Insomma Dianne Reeve); (il 20) Michel Pe sarS un edizione davvero speciale trucciani al Morlacchi la sera del quella dl Umbna Jazz 96 con un 21 il grande ntorno della Carta cartellone zeppo di occasiom spe Blev Big Band dal 19 al 21 a S ciali e non a caso gia definite uno Francesco a Prato dove si esibi del miglion nella stona ultraven ranno anche -Lester Bowie con la lennale della manifestazione um sua Brass & Steel Band (il 14) e bra HemyThreadgill(ill5el6) Nel II festival si svolgerS
    [Show full text]
  • Nightlife Albums
    THURSDAY, JULY 12, 2007 19 [email protected] comedy music film on line radio pop culture live downloads television DIVE DIVE DIVE: Sam Walsh, foreground, and Adam McKay nightlife captains of The Yellow Submarine. PICTURE: Bruce Mercer waikato Hannah Curwood and Simon Comber at La Commune. TONIGHT Ric Rush and Kellyn with a new The Big Pay Back at Sekure, with monthly event at The Loft Kellyn and Ric Rush. showcasing new and old house grooves, electro-funk and assorted Rubix Cuba (Australia), Dynamo beats. Go plus guests at Yellow Submarine (see main story). out of town TOMORROW (internationals) Evil, the new project from The 3Ds’ David Mitchell, at Ward SUNDAY Lane. Local support from Skelitor Bobby Brown, American R&B and Yokel Ono, door charge $15. singer, Energy Events Centre, Yellow Submarine Benefit Show Rotorua, tickets from Ticketek. (see main story). Kimbra solo acoustic show at La WEDNESDAY Commune. Regina Spektor, Russian-born Sophie serving up house classics, singer-songwriter, Bruce Mason rolling beats and funk at Sekure. Centre, Takapuna. Tickets from Ticketek. SATURDAY Unearth, Boston metalcore The Bleeders at Yellow Submarine exponents, The Studio. Tickets (see main story). from Ticketek. Paul Orion (Auckland) lashing Bobby Brown, TelstraClear Events out house, breaks and electro- Centre, Manukau. Tickets from styled tunes at Sekure. Ticket Direct. Email event info to [email protected] The submarine surfaces The Mole Music chaps are making a new stand for The Yellow Submarine. make it a nice environment to be in.” local music. “The scene relies on people coming to shows — even With a maximum capacity of more than 300 people Sam Walsh and Adam McKay, the 23-year-olds who when there is not 150 or 200 people there, even when — the bunker-like bar is deceptively large once you formed Hamilton’s fledgling Mole Music label, have it’s quite small,” says McKay.
    [Show full text]
  • Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
    Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients.
    [Show full text]
  • Women in Rock OLLI Berkeley Course Material
    Syllabus for Women in Rock: From the 1950s to the 1980s Instructor: Richie Unterberger, [email protected] OLLI Berkeley Week One: Women in Rock: The Early Years and The Girl Groups In the 1950s, rhythm and blues singers like Ruth Brown and LaVern Baker have some of the first rock’n’roll hits; Wanda Jackson and the Collins Kids are top rockabilly acts; and Brenda Lee becomes the first woman rock superstar. As New York’s Brill Building becomes established as the top place for rock publishers, women like Carole King, Cynthia Weil, and Ellie Greenwich become some of pop-rock’s most successful songwriters. Girl groups like the Shirelles, the Crystals, the Ronettes, the Chiffons, and the Cookies have numerous hits in the early 1960s, forming one of the major trends in rock of the period. In the early 1960s, some of the most R&B-oriented girl groups become some of the first soul stars, especially for Motown Records, with the Marvelettes, Martha & the Vandellas, the Supremes, and Mary Wells. Week Two: Women in Soul and British Rock Women soul singers emerge throughout the country, some of them more pop-oriented (Maxine Brown, Dionne Warwick), some of them earthier (Carla Thomas, Irma Thomas, Etta James). Aretha Franklin is anointed the Queen of Soul after moving to Atlantic Records and adopting a tougher, more spiritual sound. Other women soul singers with a forceful style emerge and increase in popularity, like Gladys Knight, Nina Simone, and the Staple Singers. Although all-male guitar bands dominate the British Invasion, a good number of women singers also make an impact both in their native UK and in the US.
    [Show full text]
  • 1082 • December 5, 2012
    #1082 • December 5, 2012 the holiday party of the twelves Sidetrack Lots of elves! give-aways! 12.12.12 Wednesday, December 12th, 2012 Holiday Cheer. Doors open to the public at 8pm. No cover. 3349 N. Halsted SidetrackChicago.com That Guy by Kirk Williamson This from Paté over at Parlour: Hello, and an Absolut OUTrageous tasting at 11. Darling! I am throwing a little party on Wed., Dec. 12, from 7-10 p.m. It’s a supply drive to So check this shit out. I just got a new car, benefit my dogs at FOUND. Asking people to finally. It’s awesome. A 2004 Chrysler Concorde remember our four-legged friends this holiday or, as a friend recently called it, a “land shark.” season, and to bring items like dog treats, And boy were they right. Anyway, since I last bleach, new or gently used blankets and towels, owned a car a few months ago, I forgot just etc. TWO DOLLAR DRINKS! If there is a chance how much this job keeps me on the go. Take you might give it a mention I’d be so grateful as last Friday for instance. I started at @mosphere always... Thanks Kirk! to revel in the grand opening of @mosphere Best, Paté 2.0 (check out their psychedelic new tables!), stopped into Target to buy a princess castle Done :) for my niece, witnessed a staged teabagging at the TPAN Barlesque VI finals at North End Despite the freakishly warm temps this weekend, (congrats to Jackhammer’s Mark for raising in I’m forced to ponder if more bars open in excess of $8,000!), ran a spontaneous errand to the cold of winter.
    [Show full text]
  • Ewan Pearson
    Craft Kidderminster, your home town, might be known to pro-audio followers as the former Ewan Pearson home of Midas and Klark Teknik… People I know from school did work experience at Klark Teknik, but I went to the DAVE ROBINSON talks to the supremely positive and Shuttle, the local newspaper! Music was a real personable dance music DJ/remixer-turned-producer about passion and I was interested in production and ‘how do they get these things to sound the his recent work with the caramel-voiced Tracey Thorn way they do?’ but at that stage I only had two synths and an Atari ST... When dance music happened and made a huge impact in Britain, he plot of Midlands-born Ewan Alongside a respected remixing career, that was the point where I thought, right, you Pearson’s formative years is not an Pearson has become the producer and studio don’t need anybody else, and I got really into unfamiliar tale. He fussed and fiddled confidante for Tracey Thorn in her post- instrumental dance music. At the time, the Twith bedroom techno as a teenager, Everything But The Girl years. He’s worked on only thing I wanted to do was have a 12-inch before dropping out of college to pursue ‘a practically all of Thorn’s solo projects since her white label. That was the sum total of my career in music’ and then experiencing the comeback album Out of the Woods (2007). On ambition — I couldn’t see it as a job anywhere highs and lows of the struggling artist.
    [Show full text]
  • Ben Watt Biography
    BEN WATT BIOGRAPHY Ben Watt firs appeared in London in 1981 as a young nineteen-year-old experimental songwriter-singer-guitarist. 1982’s 5-tracK EP Summer into Winter featured Robert Wyatt. His early worK culminated in his sparse atmospheric debut album North Marine Drive (1983, UK Independent Album Chart, No 9). In 1983 he put solo plans on hold to perform and write full-time with Tracey Thorn in their recently-formed duo Everything But The Girl. The band stayed active until 2000, delivering twelve UK Top 40 singles, two platinum and seven gold UK Top 20 albums and one gold US album. 1995’s global hit Missing reached No. 2 on the US Billboard Top 100. The 1994 album Amplified Heart and the 1996 album WalKing Wounded - for which Watt was nominated as Best Producer at the Q Awards - each sold over a million copies. The duo’s career was dramatically interrupted for a year in 1992 by Watt’s drawn- out hospitalisation and near-death experience with a rare auto-immune disease Churg-Strauss Syndrome (aka EGPA) with which he now still lives - a period documented in his acclaimed 1996 memoir, Patient (New YorK Times Notable BooK of the Year; shortlisted for the Esquire Non-Fiction Award; Sunday Times BooK of the Year) Everything But The Girl quit on a high in 2000. Watt moved out of the mainstream into record production (Beth Orton), remixing (inc Sade, Maxwell, Meshell Ndegeocello), DJing and clubland. He co-launched the influential London day-night Sunday party and compilation series Lazy Dog (1998-2003) and was creative director, resident DJ and part-owner at west London night clubs Cherry Jam and Neighbourhood (2001-2003) before starting his own award-winning electronic record label and club night Buzzin' Fly in 2003.
    [Show full text]