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Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
ANSWERED ON:25.11.2014 TOURIST SITES Singh Shri Rama Kishore
GOVERNMENT OF INDIA TOURISM LOK SABHA UNSTARRED QUESTION NO:403 ANSWERED ON:25.11.2014 TOURIST SITES Singh Shri Rama Kishore Will the Minister of TOURISM be pleased to state: (a) whether tourist sites have been categorised grade-wise in the country and if so, the details thereof; (b) the details of tourist sites covered under Buddhist circuit and developed as world heritage tourist sites during the last three years and the current year; (c) whether the Government has any tourism related proposals for Vaishali in Bihar including financial assistance; and (d) if so, the details thereof? Answer MINISTER OF STATE FOR TOURISM (INDEPENDENT CHARGE) (DR. MAHESH SHARMA) (a): Madam. At present there is no grade wise categorization of tourist sites. (b): The Ministry of Tourism has identified following three circuits to be developed as Buddhist Circuits in the country with the help of Central Government/State Government/Private stake holders: Circuit 1: The Dharmayatra or the Sacred Circuit - This will be a 5 to 7 days circuit and will include visits to Gaya (Bodhgaya), Varanasi (Sarnath), Kushinagar, Piparva (Kapilvastu) with a day trip to Lumbini in Nepal. Circuit 2: Extended Dharmayatra or Extended Sacred Circuit or Retracing Buddha's Footsteps - This will be a 10 to 15 day circuit and will include visits to Bodhgaya (Nalanda, Rajgir, Barabar caves, Pragbodhi Hill, Gaya), Patna (Vaishali, Lauriya Nandangarh, Lauriya Areraj, Kesariya, Patna Museum), Varanasi (Sarnath), Kushinagar, Piparva (Kapilvastu, Shravasti, Sankisa) with a day trip to Lumbini in Nepal. Circuit 3: Buddhist Heritage Trails (State Circuits). i. Jammu and Kashmir - Ladakh, Srinagar (Harwan, Parihaspora) and Jammu (Ambaran). -
Adopt a Heritage Project - List of Adarsh Monuments
Adopt a Heritage Project - List of Adarsh Monuments Monument Mitras are invited under the Adopt a Heritage project for selecting/opting monuments from the below list of Adarsh Monuments under the protection of Archaeological Survey of India. As provided under the Adopta Heritage guidelines, a prospective Monument Mitra needs to opt for monuments under a package. i.e Green monument has to be accompanied with a monument from the Blue or Orange Category. For further details please refer to project guidelines at https://www.adoptaheritage.in/pdf/adopt-a-Heritage-Project-Guidelines.pdf Please put forth your EoI (Expression of Interest) for selected sites, as prescribed in the format available for download on the Adopt a Heritage website: https://adoptaheritage.in/ Sl.No Name of Monument Image Historical Information Category The Veerabhadra temple is in Lepakshi in the Anantapur district of the Indian state of Andhra Virabhadra Temple, Pradesh. Built in the 16th century, the architectural Lepakshi Dist. features of the temple are in the Vijayanagara style 1 Orange Anantpur, Andhra with profusion of carvings and paintings at almost Pradesh every exposed surface of the temple. It is one of the centrally protected monumemts of national importance. 1 | Page Nagarjunakonda is a historical town, now an island located near Nagarjuna Sagar in Guntur district of Nagarjunakonda, 2 the Indian state of Andhra Pradesh, near the state Orange Andhra Pradesh border with Telangana. It is 160 km west of another important historic site Amaravati Stupa. Salihundam, a historically important Buddhist Bhuddist Remains, monument and a major tourist attraction is a village 3 Salihundum, Andhra lying on top of the hill on the south bank of the Orange Pradesh Vamsadhara River. -
Evidence from Ancient Indian Art
Antiquity of Sailing Ships of the IndianOcean: Evidence from ancient Indian art Dr. Alok Tripathi Underwater Archaeology Wing Archaeological Survey of India ndia has an exceptionally varied and rich art heritage. Varieties of themes depicted in art throw light on various aspects of human history. A number of ships, including sailing ships, have been found depicted in ancient Indian art in the form of terracotta models, Ibas-reliefs, seals, sealing and plaques, paintings on pots and walls, sculptural panels, represen- tation on coins, etc. These representations of ships are in different art media and are widely spread in time, from prehistoric period to the recent past, and space. Such representations in art reveal useful information about the use of sails and development of sailing ships through the ages. The ancient Indian art tradition was not confined to India but also spread as far as Southeast Asia. A systematic study of these representations may help to reconstruct the long maritime history in the Indian Ocean. Although, archaeological explorations and excavations conducted in India so far have not yielded many ancient boats or ships, some of the excavated structures have been identified as evidence of maritime activities during the ancient period. In the absence of sufficient archae- ological evidence it is difficult to reconstruct the long maritime history of the subcontinent having the most prominent position in the Indian Ocean. Systematic study of archaeological evidence, literary references and the study of ancient representations may contribute signifi- cantly to the understanding of the evolution and development of shipping and shipbuilding technology. Representations of ships and boats in Indian art also provide a continuous histo- ry of shipping in India from the Mesolithic to the recent period.(1) Some of the depictions exhibit the actual picture of ships of those days. -
Some Begram Ivories and the South Indian Narrative Tradition: New Evidence Elizabeth Rosen Stone
Some Begram Ivories and the South Indian Narrative Tradition: New Evidence Elizabeth Rosen Stone Many of the Begram ivories rank amongst the finest works lication of the hoard in the Mémoires de la Délégation of art surviving from ancient India. Despite their profound archéologiques française en Afghanistan 9 appeared shortly interest, they are relatively small pieces of ivory and bone made thereafter.3 With regard to the ivories, Hackin compared some in a wide variety of styles and techniques and probably by a of them to Stupa I at Sanchi, while one very important one, large number of craftsmen from different regions and even at Coffret IX (Fig. 6),4 he placed from the end of the third to the different times. The ivories were used to decorate wooden fur- beginning of the fourth century CE.5 His second publication niture, the wood having long since disintegrated. Many of was posthumous, as he and his wife were both killed in 1941, them were imported from India and may have arrived in but their notes were left in safe hands. By 1954, the second Begram already assembled into furniture while others may publication appeared in volume 11 of the same series with have been assembled somewhere near Begram, in eastern Bac- important articles by Philippe Stern, Jeannine Auboyer, Otto tria near the border of Gandhara (Map 1). The ivories were Kurz, and others, as well as important drawings by Pierre found in two sealed rooms, numbers 10 and 13, along with Hamelin. 6 Emphasizing a different group of ivories, and using numerous other treasures that included bronzes and plaster different comparative material, Philippe Stern assigned most casts of metalwork imported from the Greco-Roman world, of the ivories to the first and second centuries CE but admitted Alexandrian glass, and lacquer work from China.1 Neither the that Coffret IX appeared stylistically somewhat later.7 These site of the Begram hoard nor the accumulation of objects con- two studies, as well as the excavation notes, remain the founda- tained within it provides us with definitive dates. -
Government of India Ministry of Tourism Lok Sabha
GOVERNMENT OF INDIA MINISTRY OF TOURISM LOK SABHA UNSTARRED QUESTION NO.98 ANSWERED ON 14.09.2020 PROMOTION OF TOURISM AT BUDDHIST SITES 98. SHRI JAGDAMBIKA PAL: Will the Minister of TOURISM be pleased to state: (a) the number of International tourists who have visited the recognized Buddhist sites in India during the last three year- wise and site-wise; (b) whether the Government has any plans or taken any steps to promote tourism related to Buddhism and to Buddhist sites in India; (c) if so, the details thereof; and (d) whether the Government has any plans or taken any steps to promote Spiritual Tourism in India and if so, the details thereof? ANSWER MINISTER OF STATE FOR TOURISM (INDEPENDENT CHARGE) (SHRI PRAHLAD SINGH PATEL) (a): Data on tourists site wise visits is not maintained by Ministry of Tourism, Government of India. However as per the information received from ASI, data on no. of tourists visited to some of the Buddhist caves/monuments in year 2017, 2018 and 2019 are attached at Annexure I. (b)&(c): Ministry of Tourism has undertaken development of tourism related infrastructure and facilities at various Buddhist Sites in the country under its flagships schemes of Swadesh Darshan & PRASHAD. Buddhist sites has been identified as one of the 15 thematic circuits under the Swadesh Darshan Scheme. A total number of 5 projects for an amount of Rs. 353.73 crore have been sanctioned for the development of Buddhist Sites under the Swadesh Darsha Scheme. In addition, projects for development of infrastructure have also been undertaken under the PRASHAD Scheme. -
The Stella Kramrisch Papers 001 Finding Aid Prepared by Christiana Dobrzynski Grippe and Sarah Newhouse
The Stella Kramrisch papers 001 Finding aid prepared by Christiana Dobrzynski Grippe and Sarah Newhouse. Last updated on December 08, 2011. Philadelphia Museum of Art Archives 2011 June 8 The Stella Kramrisch papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 9 Controlled Access Headings........................................................................................................................10 Collection Inventory.................................................................................................................................... 12 Series I: Art collection.......................................................................................................................... 12 Series II: Writings and research notes.................................................................................................. 18 Series III: Collected reference materials...............................................................................................52 -
AP Board Class 6 Social Science Chapter 20
Improve your learning Sculptures and Buildings 1) Brief the importance of languages. 20 2) How can you say that Aryabhata was the father of astronomy? CHAPTER 3) Differentiate between Charaka Samhita and Sushruta Samhita. 4) Mention a few inventions in Mathematics. Archeologists digging very ancient cities of Indus Valley found some very nice stone and bronze sculptures besides seals carved on stones 5) Look at a currency note and write down difference scripts on them. Identify the and baked clay figurines. These were made some 4000 years ago. You language in which they are written. Is the same script used for different languages? can see some of their pictures here. You can see that these depict everything in a natural manner. We don’t know what they were used for. Which are they? 6) Refer to any general knowledge book and list out five great books in Telugu language and other languages. Project : Prepare a Flow Chart on the establishment of languages. Fig: 20.1. A small bust of a male person of Fig: 20.3. A bronze statue of a importance – was he a priest or a king? girl standing Fig: 20.2. A beautiful Harappan Fig: 20.4. A mother goddess figurine Seal showing a bull of terracotta. 170 Social Studies Free Distribution by Govt. of A.P. A little later the art of casting metal These pillars and the Lion Capital Portrait of Ashoka from Stupa. Look at the photo. You can see that figures spread to Maharashtra. Some very represent the power and majesty of the Kanaganahalli it is like a hemisphere (half ball) – just as exquisite bronze figures were found during Mauryan emperors. -
Post Mauryan Trends in Indian Art and Architecture (Indian Culture Series – NCERT)
Post Mauryan Trends in Indian Art and Architecture (Indian Culture Series – NCERT) In this article, we are dealing with the trends in the post-Mauryan art and architecture as a part of the Indian Culture series based on the NCERT textbook ‘An Introduction to Indian Art’- Part 1. We have already discussed the arts of the Mauryan period in the previous article. This post gives a detailed description about the Post-Mauryan Schools of Art and Architecture such as Gandhara, Mathura, Amaravati, etc. and also the cave traditions that existed during the period. This post also deals with some of the important architectural sites such as Sanchi, Ajanta, Ellora, etc. Take the Clear IAS Exam UPSC prelims mock test on Indian culture. You not only will learn the important facts related to Indian culture, but will also start to love the subject! Indian Architecture after the Mauryan Period From the second century BCE onwards, various rulers established their control over the vast Mauryan Empire: the Shungas, Kanvas, Kushanas and Guptas in the north and parts of central India; the Satavahanas, Ikshavakus, Abhiras, Vatakas in southern and western India. The period also marked the rise of the main Brahmanical sects such as the Vaishnavas and Shaivas. Places where important sculptures are seen Some of the finest sculptures of this period are found at Vidisha, Barhut (M.P), Bodhgaya (Bihar), Jaggaypetta (Andhra Pradesh), Mathura (UP), Khandagiri-Udayagiri (Odisha), Bhaja near Pune (Maharashtra). Barhut Barhut sculptures are tall like the images of Yaksha and Yakshini in the Mauryan period. Modelling of the sculpture volume is in low relief maintaining linearity. -
Buddhist Tourism for the Development and Peace in International Perspective: a Study of Odisha
Buddhist Tourism for the Development and Peace in International Perspective: A Study of Odisha Babuli Chandra Nayak1 and Pratyasha Dhal2 1. Center for Far East Languages (Tibetan), Central University of Jharkhand, Ratu‐ Lohardaga Road, Brambe, Ranchi ‐ 835 205, Jharkhand, India (Email: sumibabuli@ gmail.com) 2. Visva‐Bharati, Santiniketan – 731 235, West Bengal, India (Email: reema.dhal12@g mail.com) Received: 30 June 2018; Revised: 04 September 2018; Accepted: 27 October 2018 Heritage: Journal of Multidisciplinary Studies in Archaeology 6 (2018): 1134‐1144 Abstract: The paper describes Buddhist philosophy in the context of tourism and peace at the international level. The term tourism and peace is understood as a tool at the growing of peace and integration of the society, who make the things presentable and accessible to the tourists for commercial purposes. Thus, the importance of tourism as a contributor to economic growth and peace is widely accepted that across the world a massive investment in the tourism sector for peace at the world level. At the same time, it is also the general consensus which the tourism is pivotal sphere for promoting social progress as well as an important vehicle of widening social and cultural contacts among people. Therefore, there is no dearth of new investigation that does not divulge the contributions of tourism and peace in Odisha, particularly, enhancing social and cultural components across the world. Thus, apart from economic component of tourism can become a major vehicle in promoting and spreading social and cultural aspects, which ultimately help in ushering holistic development for the whole country. From this perspective. -
MANALI PETROCHEMICALS LIMITED CIN : L24294TN1986PLC013087 Regd Off: 'SPIC HOUSE', 88, Mount Road, Guindy, Chennai- 600 032
MANALI PETROCHEMICALS LIMITED CIN : L24294TN1986PLC013087 Regd Off: 'SPIC HOUSE', 88, Mount Road, Guindy, Chennai- 600 032. Tele-Fax No.: 044-22351098 Email: [email protected], Website: www.manalipetro.com DETAILS OF SHARES TO BE TRANSFERRED TO INVESTOR EDUCATION & PROTECTION FUND ON WHICH NO DIVIDEND HAS BEEN CLAIMED FOR THE FY 2008-09 TO 2015-16 SL.NO FOLIO_DP_ID_CL_ID NAME OF THE SHAREHOLDER NO.OF.SHARES TOBE TRFD TO IEPF 1 A0000033 SITARAMAN G 450 2 A0000089 LAKSHMANAN CHELLADURAI 300 3 A0000093 MANI N V S 150 4 A0000101 KUNNATH NARAYANAN SUBRAMANIAN 300 5 A0000120 GOPAL THACHAT MURALIDHAR 300 6 A0000130 ROY FESTUS 150 7 A0000140 SATHYAMURTHY N 300 8 A0000142 MOHAN RAO V 150 9 A0000170 MURALIDHARAN M R 300 10 A0000171 CHANDRASEKAR V 150 11 A0000187 VISWANATH J 300 12 A0000191 JAGMOHAN SINGH BIST 300 13 A0000213 MURUGANANDAN RAMACHANDRAN 150 14 A0000219 SHANMUGAM E 600 15 A0000232 VENKATRAMAN N 150 16 A0000235 KHADER HUSSAINY S M 150 17 A0000325 PARAMJEET SINGH BINDRA 300 18 A0000332 SELVARAJU G 300 19 A0000334 RAJA VAIDYANATHAN R 300 20 A0000339 PONNUSWAMY SAMPANGIRAM 300 21 A0000356 GANESH MAHADHEVAN 150 22 A0000381 MEENAKSHI SUNDARAM K 150 23 A0000389 CHINNIAH A 150 24 A0000392 PERUMAL K 300 25 A0000423 CHANDRASEKARAN C 300 26 A0000450 RAMAMOORTHY NAIDU MADUPURI 150 27 A0000473 ZULFIKAR ALI SULTAN MOHAMMAD 300 28 A0000550 SRINIVASAN K 150 29 A0000556 KANAKAMUTHU A 300 30 A0000561 KODANDA PANI CHIVUKULA 300 31 A0000565 VARADHAN R 150 32 A0000566 KARTHIGEYAN S 150 33 A0000598 RAMASASTRULU TRIPIRNENI 150 34 A0000620 -
Regional: Improving Connectivity and Destination Management of Cultural and Natural Resources in the South Asia Subregion
Technical Assistance Consultant’s Report Technical Assistance 6504-REG December 2011 Regional: Improving Connectivity and Destination Management of Cultural and Natural Resources in the South Asia Subregion Prepared by Tourism & Leisure Advisory Services This consultant’s report does not necessarily reflect the views of ADB or the Government concerned, and ADB and the Government cannot be held liable for its contents. (For project preparatory technical assistance: All the views expressed herein may not be incorporated into the proposed project’s design. Strategy and Road Map for Improving Tourism Connectivity and Destination Management of Cultural and Natural Resources in the South Asia Subregion 2011-2015 Final Report: December 2011 Carabela La Niña, 12 08017 BARCELONA, SPAIN Tel. (+34) 93 206 43 43 Fax. (+34) 93 280 35 16 María de Molina, 54 28006 MADRID, SPAIN Tel. (+34) 91 564 72 09 Fax. (+34) 91 409 44 87 www.tladvisors.com [email protected] Barcelona • Madrid • Lisboa • Milano • Sao Paolo • Dubai Improving Connectivity and Destination Management of Cultural and Natural Resources in the South Asia Subregion ABBREVIATIONS ADB -- Asian Development Bank ASEAN -- Association of South East Asian Nations BIMSTEC -- Bengal Initiative for Multi-Sectoral Technical and Economic Cooperation among the countries of Bangladesh, Bhutan, India, Myanmar, Nepal, Sri Lanka, and Thailand CAGR -- Compound Annual Growth Rate CBO -- Community Based Organization EA -- Executing Agency GDP -- Gross Domestic Product GMS -- Greater Mekong Subregion IA -- Implementing Agency NGO -- Non-Government Organization NTO -- National Tourism Organization PPTA -- Project Preparatory Technical Assistance PPSP -- Public-Private Sector Partnership RCI -- Regional Cooperation and Integration RCSP -- Regional Cooperation Strategy and Program SA -- South Asia SASEC -- South Asia Subregional Economic Cooperation SAARC -- South Asian Association for Regional Cooperation Grouping Bangladesh, India, Pakistan, Sri Lanka, Nepal, Maldives, Bhutan, and Afghanistan.