John Fass Hammer Creek Press
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Truly Miscellaneous Sssss
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Roger Fry and the art of the book: Celebrating the centenary of the Hogarth Press 1917-2017 Author(s) Byrne, Anne Publication Date 2018 Publication Byrne, Anne. (2018). Roger Fry and the Art of the Book: Information Celebrating the Centenary of the Hogarth Press 1917-2017. Virginia Woolf Miscellany, 92 (Winter/Fall), 25-29. Publisher International Virginia Woolf Society Link to https://virginiawoolfmiscellany.wordpress.com/virginia-woolf- publisher's miscellany-archive-issue-84-fall-2013-through-issue-92-fall- version 2017-winter-2018/ Item record http://hdl.handle.net/10379/15951 Downloaded 2021-09-25T22:35:05Z Some rights reserved. For more information, please see the item record link above. Space Consumes Me The hoop dancer dance...demonstrating how the people live in motion within the circling...spirals of time and space. They are no more limited than water and sky. Byrne, Anne. 2018. Roger Fry and the Paula Gunn Allen, The Sacred Hoop Truly Miscellaneous Art of the Book, Virginia Woolf Life is not a series of gig lamps symmetrically arranged, life is a luminous halo sssss Miscellany, No 92, Winter/Spring a semi-transparent envelope surrounding us from the 2018, 25-29. beginning of consciousness to the end.” Virginia Woolf, “Modern Fiction” Roger Fry and the Art of the Book: Celebrating the Centenary of the Hogarth Press 1917-20171 The earliest SPACE WAS MOTHER Making an Impression I join the friendly, excited queue around the hand-operated press, Her womb a circle of all waiting in line for an opportunity to experience the act of inking the And entry as well, a circle haloed by freshly inked plate. -
NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm). -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
A Dictionary of Typography and Its Accessory Arts. Presented to the Subscribers of the "Printers' Register," 1870
: Supplement to tin- "^rtnters 1 Register," September vt, mdccclxxi. "*>. > % V V .. X > X V X V * X X V s X X X V S X S X V X X S X X V X .X X X\x X X .X X X N .N .X X S A t. y littimrarg uprjrajjlur i f / / 4 / / / AND / I '/ ITS ACCESSORY ARTS /• - I / / i 7 ': BY / / I /; r JOHN SOUTHWARD. / /. / / / i ^rescntcb to the Subscribers of the "^printers' T^cgistcr. 1870-1871. / n V / gonfcon JOSEPH M. POWELL, "PRINTERS' REGISTER" OFFICE, 3, BOUVERIE STREET, E.( . / PRINTED 9Y DANIEL & CO., ST. LEONARDS-ON-SEA j — 2? 113 %\%\ of JutjiOUtlCS. Among the various works on the Art of Printing, consulted in the compilation ol this Dictionary, may be named the following : Abridgments of Specifications relating to Printing. Johnson's Typographia. Andrews's History of British Journalism. Knight's Caxton. Annales de la Typographic Francaise et etrangere. Knight's Knowledge is Powei Annales de ITmprimerie. knight's Old Printer and the Modern Pres> xviii. Annals of Our Time. London Encyclopedia. Printing— vol. p , Annuaire de la Librairie et de ITmprimerie. Mi' {Cellar's American Printer. Cabbage's Economy of Machinery and Manufactures. Marahren's Handbuch der Typographic Bullhorn's Grammatography. Maverick's Henry J. Raymund and the New York IV---. Beadnell's Guide to Typography. McCreery's Press, a Poem. Biographical Memoirs of William (Jed. Morgan's Dictionary of Terms u.sed in Printing. Buckingham's Personal Memoirs and Recollections of Editorial Life. Moxon's Mechanick Exercis Buckingham's Specimens of Newspaper Literature. -
Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Horn Printing Chappel. Records. 1960-1994
http://oac.cdlib.org/findaid/ark:/13030/tf1w1004kd No online items Horn Printing Chappel. Records. 1960-1994. Finding aid prepared by University Archives staff, 2001; reprocessed by Katharine A. Lawrie, 2011; machine-readable finding aid created by Katharine A. Lawrie, 2013 June. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2001 Horn Printing Chappel. Records. University Archives Record Series 704 1 1960-1994. Title: Horn Printing Chappel. Records. Identifier/Call Number: University Archives Record Series 704 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 3.2 linear ft.(8 boxes) Date: 1960-1994 Abstract: Record Series 704 contains records about the activities of UCLA's Horn Printing Chappel, which include the history of the Chappel, activities, related coursework within the Graduate School of Library and Information Science, and relevant lecture series. Records and printing work of Professor Andrew H. Horn, his colleague Professor Diana M. Thomas, and their students are featured. Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Processing Information The Horn Printing Chappel Files were preliminarily processed in 2001 by University Archives Staff. -
Fine Printing & Small Presses A
Fine Printing & Small Presses A - K Catalogue 354 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Bbf19-Web2.Pdf
WITH EDITOR’S COPY OF SOURCE MATERIAL supralibros of Napoleon stamped on both covers, set against a field of gilt-tooled stars. Pale blue watered -silk 1. [ALLEN PRESS]. Stewart, George (ed.). The Di- endpapers and paste-downs. Minimal foxing throughout, ary of Patrick Breen: Recounting the Ordeal of the Donner corners slightly rubbed. Overall, a lovely example of a Party Snowbound in the Sierra, 1846-47. Together with: binding from Napoleon’s library. (See illustration on front George Stewart’s copy of the first published edition of the cover). $4,500 Diary. San Francisco, 1946. Quarto. 38pp., (16)ff. One of 300 copies, printed by Lewis and Dorothy Allen for the ONLY EDITION ISSUED Book Club of California. With title and decorations by Mallette Dean. Contains a 30-page facsimile of the diary. 5. (Buckland Wright, John). [GOLDEN COCK- Very fine in green, brown, and white patterned boards. EREL PRESS]. The Vigil of Venus: Pervigilium Veneris. Together with: Diary of Patrick Breen. One of the Donner London, (1939). Small quarto. 28pp. One of 100 cop- Party. Berkeley, 1910. Volume 1, number 6 of the Pub- ies, printed on handmade paper and bound in full blind- lications of the Academy of Pacific Coast History. pp. stamped mustard morocco. The eighteen copper engrav- (269)-284. Two copies of the first published edition of ings by John Buckland Wright took two years to create Breen’s diary, both of which bear Stewart’s ownership in- and were inspired by the Roman sarcophagi in the Lou- scriptions and extensive pencil notations throughout, in- vre. -
Frederic Warde: New York State of Mind by Simon Loxley
Click here to view a video introduction to this article online. Frederic Warde: New York State of Mind by Simon Loxley he book and type designer Frederic Warde (1894–1939) divided opinion among those who knew and worked with him, which may be one of the reasons no one had seriously tried to tackle his story be- Tfore. The initial spark for my interest in writing about him was the interviews that Paul Bennett conducted with Stanley Morison and Beatrice Warde in the early 1960s on the subject of their former partner – in both senses of the word. It is Frederic Warde no exaggeration to say that it is really only through his connection with them that Frederic Warde’s memory survived at all – but also that because of that connection, and the enormous influence that both Morison and Beatrice subsequently wielded, as makers of their own public images and personal mythologies, Frederic was rel- egated to a half-forgotten status. The Grolier Warde archive is big; surprisingly so in view of its subject’s semi-obscu- rity, and his own determination during his lifetime to conceal his personal history. If Warde was, as Rudolph Ruzicka concluded, an enigma, it is because he wanted it that way. But despite that, a remarkable amount of material connected to him has survived. His great friend and correspondent William Kittredge, of Chicago’s Lakeside Press, had a special box made after Warde’s death to keep his letters in, and reading them you can see why. Warde’s letters could be irritating, informative, funny, even offensive, but rarely if ever dull. -
Goudy, Master of Letters, Chgo
QGS8V THE UNIVERSITY OF ILLINOIS LIBRARY ILLINOIS HISTORICAL SUBVEF Digitized by the Internet Archive in 2012 with funding from University of Illinois Urbana-Champaign http://archive.org/details/goudymasterofletOOorto GOUDY MASTER OF LETTERS LIBRARY OF THE UNIVERSITY OF ILLINOIS Frederic W. Goudy, 1937 GOUDY MASTER OF LETTERS BY VREST ORTON 5% WITH AN INTRODUCTION BY FREDERIC W. GOUDY T THE BLACK CAT PRESS CHICAGO 1939 Copyright 1939 by the Blac\ Cat Press B G-68'8 TO LELIA AND GARDNER ORTON -3 fe k § i C2 CC s Contents Author's Preface 13 Introduction 19 Goudy: Master of Letters 25 Postlude: The Destruction of Deepdene 87 Illustrations Frederic W. Goudy, 1937 6 Goudy the Old Master 24 Goudy using Albion Press at Anderson Galleries 39 Type styles when Goudy began designing type 45 Typography at the time Goudy began his career 46 Advertising of the early 1900 era 63 A Goudy title page 64 Goudy at Deepdene, IQ32 73 Specimen of Goudy types, IQ21 74 Author's Preface Daniel Berkeley Updike, whose ability to make charming epigrams has enriched and enlightened our typographic lore, once said, ". any person of mod- erate intelligence can make the most of his advan- tages . the trick being to make the most of one's disadvantages.' ' No one in the history of American graphic arts has accomplished this trick with greater success than Frederic Goudy. Not even Goudy's best friends claim that he was born a genius. Certainly he has never lived or acted like one. His early years were destitute of the advan- tages so handy nowadays to students of printing. -
The Work of Bruce Rogers Noted in the Catalo Ue Has Been Arran Ed in Chronolo Ica O D G G G L R Er
P HOTO BY WM . H . EULER T HE WO RK O F BRUC E RO G ERS JACK O F ALL TRADES 2 MASTER O F O N E A CATALOGUE O F AN E X H I B IT I O N ARRAN G E D BY T H E AM E R I CAN I N ST ITUT E O F GRAP H I C ART S AN D TH E GRO L I E R C LUB O F N E W Y O RK C B Y D . B PD I K E W ITH AN I NTRO D U T I O N . U M A L ETT E R F ROM J O H N T . C CUT C H E O N AN D AN ADD R E S S BY MR . RO G E R S NEW Y ORK O X FORD UNIVERSITY PRESS 1 9 3 9 O I BY O O U N EW O INC . C PYRIGHT, 9 39 , XF RD NIVERSITY PRESS , Y RK , PRINTED IN T HE UNITED STATES O F AMERICA P R E F A C E THIS catalogue was prepared to accompany an exhibition o The Work o Bruce Ro ers arran ed b a oint com f f g , g y j mittee of The ri merican Institute of Graphic d rts and — B ai an F d ick . The Grolier Club David Silve, Ch rm , re er nt and F B H . Ke red Car r . W Adams r Melbert . , y ” y, y ” , ic a d It was shown at the house o The Grolier er W r e . -
Fine Printing & Small Presses L
Fine Printing & Small Presses L - Z Catalogue 356 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.