The Interaction of Broadcasters, Critics and Audiences in Shaping The
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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Rupert Power ACO, GBCT | Crew Profile | Gravycrew
Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Rupert Power ACO, GBCT Camera / Steadicam Owner-Operator Rupert is an experienced Camera & Steadicam Operator working on Features, TV Drama, TV Comedy, Commercials and Music productions. Experienced with remote heads, geared heads, steadicam and happy to light second unit. Steadicam owner/operator. Feature Films (Selection) Production Director / DOP Production Company Additional Information A Christmas Number 1. Chris Cottam / Catherine Sky Original Cinema Camera Operator Derry Last Night In Soho Edgar Wright / Oliver Big Smoke Pictures Ltd. Camera & Steadicam 2nd Unit Curtis BSC Muscle Gerard Johnson / Stuart Muscle Films Ltd. B Camera & Steadicam Bentley Sulphur & White Julian Jarrold / Felix UME 9 LTD / AMG B Camera & Steadicam Wiedemann International Cordelia Adrian Shergold / Tony StudioPow Steadicam Operator dailies Slater-Ling 90 Minutes Simon Baker /Dom Bartels 90 Minutes Productions Steadicam Operator Sing Street John Carney /Yaron Cosmo Films Steadicam / Crane Op Orbach Legacy David Fairbanks, Marc Legacy Productions Steadicam Operator Small /Aaron Reid The Possibilities are Endless Ed Lovelace, James Hall Pulse Films Steadicam Operator /Richard Stewart Hyena Gerard Johnson /Ben No 9 Films Steadicam Operator Kracun Fair Game Doug Liman /Robbie River Road Entertainment Steadicam Operator Baumgartner Angus, Thongs & Snogging Gurinder Chadha / Dick High Command Steadicam Operator Pope BSC Shifty Rani Creevy /Ed Wild Dudlowe Films Steadicam Operator -
Lamda.Ac.Uk Review of the Year 1 WELCOME
REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
TV Series Bibles
This is a repository copy of Tablets of Stone or DNA? TV series bibles. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/125213/ Version: Accepted Version Article: Macdonald, IW (2018) Tablets of Stone or DNA? TV series bibles. Journal of Screenwriting, 9 (1). pp. 3-23. ISSN 1759-7137 https://doi.org/10.1386/josc.9.1.3_1 © 2018 Intellect Ltd. This is an author produced version of a paper published in Journal of Screenwriting. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Tablets of Stone or DNA? TV series Bibles. Ian W. Macdonald University of Leeds © 2017 Introduction: What is a Bible? ‘What is a TV Bible’ is a question rarely addressed by screenwriting manuals, and answered only sparingly. Dave Trottier says it is ‘a printed guide that sets forth the rules of the show, including character sketches, and information on what’s forbidden and what they’re looking for’ (1998: 280). -
James Strong Director
James Strong Director Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes CRIME Buccaneer/Britbox Lead Director and Executive Producer. 2021 Episodes 1-3. Writer: Irvine Welsh, based on his novel by the same name. Producer: David Blair. Executive producers: Irvine Welsh, Dean Cavanagh, Dougray Scott andTony Wood. VIGIL World Productions / BBC One Lead Director and Executive Producer. 2019 - 2020 Episodes 1- 3. Starring Suranne Jones, Rose Leslie, Shaun Evans. Writer: Tom Edge. Executive Producer: Simon Heath. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes LIAR 2 Two Brothers/ ITV Lead Director and Executive Producer. 2019 Episodes 1-3. Writers: Jack and Harry Williams Producer: James Dean Executive Producer: Chris Aird Starring: Joanne Froggatt COUNCIL OF DADS NBC/ Jerry Bruckheimer Pilot Director and Executive Producer. 2019 Television/ Universal TV Inspired by the best-selling memoir of Bruce Feiler. Series ordered by NBC. Writers: Tony Phelan, Joan Rater. Producers: James Oh, Bruce Feiler. Exec Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Read, Tony Phelan, Joan Rater. VANITY FAIR Mammoth/Amazon/ITV Lead Director and Executive Producer. 2017 - 2018 Episodes 1,2,3,4,5&7 Starring Olivia Cooke, Simon Russell Beale, Martin Clunes, Frances de la Tour, Suranne Jones. Writer: Gwyneth Hughes. Producer: Julia Stannard. Exec Producers: Gwyneth Hughes, Damien Timmer, Tom Mullens. LIAR ITV/Two Brothers Pictures Lead Director and Executive Producer. 2016 - 2017 Episodes 1 to 3. Writers: Harry and Jack Williams. -
Broadchurch: the Detectives Behind the Detective
Broadchurch : the detectives behind the detective Noémie Tosser To cite this version: Noémie Tosser. Broadchurch : the detectives behind the detective. Literature. 2017. dumas- 01765729 HAL Id: dumas-01765729 https://dumas.ccsd.cnrs.fr/dumas-01765729 Submitted on 13 Apr 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License 1 Table of content Acknowledgements...........................................................................................................4 Introduction.......................................................................................................................5 I – The archetypical detective in literature and Alec Hardy..............................................8 1 – Definition of the archetypical detective.................................................................8 a – History of detective stories in literature............................................................8 b – Establishing the corpus -
Harper's Bazaar
TALKING POINTS Clockwise from below: David Tennant. should fi lm something here.’ Then I realised, stupidly, that someone Charlotte Rampling, who joins the cast for could be me. series two. Leading Once this landscape gets into you, it doesn’t let go. The cliffs, the lady Olivia Colman endless sea, the fi elds that roll right up to the beach. This is Thomas Hardy country: he understood and wrote about this savage, beautiful scenery better than anyone. Broadchurch is peppered with references to his work, from the name of David Tennant’s character, Alec Hardy, to the name of the local police force, Wessex Police. There are more embedded in the second series too. Then there’s the cast, headed by Olivia Colman and Tennant. I wrote the part of Ellie for Olivia – I’m not sure what we’d have done if she’d turned us down. Thankfully, she didn’t, and it has been a privilege to write for TELEVISION an actress who’s capable of anything you throw at her. She’s also a wonderful person to have on set: funny and relaxed when the cameras aren’t rolling; incredibly serious WATCHING about her work the second shooting starts. In David Tennant, we found the perfect male counterpart: an extra ordinary actor, THE DETECTIVES also capable of the switch from emotion to ITV’s atmospheric crime dramaBroadchurch humour in the blink of an eye. They both possess such humanity, empathy and returns for a second series in January.warmth, as actors and as people. And I The show’s creator and writer CHRIS CHIBNALL haven’t even got to Jodie Whittaker, Andrew Buchan, Arthur Darvill, Carolyn Pickles, explains the chemistry that made it a cult hit Jonathan Bailey – a cast of strength in depth. -
Production Company of the Year Additional Evidence April 1St 2015
Production Company of the Year Additional Evidence April 1st 2015 – March 31st 2016 Number of broadcast hours 23 hours o Humans – 8 x 60’ (C4) o River – 6 x 60’ (BBC) o Capital – 3 x 60’ (BBC) o Grantchester 2 – 6 x 60’ (ITV) Number of new commissions 42 hours o Broadchurch 3 – 8 x 60’ (ITV) o Grantchester 3 – 6 x 60’ (ITV) o Troy Fall of a City - 8 x 60’ (BBC) o Humans 2 – 8 x 60’ (Channel 4/AMC co-production) o Tin Star – 10 x 60’ (Sky) o Man In An Orange Shirt – 2 x 60’ (BBC) o The Boy with the Top Knot – 1 x 90’ (BBC) Additional Shows in Production (not broadcast during period) 15 hours o The Tunnel: Sabotage – 8 x 60’ (Sky) o Flowers – 6 x 30’ (C4) o Apple Tree Yard - 4 x 60’ (BBC) Success of new and existing series during this period o Humans – Channel 4 . Ratings and Awards - Series Peak 6.15 million; Series Average 6.68 million – the highest rated C4 drama in 20 years . The series average exceeded C4’s primetime market share by +185% . On twitter Humans was the most talked about drama on Channel 4 last year, generating 67,072 tweets and trending during 6 of the 8 episodes . Humans has won the following awards: Televisual Bulldog Award - Best Drama Series, BAFTA Craft – Digital Creativity in 2016. Humans received the nominations for the following awards: BAFTA Craft editing – Dominic Strevens, BAFTA TV - Best Drama Series, Broadcast Awards – Best Drama Series, Edinburgh TV Awards – Best International Co-Production, National TV Awards – Best New Drama Series, RTS Craft and Design Awards – Best Title Designs, TV Choice Awards – Best New Drama. -
The Changing Topography of Contemporary French Policier in Visual and Narrative Media
Deathly Landscapes: The Changing Topography of Contemporary French Policier in Visual and Narrative Media DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Paige M. Piper, M.A. Graduate Program in French and Italian The Ohio State University 2016 Dissertation Committee: Margaret C. Flinn, Advisor Jennifer Willging Patrick Bray Copyrighted by Paige M. Piper 2016 Abstract This dissertation explores spatio-temporal shifts in twenty-first century French crime narratives, through a series of close readings of contemporary crime films, television, literature, and comics. The works examined rely on the formal properties of the policier genre but adapt its standard conventions, most notably with deviations in the use and function of space. In this dissertation, I demonstrate that the modern policier is one that embraces its spatio-temporal, social, and generic non-fixity. The textual/visual constructions of many hyper-contemporary crime narratives contain multiple modes of decomposition within: a decentralization of space, which moves the action away from the genre’s traditionally urban location to boundless rural spaces and border zones; a de- concentration of the policier genre, through the incorporation of tropes from other literary styles and works; and a devolution of social cohesion and community identity in the narratives. Chapter 1 examines works where historic references and urban legends of the 19th century fantastique literary genre unfold in modern rural locations. The past and the present converge to problematize modern ideals, identity, and community unity in rural spaces where reason is pitted against the supernatural. -
Investigating Sound: Visual and Aural Style from Broadchurch to Gracepoint
Marquette University e-Publications@Marquette College of Communication Faculty Research and Publications Communication, College of 2017 Investigating sound: Visual and aural style from Broadchurch to Gracepoint Amanda R. Keeler Follow this and additional works at: https://epublications.marquette.edu/comm_fac Part of the Communication Commons Marquette University e-Publications@Marquette Communication Faculty Research and Publications/College of Communication This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. The Soundtrack, Vol. 10, No. 1 (2017) : 43-57. DOI. This article is © Intellect Ltd. and permission has been granted for this version to appear in e-Publications@Marquette. Intellect Ltd. does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Intellect Ltd. Investigating sound: Visual and aural style from Broadchurch to Gracepoint AMANDA KEELER: Marquette University ABSTRACT Using Broadchurch and its American version Gracepoint as a case study, this article explores the aesthetic relationship between these two television programmes through an analysis of their visual and aural styles. The increasing proliferation of television-to-television adaptations and remakes necessitates revisiting the terminology to assess how it accommodates methodological approaches that extend beyond cross-cultural analyses. As narrative content and style are inextricably connected, this article attends to the complexity of employing existing terms to analyse the new version of a programme that simultaneously replicates and departs from the style and tone of its predecessor. KEYWORDS Television, adaptation, remake, format, sound, aesthetics In March 2013 ITV began airing the crime drama Broadchurch (2013–17), which television critic Mike Hale describes as ‘a moody, slow-moving, complicated crime story with damaged heroes and not much redemption to go around’ (2013). -
The Impact of Broadchurch on Businesses in West Dorset
THE IMPACT OF BROADCHURCH ON TOURISM BUSINESSES IN WEST DORSET APRIL-OCTOBER 2013 A REPORT PREPARED FOR WEST DORSET AND WEYMOUTH & PORTLAND SHARED SERVICES PARTNERSHIP JANUARY 2014 PREPARED BY DR JOANNE CONNELL The Impact of Broadchurch on Business in West Dorset 2013 ACKNOWLEDGEMENTS The author would like to thank staff in the Tourism team at West Dorset and Weymouth & Portland Shared Services Partnership for their support in completing this project, and in particular, James Maidment for assistance in distributing the questionnaires for this project and for providing relevant information to inform this study. In addition, the contribution of businesses in completing questionnaires was much appreciated. 2 The Impact of Broadchurch on Business in West Dorset 2013 THE IMPACT OF BROADCHURCH ON BUSINESS IN WEST DORSET 2013 EXECUTIVE SUMMARY Achieving viewing figures of between 7-10 million per episode during an eight-week period in early 2013, Broadchurch was a highly successful TV drama series filmed in part in and around the West Bay area. The series stimulated huge interest in the filming location from the viewing public and the national media, alongside a number of initiatives set up by West Dorset and Weymouth & Portland Shared Services Partnership to harness the marketing opportunities presented by the portrayal of the locality on national television. Anecdotal evidence identified a rise in the number of people visiting Bridport and West Bay seeking the ‘real’ Broadchurch. The profile of the area as a visitor destination increased significantly and with immediate effect. This study reports on the extent to which Broadchurch impacted on tourism-related businesses in West Bay, Bridport and the surrounding area.